Paper Abstract Paintings

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in w...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Signed lower right, 'Schoener' for Jason Schoener (American, 1919-1997) and painted circa 1970. Titled 'Choruscating Landscape' (labels, verso). Accompa...

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Natural Flow Series n11, 2023 by Rosario Briones From the series Natural Flow Pigments on paper. Dimensions: 100 H x 70 W cm. Unframed Signed by the artist The ''Natural Flow'' seri...

'The Rider (Der Reiter)' by Moshe Tamir (1924 - 2004) Mixed media and collage on paper 92 x 63 cm (36 ¹/ x 24 ³/₄ inches) Signed upper left, M Tamir Provenance Private collection,...

Black And White Abstract - Oil And Gouache On Paper Black and white abstract painting by Felix Ruvolo (American, 1912-1992). Grey takes over the center of the paper with strokes of ...

Pigment & acrylic on rice paper

Shirley Goldfarb Untitled (7), 1963 Initialed lower right; signed, dated, and numbered on the reverse Oil on paper 9 3/4 x 8 1/2 inches Provenance: The artist Eric Locke Gallery, Sa...

Silvia De Marchi, born in 1967, is a painter based in Arosio, a small city nestled between Milano and Como in Northern Italy. Her artistic practice draws emotional inspiration from t...

VALLRIBERA , Josep ( Lerida 1937) JOSEP VALLRIBERA was born in 1937 in Juneda (Lleida), Catalonia, Spain, during the spanish civil war, the son of a photographer from Barcelona and ...

This ethereal abstract pastel on paper is an early work by Milly Ritsvedt known as one of Canada’s foremost abstract artists. Soft clouds of magenta, sienna and turquoise float acros...

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

Silvia De Marchi, born in 1967, is a painter based in Arosio, a small city nestled between Milano and Como in Northern Italy. Her artistic practice draws emotional inspiration from t...

"Hemispheres" is a 20" x 13.5" oil on paper abstract painting of geometric shapes and forms, giving the illusion of a three dimensional, architectural structure. The painting is sign...

Silvia De Marchi, born in 1967, is a painter based in Arosio, a small city nestled between Milano and Como in Northern Italy. Her artistic practice draws emotional inspiration from t...

This acrylic painting makes part of my series dedicated to the scenes of a summer period. This abstract vibrant floral painting called "Floral whirlwind" is done in a modern contemp...

Jason Craighead (b.1971) is an abstract artist based in Raleigh, North Carolina. In his mixed-media works, drawing, painting, and writing fuse seamlessly together His surprising com...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Rose Bleed (Wide Footer) by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Yupo paper create the depth and smooth, glos...

"Pink Sculptures" is an acrylic painting from Ryan Rivadeneyra's series of imagined modernist sculptures. In this series, Rivadeneyra explores the possibilities of colorful sculptura...

acrylic on paper

acrylic & pastel on paper

"Egyptology" Painting 11" x 9" inch (1987) by Ibrahim Abd Elmalak Emancipation, 1987 Ink on Paper. Signed & dated The selection of Abd Elmalak’s drawings is reflective of a compo...

Old Place Mixed media on paper Signed and dated 1988, twice Further signed, inscribed and dated to verso Paper size 78 x 99cm framed 95x115

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a sal...

Jason Craighead (b.1971) is an abstract artist based in Raleigh, North Carolina. In his mixed-media works, drawing, painting, and writing fuse seamlessly together His surprising com...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Emily Mason Aground, 1979 Oil on paper painting Signed, dated '79, with a dateline of Vermont (VT) on the lower front in silver marker; bears original artist's label and exhibit label Frame included: floated and framed in original vintage silver color...

Tasmanian-born artist Shane Drinkwater harnesses his interest in ancient manuscripts, cartography and astronomy to produce abstract artworks of uncommon mystery and beauty. All of S...

Passages of black and grey lit with subtle marks of ecrue, pink, blue and yellow bring to life Andrew Lui's theme of inexorable change. Born in Guangzhou, China, Lui participated in the Chinese Cultural Revolution as a member of the Red Guard but escaped to Hong Kong in 1970. Making his way to Toronto, Lui studied at the Ontario College of Art before traveling to the UK, and Italy. In Florence, he was drawn to the dynamic Uccello's Battle of San Romano (c. 1456). Lui is represented in multiple public, corporate and private collections in Canada, Europe and China: Musée d'art contemporain, Musée de Dijon, France, L'Ecole des Beaux Arts, Bruxelles, Pallazo Strozzi, Florence, Musée National des Beaux-Arts du Quebec, Musée des Beaux-Arts de Sherbrooke, Grimsby Art Gallery, Robert McLaughlin Art Gallery, Art Gallery of Stratford, Stratford, Coburg Art Gallery, Rodman Hall Art Centre, Canadiana Foundation (Art Collection of Governor General of Canada). He is part of a large number of private and corporate collections, including HSBC of Canada, DKNY and Sun Life Insurance...

"Emancipation" Painting 25" x 20" inch (1997) by Ibrahim Abd Elmalak Emancipation, 1997 Ink & Acrylic on Paper. Signed & dated The selection of Abd Elmalak’s drawings is reflectiv...

LI-1 Size 24″X24″X2" Light Installation Art. Materials: acrylic, silver acrylic frames, epoxy, natural stones, LED light. Year of Creation: 2022 This art is installation of plexigl...

Line people, 86x61cm

This expressive artwork "Heart.Soul.Mind" underlines the importance of having an inner maturity based on harmony between heart, sould and mind. As an artist and as a woman in my ...

Vintage Latin American School Original Minimalist Painting of Artist’s Self Portrait in Acrylic on Paper Oustandingminimalist self portrait by California-based Latin American artis...

Ink, gouache and acrylic on Canson Paper . Unique piece signed by the artist. Christophe GALUD was born and live in Paris. His father is an artistic director in a large advertising ...

My recent works, composed of gouache on paper, explore to extract my own ever developing definition of “American identity”. While attempting to define a broad sense of identity is ne...

"The nostalgia of a tropical climate is the undercurrent that inspires my process. Bright and vibrant pigments live on my palette. I treat each canvas with an intuitive approach, nev...

My recent works, composed of gouache on paper, explore to extract my own ever developing definition of “American identity”. While attempting to define a broad sense of identity is ne...

Line people, 86x61cm

"Free Spirit" is a compelling 36" x 36" mixed media piece on canvas, resonating with the ethos of Abstract Expressionism. Its monochromatic palette, dominated by shades of white and ...

"The nostalgia of a tropical climate is the undercurrent that inspires my process. Bright and vibrant pigments live on my palette. I treat each canvas with an intuitive approach, nev...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

NICHOLAS WILTON’s paintings are visual poems, informed by Nature and his personal experience of life. Color, texture, and organic forms are layered into a complex visual weave that h...

"Modernist Palettes" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, and...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a degree in philosophy from the Sorbonne, Paris. Returned to Budapest to study art at the Fine Arts Academy, then continued his studies at the Academie Julienne, Paris, where he was influenced by the post impressionist artists including Picasso, Salvadore, Dali and Chagall. His motto was “history is the inevitable conveyance of great situations by great personalities.” He came to England due to the Hungarian uprising in 1956 where he taught history of art and art appreciation. Started receiving commissions for book and commercial illustrations in 1961. This piece is in a cream wooden frame. Keywords: Abstract, Egyptian...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Line people, 86x61cm

Jay Rosenblum Polarity #9, 1981 Acrylic on Paper painting 6 × 9 1/2 inches Pencil signed and titled on the front Unique work Unframed ]This gem of a work is an acrylic painting on p...

Large oil on paper by this well collected British artist. Signed and dated 1980 lower left. Superb example of this artists work. Behind glass in excellent condition, new mount origin...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Tasmanian-born artist Shane Drinkwater harnesses his interest in ancient manuscripts, cartography and astronomy to produce abstract artworks of mystery and beauty. All of his artwork...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Large Abstract Expressionist color field painting. Similar in the manner of the colorful abstract works of Paul Jenkins. This one is a bit more muted in color. Lamar Briggs (1935-2...