Wood Abstract Paintings

This artwork depicts a perfectly synchronized dance across an ocean of empty space, inspired by the "Astronomical" section of the Jet Chocolate Bar Natural History Album (1986 editio...

Large-scale abstract assemblage by Bay Area artist Michael Pauker (American, b.1957). Lively assemblage with various items: Paintings, small mirrors, biological illustrations of bird...

"Organized Chaos" is a striking exploration of movement and contrast rendered in bold, abstract form. Painted on a solid birch panel, the piece features dynamic white brushstrokes se...

Processing Venice is a unique contemporary modern painting relief by renowned Polish-Dutch artist Eliza Kopec. This painting relief is a typical exampl...

Title: Starry starry night Portrait, Painting, Abstract, Intense, Muse, Contemporary, Invest, Van Gogh STARRY NIGHT - Van Gogh's Muse? This soulful artwork reflecting Van Gogh's S...

Golden, soft blue and shades of gray resin and oil mosaic painting, created with sculptural hand tinted and cast epoxy resin cubes on wood, from American artist Erin Parish. The pai...

Abstract geometric artwork by a contemporary artist Gerald Wolfe. Gerald Wolfe’s wall pieces have a three-dimensional, architectural feel. The artist’s approach to his paintings is intuitive. He meticulously creates his works step by step, imbuing shapes and lines with energy. The interplay of forms, color, and texture creates tension between flatness and depth. His work can become a unique gift and will be a wonderful addition to any space, be it a living room of a modern home or a lobby of a commercial building. Gerald Wolfe received a Bachelor of Arts degree in history from the University of Maryland in 1972, discovered his interest in art and went on to study fine arts at the School of Visual Arts in New York City. In the summer of 1974, he also studied at Skowhegan School of Painting and Sculpture in Maine. From his first show in 1979, a summer invitational at OK Harris Gallery, Gerald has shown his work on a consistent basis in New York, including such galleries as Denise Bibro Fine Art, NYC, and Kim Foster Gallery, NYC . In addition, he has had solo exhibits at the Paterson Museum in Paterson, New Jersey...

Víctor Valera Umbria, 1975 Polychromed wood and vinyl 68 x 68 x 10 cm 26.7 x 26.7 x 3.9 in. Signed in back. Victor Valera was born in Maracaibo, Venezu...

Katherine Bello Bits of Magenta Diptych Mixed Media on Board 2025 Size: 12 x 12 inches (30.48 x 30.48cm) (each) Framed: 13 x 13 x 1.25 inches (33.02 x 33.02 x 3.175cm) (each) Signed ...

This abstract painting from series “Organic Forms” is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. Gesso on Birch Wo...

Pearlescent wave series, in aluminum with mixed media and pearlescent enamel on wood. Wall sculpture is sold with it's certificate of authenticity. Can be purchased individually or a...

Title: Treasure Trove in Bloom Still-life Painting Floral Vase Colorful Flower Original Contemporary Investment One-of-a-kind Original Artwork You can buy yourself flowers! This ...

Entrelacements I is the first of two different medium size contemporary modern sculpture painting reliefs by French-Dutch artist Olivier Julia. The relie...

Sonia Gechtoff Untitled portico, from the estate of gallerist Andre Zarre, 1977 Acrylic and graphite on masonite Signed and dated '77 in graphite on the front Unique Provenance: Acqu...

Artist Commentary: This piece was inspired by a public outdoor mural I had just completed that was bright light and airy Words that describe this piece: lines,sky,horizon,geometric...

Mary Lai is a multifaceted Korean-American artist based in Los Angeles, California.  Her outlook is that “Art is a universal language that can speak to anyone...

Immemorial sound #9 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil and ink on cotton canvas and carved wood, dimensions a...

-These set of 4 paintings would be fully insured during shipping to worldwide. -We offer the original artwork with Artist’s lifetime Warranty. -Free Shipping Worldwide -Frames servic...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Signed and titled by the artist. Pierre Vlerick...

Artist: Kera Geometric abstraction, contemporary painting in yellow, pink, blue Medium: Acrylics and spraypaint on canvas, framed in thin wood frame. Size: 120 x 90 cm Original p...

Remembrance #34 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil, ink, antique and textile on cotton canvas and wood, dimen...

"True Blue" is an expressive abstract painting characterized by a dynamic interplay of bold, vibrant hues. The composition features a whirlwind of blues, oranges, and whites intertwi...

Colorful abstract expressionist piece by Les (Leslie Luverne) Anderson (American, 1928-2009) that lends itself to either vertical or horizontal orientat...

Dialogue with Nature #17 & #20 is a unique installation of two works by contemporary artist Maho Maeda. This installation is made with acrylic, coloured pencil and ink on cotton canv...

Robertino Fatica was born in 1948 in Cleveland, Ohio. In 1970 he completed a three-year program at the Cooper School of Art in Cleveland. Following that, Fatica served in the U.S. Ar...

*For questions, special requests or commission inquiries, please text the gallery directly using ASK THE SELLER button. Grouping of 3 paintings is $2000 and of 4 paintings is $2500. ...

We offer Artist’s lifetime Warranty for Original paintings! -Free frame service with selection of frames to suit your space and deco style. You will be able to choice the frame with...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

"Louise I" is an original piece by NDA made from acrylic on cut wood. This piece measures 26.5"h x 22.25"w and is signed en verso. The visible florescent glow comes from the back pai...

wood assemblage by artist William Finlayson Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took ...

"Sargasso" hand-carved wooden New Brutalism wall sculpture by Hudson Valley artist, Stephen Walling, made in 2013 36 x 40 x 2.5 inches Carved wood and ac...

Robertson focuses on creating paintings that move beyond portraying reality. Driven by a synthesis of gestural brushstrokes and expressive smears, he offers viewers a liminal space o...

The artist is inspired by the relationships between the past and the present, creating works that function as archaeological finds. His pieces, which include floors and toys, reconst...

Moody figurative abstract expressionist painting of a Victorian couple with an angel by artist David Rosen (American, 1912-2004), c. 1970. Signed "Rosen" lower right. Unframed. Image size: 30.25"H x 26.38"W. Born in 1912, Rosen grew up in Toronto, Canada before pursuing arts in the United States. Upon arriving, Rosen settled in New York City and attended the Cooper Union Art school in 1930. While participating in the Federal Arts Project, he worked for the program's mural department until 1941. He also worked with an artist collective, Siqueiros Art Workshop. There, Rosen met fellow FAP artist Jackson Pollack, and together, with artist Phillip Guston, they experimented with new painting techniques and mediums. Art movements are often reactions to the popular styles that precede them, and Abstract Expressionism applied a new and exciting method to Modern Art. Gradually, artists began to break away from an overly-studied, academic approach to painting and liberated their technique. During these workshops, Rosen was introduced to Pollack's groundbreaking "drip painting" before it changed the art world. As America became involved in World War II, the Federal Arts Project wound down, officially ending in 1942. Around this time, Rosen enlisted as a Merchant Seaman with the U.S Merchant Marines. During this time, he traveled to North Africa and Italy before concluding his service and moving to California where, in 1945, he devoted his full attention to building an art career. Within a couple of years, he landed a major exhibition at the Los Angeles County Museum of Art in 1947, and his first one-man show, which opened to rave reviews, was held at Hollywood's Contemporary Art Gallery. The exhibition’s success led to mural commissions from Palm Springs' Hotel del Tahquitz, and he scored more solo shows at West Hollywood's Chabot Gallery. The early 1950s brought a surge of recognition for Rosen's career, and while his work was certainly still influenced by Abstract Expression, his painting style included elements of Surrealism, Figurative Art, and Cubism. Like his colleague Jackson Pollack, Rosen produced work inspired by drip painting; however, rather than splattering, his drips were the natural flow marks from painting freely without regard for "mistakes." Throughout Rosen's long career, he would acquire techniques from vastly different art styles which made for a varied, eclectic catalog of work. Rosen continued to build his California art career and settled at a Laguna Beach art colony in 1958. There, he entered his work in the Laguna Beach Festival of Arts and was the first painter to contribute Abstract Art to the event. Rosen would participate in the festival for the next fifteen years. A year after his move, in 1959, Rosen opened his first studio gallery and began a 12-year collaboration with the Laguna Playhouse. For the next two decades, Rosen participated in 17 art exhibitions and 20 solo shows, and received considerable critical praise. Rosen's themes were as varied as his evolving painting style, and one of his themes focused on classic characters like Shakespeare's Hamlet. Rosen's close-up portraits of historical and literary figures, illustrated by the piece To Be or Not to Be: Soliloquy From Hamlet, capture the essence of the characters while remaining loose with the painting and even adding a slight cartoon feel. His ongoing Hamlet series, as a complete collection, makes an impact with the diversity of technique. Unlike the loose style of some of his works, the painting Madaam... that he is mad is true is influenced by the structure of Cubism, the flat dimensions of Byzantine Art, and his utilization of mixed media. After Rosen's death in 2004, the Laguna Beach Festival of Arts sponsored an exhibition of his Hamlet paintings at the Wells Fargo Building gallery. Throughout Rosen's career, he amassed a great deal of critical, industry, and public praise for his work. His beloved town of Laguna Beach bestowed numerous awards that include the Laguna Beach Annual Art Gallery Award and Orange County's Annual Exhibit Award. Rosen's work flourished in California, and he received recognition from the San Diego County Fair, Los Angeles' Miracle Mile...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

"Fell into the Ocean" is a 16 x 16 x 1 inch abstract acrylic painting by Sandra Cohen. Dynamic, expressive brushstrokes in dominant cool oceanic tones of gray, white, blue, and hints...

Victor Valera Movil continuo, 2012 Edition of 40 + 4AP Acrylic on canvas mounted on MDF (Quadriptyque) 70 x 140 x 12 cm 27.5 x 55.1 x 4.7 in Signed in ba...

Paul Delapoterie, born in 1930, is a painter from Geneva, Switzerland. His work spans various styles, including abstract landscapes, figurative portraits, and surrealist pieces. Know...

This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Untitled (Cubist Portrait), 1945, oil on masonite, signed and dated lower middle, 20 x 16 inches, remnant of exhibition label verso, perhaps exhibited at Murry's solo exhibition at the Los Angeles's Screen Cartoonists' Gallery, July , 1945, presented in its original frame Jerre Murry was a California modernist painter. Born in Columbia, Missouri, Murry studied at the Detroit Academy of Art and worked as an artist for the Detroit News and Detroit Free Press. Murry traveled to the Bahamas, where he was inspired to paint modernist scenes of island life and people. By the early 1930s, Murry had relocated to Los Angeles, where he caught the attention of Synchromist painter Stanton Macdonald Wright, State Supervisor for the Federal Art Project (FAP) in Southern California. MacDonald Wright enrolled Murry into the FAP. Murry’s Gauguin-influenced painting Sun Image was exhibited together with other FAP artists at the Los Angeles County Museum of Art in 1936, and Murry was also included in the FAP exhibit at the Paris Exposition in 1937. Stendahl Galleries in Los Angeles, the Chamber of Commerce Gallery in Santa Barbara, and at the Los Angeles County Museum of Art also showed Murry’s work during the 1930s. Murry created a murals for Los Angeles Water & Power Company, the Boise, Idaho Post Office, and Glendale Junior College. In 1939, Murry's work was exhibited at the Golden Gate International Exposition and the New York World's Fair. He also was included in the All California Exhibition at the Los Angeles County Museum of art that same year. He went on to exhibit in Los Angeles at the Foundation of Western Art's Trends in Southern California Art shows in 1940 and 1941, at Raymond and Raymond Gallery in Hollywood and USC’s Elizabeth Holmes...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Andrene Kauffman (American, 1905-1993) Alter Ego. Surrealist circus or zoo scene with flying animals on an abstract color saturated background. Oil on masonite. Hand signed ANKAU lower left. Dimensions: 24 x 30”. Frame 25 ½ x 31 ½”. There is a address label verso from Louise Dunn Yochim She was a well-known artist from Chicago in her time. Louise Yochim was born Luba Dichne in Zhitomir, Russia in 1909. She immigrated to Chicago, along with her parents and four siblings in 1924. Yochim studied at the European Gymnasium and at the Art Institute of Chicago, receiving her Master’s Degree and Doctorate (1962) in Education from the University of Chicago. She was married to notable Chicago artist Maurice Yochim. Yochim exhibited at the Art Institute of Chicago, the Renaissance Society of the University of Chicago, Chicago, IL, the Union League Club, Chicago, IL, the University Club of Chicago, the Cleveland Museum of Art, among others, becoming one of the leading women artists in Chicago. Yochim published three books, the most notable being “Role and Impact: The Chicago Society of Artists”, included in the Illinois Women Artists Project. Camille Andrene Kauffman (1905 – 1993) was an American painter and educator who created a mural for the post office mural project in Ida Grove, Iowa. She completed twenty-five colorful murals and seven sculptures throughout Chicago, as part of the art projects for the New Deal's Section of Painting and Sculpture. Later, she completed seventeen ceramic murals for the 3rd Unitarian Church, which was designated as a Chicago Landmark in 1960. In addition to her artwork and exhibitions, Kaufman taught art for forty-one years at various universities in Chicago, Rockford, Illinois, and Valparaiso, Indiana. Her work bears the influence of Surrealism and Cubism. Camille Andrene Kauffmann was born on April 19, 1905, in Chicago, Cook County, Illinois, to Charlotte Camille (née Henriksen) and George Francis Kauffman Kauffman came from an artistic family. Her father was a dress designer and her paternal grandfather, Francis Xavier Kauffman designed furniture. Her brother G. Francis would become a cartoonist and illustrator. She attended Austin Community Academy High School of Chicago before entering the Art Institute of Chicago, graduating in 1926 and winning the John Quincy Adams Fellowship from the Institute for a year of continued study abroad. In 1927, Kauffman went to Paris, where she studied with Andre Lhote and traveled throughout Europe, before returning in 1928 to take up a teaching post at Valparaiso University. Kauffman was hired as a professor of Painting and drawing at the Art Institute of Chicago upon her return and simultaneously worked instructing art at Valparaiso University. Both assignments were part time and in 1933, when she was approached by the Works Progress Administration (WPA), she joined the federal program. During her time with the WPA, Kauffman produced over 50 easel paintings, 25 murals and 7 sculpture projects earning $24.50 per week. Some of her first works for the WPA were murals painted for the Brookfield Zoo, which was under construction at the time. Between 1936 and 1940, Kauffman painted four murals for the cafeteria of the Emil G. Hirsch Metropolitan High School including Amusement Park, Circus, Rodeo, and Stock Show The murals were painted over with house paint, but the outlines of the canvases are visible on the walls and might be able to be restored In 1937, Kauffman painted Incidents in the Life of Luther Burbank for the Luther Burbank School. The following year, she completed a second mural at the school, Circus. The murals at Burbank were still extant in 2001. The playground houses at Oak Park, Illinois, contain Kaufman's bas relief sculptures depicting fairy tales. These included a cast stone relief based on Thumbelina by Hans Christian Andersen, at the Watts Playground on Hayes Avenue at Division Street; a stone sculpture titled The Cutting of the Cake based on Lewis Carroll's Through the Looking Glass, for the Lincoln Playground at Kenilworth Avenue and Fillmore Street; and a cast stone work Captain Flint based on Robert Louis Stevenson's character at the Pyott Playground on Lake Street at Taylor Avenue. She painted murals at the Cook County Children's Hospital, but they were destroyed when the building was demolished, Kauffman created two bas reliefs for the Lincoln Elementary School in Evanston, Illinois. Children in Fruit Tree and Monkeys are intricate wood carvings with three-dimensional style. In addition, she completed commissions at the Washington School in Evanston and the Lowell School in Oak Park, as well as a mural for the Forest Park Public Library. In 1940, Kauffman won the federal commission to paint Preparation for the First County Fair in Ida Grove–1872 for the post office mural in Ida Grove, Iowa. Many great Chicago artists worked for the WPA including Rainey Bennett...

Mobile reliefs with moving patterns operated by motors that alter the space colour ratios, initially in black and white and later in colour. Very slowly, the parts changed, were sepa...

Fredric Karoly (1898-1987). Etude, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

Mary Lai is a multifaceted Korean-American artist based in Los Angeles, California.  Her outlook is that “Art is a universal language that can speak to anyone” and her dreamer mindse...

"TRANSURANIC SIEVERT" Abstract Mixed media painting 48" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY)...

Intervalle IV 8/25 is one of a series of originally four different small size contemporary modern sculpture painting reliefs by French-Dutch artist Olivier Julia...

Alexander Liberman (1912-1999): Svet III Mixed media on board, 1984, signed 'Alexander Liberman' and dated at bottom= Hand signed, titled and dat...

Original Oil Painting by Annette Davidek. Signed and dated on verso. Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic form...

Abstract artist Paul Kirley crafts visual journeys that seamlessly intertwine individuals with their surroundings, evoking the ethereal nature of dreams. Blurring the boundaries betw...

Katrina Revenaugh Get Happy No. 1 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2018 Size: 24×20in Signed: On Verso COA provided Ref.: 924802-1949 *on Birch Pan...

Pls note that the artworks are possible to purchase separately (2500Euro/artwork). I titled my work "Upstairs and Downstairs," drawing inspiration from the daily climb or descent of...

Newborn sound #97 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil and ink on cotton canvas and carved wood, dimensions are...

Artist: Kera Geometric abstraction, contemporary painting in yellow, pink, blue Medium: Acrylics and spraypaint on wood, framed in thin wood frame. Size: 90 x 180 cm Original p...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Califonia artist, Brandon Neher captivates with his figurative abstract artworks that seamlessly blend German Expressionism and Pop Abstraction. His original paintings on canvas embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Drawing inspiration from his coastal upbringing in California, Neher's art reveals layered references to his surroundings, merging physical and subconscious energies to create captivating shapes and patterns. This exceptional abstract artwork measures 14 inches high by 11 inches wide, showcasing Neher's fascination with artificial naturalism. Using acrylic paint on a wood panel, the artist meticulously crafted a uniform grid of 154 squares. The seemingly random arrangement of colors on the squares creates a diffuse yet stimulating overall effect, inviting the viewer to explore every captivating detail. The artwork's sides are painted, eliminating the need for framing, and it comes wired and ready to hang. Neher's signature and title grace the back of the painting, ensuring its authenticity. Convenient delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. A certificate of authenticity issued by the art gallery accompanies your purchase. Born in Burbank, California, in 1983, Brandon Neher's artistic journey began after studying at the Brooks Institute of Photography for three years. His artistic prowess extends across a diverse range of mediums, including 16mm film, watercolor, oil, sculpture, charcoal, photography, mixed media collage, and print transfers. Neher finds inspiration in German expressionist painters, admiring their ability to convey narratives on canvas. His own creative process involves carefully considering his images before bringing them to life, layering colors in a way that invites viewers to perceive familiar elements in a fresh and enlightening manner. Brandon Neher's artwork has garnered attention and acclaim, with exhibitions and collectors spanning the United States. His creations have even graced television productions such as ABC Family's Secret Life of the American Teenager, HGTV's Design on a Dime...

This piece was primarily inspired by the pinwheels. My goal for this piece was to create new relationships between color, proportion, texture, and scale. I never alter the color of t...

Unborn Sound #14 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil and ink on cotton canvas and carved wood, dimensions are ...

This piece began with squares on point. At some point, I decided to add smaller triangles. The randomness of these shapes felt like dancing firefly wings. Laura Petrovich-Cheney: L...

Artist: Kera Geometric abstraction in white, yellow, black and blue Medium: Acrylics and spraypaint on canvas, framed in thin wood frame. Size: 130 x 90 cm Original painting ___...

Artist: Kera Geometric abstraction, contemporary painting in yellow, pink, blue Medium: Acrylics and spraypaint on wood, framed in thin wood frame. Size: 90 x 180 cm Original p...