Cord Abstract Paintings

From the series Horizons' – Meadow 2021 Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm. ‘Horizons’ are a symbiosis of two disciplines of art, Painting and Weaving. Handwoven Canvas is entirely constructed on a weaving loom using a painting technique of glazing - applying semi-transparent layers of textile on each other' Inspiration is the colour perspective which exists in nature and the line of the horizon – border of the space visible to the eye and the one hidden by the ground. Marta Pokojowczyk...

"Awakening I", handwoven painting - landscape, linen and organic cotton yarn, the warp is partially painted with acrylic textile paint, 120 x 80 cm, 2022. Canvas is entirely constr...

"Abstract Melange II" Abstract Collage 35" x 29.5" inch by Neama El Sanhoury Fabric Collage on Cotton Mesh on Wood ARTIST BIO Neama El Sanhoury's upbringing in what she describes a...

Rosamond Berg (American, 1931 - 2018) Voyage I, 1982 Mixed media construction including hand-dyed cotton cloth pouches 24 x 24 inches Signed, titled an...

In Between Words 2', from the series 'Horizons’ 2021 Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm. ‘Horizons’ are a symbiosis of two disciplines of art,...

Clay pigment, gesso, needlepoint, and oil on canvas Andrée B. Carter was born and raised in New Orleans. She has lived in Seattle and Los Angeles, and now resides in Palm Desert. An...

Needlepoint designed by artist, hemp cord, paper, white gesso, modeling paste, resin, and Flashe Andrée B. Carter was born and raised in New Orleans. She has lived in Seattle and Lo...

Clay pigment, gesso, needlepoint, and oil on canvas Andrée B. Carter was born and raised in New Orleans. She has lived in Seattle and Los Angeles, and now resides in Palm Desert. An...

In Between Words III, 2021, Horizons Series Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm ‘Horizons’ are a symbiosis of two disciplines of art, Painting and Weaving. Handwoven Canvas is entirely constructed on a weaving loom using a painting technique of glazing - applying semi-transparent layers of textile on each other' Inspiration is the colour perspective which exists in nature and the line of the horizon – border of the space visible to the eye and the one hidden by the ground. Marta Pokojowczyk...

Needlepoint designed by artist, hemp cord, paper, white gesso, modeling paste, resin, and Flashe Andrée B. Carter was born and raised in New Orleans. She has lived in Seattle and Lo...

Clay pigment, gesso, needlepoint, and oil on canvas Andrée B. Carter was born and raised in New Orleans. She has lived in Seattle and Los Angeles, and now resides in Palm Desert. An...

"Girl / Boy (diptych)" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, abandoned papers, laser engraving, string, nails, wood box frame measuring appr...

This pita plastica piece is one of Brand's largest works from this series and features brightly colored plastic twine in several layers. An outstanding feature of this geometric piec...

Bend 2 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting...

Crash 1 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connectin...

Senses, 2021, Horizons Series Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm ‘Horizons’ are a symbiosis of two disciplines of art, Painting and Weaving. ...

Tease 3 (Abstract Painting) Acrylic and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at t...

Partly cloudy 44° (Abstract painting) Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them fro...

Shift 3 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connectin...

Partly cloudy 39° (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them fro...

Crash 2 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connectin...

Wish 7 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting...

Shield #2 (Abstract painting) Acrylic, plastic bags and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from co...

Shout 2 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connectin...

The Times (Abstract Painting) Acrylic, plastic bags and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shap...

Blue Water Dots (Abstract Painting) Watercolor / work on paper - Unframed This work on paper is made with thread and watercolor. It is a “drawing” of color with a brush, line wit...

Experimentation with different materials, textures and techniques in each of his paintings has been a point of discovery and a major part of Raul de la Torre’s artwork. In his Fils I Colors series of works, he attempts to find the third dimension through the use of different materials. This colorful mixed media artwork is painted with acrylic on paper. After painting, the artist cuts holes in the paper which he embroiders over with the exact color thread. This original artwork measures 37 inches high by 30 inches wide. This artwork is framed in a modern white frame, the price and size include the frame. Free local Los Angeles area delivery. Affordable U.S. and global shipping available. A certificate of authenticity issued by the art gallery is included. Initially, he removed paint from the artistic equation by slicing the works, combining canvas and paper with selected materials. Gradually, the slicing gained more importance, a reflection, perhaps, of his increased desire to be more aggressive. Embroidery provides another element as it creates thick shadows with organic shapes. When combined with light, these shapes offer different views of the work to various observers. The interaction between the artist, gravity, and the paint is important for the final result. The technique attempts to eliminate the absolute imprint of the artist’s hand. This permits the paint to be a major architect of the final result, giving it a life of its own. It results in infinite and timeless color combinations. In many cases, the different layers of color each represent a temporary state of mind, time, and even places and people. “FILS I COLORS is an attempt to find life, movement and parts that are not static, that change in their interaction with the observer. The different combinations of colors represent different emotions and interpretations for each individual interacting with the works.” – Raul de la Torre The major motivation for the idea behind his series of city artworks “CIUTATS” was Raul’s city, Barcelona, and it's particular infrastructure and architecture which are unique among the cities of the world and which are easily recognizable. His personal attraction to the great cities of the world and the urban life was a true incentive. In this series he portrays the different aspects of the cities as a human creation with their different levels of physical and social existence. “Man created the city and in turn the city has molded the actions and ideas of the human race. I have intended to mold the city, to create my city, to put in order the urban chaos in a reduced physical space, Forget that the cities in which we live have been formed with asphalt, cement, human misery, forgotten revolutions, buried bones and transform them into a conglomeration of texture and color put onto the frontier of canvas and paper.” - Raul de la Torre Artspace Warehouse has been representing and exhibiting Raul de la Torre's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles GROUP EXHIBITIONS 2023 "Credible Thread", Artspace Warehouse, Los Angeles, CA 2022 "Clarifying Color", Artspace Warehouse, Los Angeles, CA 2021 825 Gallery, West Hollywood, CA 2021 Pamela Walsh Gallery, Palo Alto, CA 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles 2019 Merritt Gallery, Baltimore, MD 2019 Art Project Paia, Maui, Hawaii 2018 Artspace Warehouse, Los Angeles 2016 Affordable Art Fair Hong Kong 2015 Art Project Paja, Maui, HI 2015 Affordable Art Fair Singapore 2015 FP Contemporary, Culver City, CA 2015 Off Ramp Gallery, Pasadena, CA 2015 Love Art Fair Toronto, Canada 2015 Affordable Art Fair New York, NY 2015 Palm Springs Fine Art Fair, CA 2015 LA Art Fair – Artspace Warehouse – Los Angeles, CA 2014 Red Dot Art Fair – Artspace Warehouse – Miami, FL 2014 Art Toronto – Artspace Warehouse - Canada 2014 Houston Fine Art Fair – Artspace Warehouse - TX 2014 Love Art Fair Toronto – Artspace Warehouse - Canada 2014 AAF New York – Artspace Warehouse - NY 2014 LA Art Fair – Los Angeles, CA 2013 825 Gallery – Out There 2013 - West Hollywood 2013 Bluprint Green Gallery – Modernism - Palm Springs, CA 2013 Gallery Y – Collaboration of Circles and Lines – Los Angeles, CA 2012 825 Gallery – Out There 2012 - West Hollywood, CA 2012 Artspace Warehouse – Los Angeles, CA 2012 Bruce Lurie Gallery – Los Angeles, CA 2012 Launch – Artpad San Francisco, CA 2012 825 Gallery – GEM 2012- West Hollywood 2012 Launch – Los Angeles Art Show 2012 2012 825 Gallery – Versus – West Hollywood 2011 Artspace Warehouse - Colors – Los Angeles 2011 Venice Art Walk and Auction – Venice Beach, CA 2011 Cobalt Studio – In Stitches – Chicago, IL 2011 Launch – Merry Karnowsky Gallery – Solid Stripes - Los Angeles, CA 2010 825 Gallery - Aurora - West Hollywood, CA 2010 Fresh Paint Gallery - Gathering - Culver City, CA 2010 Jon Frum Art Foundation – The Strongest of the Strange - Los Angeles, CA 2010 825 GALLERY - OUT THERE - West Hollywood 2010 VENICE ART WALK AND AUCTION - Venice Beach, CA 2010 825 GALLERY - GEM 2010 - West Hollywood 2010 GALERIA GERALDES DA SILVA - Colectiva de artistas espanhois - Porto, Portugal 2010 ARENA-1 GALLERY – Santa Monica, CA 2010 INTERNATIONAL ART FAIR PURO ARTE - Vigo, Spain 2009 ART VERSUS WALLS - Berlin, Germany 2009 ARENA-1 GALLERY - Santa Monica, CA 2009 GODO GALLERY - Highly Toxic - Glendale, CA 2009 SEYHOUN GALLERY - EUROPE NOW 2009 ROBERT DANIEL GALLERY - Tacoma, Washington 2009 Curator of the show "Europe meets America", Seyhoun Gallery 2009 SEYHOUN GALLERY - FREE IRAN – Los Angeles 2009 825 GALLERY - OUT THERE - West Hollywood 2009 SEYHOUN GALLERY - Los Angeles 2009 EL SEXTO...

Born in Buckinghamshire in 1976, Rachel Wickremer is a Canterbury based painter known for her colourful work. Exploring the relationship between the m...

Bulge 14 (Abstract Painting) Acrylic and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at ...

Born in Buckinghamshire in 1976, Rachel Wickremer is a Canterbury based painter known for her colourful work. Exploring the relationship between the ...

Soothe 1 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecti...

Bend 12 (Abstract painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connectin...

Artist Commentary: This painting is from my "Common Threads" series comprised of abstract paintings that metaphorically allude to the links, or threads, tying people, groups, and communities together across differences. We often find ourselves faced with addressing the differences between people, via identity, politics, economic stature, family origin, and more. Real entwined thread, or pulled lengths of wool, in the Common Threads paintings are a metaphor for commonly shared experiences bridging these different identity issues. Shared experiences bind people and their histories together in intimately interesting ways. I am working to use these links and metaphoric threads as a means to find common ground and harmony. Keywords: abstract, pastel colors, linear, lines, thread, calm, meditative, circles, pink, green, blue, ivory, antique white Details about the piece: - This is a hand painted, original painting - Created in Baltimore, Maryland, USA - Professional grade oil paints and ArtResin on wood panel - Other materials include professional grade watercolor, oil pastel, and thread - Wood Panel with Birchwood face and 1.5" Poplar wood cradle - Ready to hang with wires and D ring - Signed on the back - Certificate of authenticity and care sheet included with original Artist Biography: Farida Hughes’ lively and intriguing abstract paintings take their inspiration from the gathering and dispersing of crowds, group relationships, and shared histories and stories of people. She developed her abstract mixed media style, and methods of mixing oil paint with resin, after many years of painting with oil paint and experimenting with oil painting mediums. Hughes studied Studio Art and English at Fordham University in New York and received an MFA in Painting from the University of Chicago. Her work is exhibited widely in galleries and art centers and collected nationally. She is currently represented by Walker Fine Art...

Artist Commentary: This painting is from my "Common Threads" series comprised of abstract paintings that metaphorically allude to the links, or threads, tying people, groups, and communities together across differences. We often find ourselves faced with addressing the differences between people, via identity, politics, economic stature, family origin, and more. Real entwined thread, or pulled lengths of wool, in the Common Threads paintings are a metaphor for commonly shared experiences bridging these different identity issues. Shared experiences bind people and their histories together in intimately interesting ways. I am working to use these links and metaphoric threads as a means to find common ground and harmony. Keywords: abstract, pastel colors, linear, lines, thread, calm, meditative, circles, pink, green, blue, ivory, antique white Details about the piece: - This is a hand painted, original painting - Created in Baltimore, Maryland, USA - Professional grade oil paints and ArtResin on wood panel - Other materials include professional grade watercolor, oil pastel, and thread - Wood Panel with Birchwood face and 1.5" Poplar wood cradle - Ready to hang with wires and D ring - Signed on the back - Certificate of authenticity and care sheet included with original Artist Biography: Farida Hughes’ lively and intriguing abstract paintings take their inspiration from the gathering and dispersing of crowds, group relationships, and shared histories and stories of people. She developed her abstract mixed media style, and methods of mixing oil paint with resin, after many years of painting with oil paint and experimenting with oil painting mediums. Hughes studied Studio Art and English at Fordham University in New York and received an MFA in Painting from the University of Chicago. Her work is exhibited widely in galleries and art centers and collected nationally. She is currently represented by Walker Fine Art...

Mostly cloudy 27° (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them fro...

Tease 3 (Abstract Painting) Acrylic and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at t...

Bulge 24 (Abstract Painting) Acrylic and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at ...

Wish 8 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting...

This piece by Heather Hartman was created for her show titled "Kudzu Season," at Channel to Channel Gallery. In this piece, layers of paper, painted tyvek and silkscreen create a dreamy lavender and pale yellow atmosphere that recedes into space. Several fibrous kudzu vines...

Twist 2 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connectin...

Rise 3 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting...

Partly cloudy 44° (Abstract painting) Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them fro...

Bend 14 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a transparency is created that allows the viewer to enter through the lines onto the painted surface. The titles of each series can be interpreted as emotional, psychological and physical conditions. This work from the series called Bend is a zig zag fragmented shape with a stitched edge that amplifies its 3 dimensional aspect. The optical effect is sculptural. There is a constant play between drawing, painting and sculpture. The painting has a dynamic energy and yet simultaneously convey a quiet poetry. Holly Miller is an American abstract artist whose paintings strive to merge the optical with the tactile through the language of abstraction. She lives and works in Brooklyn, NY. Communication through the touch (body language) has inspired her tactile abstract paintings. Miller's palette echoes the tones and hues of Italian industrial design from the 60's and 70's, while her shapes recall architecture and urban structures. Her work has a huge affinity to Fontana's physical approach to his paintings and Burri's tactile manipulation of the painting's surface. Ellsworth Kelly's bold shapes and colors have resonated with her on a purely optical level. Agnes Martin’s subtle, quiet, repetitive drawn lines, Fred Sandback’s strong architectural, minimal fiber lines drawn in space, Eva Hesse’s emotionally loaded structured webs, Richard Tuttle’s quirky and fresh drawings and humble objects, Bridget Riley's dynamic, optical compositions have left a deep impression on Miller inspiring her to carve out her own voice in Abstraction. By combining repeated threaded lines with geometric shapes of color, her work conveys many dichotomies: reductive painting and craft, illusion and material, warm and cool, absence and presence, masculine and feminine, bold and subtle, perfection and imperfection... The paintings have a physicality that is described through the monochromatic brush strokes and the punctured holes of the drawn lines that pierce the surface of the canvas, yet from a distance, they appear to be flat and suggest a fine line drawing...

Wish 7 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting...

Artist: Gunda Jastorff Medium: Mixed media on canvas Original painting - gold and black crosses. Size: 140 x 90 OR 90 x 140 cm. It is possible to hang this painting either way round...

Artist: Gunda Jastorff Medium: Mixed media on canvas Original painting - gold and white crosses. Size: 140 x 90 OR 90 x 140 cm. It is possible to hang this painting either way round...

Bend 2 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting...

Snap 8 (Abstract Painting) Acrylic and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at th...

Artist: Gunda Jastorff Medium: Mixed media on canvas Original painting - gold and black crosses. Size: 140 x 90 OR 90 x 140 cm. It is possible to hang this painting either way round...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Wish 8 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting...

Shift 3 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connectin...

Crash 2 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connectin...

Sunny 26° (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connec...

Winter Killed Five Paths, 1983 Mixed Media Abstract, signed and title on revers. Terence La Noue was born in Hammond, Indiana in 1941. He received a Bachelor of Fine Arts from Ohio Wesleyan University in 1964. After going to Berlin as a Fulbright Meister Student at Hochscule fur Bildende Kunste in 1964-65 he went on to receive a Master of Fine Arts degree from Cornell University. In addition to the Fulbright Foundation fellowship, La Noue has twice received grants from the National Endowment for the Arts and the Guggenheim Foundation. He has had extensive teaching experience at Trinity College 1967-72, the City University of New York 1972-85 and at New York University in 1987. He lives between Arizona, Paris, France and Vermont. Terence La Noue, who has created powerful, compelling paintings for the last four decades, is considered one of the outstanding talents of 20th century American abstract art. Layering canvas, fabric, gauze, acrylic paint and cast elements forming a lively melding of many different materials, symbols and colors to create tapestry-like paintings, he conjures up colorfully rich abstractions that reveal a sense of myth, magic and mystery. His extensive world travels serve as inspiration for works that are abstract mixtures of Western and non-Western traditions and histories. India, South America, Morocco, Mexico and Nepal have been favorite destinations. Terence La Noue’s unique approach to painting and printmaking has achieved worldwide recognition. Beginning in Berlin in 1965 he has had over a hundred and thirty acclaimed solo exhibitions in London, Paris, Tehran, Stockholm, Hamburg, Dusseldorf, Cologne, New York, Washington, DC, Los Angeles, Houston, Chicago, Palm Beach, Dallas, Atlanta, Tucson and Scottsdale. His work is represented in the permanent collections of major museums including: The Museum of Modern Art in New York, The Metropolitan Museum of Art, The Whitney Museum of Art, The Corcoran Gallery, The Guggenheim Museum, The Brooklyn Museum, Brooklyn, New York, The Tate Modern in London in Japan, Singapore, France and Australia including the Center for Contemporary Art, Kitakyushu, Japan, the Power Institute of Fine Arts, Sydney, Australia, The Musee d'Art et Archeologie, Paris, France. Walker Art Center, Minneapolis, Minnesota, United States Carnegie Institute, Pittsburgh, Pennsylvania, United States Corcoran Gallery of Art, Washington D.C., United States Albright-Knox Art Gallery, Buffalo, New York, United States National Gallery of Australia, Sidney, Australia Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts United States Embassy, Beijing, China His work is also included in numerous university and city art museums throughout the US as well as major corporate collections. Terence la Noue worked extensively at Tyler Graphics from 1987 to 1993 and is represented in the National Gallery’s Kenneth Tyler Collection by a large body of work made in 1987 and 1991. La Noue’s work is characterized by an intensive layering process, which was well accommodated by the Tyler workshop. The artist found that through collaboration with Ken Tyler...

Bend 12 (Abstract painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connectin...

Soothe 1 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecti...

The two artists and industrial designers describe form and color as their core of exploration. They admire the dual identity the two elements create in their works of art. They are d...