a.muse

Framed Contemporary Acrylic Painting, Bow-Wow by a.muse

2016

In an Art Brut style Angel Descending the Staircase, 2019 by a.muse is a 15” x 11” x 1/16” acrylic and pastel stick painting on canvas mounted on archival mat board. The mixed media "patchwork...

In the artist's Art and Design original print series, It Doesn't Have to be Perfect suggests that striving for perfection is not always the goal. Transcending the limitations of p...

Faces 1, 2021 by a.muse is an abstract oil painting on paper. For the work the artist plays with the ideas that everything can be familiar and unfamiliar, while everything can be and...

After Blue Eyes, 2021 by a.muse is 24" x 18" x 3/16” acrylic and oil stick painting on canvas mounted on archival board. The work is signed, titled,...

(Comes framed in a deep-profile maple floater frame, ready to hang.) Artist's Statement: "I was working on my loose, almost graffiti-like "Rosetta" series when this painting took a turn towards formality, and instead of trying to wrench it back into the Rosetta mold I just let it go where it wanted to. Has my usual insane assortment of mediums . . . " “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

This is a "Figurative Abstract" Acrylic on Stretched Canvas The sides are painted as a continuation of the design and colors as the Front of the Piece, with no staples on any side ...

(Comes professionally framed in a solid maple floater frame, ready to hang) Artist's Statement "This series of intensely colorful paintings was begun a couple of years back in reaction to the gray oppressive weight that had descended like a pall on the American scene. I wanted to make paintings about nothing but pure delight, in honor of the fact that beneath the fog of germs and political antagonism, we still eat, laugh, love and if we're wise, acknowledge how spectacularly fortunate we are -- at least for now, in this time and place, despite the problems. For me, the colors, forms and brushstrokes here feel exuberant without suggesting an unnerving chaos. I have purposely used unlikely color combinations that despite their dissonance seem to work together. I don't feel this is a time to be making brooding works that reflect the problems we are working our way through; we all know about this. On the contrary, I think it's a time for art...

Part of the artist’s ‘The Chaos of My Mind’ series, Ariel McClearin’s painting ‘Doomsday' is an original signed acrylic work on canvas board. Combining...