Cord Abstract Paintings

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Vintage magenta abstract by Maureen Fenton-Hanson a Monterey artist (American, 1946-2007). Signed "Fenton" and dated "74" lower right and on verso. Unf...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Kristy Chettle (American, born 1968) "Untitled No. 27" 2022 Oil Paint, Mixed Media, Mesh, Canvas, Stretcher Bars The artist signed the back of the artwork. "Untitled No. 27" showcas...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

High Hopes Acrylic and mesh on canvas 40 x 40 inches 2018 Park abstract paintings are spontaneous and intuitive. Inspired by colors in nature, textiles and design, she paints with a ...

FROM A VANISHED GREEN is a multilayer oil, gouache and acrylic painting on paper, with additional use of tyvek and polyester mesh. Through layered silhouettes of hand cut tyvek shape...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collaborates with the unexpected to create works that speak to the natures of dynamism and unity. Experimentation with different materials, textures and techniques in each of his paintings has been a point of discovery and a major part of Raul de la Torre’s work. In his Fils I Colors series he attempts to find the third dimension through the use of different materials. This colorful 30-inch high by 24-inch wide original artwork on canvas is wired and ready to hang. The sides of this artwork are painted white and it does not require framing. It is signed and dated by the artist in the lower right corner. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. The interaction between the artist, gravity, and the paint is important for the final result. A tilting technique permits the paint to be a major architect of the final result, giving it a life of its own. It results in infinite and timeless color combinations. In many cases, the different layers of color each represent a temporary state of mind, time, and even feelings, places and people. Some of them are embroidered forever in our memory turning to form part of our DNA. To represent the firmness and strength of that past the cotton is mixed with the paint in the works to form a unity. Embroidery provides another layer as it creates thick shadows with organic shapes. De la Torre makes horizontal cuts on the canvas and covers these open areas using color matching cotton thread. When combined with light, these shapes create a more dynamic surface and offer different views of the work to various observers. Raul de la Torre was born in Barcelona in 1964 and attended Massana Art School. About the Fils series, de la Torre remarks: “FILS I COLORS is an attempt to find life, movement and parts that are not static, that change in their interaction with the observer. The different combinations of colors represent different emotions and interpretations for each individual interacting with the works.” Raul de la Torre's artworks can be found in the collections of The Four Seasons Abu Dhabi, the Tropicana Hotel and Casino Las Vegas, the Rothschild Family Collection, and varying Hilton properties. His works have been exhibited and collected worldwide. Artspace Warehouse has been representing and exhibiting Raul de la Torre's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles GROUP EXHIBITIONS 2023 "Credible Thread", Artspace Warehouse, Los Angeles, CA 2022 "Clarifying Color", Artspace Warehouse, Los Angeles, CA 2021 825 Gallery, West Hollywood, CA 2021 Pamela Walsh Gallery, Palo Alto, CA 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles 2019 Merritt Gallery, Baltimore, MD 2019 Art Project Paia, Maui, Hawaii 2018 Artspace Warehouse, Los Angeles 2016 Affordable Art Fair Hong Kong 2015 Art Project Paja, Maui, HI 2015 Affordable Art Fair Singapore 2015 FP Contemporary, Culver City, CA 2015 Off Ramp Gallery, Pasadena, CA 2015 Love Art Fair Toronto, Canada 2015 Affordable Art Fair New York, NY 2015 Palm Springs Fine Art Fair, CA 2015 LA Art Fair – Artspace Warehouse – Los Angeles, CA 2014 Red Dot Art Fair – Artspace Warehouse – Miami, FL 2014 Art Toronto – Artspace Warehouse - Canada 2014 Houston Fine Art Fair – Artspace Warehouse - TX 2014 Love Art Fair Toronto – Artspace Warehouse - Canada 2014 AAF New York – Artspace Warehouse - NY 2014 LA Art Fair – Los Angeles, CA 2013 825 Gallery – Out There 2013 - West Hollywood 2013 Bluprint Green Gallery – Modernism - Palm Springs, CA 2013 Gallery Y – Collaboration of Circles and Lines – Los Angeles, CA 2012 825 Gallery – Out There 2012 - West Hollywood, CA 2012 Artspace Warehouse – Los Angeles, CA 2012 Bruce Lurie Gallery – Los Angeles, CA 2012 Launch – Artpad San Francisco, CA 2012 825 Gallery – GEM 2012- West Hollywood 2012 Launch – Los Angeles Art Show 2012 2012 825 Gallery – Versus – West Hollywood 2011 Artspace Warehouse - Colors – Los Angeles 2011 Venice Art Walk and Auction – Venice Beach, CA 2011 Cobalt Studio – In Stitches – Chicago, IL 2011 Launch – Merry Karnowsky Gallery – Solid Stripes - Los Angeles, CA 2010 825 Gallery - Aurora - West Hollywood, CA 2010 Fresh Paint Gallery - Gathering - Culver City, CA 2010 Jon Frum Art Foundation – The Strongest of the Strange - Los Angeles, CA 2010 825 GALLERY - OUT THERE - West Hollywood 2010 VENICE ART WALK AND AUCTION - Venice Beach, CA 2010 825 GALLERY - GEM 2010 - West Hollywood 2010 GALERIA GERALDES DA SILVA - Colectiva de artistas espanhois - Porto, Portugal 2010 ARENA-1 GALLERY – Santa Monica, CA 2010 INTERNATIONAL ART FAIR PURO ARTE - Vigo, Spain 2009 ART VERSUS WALLS - Berlin, Germany 2009 ARENA-1 GALLERY - Santa Monica, CA 2009 GODO GALLERY - Highly Toxic - Glendale, CA 2009 SEYHOUN GALLERY - EUROPE NOW 2009 ROBERT DANIEL GALLERY - Tacoma, Washington 2009 Curator of the show "Europe meets America", Seyhoun Gallery 2009 SEYHOUN GALLERY - FREE IRAN – Los Angeles 2009 825 GALLERY - OUT THERE - West Hollywood 2009 SEYHOUN GALLERY - Los Angeles 2009 EL SEXTO...

"Material Pleasures: Artemisia", acrylic on linen, dyes on rayon; woven, 53" x 77", 1993. This contemporary abstract mixed media tapestry was done by California-based American fib...

"How Would You Like To Have," is a text based mixed media contemporary abstraction by artist Vivian Liddell. This piece is very gestural with the application of the mediums cohesivel...

Acrylic, oil, thread, and fabric on canvas Eozen Agopian (b.1960), is an artist of Armenian descent born in Athens, Greece. She has received a Master of Fine Arts degree from Pratt...

Rosamond Berg (American, 1931 - 2018) Voyage I, 1982 Mixed media construction including hand-dyed cotton cloth pouches 24 x 24 inches Signed, titled an...

Ink and Thread on canvas Eozen Agopian (b.1960), is an artist of Armenian descent born in Athens, Greece. She has received a Master of Fine Arts degree from Pratt Institute, Brookl...

PASSAGE is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh. The white, reverse silhouettes...

"Do America a Favor," Is a highly conceptual mixed media abstraction by artist Vivian Liddell. With impressive yarn work mixed with the paint go cohesively coincide with the text filing the piece with detail and precision. Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture. This piece is currently unframed, but framing options are available. For more works follow our storefront at Gallery 1202. "As a painter, I often work on large, raw canvas. My abstract paintings merge formal painting and “bad” craft to challenge the high-low separation of materials (and related gender hierarchies) that have traditionally been present in the art world. The monotypes are like a calligraphic practice. I use them as a warm up to allow me to feel confident with a gesture before committing it to a larger scale. I work in layers, often sewing or incorporating fabric into the finished piece, and incorporate chance into each stage of my process. The text/titles often come from song lyrics, local radio commercials, and news headlines. I edit these snippets and piece them together to reflect my interpretation of current politics and social norms, especially as they relate to gender. Vivian Liddell is an interdisciplinary artist in Athens, Georgia who works with painting, fiber and craft techniques, sculpture, printmaking, photography, animation and sound. Born in Memphis, Tennessee, she received her BFA from the University of Georgia and her MFA from the Pratt Institute in Brooklyn. Liddell’s work has been featured in solo and curated exhibitions throughout the United States, including at the Wiregrass Museum of Art, the Macon Museum of Arts and Sciences, and Trestle Gallery in Brooklyn. In 2019 she had two solo exhibitions of her “Men” series at the Versa Gallery in Chattanooga and 621 Gallery in Tallahassee, with a review of the Versa exhibition in BURNAWAY and was recently picked by Berlin curator Tina Sauerlaender as a featured artist on Foundwork. Liddell hosts a podcast (Peachy Keen) as an extension of her art practice, interviewing women on art and the South. She is an Assistant Professor of Painting and Drawing at the University of North Georgia...

"Moonwalk," is a mixed media abstract painting on paper by artist Vivian Liddell. This piece has an ink wash of different colors building up layers and yearn and polymer resting on t...

Aron Hill returns to bright colours and familiar bold imagery—the sun and rocks in this contemporary landscape. This new series is created in a collaged manner—using gluing, threadin...

Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. M...

Lime Glow, Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 29" x 30.75" x 1.5", 2010 This colorful contemporary abstract textile is by British...

"PRLS-1000" is part of Eric Mack's urban grid series. Using a grid to create the framework of the painting, Mack creates movement across the piece with dynamic techniques of washy underpainting underneath matted pieces of paper, and thread. His paintings have been described as "intellect on top of emotion." Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Clay pigment, gesso, needlepoint, and oil on canvas Andrée B. Carter was born and raised in New Orleans. She has lived in Seattle and Los Angeles, and now resides in Palm Desert. An...

"Tawhid" Textile Abstract Painting 12" x 16" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated ...

Abstract mixed media piece that incorporates floating red & white nude figures and organic purple/blue shapes. The artist also used thread accents throughout the the painting. Curren...

WINDOW V captures the soft patterned shadow of the trees veiled by a sheer curtain. This painting is is part of an on-going series that explores the light and landscape in Tennessee....

Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a tran...

Signed, dated, and titled "MAX MARRA XXX 2002 verso. Mixed media sculpture painting including acrylic, ink, cord, and wax on shaped canvas, 20 3/4 x 24 in., unframed. Ho viaggiato ...

This piece by Heather Hartman was created for her show titled "Kudzu Season," at Channel to Channel Gallery. In this piece, layers of paper, painted tyvek and silkscreen create a dreamy lavender and pale yellow atmosphere that recedes into space. Several fibrous kudzu vines...

Outro Revveckaa (Abstract painting) Acrylic, color tape, and yarn on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abstraction to desc...

Inssipi Aankkitareem (Abstract painting) Acrylic, color tape, yarn, and LEGO brick on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Ab...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

Spark #2 (Abstract Painting) Plastic bag and thread on paper - Framed Dimensions without frame: 30.5 x 23 cm/ 12 x 9" The threaded lines suggest a physical barrier that interrupts ...

Ashhidda (Abstract painting) Acrylic, color tape, yarn, and blue sandpaper disc on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abstra...

VOID is a multilayered composition created with paper, painted tyvek and silkscreen cut-outs. The panel was initially created as part of the “Kudzu Season” series, exhibited in the C...

Things We See Towards the End, 2020, acrylic, oil, graphite, pastel, thread, nails and yarn on canvas. Spider web. Blue, yellow, red, black, white, pink abstract. Custom framed in a...

Aligner Pellageiyia (Abstract painting) Acrylic, color tape, yarn, and LEGO brick on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abst...

"Waterfowl" Abstract Collage 39" x 31" inch by Neama El Sanhoury Fabric Collage on Linen on Wood ARTIST BIO Neama El Sanhoury's upbringing in what ...

VIEW is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the...

In this painting by Heather Hartman, lateral stripes of glossy metallic bronze are overlaid on a blue-grey painting featuring shadows of leaves in the descending sun. The blur effect on the underlying painting suggests that the leaves are blowing in the wind, and the disruption attributed to the hard-edged lines reminds us of window blinds...

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

This piece presents to us glossy longitudinal stripes of pastel hues, overlaid on a foggy blue-grey underpainting with meticulously rendered raindrops. The earthy fragrance of spring...

"Summer's End " captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates a...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Partly cloudy 39° (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them fro...

Nan Van Ryzin (American, born 1952) "Entwined" 2019 Oil Paint, mesh, wire, mixed media, canvas, stretcher bars The artist signed the back of the painting. About the Artist: Based in...

Poke (Abstract Painting) Acrylic and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the ...

Hiccup (Abstract Painting) Acrylic and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at th...

Hadi Tabatabai is known for his delicate, meticulously executed pattern-based works in mixed media. Tabatabai, who holds degrees in industrial technology and painting, is known for e...

Spark #18 (Abstract Painting) Plastic bag and thread on paper - Framed Dimensions without frame: 30.5 x 23 cm/ 12 x 9" The threaded lines suggest a physical barrier that interrupts...

Shift 3 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connectin...