Wood Abstract Paintings

One (Abstract painting) Acrylic on wood - Unframed. Ghetti is interested in cross-disciplinary methods and tools. She originates her compositions on the computer, utilizing digital...

Pinky (Abstract painting) Acrylic on wood - Unframed. Ghetti is interested in cross-disciplinary methods and tools. She originates her compositions on the computer, utilizing digit...

Robin Crofut-Brittingham is a multidisciplinary artist and writer. Her work focuses on the creation of real and imagined worlds, inspired by nature. Originally from Western Massachus...

the digital age (Abstract painting) Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingl...

Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly allude to the world of nature and r...

Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly allude to the world of nature and r...

Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly allude to the world of nature and r...

Acrylic on wood - Unframed. Ghetti is interested in cross-disciplinary methods and tools. She originates her compositions on the computer, utilizing digital tools to develop images ...

Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly allude to the world of nature and r...

Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly allude to the world of nature and r...

Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly allude to the world of nature and r...

Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly allude to the world of nature and r...

Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly allude to the world of nature and r...

Acrylic on canvas with a wooden frame.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite.

Acrylic paint on masonite.

Acrylic paint on masonite.

Acrylic on cotton fabric on MDF - Unframed. Göttin is working with common industrial material which can be paint, tape, wood, metal, polystyrene, plastic, carpet. His interest and ...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Ineffable, 1962 Oil on Masonite board 91,5 x 61,5 cm (without frame) 93 x 63 cm (framed) Signed and dated Top Right ‘P. Vlerick 1962’ with title, signature place and date at the back: Ineffable P. Vlerick Afsnee 1962 Pierre Vlerick’s work shows some resemblance to Willem de Kooning’s. While the Dutch American was famed for the wild manner in which he treated his canvas, Pierre Vlerick showed some more restraint, but making a painting was in any case a slow process of stopping and starting and revising. His exploration is meant to result in a correct proportion of colour fields and streaks, often applied layer upon layer. All his colors have a luminous intensity. It was mainly Bonnard’s colorful work that inspired Vlerick to compose his own singular range of colors of slightly tingling yellows, greens, oranges and bits of blue here and there. Abstraction is emphasized by his use of color. Colors not associated with objects from daily life often dominate the composition: purple, for instance. This is the basis for his continuing abstraction, ending up as color fields combined with organic elements depicted with the vaguest of contours. Though both artists create a very metropolitan, say even worldly art, their work evokes nature. De Kooning has been called a master of ‘abstract landscape’. The structure of Vlerick’s works, too, is very vegetable and organic. No wonder he referred to his paintings as his ‘gardens’. Neither artist allowed his garden to remain empty: de Kooning created a female figure looking like a cross between a floozy and the mother goddess. Vlerick imagined a woman who is enjoying her body. Vlerick’s approach to abstract art is the same as de Kooning’s; they refuse to paint in a figurative manner, yet at the same time do not wish to renounce referring to reality. De Kooning once put it very accurately during an interview when he conceded that painting the human figure any longer was absurd(in the post-war period), but also stated that it would be even more absurd not to do it. The only way out of this ambiguous dilemma is the deconstruction of the human figure. Not in order to reject it, but to show it in all its fragility. Pierre Vlerick’s exceptional artistic talents were already recognized while he was studying at the Ghent Academy (1940-1944) whereupon graduating he received a gold medal. In 1947-1948 Vlerick enrolls at the “la Grande Chaumière Academy”, a Parisian private academy which attracts lots of foreign artists thanks to the reputation of its most important teachers such as Maurice Denis (1870-1943). Denis was one of the founding fathers of “the Nabis” and is also considered to be the godfather of abstract art by many artists and art critics. Maurice Denis is famous for his quote: "Remember that a painting, before it is any kind of representation, is essentially a flat surface covered with colors in a certain collected order." At La Grande Chaumière, Vlerick is challenged to develop a pictorial language of his own. Vlerick develops a way to translate the observed reality into visions of color and form, which can be situated somewhere on the axis between the figurative and the abstract. Reality is decomposed and reconstructed into a complete new representation. After a trip to Spain in 1955 the painter evolves towards the use of brighter colors. At the Brussels World Exhibition of 1958 (Expo 58) Vlerick is for the first time confronted with real works of 17 American artists (William Baziotes, James Brooks, Sam Francis, Arshile Gorky, Adolph Gottlieb, Philip Guston, Grace Hartigan, Franz Kline, Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, Mark Rothko, Theodoros Stamos, Clyfford Still, Bradley Walker...

Acrylic on masonite.

Translated title: "Now I see you". Acrylic on masonite.

"My new body of work uses discarded wood gathered from landfills and construction sites in Vermont. Once in the studio I prepare the boards by cutting them into thin strips taking ca...

Translated title: "Now I see you" Acrylic on masonite.

Acrylic on wood - Unframed This work is one of many similar works consisting of acrylic painted cut off wood. The rhythm of the vertical stripes are resulting from the wooden secti...

Lost is an evocative abstract painting by Troy Smith that captures the sensation of disorientation within an expansive and ever-shifting environment. Its large dimensions command att...

Acrylic on MDF - Unframed Göttin is working with common industrial material which can be paint, tape, wood, metal, polystyrene, plastic, carpet. His interest and concept are to exa...

Oil on wood and found wood - Unframed Feinberg has been working for many years in oil on wood or oil paint with found wood. Color is her predominant interest to which the found woo...

“On Reflection” immerses viewers in a tranquil underwater world. A male figure, crouched with a contemplative expression, is gracefully distorted by the water’s refraction. Rich blue...

“Balance” intimately captures two figures, one with dark skin and one with light, embracing underwater. Masterful use of light and color brings the scene to life, with refracted sunl...

Acrylic on MDF - Unframed. Göttin is working with common industrial material which can be paint, tape, wood, metal, polystyrene, plastic, carpet. His interest and concept are to ex...

Adhesive tape, acrylic, lacquer, cardboard, on MDF. Unframed. This work is part of a series of similar works consisting of four layers of different material. Adhesive tape, fixed o...

Lacquer on MDF and Aluminum. This work as well as 17.16 (Breather) and 14.16 (In the Cities) can be understood as reflections on urban and architectural structures which form our a...

Oil painting over pigmented cement on 2 foam panels with wood rail. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the...

Lacquer on MDF. This series of works, titled ‘Stacks’, started in 2005. They stand in the continuum of Tilman’s exploration of the ‘painted object’ or painting. These works vary in ...

Hyun Ae Kang was born in South Korea. Currently based in California, USA. Hyun is an important figure in Korean contemporary art. In her art she combines traditional Korean spirit ...

Pearlescent wave series, in aluminum with mixed media and pearlescent enamel on wood. Wall sculpture is sold with it's certificate of authenticity. Can be purchased individually or a...

Pearlescent wave series, in aluminum with mixed media and pearlescent enamel on wood. Wall sculpture is sold with it's certificate of authenticity. Can be purchased individually or a...

Yury was born in Belarus. Graduated from the Belarusian State Academy of the Arts. Upon graduation He began a career in the illustration and graphic design field, painting in his spare time. After several successful solo shows Yury started to devote his attention to visual art Making this career change, He moved to Toronto Canada. Being a full time artist He became an Elected member of the Society of Canadian Artists in 2009. In 2010 Yury opened his second studio in Palm Beach, FL. and recently in Ponta...

Corcos paints what appears to be the northern part Central Park from an elevated view looking northwest. The artist used a restricted palette of warm browns and grays with heavy outl...

Suzanne Bloomfield’s 1969 painting, After the Storm, is a striking blend of oil and encaustic that immerses viewers in a world of renewal and transformation. Deep reds, earthy brown...

In the middle of the eighties Perez-Flores started the creation of a large series of pictures and reliefs called "Prochromatiques", in which the vertical elements are dominating. The...

Original painting on wood giving appearance of 3D and movement. Hand signed on verso by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All re...

A Fiery Hell is depicted as a volcano that spews flames and lava dust into the air. According to the Peter and Harrison Ellenshaw Family Archive, this work was shown to Stanly Kubrick for a Paradise Lost, movie concept. Peter had created matte paintings for Kubrick's Spartacus in 1960 and they continued their professional friendship for years to come. Peter did some collaboration with TRON in 1982. Unfortunately, the movie concept for John Miltons, Paradise Lost, was not brought into production. An erupting volcano is also an powerful metaphor for many human conditions. Ellenshaw (1913–2007) was a highly regarded matte painter and special-effects creator whose filmography includes Old Yeller (1957), Swiss Family Robinson...

Original painting on custom cut wood. Hand signed on verso by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be co...

This poured wax painting by Joanne Ungar, is composed with the geometric forms of recycled packaging, layered and infused with pigmented wax. The blue and violet purple in this pigm...

To trip and retrip on a piece of land, a surface, a support that sets up not a bounce but a billow, a soft surge, a reverberation where the ground is friendly, known, familiar and th...

Original painting on wood. Hand signed and dated on front by the artist. Artwork size 6.75 x 5.25 inches. Frame size 15.5 x 14 inches. Artwork is in excellent condition. Certifica...

Steps to Water Painting by Keith Purser B. 1944, 2007 Additional information: Medium: Woodcut with hand-colouring Dimensions: 41 x 59 cm 16 1/8 x 23 1/4 in Signed, titled and dated....

Ghost II, Woodcut and Sand Painting by Keith Purser B. 1944 Additional information: Medium: Woodcut, chalk pastel, hand-colouring and sand Dimensions: 25.5 x 35 cm 10 1/8 x 13 3/4 i...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

"ZIRCALLOY" Abstract Painting 48" x 66" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY), Sterling Ruby ...

"My new body of work uses discarded wood gathered from landfills and construction sites in Vermont. Once in the studio I prepare the boards by cutting them into thin strips taking ca...

The painting is being offered with a work and authenticity certificate

Pink and Blue Socks, Oil on Wood Panel, 12x12, 2017

Original painting on wood. Hand signed and dated on front by the artist. Artwork size 13.75 x 13.75 inches. Frame size 15 x 15 inches. Artwork is in excellent condition. Certifica...

Original dimensional hand painted, custom cut and mounted wood. Hand signed on front and verso. Artwork is in excellent condition. Certificate of Authenticity included. All reason...

Medium Size rectangular artwork with enamel and wood on panel. Framing options included in Black, White and natural wood framing. Please contact seller for the same. BIO Jean Wolff ...

Amore explores the classical beauty of the red rose at a large scale. This piece is 60" x 60" on wood panel, and it is painted in acrylic. In the Rose Series, Mashian captures the ...

Medium Size rectangular artwork with enamel and wood on panel. Framing options included in Black, White and natural wood framing. Please contact seller for the same. BIO Jean Wolff ...