Wood Abstract Paintings

"Golden Steed" Abstract Painting 28" x 39" in by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo University, he mixes between painting, video ar...

Elevate your decor with this 25 x 25 inch abstract painting on wood. Bold purple, teal, and pink brushstrokes create a striking, contemporary vibe, while the wood panel adds a unique...

"Abstract Calligraphy 1.23" Painting on Wood 59" x 35" inch by Ibrahim Khatab Medium: mixed media on wood BIO Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cair...

SHORT SPURTS 2021 Paris, France This piece is a visual interpretation of a poem the artist wrote around frenzied, short-sighted behaviors: “That part usually stays hidden. Those colors are not known for blending. Us? We come from a rib. And we tangle ourselves in the traps we set for our prey.” - Nicholas Evans The painting is composed of plaster, oil and acrylic, with the main detail shape, in white, positioned over wood glue, leaving a slightly raised effect. Embracing the unique imperfections of reclaimed objects aged over time, Evans uses antique found...

The color palette is intense and overflowing, with brushstrokes intertwining in a chaotic dance of vibrant tones. Fiery reds, electric blues, and effervescent yellows merge into a vi...

Striking mid century abstract expressionist painting by Leslie Luverne Anderson (American, 1928-2009). Oil on masonite painting titled "Lightnings Infinte Art of Living...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Red Excess by Chloe Hedden is a bold exploration of passion and intensity. The deep crimson hue radiates warmth, evoking emotions of love, power, and raw energy. The sculptural textu...

Giorgio Petracci (born in 1974, Fermo, Italy) is an artist based in Paris, whose work is deeply inspired by the seaside landscapes of his childhood and the personal experiences that ...

Artist: Okuda San Miguel Title: Face III Medium: Synthetic enamel on wood Size: 27.6 x 27.6 inches (70 x 70 cm) Year: 2020 Notes: Hand Signed. Custom Framed. Original COA Included. ...

Katheryn Holt (American, born 1951) "Early Rain" 2022 Oil paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. About the Artist: Katheryn Holt paints mem...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does. This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them. These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics. The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens

Small but mighty. A moment caught, an explosion of energy, of color. And such a departure for California artist Heinie Hartwig (b. 1937), who is known primarily for his Western subje...

Dharamsala’ is a small town in the Kangra Vallery in North India. It is the location of the exiled Tibetan Government and home to the Dalai Lama . Colin Taylor...

*Frame is included, we will work with you to match the best type of the material and method and suit your interior deco colour scheme; design for you, frame it for you. -We offer you...

Giorgio Petracci (born in 1974, Fermo, Italy) is an artist based in Paris, whose work is deeply inspired by the seaside landscapes of his childhood and the personal experiences that ...

Stephen identifies the delicate texture and beauty of the natural oxidation process. Oftentimes a found object initiates his work: By incorporating an object directly, imprinting, or...

Wonderful mid century abstract expressionist landscape of bridge over water cityscape, circa 1960. Illegible signature lower left ("Aioli"?). Conditi...

Vermillion Excess from Chloe Hedden’s Excess series embodies the interplay between material abundance and emotional intensity through thick, sculpt...

Chloe Hedden’s Venetian Rose Excess from her Excess series embodies Excessivism through its sculptural application of thick, swirling paint. The Venetian rose hue, often linked to ro...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

“Coral Gardens” is an interpretation of the experience we had in the Great Lagoon of Rangiroa, a pristine and tranquil spot in the South Pacific. To catch a sense of motion and flick...

Morris Katz Painting 2002: Oil paint on wood board. Unique. 8x10 inches. Very good overall vintage condition. Polish born Morris Katz (1932 – 2010) survived World War II in a Disp...

What makes Sally Burch's work exceptional is her use of the acrylic polymers and her creation of her own colours directly onto wood leaving some of the woo...

Shizico Yi takes on an innovative project "The Weaver," inspired by the heritage of the beloved family Tartan and its rich lineage of the Clan. "The Weaver" invites viewers into a w...

Damien Hirst H12-4: Beautiful, Everlasting, Inexhaustibly Interesting, Self-Revelatory Gyration Painting, 2023 Mixed Media Giclée print on poly-cotton artist canvas mounted on a birc...

Stephen identifies the delicate texture and beauty of the natural oxidation process. Oftentimes a found object initiates his work: By incorporating an object directly, imprinting, or...

Abstract expressionist painting and collage by Bay Area artist Michael Pauker (American, b.1957). Titled and dated "Brescia 2014" on verso. Unsigned. From a collection of his work. F...

wood assemblage by artist William Finlayson Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took ...

"Floral" Abstract Mixed Media Painting 59" x 59" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo University, he mixes between painting, ...

wood assemblage by artist William Finlayson Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took ...

*For questions, special requests or commission inquiries, please text the gallery directly using ASK THE SELLER button. Grouping of 3 paintings is $2000 and of 4 paintings is $2500. ...

Acrylic on wood.

Sky Blue Excess by Chloe Hedden captures the serene and infinite expanse of the sky in rich, sculptural texture. The swirling, fluid application of paint evokes the gentle movement o...

Pulses Between Shadows and Light A diptych painting in the style of Jackson Pollock can be described as a canvas divided into two panels, united by a vibrant and chaotic dynamism ch...

Intervalle IV 8/25 is one of a series of originally four different small size contemporary modern sculpture painting reliefs by French-Dutch artist Olivier Julia...

Chloe Hedden’s Prussian Blue Excess from her Excess series embodies Excessivism through its thick, sculptural application of paint, creating a highly textured, almost turbulent surfa...

Abstract artist Paul Kirley crafts visual journeys that seamlessly intertwine individuals with their surroundings, evoking the ethereal nature of dreams. Blurring the boundaries betw...

Fredric Karoly (1898-1987). Etude III, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

Signed, inspired by recycling, old golf ball, recycled paper and wooden frame.

Large Geometric Abstract Oil Painting on Masonite No visible signature 36 x 48 unframed, 37.5 x 49.5 framed

Acrylic & oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for se...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

This great work is a part of the Collection ‘Atmosphères chromoplastiques’ which was realized by Tomasello in the mid-1970s, during his stay in Paris and at the very center of the OP...

Large painting made by Peter Kramer in 1999. The painting is made with hundreds of strips of paper of 2 mm each glued on painted canvas. The feeling you have when looking at the pain...

artist statement on this comet series: “Coming full circle, Darashkevich pays it forward by creating comets for the dreamers who want to make wishes come true. As a child he was fas...

"DEUTERIUM" Abstract Mixed media painting 48" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY), St...

Painted on deep-profile gallery-wrapped canvas, comes ready to hang. Artist's Statement: "A new take on an earlier series of paintings I did called "Aggregate," this time with fewe...

Contemporary abstract mixed media on paper by Belgian artist Francis Besson, signed bottom right. Francis was born in Dundee (Scotland) in 1943 however...

Sterling Strauser (1907-1995). Dorothy and Jasper, Crystal Street Station, 1970. Oil on masonite panel, 11.5 x 22.25 inches. Signed and dated lower right. Very good condition with no damage or conservation. Unframed. Framing services available. Image depicts the artist's wife, Dorothy Strauser, walking the beloved family cat, Jasper. In the background can be seen the East Stroudsburg Pa Train Depot on Crystal Street. Provenance: Estate of the artist's Granddaughter, Princeton NJ. Often called a romantic expressionist and American intimist, self-taught Pennsylvania artist Sterling Strauser (1907-1995) completed his first oil painting in 1922- inspired by frequent visits to the collection of American folk art at the Everhardt Museum in Scranton. Throughout the following seven decades of his career, Strauser’s artistic pursuit was based on his own intuition and determination to paint what he saw, rather than adhering to the conventional pictorial structures prescribed by prevailing styles at the time. Strauser rejected pretension, believing instead that art should work from life as it was lived. His oeuvre therefore serves as an extremely personal record of his observations and experiences from his lifetime painting in East Stroudsburg, Pennsylvania. Beginning early in his career, Strauser took his inspiration from American regionalists and traditional realists in the Ashcan style, as well as European movements such as Fauvism and Cubism, yet he eventually developed his own fluid realism based on subject matter beloved and familiar to him- family and friends, local landscapes and floral still lifes. Known for his distorted pictorial space, exaggerated with vivid color, heavy impasto and an intensity of emotion, Strauser was adept at altering and rearranging the details and aspects of any given form to create a new kind of beauty. "All a painting has to do, or a piece of sculpture, or whatever, is to entertain the critical eye. You have to have a fresh seeing eye… to look at things like a child, as if looking at the world for the first time (seeing) something that somebody else doesn’t see, something you want to identify with… Painting is largely a matter of evaluation. (It) doesn’t matter how much it looks like the subject matter. It just depends on how interesting you have made it so that it pleases the critical eye." STERLING STRAUSER, STERLING STRAUSER: A MODERNIST REVISTED, P. 23 Sterling exhibited his work extensively throughout the country and drew the attention of many notable fellow artists including Milton Avery, Louise Nevelson, David Burliuk, Chaim Gross and Red Grooms. Sterling was also extremely influential within the arts community of Pennsylvania through his discovery and promotion of self-taught American Folk artists such as Justin McCarthy, Jack Savitsky, Joseph Gatto...

*Frame is included, we will work with you to match the best type of the material and method and suit your interior deco colour scheme; design for you, frame it for you. -We offer you...

In Screen 2025.1, Melisa Taylor Metzger transforms a construction plywood panel into a vibrant, multichromatic composition that merges traditional craft with contemporary abstraction...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Mid Century Modern, American Abstract Expressionist Painting on masonite This lively abstract painting reads like an interior and still life with lemons on a tabletop in vivid shade...

This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Untitled (Cubist Portrait), 1945, oil on masonite, signed and dated lower middle, 20 x 16 inches, remnant of exhibition label verso, perhaps exhibited at Murry's solo exhibition at the Los Angeles's Screen Cartoonists' Gallery, July , 1945, presented in its original frame Jerre Murry was a California modernist painter. Born in Columbia, Missouri, Murry studied at the Detroit Academy of Art and worked as an artist for the Detroit News and Detroit Free Press. Murry traveled to the Bahamas, where he was inspired to paint modernist scenes of island life and people. By the early 1930s, Murry had relocated to Los Angeles, where he caught the attention of Synchromist painter Stanton Macdonald Wright, State Supervisor for the Federal Art Project (FAP) in Southern California. MacDonald Wright enrolled Murry into the FAP. Murry’s Gauguin-influenced painting Sun Image was exhibited together with other FAP artists at the Los Angeles County Museum of Art in 1936, and Murry was also included in the FAP exhibit at the Paris Exposition in 1937. Stendahl Galleries in Los Angeles, the Chamber of Commerce Gallery in Santa Barbara, and at the Los Angeles County Museum of Art also showed Murry’s work during the 1930s. Murry created a murals for Los Angeles Water & Power Company, the Boise, Idaho Post Office, and Glendale Junior College. In 1939, Murry's work was exhibited at the Golden Gate International Exposition and the New York World's Fair. He also was included in the All California Exhibition at the Los Angeles County Museum of art that same year. He went on to exhibit in Los Angeles at the Foundation of Western Art's Trends in Southern California Art shows in 1940 and 1941, at Raymond and Raymond Gallery in Hollywood and USC’s Elizabeth Holmes...

Ben Wilson Byzantium, 1975 Oil on Masonite painting Hand signed reverse, Titled, "Byzantium", dated 1975 by the artist and also with estate stamp - in addition to Ben Wilson's hand s...

This is an 3-part painting / construction (assemblage) created from acrylic paint, wood, glass, and found objects. It includes several historic photograph of figures as well as many scenes from Black African American cultural history. Each piece measures 23" x 7.75" x 2.5", and they can be hung close together or far apart, depending on the buyer's preference. All pieces are wired with the appropriate hanging hardware and are ready to install, no additional framing needed. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

Mitzy Renooy Timeless 160 x 120 cm acryllic on canvas Dutch artist Mitzy Renooy, a former camera woman for national television, went to art academy to learn to paint in an own styl...

Robertino Fatica was born in 1948 in Cleveland, Ohio. In 1970 he completed a three-year program at the Cooper School of Art in Cleveland. Following that, Fatica served in the U.S. Ar...

Marcia Myers was an American painter best known for her large-scale Color Field abstractions. Emulating the traditional fresco painting techniques of ancient Rome, she used several l...

Oil and Acrylic on Canvas Board 48 x 30 inches Publications for this painting: "Feral City is the Coolest Art Collaboration Right Now," Luna Luna Forthcoming in WhiteHot

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...

Signed, inspired by recycling, old golf ball, recycled paper and wooden frame.

This artwork features a vivid abstract expression of Anna, created in a dynamic technique where the balance between form and color is meticulously explored. Painted with oil on plywo...

"Four Injections of Light" mixed media painting on canvas in wooden frame by street artist Omar Hassan, who is diabetic. Inspired by the daily insulin injections taken by the artist ...

Wood mixed media work glued onto a white background. Purple, teal and red color tones. Artist signature in the bottom right corner. Artist Biography: Charles Pebworth is known for ...

This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a white painted wood shadowbox frame. Orga...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

HUBLOT NACRE is a small-scale, mixed-media assemblage on wood that captures the raw materiality and ephemeral beauty of the natural world. Created following a trip to the Caribbean, ...

Pumpkin Spice Excess by Chloe Hedden is a rich, textured exploration of warmth and abundance. Its deep, earthy orange hue recalls the comforting essence of autumn—spiced lattes, cris...

Bright, small abstract expressionist painting of red, white and blue hues by California artist Tom Hamil (American, b. 1928). Signed upper left corner "Hamil". Condition: Excellent. Presented in rustic wooden shadow box frame. Image size: 2.75"H x 6.75"W. Tom Hamil, was born in New York in 1928 and raised primarily in California. After attending the US Naval Academy in Annapolis, he returned to California to begin his formal art training at the California School of Fine Arts in San Francisco (now known as the San Francisco Art Institute). He completed his education at the University of Washington with a Master’s Degrees and Doctorate in Fine Arts and Education. His first solo exhibition was held in 1956. Since then, he has participated in numerous one man shows, group shows, and has been represented in galleries in the US and Mexico. In addition to his painting, Hamil has authored and illustrated a number of books. While at the Naval Academy, he received recognition for his paintings, drawings, and illustrations. Listed among Hamil’s many awards and honors are a Ford Foundation Fellowship and an Award of Excellence from the American Graphics Society. Currently, he lives in Zirahuen, Michoacan, Mexico and Truth or Consequences, New Mexico. Hamil’s statement: “I am a man...

This is one of the most loved and iconic paintings of Shizico Yi to date. -Artist’s lifetime Warranty for this artwork. -Free frame service with selections of fr...