Paper Abstract Paintings

In this painting on paper by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in shades of navy blue, purple, light green, salmon and beige are bright and lumi...

Collage assemblage created with paper on panel. Artwork priced unframed. Contact the gallery for framing options in Black, White and Natural Wood. BIO: Ray Beldner...

Gold Sky with Silver Ribbon - Hand-Augmented Modern Collotype Print Delicate and layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of...

Larry Hood (Native American, 1950-1995). Dessert Landscape, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29...

My inspiration is drawn from modern architecture and minimalism. In my work, I juxtapose layers of paper with acrylic paint and a layer of thinly hand-cut paper strips insinuating th...

WILD HORSES-2, Original Contemporary Abstract Expressionist Painting, 2021 30" x 40" x 2" (HxWxD) Oil and Newspaper on Canvas Hand-signed by the artist. This large-format oil painting by artist William O'Connor is reminiscent of the abstract expressionist painter Arshile Gorky. With sporadic paint strokes and undulating organic shapes strewn about the canvas, this work has an energy and rhythm that carries the viewer on a journey. A golden yellow covers most of the composition, while shapes of red, blue, purple, and pink bring about moments of rest. Black and white contours...

Vertical composition on paper with a canary yellow acrylic ground over which bristle brushed lines are cross hatched in black. Layered over these central marks is a central collaged strip of paper highlighted in ultra marine blue and grey topped by a tache of white paint. This is balanced by a horizontal strip in white and grey at the foot of the composition held down by another white swipe of white acrylic. A small horizontal collaged rectangle at the upper left keeps the eye moving upwards in the picture plane. This work is unframed. Please ask us about framing options. Titled "listening to Scarlatti", or en ecoutant Scarlatti in French, the piece may certainly be a response to the sonatas of Domenico Scarlatti, an Italian composer and contemporary of Bach and Handel. Scarlatti spent much of his life at the service of the Portugese and Spanish royalty...

"A Small City Park", acrylic and watercolor on paper by Denver artist Edward Marecak (1919-1993) of an abstract park broken into four quadrants, separated by brown and white striped borders with different shaped ponds. Inspired by City Park in Denver, Colorado where the artist frequented. Presented framed with all archival materials, outer dimensions measure 21 ¾ x 18 ¾ inches. Image size measures 12 x 15 inches. Painting is clean and in good condition - please contact us for a detailed condition report. Provenance: Estate of Edward Marecak Expedited and international shipping is available - please contact us for a quote. About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of "Peter and the Wolf," awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, "Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter." An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera, La Forza del Destino (The Force of Destiny or Fate, a favorite Marecak subject). His Queen of the Night relates to a character from Mozart’s opera, The Magic Flute. In addition to paintings and works on paper, he produced hooked rugs, textiles and ceramics. He likewise produced designs for ceramics, tableware and furniture created by his wife Donna, an accomplished Colorado ceramist. Both of them generally eschewed exhibitions and galleries, preferring to quietly do their work while remaining outside of the mainstream. He initially exhibited at the Colorado Springs Fine Arts Center in 1948 receiving a purchase award. The following year he had his first one-person show of paintings and lithographs at the Garrett Gallery in Colorado Springs. In the 1950s and early 1960s he participated in group exhibitions at the Print Club (Philadelphia); Amarillo Public Library (Texas); annual Blossom Festival Show (Canon City, Colorado); Adele Simpson’s "Art of Living" in New York; Denver Art Museum; and the Fox Rubenstein-Serkey Gallery (Denver); but he did not have another one-person show until 1966 at the Denver home of his friends, John and Gerda Scott. They arranged for his first one-person show outside of Colorado held two years later at the Martin Lowitz Gallery in Beverly Hills and Palm Springs, California. That same year his work was featured at the Zantman Galleries in Carmel, California. Thereafter he became an infrequent exhibitor after the 1970s so that his work was rarely seen outside his basement studio. In 1980 he, his wife and Mark Zamantakis exhibited at Denver’s Jewish Community Center, and four years later he had a one-person show at the Studio Gallery in Denver. In 1992 he was included in a group show at the Rule Modern and Contemporary Gallery in Denver, and a year later received a large, posthumous retrospective at the Emmanuel...

Angelica’s multi-layered works are informed by her ongoing efforts to create a less reactive and more responsive presence in the world. They act as the muse to meditations on the man...

Minoan Stories 6 - (Abstract painting) Oil pastel and acrylic on hot press paper - Framed Artwork framed, dimensions incl framing: 64 x 82 cm / 25.1 x 32.2 in ...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower ...

This painting includes the impression of mountains, forests, grasses. It evokes a pleasant endorphin release that promotes health and well-being. Powerful in its simplicity.

My inspiration is drawn from modern architecture and minimalism. In my work, I juxtapose layers of paper with acrylic paint and a layer of thinly hand-cut paper strips insinuating th...

Traces mixed media on canvas 100x120 cm 2017 original art ready to hang

In this painting on paper by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in shades of hot pink, coral, light green and blue and thin lines in dark blue an...

ANYA MOLYVIATIS (b.1994) sculpts visual and tactile landscapes by unifying her love for fibers and design. With color gradients, weaving structures, and materiality, she shapes space...

Anthony Benjamin, 'Untitled', watercolour and acrylic on paper, image size 20 x 26cm, framed size, 33 cm x 40 cm, signed and dated 2000 Provenance: From the Artist Estate A Gallery Certificate accompanies the painting Anthony Benjamin was a 20th Century abstract precisionist artist. Born in London in 1931 he was active throughout the second half of the 20th century. Experimental, hugely talented and obsessive, Benjamin moved fluidly between mediums and refused to be tied to any practise. He trained with the best, amongst others with Hayter at Atelier 17 in Paris and was recognised by the Royal Society of the Arts, his pier group and leading Galleries and Institutions who displayed and collected his work. Anthony Benjamin was also daring. At at time when the art-world was fixated with the St Ives Group of artists, Benjamin, who was part of this group, chose to leave. Although adept at making St Ives abstractionism it did not sit naturally with him. He did not see value in its art. Instead he sought to replicate abstraction in nature and was inspired by others who had also mastered this craft such as the Composer Brian Eno, with whom he later collaborated with and the Gnawa musicians of Morocco. A trained engineering draughtsman, Benjamin's formally perfect artworks are always infused with an air of technical experimentation and a poetic response to the natural world. The artist was inspired by pattern and obsessed with process. He was a sculptor, printmaker, painter, draughtsman and used collage, canvas, brass, perspex, steel, paper and anything that inspired him. Throughout his career, Benjamin made monumental paintings. In the studio he thought, pondered and considered every move. It was during these periods of contemplation that he would make warm up paintings that were beautifully loose, almost the antithesis in process to his large works. However it was in these smaller watercolour paintings...

Larry Hood (Native American, 1950-1995). Birds in Flight, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 i...

My inspiration is drawn from modern architecture and minimalism. In my work, I juxtapose layers of paper with acrylic paint and a layer of thinly hand-cut paper strips insinuating th...

Spanish artist Xavi Carbonell born 1971, actively paints like a child as an adult, and leaves all of his pieces "untitled" so that each viewer can create their own story. The resulting work is fun, fresh, and powerful. The play-fullness of the pieces are enjoyed by both children and adults and some describe the work as a type of Rorschach test since everyone “sees” and smiles at something different. As we view this piece our imagination explodes and we wonder is this a painting of a party, a playground, a family dinner, an office meeting, a busy street? The answer is different for everyone. This mixed media on paper which includes oil paint, spray paint, graphite, permanent marker, oil pastel, and pen uses vibrant reds, pinks, oranges, yellows, greens, blues, grays and blacks to offer an intense expression against the white space of the background. While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes. Critics have described Carbonell's work as reminiscent of Cy Twombly, Jean-Michel Basquiat, Picasso and Miro. Carbonell has been selected for a variety of Awards and has exhibited in the Americas, Europe, Asia, Africa and the Middle East. Xavi Carbonell lives and works in Alcoi Spain. This piece comes unframed from Art Angler...

Denise Driscoll's "Inner:Outer 6" is a 12 x 12 inch mixed media abstract painting on paper mounted on panel in blue, teal, and brown. Walnut ink, wax resist, and acrylic paint with i...

WALERIA MATELSKA (born 1994 in Belarus) In 2012-2015 she studied at the Faculty of Painting at the Academy of Fine Arts in Krakow, where in the years 2015-2018 she her diploma from t...

In this painting on paper by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in shades of dark magenta pink, bright lapis blue and gray and thin lines in brow...

This quadriptych (4 individual works of art presented together to create one work) are sold together. Each is 50X35 cm (not framed) and if framed and hung together will be 110X94 cm (as seen in the image). They will be shipped not framed (paper only), but framing is optional upon request. These are watercolour painted on 300 grams acid paper and will be shipped paper only. Like to "erase" my failiure's calligraphy poems with colors and fill "the body" of the image like it was a prehistoric animal or an imaginery figure . This way, I can recycle my images and paint new creative images. More about Ilanit: "My daily diary is full of notes, wonderments and poems I am sculpting and painting calligraphy of my poem writing In synthetic materials I am attracted to the artificial coolness these processed materials carry turning the tough one into a vulnerable one. In my calligraphy I rebel against those teachers who insisted to make my hand writing readable I connect between letters, not erasing, losing control No way back...

Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that meanders, changes color, and seamlessly connects back to itself. This painting combine...

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

FROM A VANISHED GREEN is a multilayer oil, gouache and acrylic painting on paper, with additional use of tyvek and polyester mesh. Through layered silhouettes of hand cut tyvek shape...

Artist: George Dannatt Title: Cancelled Calendar Collage Reference no: 1079 Date: 1992 Medium: Collage on paper & card Image: 13 7/8 x 8” 35.0 x 20.2 cm Frame: 18 5/8 x 12 ½” 47.4 x...

Artist: George Dannatt Title: Figures in Red Reference no: 1203 Date: 1995 Medium: Collage & inks on salvaged paper Image: 10 1/8 x 7 3/4” 25.6 x 19.8 cm Frame: 15 1/8 x 12 3/8” 38.5...

Tempura and ink on heavy paper Signed bottom right, Numbered on verso "No. 18" 8.75 x 19.75 inches; 18.5 x 29.5 inches framed Provenance: Private collection, Denver, Colorado

Cell (Abstract Expressionism painting) Acrylic and mixed media on paper - Unframed Work will be shipped rolled in a tube. Werfel empl...

Collage assemblage created with paper on panel. Artwork priced unframed. Contact the gallery for framing options in Black, White and Natural Wood. BIO: Ray Beldner...

Desertscape #4, Original Contemporary Abstract Expressionist Landscape Painting, 2022 14" x 17" (HxW) Acrylic on Paper Hand-signed and dated by the artist. This abstract expressionist work by artist Simona Gocan...

In this abstract painting in colored pencil and gouache on Fabriano paper by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in shades of light pink, navy blu...

Cross Purpose Temple Series 4, 2022. Acrylic and acrylic ink on paper, 27 x 35cm Nicky Marais is a Namibian artist, educator and activist who lives and works in Windhoek. Marais is ...

Cross Purpose Temple Series 4, 2022. Acrylic and acrylic ink on paper, 27 x 35cm Nicky Marais is a Namibian artist, educator and activist who lives and works in Windhoek. Marais is ...

Nordic waves (Abstract painting) Acrylic, charcoal, oil pastel and graphite on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound sense ...

Vertical composition on paper with a saturated wine red ground over which bristle brushed lines are cross hatched in black and royal blue. Layered over these central marks is a structure of stacked, collaged geometric strips of paper painted with intersecting lines and shapes of marine blue, red and white. This work is unframed. Please ask us about framing options. Titled "listening to Scarlati" the piece may certainly be a response to the structured sonatas for harpsicord and pianoforte of Domenico Scarlatti, an Italian composer and contemporary of Bach and Handel. Scarlati spent much of his life at the service of the Portugese and Spanish royalty...

Large Scale Shaped Collage Assemblage created with Archival Papers mounted on panels with 12 such panels. Each panel is 12 in x 12 in. Single panel can be sold separately, please con...

Anthony Benjamin, 'Untitled', watercolour and acrylic on paper, image size 18 x 25cm, framed size, 33 cm x 41 cm, signed and dated 2002 Float-mounted in a plain white wooden b...

Letter Art, Black and White Abstract Painting, Graffiti Art-Pace I A B O U T T H I S P I E C E : “Pace I” is a piece of letter art that is featured on unique handmade paper from N...

Interior design paintings. The work was done with acrylic and watercolor in red and black color on watercolor paper 360g. The work is 11 by 15 inches in size framed (black) with a s...

We are pleased to be the gallery that represents the paintings of French abstract artist Christophe in the United States. Another impressive painting from 2019 by abstract expressi...

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

Still Waiting 1, 2021. Acrylic ink on 100% cotton paper. 295x210mm Nicky Marais is a Namibian artist, educator and activist who lives and works in Windhoek. Marais is well-known for...

Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interio...

Thought Seed 1, 2022. Acrylic paint on paper, 25 x 25cm Nicky Marais is a Namibian artist, educator and activist who lives and works in Windhoek. Marais is well-known for her abstra...

Interior design paintings. The artwork were done with acrylic, ink and watercolor in white color on black watercolor paper 360g. The work are 12 by 16.5 inches in size, framed (black...

Mid-century modern abstract acrylic on paper painting by Taos artist Beatrice Mandelman (1912-1998). Features red, yellow and blue in bright hues surrounded with black lines. Image size measures 9 1⁄2 x 12 3⁄4 inches. Framed image size measures 16 1⁄2 x 19 1⁄4 x 1 1⁄4 inches. Includes a letter of authenticity from the artist estate. Expedited and International shipping is available - please contact us for a quote. About the Artist: Born New Jersey, 1912 Died Taos, NM, 1998 The daughter of Austrian and German Jews, Beatrice Mandelman was introduced to abstract art as a young girl. At age twelve, she began her art studies by taking evening classes at the Newark School of Fine and Industrial Art. After college at Rutgers University, she continued her formal training at the Art Student’s League in New York, working with the lithographer George Pickens...

Loren Munk (American, b. 1951) Cut paper collage "Home Boys with Chicken & Bike", collage and mixed media on paper, signed "Munk '85", bears artist's stamp, label on back from Gabrielle Bryers Gallery NYC, 15" x 22" sheet, framed 23.5" x 30.5" .African American kids in a park. Done in a manner that recalls Romare Bearden. The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn...

The Storm Is Here, Original Abstract Painting, 2020 8.5" x 11" (HxW) Alcohol Ink on Yupo Paper An intense abstract composition reminiscent of a landscape painting. There is a clear ...

Bernard Segal (1907-1986). Cubist composition, 1966. Gouache and watercolor on paper, sheet measures 12 x 14 inches; 20 x 26 inches framed. Signed with monogram lower right. Estate stamp on verso. Excellent condition. Frame is a custom vintage construction in metal with soldered corners. Bernard Segal (1907 - 1986) Lived Active: New York / Pennsylvania Known For: figure, abstract painting, collage, and illustration - cartoons. Bernard Segal was born in Cincinnati, Ohio and attended Cincinnati University and the Cincinnati Art Academy. In the 1920's and 1930's, he lived in New York City and attended The Art Students League where he was creative with a number of artistic styles of the period. During World War II, he worked as a cartoonist for a government issue newspaper paper called 10-SHUN that was published in Greensboro, North Carolina. Bernard worked under the penname Seeg, and was the author of the comic strip Hank and Honey, that appeared in the New York Herald Tribunefrom the 1940s through the 1950s. This cartoon was syndicated and published in Quebec under the title Louise et Louis. The strip was later retitled to Ellsworth. Segal also illustrated a number of books that were published by the Union of American Hebrew Congregations, and Bible stories. In the 1950's Segal moved to Bucks County, Pennsylvania, and became a member of the New Hope Modernists. He worked with esteemed artists such as George Nakashima, Charles Evans, Louis Stone, and Charles Ramsey. Segal's most noted work was made during the 1960's, during which time he produced paintings and collages in the abstract expressionist style. He enjoyed painting bright abstract oil...

Deborah T Colter is a contemporary abstract painter who lives on the Island of Martha’s Vineyard. Deborah graduated from the Rhode Island School of Design with a Bachelor Degree of ...

Ink on paper

Blackheart's Rave, 2019, Collage, Mixed media: Marker, Pencil, Drawing, Acrylic and Watercolour on gessoed shopping bag mounted on archival museum board in a Street Art styled bespoke oak wood frame. , 93.2 x 63.2 . 3.5 centimetres total dimension This Rave Dance club-inspired artwork takes the energy found in New York City's nightlife. Rafael Melendez - July 2022 Rafael Melendez (b.1970, USA) renders motifs from high past art with self-taught experimental techniques to produce an unexpected and highly unique visual language riddled with esoteric symbolism. The figures that inhabit his paintings are born from a desire to understand 'abnormal' worldviews, such as Outsider Art, transgressive fiction, and metaphysics. In a constantly evolving practice encompassing drawing, collage, and painting, Melendez strives to visualize/express a moment of unity between beauty and that which doesn't make sense. Melendez starts out as an installation and video artist in 1990s San Francisco. As a student for internationally acclaimed writer Kathy Acker and conceptual artist Nayland Blake...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and colour. "I work on a white surface, usually leaving the background pure, happily playing with the i...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint ...

PASSAGE is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh. The white, reverse silhouettes...