1980s Abstract Paintings

This 37" x 26" oil on linen was painted by Robert Bonaparte in 1980. It is characterized by its abstract stylistic qualities and the various forms and shapes depicted. At its center ...

Tulips in a vase #2. Oil on cardboard, 50 x 40 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School o...

Red Strike - Abstract Expressionist Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece is a ...

Blue, Pink & Red Abstract in Watercolor on Paper A bold abstract expressionist watercolor by Les (Leslie Luverne) Anderson (American, 1928-2009). Bright sections of yellow, pink, orange, and red are divided by dark blue lines. Although some shapes are repeated, there is not a definitive pattern, which creates a dynamic composition. Signed "Les Anderson" on verso. From the estate of Les Anderson in Monterey, California. Unframed. Paper size: 14"H x 20"W. Les (Leslie Luverne) Anderson(American, 1928-2009) owned and operated the Bear Flag Gallery in San Juan Bautista...

Figure in Blue Pool - Vintage Abstract Impressionist Composition in Oil Compelling figure in blue pool abstract impressionist painting by Kristin Cohen (American, b. 1963). Thick im...

Aharon Gluska (b. 1951) Pigment and oil paint, mixed media painting on archival paper. Dimensions (H, W, D): 22.5"h, 13"w image; 32"H, 24"w frame Provenance: Siegel Collection, Florida. The Siegels' collection was acquired under the guidance of Lawrence Salander of Salander-O'Reilly Gallery in New York in the late 1980s. Aharon Gluska (born 1951) is an Israeli–American painter. Gluska was born in 1951 in Hadera, Israel. He studied at the Académie des Beaux-Arts in Paris and Avni Institute of Fine Arts in Tel Aviv. Grants Gluska received grants from the National Endowment for the Arts and the Jackson Pollock- Lee Krasner Foundation. Awards Gluska was one of two winners along with Moshe Kupferman, of the 1996 Zussman Prize for artists dealing with the Holocaust, from the Yad Vashem museum, for his paintings of prisoners at Auschwitz based on photographs of them taken by their Nazi guards. Exhibitions: Bertha Urdang Gallery, NY, USA 1983 Aharon Gluska: Painting and Drawings 1985-1986 Bertha Urdang Gallery, NY, USA 1986 Group Exhibitions The Disciplined Spirit, Exit Art, New York, USA Artists: Nahum Tevet, Micha Ullman, Aaron Gluska, Jacob El Hanani, Moshe Kupferman, Gilad Ophir, Joshua Neustein, Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...

Artist: Peter Mack Title: Stripes One Year: circa 1980 Medium: Acrylic on Canvas with Clear Vinyl Overlay, signed l.r. Size: 48 x 48 in. (121.92 x 121.92 cm) Frame Size: 49 x 49 inches

Elfi Schuselka (Austrian, b. 1940), "Triangle in 5", Mixed Media on Tarlatan, 1983, signed, titled, and dated to verso. 36.75" H x 39" W. Provenance: From the Collection of the artis...

Abstracted portrait of a renaissance era woman by Sonia Gichner (20th Century). This piece is painted with splashes of bright colors, contrasting nicely with skin tones and black lin...

Forest. 1982. Cardboard, oil, 33x46 cm The description suggests that "Forest" is an impressionist landscape painting primarily focused on depicting a forest scene. The use of mostly...

Virginia Cuppaidge (Australian, b. 1943), "Cerella", Oil on Canvas, 1982, abstract composition, signed, titled, and dated to verso, gold-tone metal frame. Image: 44.5" H x 71.5" W; f...

Interesting Latin American art collage/assemblage of images. bears elements of Arte Povera. it is mounted onto a wood construction. Signed verso and bears label from Stux Gallery. Well Known Brazilian political artist and collector. Showed at Stux Gallery (they showed Doug Anderson and then Mike and Doug...

Diego Barboza - 1945-2003 Hand signed and dated 1988 Oil on Canvas Diego Barboza was born the Carabobo street of Maracaibo, Venezuela on February 4, 1945. He was a Venezuelan Neo Figurative Painter who is among the most famous and influential figures in Venezuelan art history. Diego Barboza opened a new chapter in Latin America, beyond the surreal or the magical realism of the Modern Latin American Masters. He created a new language of dislocation and transgression. Personages became distorted to the point that was very exaggerated forms His figures twisted and contorted without losing their presence or their pull. Extremities muscles, and bones burst into an explosive compound of divergent and convergent lines. Through eruptive brushstrokes and fractured outlines. Barboza created a world of illusions. Barboza was born into a upper-middle-class family. He stopped going to school at 12 years old, and he registered himself at the School of Visual Art in the City of Maracaibo Venezuela. Barboza studied at the School of Visual Arts in Caracas, Venezuela. Barboza began his training as an artist at age 12 in his native Maracaibo when he left formal education to enroll in the then School of Plastic Arts of Zulia, then Julio Arraga School of Plastic Arts, where he was a student in the modeling, collage and Drawing of Angelina Curiel. His first collages, in the sixties, show the influence of American Pop Art. In 1967 he exhibited at the Ateneo de Caracas his series 'Los Ratones', a proposal then 'criticized by critics as unprecedented in Venezuela'. In his tribute to the film "Nosferatu" Friedrich Murnau included 32 drawings as well as two-dimensional objects. In 1968 he moved to London where he studied at the London College of Printing. From that time is his '30 Girls with Nets', an action in which 30 students of the London College of Printing, dressed in black and covered by white nets, toured London public places, behaving naturally. His 'street expressions', which he later called 'poetic actions', symbolized a breakdown of social restraints through unusual behaviors that sought to provoke public reactions. Upon his return to Venezuela in 1973, Barboza continues with this line of work, being recognized as one of the initiators of Venezuelan conceptual art. In the 1980's Diego Barboza turned to painting, the New Venezuelan Figuration. Here belongings and the feminine figure fill the work of that time, in which he embodied his intimacy and daily life through scenes of furnishings and flowers that included objects from his workshop and home. His nudes were made from live model, then to follow the path of distortion resulting in their unmistakable females: a figure that represented their personal way of appreciating beauty. Barboza presented his first individual exhibition at the Centro de Bellas Artes of Maracaibo Venezuela. In 1963, he traveled to London when the Conceptual Art movement started, he had the support of the London New Art Lab Gallery. On March 7, 1970 Barboza displayed his first work on Conceptual Art, which he called Art of Action. In London with the performance of 30 Girls with nets (30 Muchachas con redes). His second work was Nets and Hats in markets and restaurants (Con sombreros y redes en mercados y restaurantes). In London UK. His third The Centerpiece (El Ciempies) and the fourth Expression on a laundry-mat (Expresiones en una lavandería) In 1974. Baboza returned to Venezuela. Where he presented two very important Conceptual Art works: The Armadillo Box (La Caja del Cachicamo) and from the School of Athens to the New School of Caracas (De la Escuela de Atenas a la Nueva Escuela de Caracas). Closing his cycle of Conceptual Art creation. IN Venezuela a sort of impromptu academy started up at Claudio Perna’s house. Eugenio Espinoza, Roberto Obregón, Antonieta Sosa, Alfred Wenemoser, Yeni and Nan, Sigfredo Chacón, Diego Barboza, Luis Villamizar, Margherita D’Amico, Pedro Terán, Alfredo del Mónaco, as well as international figures who happened to be visiting Venezuela such as Antoni Muntadas, Charlotte Moorman, and Roman Polanski would gather there. Venezuela, especially Caracas, was a rich field of action for modernism in South America. Venezuelan Geometric Abstraction, Op art and Kinetic Art dominated through crucial figures like Jesús Rafael Soto, Gego, Alejandro Otero, and Carlos Cruz Diez, the country’s kinetic art made a fundamental contribution internationally. The Greater London Arts Association and the Arts Council of Great Britain did several exhibitions of (North, Central, South, London, Wales, Scotland and Ulster) to show the actual Visual Arts in all of the United Kingdom and Diego Barboza was invited for this event with a solo exhibition, expressions around a cylinder (Expresiones alrededor de un cilindro). Diego has made numerous solo and group exhibitions, obtaining rewards since 1963. He is represented in the most important museums of Venezuela, as well as in England, Brazil, Colombia and Cuba. In 1986 he was awarded the Municipal Visual Arts Award of the Municipal Council of the Federal District and in 1997 he received the National Prize for Plastic Arts granted by the National Council of Culture, CONAC. Select Group Exhibitions 1964 Ateneo de Caracas, Caracas, Venezuela 1965 Salón Arturo Michelena, Valencia, Venezuela 1968 Salón Oficial Museo de Bellas Artes, Caracas, Venezuela 1971 Art Spectrum London, London, Great Britain 1972 Serpentine Gallery, London, Great Britain 1973 Midland Group Gallery, London, Great Britain 1974 Galería BANAP, Caracas, Venezuela 1975 Casa de Las Américas, La Habana, Cuba Museo de Bellas Artes, Caracas Galería de Arte Nuevo, Buenos Aires, Argentina 1976 Museo de Arte Moderno, Bogotá, Colombia Museo de Arte Contemporáneo, Sao Paulo, Brazil Museo de la Tertulia, Cali, Colombia Bienal de Venecia, Venecia, Italy 1979 Centro de Artes y Comunicación, Buenos Aires, Argentina 1980 Galería NBC, Memphis, Tennessee, USA 1981 Galería de Arte Nacional, Caracas, Venezuela Museo de Arte Contemporáneo, Medellín, Colombia Museo de Bellas Artes, Caracas, Venezuela 1986 Museo de Arte La Rinconada, Caracas, Venezuela 1989 Galería Venzor, Chicago, Illinois, USA 1990 Museo Bellas Artes, Santiago de Chile, Chile 1992 Ambrosino Gallery, Coral Gables, Florida, USA 1993 Museo de Arte de Petare, Caracas, Venezuela Centro de Arte Lia Bermúdez, Maracaibo, Venezuela 1994 Galería Namia Mondolfi, Caracas, Venezuela 1995 Galería Art Nouveau, Maracaibo, Venezuela Galería Cesar Sassòn, Caracas, Venezuela Maremares Resort, Puerto La Cruz, Venezuela Galería Durban, Caracas, Venezuela Galería Odalys, Caracas, Venezuela 1996 Centro de Arte Grupo Li, Caracas, Venezuela Galería Uno, Caracas, Venezuela Centro Cultural Consolidado, Caracas, Venezuela Espacios Unión, Caracas, Venezuela Hebraica, Caracas, Venezuela 1997 Sociedad Dramática, Maracaibo, Venezuela, Venezuela CELARG, Caracas, Venezuela Galería Ocre Arte, Caracas, Venezuela Museo de Arte Contemporáneo , Maracay, Venezuela Galería Medicci, Caracas, Venezuela Awards 1963 Premio Estímulo - IX Salón d’Empaire, Maracaibo, Venezuela 1964 Premio José Ortìn Rodríguez - X Salón d’Empaire, Maracaibo, Venezuela 1965 Primer Premio de Dibujo - III Salón Pez Dorado, Caracas, Venezuela 1968 Premio Henrique Otero Vizcarrondo - XXIV Salón Oficial Anual de Arte Venezolano Museo de Bellas Artes, 1973 Premio Emilio Boggio...

MICHAEL HAFFTKA "The Wave" Hand signed lower right "Hafftka" Oil and pastel on paper, 30.5" x 22.25". Framed 39" x 31.5". Michael Hafftka (born 1953) is an American figurative exp...

Yuri Larin (1936-2014). Landscape, 1982. Watercolor on paper, 16.5 x 18.5 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper...

Acrylic on cotton duck cloth canvas. Canvas size: 12 x 9 inches. Inscription: Hand signed, as issued. Notes: Registered #2057, in the Peter Max Archive, New York, 1982. PETER MAX (1...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 17 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper...

Edna Andrade Mirage (de-accessioned from the Reader's Digest Art Collection), 1988 Original Collage painting on board Signed, titled & dated on the front; the back bears labels from Marian Locks Gallery & Readers Digest Association with inventory (RDA) number Original frame included with collection and gallery labels verso This is a unique work Exquisite 1980s collage on board painting (framed) titled "Mirage" by renowned female Op artist Edna Andrade...

Magenta and Yellow Abstract Expressionist Composition in Acrylic on Paper Abstract in bright colors on heavy grey paper by California-based artist Ricardo de Silva (Brazilian, 20th ...

A dark, ethereal, plum purple field hosts accents of bright blue, green, turquoise, and pink in this large-scale abstract painting by Milly Ristvedt. Thinly threaded above the field ...

Artist: Juhachiro Takada Title: Untitled IV Medium: Encaustic, Sand on Canvas, Signed in pencil Paper Size: 10.5 x 12.5 inches Frame Size: 19.5 x 20.5 inches

cardboard/oil, 54x50 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, ...

Original Mized media on Wood. Signed, titled and dated in the back with pen.

Impressive early American modernist drawing. Framed. Drawing on paper. Signed. Image size, 14H by 11L.

Pat Adams Free More, 1989 Acrylic and encaustic painting with varnish on paper laid down on canvas Hand signed and dated on the upper left front Original artist's frame included This...

Old Place Mixed media on paper Signed and dated 1988, twice Further signed, inscribed and dated to verso Paper size 78 x 99cm framed 95x115

Portrait of a Woman with Rosy Cheeks in Acrylic on Paper A stylized portrait by California-based artist, Ricardo de Silva (American/Brazil, 20th C). In this stylized portrait, the s...

Andreas Nottebohm is a German painter known as a key innovator in metal painting. The painting measures 48 x 40 inches and is signed and dated verso. Provenance: Private Collection, NYC

Brushed passages and swipes of sharp yellow, sunset orange, kelly green and sky blue, move in a ballet of color through the soaked charcoal ground of this towering acrylic painting b...

"Wyoming Gold", Large-Scale Abstract Geometric Modern Landscape Bold large scale abstracted landscape by Erle Loran (American, 1905-1999). Estate stamp on verso. Can be oriented ve...

Artist in Gouache on Interview Magazine Back Page 1989 Modernism Portrait of a man and commemorating The Fall of the Berlin Wall on Andy Worhol's Interview Magazine back page and pai...

Exceptional and substantial monotype on paper titled "Lo Deseo" (I wish it) by Bay area artist Kate Delos (Mexican/American, b-1945). One of One, signed on bottom "Lo Deseo 1983 Delos" and "Kate Delos 1983 Monotype...

Brilliant floral watercolor painting by Mary Burke (American, 20th Century). Signed "M. Burke - SWA" lower right. Titled "Floral" and sign...

Large scale, colorful abstract painting, with pink, orange and purple against a pale blue ground. Milly Ristvedt approaches color in her work with sincere consideration and expertise...

Phenomena Winter Harth by Paul Jenkins (1923-2012) Oil and sand on canvas 66 x 122 cm (26 x 48 inches) Signed, titled and dated on the reverse, Paul Jenkins "Phenomena Winter Harth" ...

Contemporary abstract geometric painting by artist Mark Byckowski. The piece features horizontal lines with a variety of vivid colors of blue, pink and purple painted against a bright white background. Each of Byckowski's work features a bright red line at the bottom right corner. Signed, titled, and dated on reverse. Currently unframed, but options are available. Artist Biography: Mark Byckowski was born March 18, 1957 in Chicago, Illinois. He remained in and out of the Chicago area until moving to Raleigh, North Carolina in 1990. In 2016 moved to Livingston, Texas where he currently resides. At an early age, he began drawing, studying, and creating art which has continued throughout his life. His artwork has changed and evolved through different periods and styles that span for decades. In the early years, he was influenced by traditional representational artists and illustrators, then impressionism, surrealism, and avant-garde of modernism captured his imagination. His artistic talent eventually led him to Northern Illinois University where he received Dean List Honors in Fine Art with an emphasis in the studio painting. As a studio artist he has produced a body of work in various media painting, drawing, sculpture, printmaking, and computer art also known as digital art. While in college the artist began searching for an original idea and style of his own. In 1979 when the first apple personal computers became available in the art department. He immediately knew the technology would eventually influence the direction of fine art in the future. It took time to learn how to program and explore the possibilities of computers as a new tool in the creation of art. Personal computers back then did not have the capabilities they have today and were not user-friendly. There were only two fine artists Mark Pinson and I working with computer technology back then. We worked on our own ideas and after completing the programs and turning them into paintings and drawings we collaborated and mounted a two-man exhibition. My first program was a series of interconnected images entitled “Concatenation” paintings and drawings created from the program were exhibited with Mark Pinson’s work entitled “Random” in a two- man show at The Holmes Center Gallery, Northern Illinois University on November 30, 1980. The second program entitled “Visual Music” the paintings and drawings exhibited in a one man show at The Recital Hall Music Building Gallery, Northern Illinois University on April 26, 1981. Followed by an exhibit sponsored by Illinois Bell, works on paper selected a drawing from the Visual Music series for “A New Generation of Artists” at The Lobby Gallery, 225 West Randolph Street, Chicago, Illinois, May 14 through June 12, 1981. The artist has participated in exhibitions dating back to 1974. The above exhibitions were selected because they marked a new beginning and direction in the artist’s work that continues to the present day. Other positions held in the Fine Art field include: 1984-1985- Austin Galleries, Michigan Avenue, Chicago, Illinois (Main Gallery) and other locations Fine Art Consultant / Gallery Director 1982-1984- Atlas Galleries, Michigan Avenue, Chicago, Illinois (Main Gallery) and other locations Fine Art Consultant / Assistant Gallery Director Artist Statement: Subject matter for computer art, painting, and drawing Mark S. Byckowski In 1979 searching for a for an original idea and style of my own I began looking for abstract ideas that I could program with a computer for a new a paintings series. I decided on an idea called “Concatenation” a series beginning from the original image undergoing a transformational change from the previous image connected in a linked series. Example: Image 1 is the original, image 2 changes image 1 by adding a new line, and image 3 changes image 2 by adding an additional new line. Continually changing the previous image by adding an additional line etc. In 1980 I began working on a new abstract idea that I could again program with a computer for a new painting and drawing series. The similarities between music and art intrigued me and began thinking about how I could create a visual representation of musical sound. In music notes are arrangements turned into compositions. In art color is also, arranged into compositions and both seek aesthetic rhythms and harmony. Depending on what notes or colors used can also, affect different emotions and moods. The Artists painting process Step one: Create the computer drawing. For years I have used Microsoft classic paint to create drawings. It allows me to arrange an aesthetic composition and select a color scheme in advance. I can make changes easily until I am satisfied. Step two: I build a custom stretcher frame with support bars and corner braces. Step three: Measure and Stretch the canvas onto the frame pulling the canvas and using a staple gun...

Colorful mixed media drawing of an abstract mixed media collage by Texas Artist, Dick Wray. The work depicts colorful shapes and geometric birds. Signed and dated by the artist at the top of the work. Framed and matted in a simple wooden frame. Dimensions Without Frame: H 16.88 in. W 13.88 in. Artist Biography: Dick Wray, a native Houstonian, born in Heights Hospital in 1933 was primarily educated in Houston, Texas. He took free art lessons at the Houston Museum of Fine Arts...

East Village Art: From 1978 for 8 years Berlin worked frenetically,at street level, his finger on the pulse of this great city creating The Manhattan Collection. Living & moving in...

Augmented (Hand painted) screenprint by Patricia A. Pearce (American, b. 1948). Presented in a new double mat of black and gray. Unsigned, but was acquired with a collection of Pearc...

Kimono with Rope Texture - Collagraph Master Plate Master plate for collagraph printmaking featuring a kimono with rope texture in warm neutral peach tones, by California artist Pat...

Ben Wilson Ozymandias, 1989 Oil on masonite board Boldly signed by Ben Wilson on the back 36 × 48 inches Unframed Provenance: acquired from the Estate of Ben Wilson This work is titled "Ozymandias" after the famous sonnet written by Percy Bysshe Shelley (1792-1822). Shelley's poem is one of the most poignant meditations on the fleeting nature of human power and the inevitability of decline. The poem serves as a reminder that time erodes even the most imposing empires and leaders and that the pursuit of lasting fame and control is ultimately futile. Depending on how one views Ben Wilson's Abstract Expressionist painting of "Ozymandias" -- some of the imagery might reveal the head of an angry king and a sickle. Shelley's poem Ozymandias reads: I met a traveler from an antique land...

Work on canvas White wooden frame 52.5 x 67.5 x 4 cm

Artist: Nick Wallis, American XXth Title: More Afterthoughts 3 Year: circa 1980 Medium: Oil on Canvas, Signed l.r. Size: 60 x 60 in. (152.4 x 152.4 cm)

James Rosati Untitled Geometric Abstraction, 1982 Two-sided Acrylic and Colored Pencil on Paper drawing Hand signed and dated on lower right front 14 1/2 × 13 1/2 inches This is a un...

Vintage abstract hills by Bay Area abstract expressionist artist. This abstracted landscape is created from five horizontal bars of color, simultaneously evoking minimalism and detai...

About this piece Oil Painting on Canvas 32x44 in. Original custom made wood frame: 33.5 x 46 x 2 in. Signed New This is an oil painting of a coastal landscape...

Ben WIlson Lightness, ca. 1980 Oil on masonite board 21 × 25 × 3/10 inches Stamped by artist's estate, Hand signed by the artist on the front AND stamped by the artist's estate on the back Unframed Hand signed by the artist on the front and stamped by the artist's estate on the back. Acquired from the Estate of Ben Wilson. This poignant painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at prestigious ACA Gallery in 1940. Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn...

This is a large colorful, bold, vibrant original oil painting on canvas, hand signed and dated 1989. It is titled Tango. Joan Thorne (1943-) is a New York artist nationally and internationally recognized. A third generation Abstract Expressionist woman artist who has exhibited works over the past 30 years. Her art has been shown in the Corcoran Gallery of Art, Washington, DC, the Whitney Museum’s Annual Exhibition, the Grand Palais in Paris, and Barbara Rose’s seminal exhibition American Painting: The Eighties at New York University’s Grey Gallery. Her recent shows in New York City have been reviewed by the New York Times, Art in America, ArtNews and The New Criterion among others. Her work has been compared to Elizabeth Murray work. It is colorful and has a 1980's, Memphis Milano feel to it. Thorne grew up in Greenwich Village. Her mother was a Ukrainian immigrant from a musical family, who became an English teacher; her father, a surgeon. Recognizing their daughter’s artistic talents early, they enrolled her at age six in the Little Red Schoolhouse on Bleecker Street in Greenwich Village. Founded in 1921 by Elisabeth Irwin, a pioneer in educational reform, the school has continued to maintain its reputation as a progressive and nurturing catalyst for creative children. Pete Seeger, the folk singer, performed there so frequently that Thorne remembered him as if he were one of the teachers. In 1971, Thorne met Faith Ringgold (b. 1930) and joined her as a teacher at the Women’s House of Detention on Rikers Island in a new program called “Art without Walls–Free Space.” The program, which had been born from the civil rights movement, was aimed at enriching the lives of the inmates. Thorne and her peers came of age struggling against sexism in the art establishment and its attendant lack of exhibition opportunities for women. Since 1985, this issue had been loudly exposed by the public protests of the Guerrilla Girls, whose members remain a well-kept secret. Her painting has been included in two Whitney Museum Biennials and various other museum group exhibitions both in the United States, Europe and Latin America. She has had numerous one person shows in galleries such as: Sideshow Gallery New York, Fischbach Gallery, New York City, Corcoran Gallery of Art, Washington D.C., Willard Gallery, New York, Graham & Sons Gallery, New York, The Clocktower, New York City, and the National Arts Club among others. Thorne has been awarded the Prix de Rome Fellowship to paint at the American Academy in Rome. She also received two National Endowment grants for painting and two Pollock Krasner Grants among others. "Since 1973, while myriad styles, movements and mediums have flourished briefly in turn, Joan Thorne has steadfastly developed one visual language-that of painterly surface, light, color and distilled form-which she finds best suited for her artistic project: intimating dreams. intuitions and the psychic consequences of travel. " "For there is something luxuriant and mysterious in Thorne's compositions. They have a classic modernist genealogy that encompasses Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Milton Avery and Mark Tobey; yet each carries a hint of exoticism, " --Richard Vine, Art In America, Review, June 1998 Education Hunter College, New York, M.A. New York University, New York, B.S. Awards 2006 Adolf Gottlieb Foundation Grant in Painting 2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy 2001 Pollock Krasner Foundation Grant in Painting 1986 Prix de Rome, American Academy in Rome Pollock Krasner Foundation Grant in Painting 1983 National Endowment for the Arts, Fellowship in Painting 1980 New York State Council on the Arts, Grant for Painting 1979 National Endowment for the Arts, Fellowship in Painting 1976 Grant in Painting, Rhode Island State Council on the Arts 1975 New York State Council on the Arts, Grant for Painting 1974 Grant in Painting, Rhode Island State Council on the Arts 1972 Artist of the Year, Aldrich Foundation Select Solo Exhibitions 2015 Black and White Into Color, National Arts Club, New York 2013 Sideshow Gallery, Williamsburg, NY 2005 Chris Winfield Gallery, Carmel, CA 2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica 2002 Feria de Arte International Arcale, Salamanca, España 2001 Andre Zarre Gallery, New York 2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico 1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas, Santo Domingo, Dominican Republic 1990 1985 Graham Modern , New York City, NY 1989 1986 Ruth Bachofen Gallery, Santa Monica, CA 1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC 1983 Lincoln Center Gallery, Lincoln Center, New York City, NY Dart Gallery, Chicago, IL Gloria Luria Gallery, Bay Harbor Island, FL 1982 Nina Freudenheim Gallery, Buffalo, N 1980 Willard Gallery, New York 1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY 1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany 1974 Fischbach Gallery, New York City, NY 1973 Corcoran Gallery of Art, Washington, DC Select Group Exhibitions 2019 Art On Paper, March 2019, New York, NY 2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY 2015 Outside The Lines/Modernist Drawings, National Arts Club, NY 2014 "National Arbor Day Show", National Arts Club, New York, NY ArtHamptons Fair, July 10-13, East Hampton, NY Tribal and Contemporary Art, June 12 - July 28, New York, NY 2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart 2010 Janet Kurnatowsky Gallery, New York 2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy 2002 Gallery Uno 'Spazio Su Misura, Milan, Italy 1991 Andre Emmerich Gallery, "Abstract Painting of the 90's", curated by Barbara Rose. New York Stock Exchange, Invitational 1989 Graham Modern, "Synthesis" 1986 Graham Modern, "Diptychs, Triptychs, Polyptychs" Sidney Janis Gallery, "American Women Artists", New York City, NY Nina Freudenheim Gallery, Buffalo, NY N.Y.C.W.C.A., "Abstract Painting: Painting by Women Artists...

Ben Wilson Concert, ca. 1989 Oil on masonite board (Hand Signed by the artist; also bears the Estate Stamp) Boldly signed front and back, titled and dated on the back by Ben Wilson and also stamped on the back by the estate of Ben Wilson 42 × 48 inches Unframed This stunning painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at prestigious ACA Gallery in 1940. This work "Concert" - depicting instruments, in a light, lyrically abstract painting. Exquisite colors and subtle imagery. In 2017, he was the subject of a retrospective at the George Segal Gallery at Montclair State University from September 6 to November 4 and it was accompanied by a catalogue. About Ben Wilson: Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...

Wonderful vintage multi-media piece of sea cave by California artist Jim Kirwan (American, 20th Century), circa 1980. Signed lower left " Kirwan". Unframed. ...

Abstract oil on canvas By notable California artist Titled “Sarpi” Dated 1982

Purple and gold mixed media abstract with reflective gold square and highly textured surface by artist and architect Peg Denney (American, 20th century...

This painting was created by Olympic discus thrower Al Oerter for charity for the 1980 Olympics. At this time he developed the technique of pouring paint onto the canvas and then thr...

Red and blue abstract by Carmel, California artist Heidi Hybl (American, 20th Century). Rendered in bold tones of red, black, and blue, this piece has a brutalist architectural feel....

Flecks of Gold - Abstract Composition in Acrylic on Paper A bold abstract painting by California-based artist Ricardo de Silva (American/Brazil, 20th C). Unsigned, but was acquire...

Two Face Abstract on Wrapper of Interview Magazine in Acrylic on Paper Lively abstracted portrait by Ricardo de Silva (Brazilian, 20th Century). A face is divided in two parts, righ...

Joachim Czichon Untitled Gestural Abstract Composition Medium: Gouache Year: 1984 Signed and dated by hand Edition: Unique Size: 16.4 × 11.5 inches C...

Presenting a stunning extra-large French abstract acrylic painting by French artist Raphaëlle Pia (1942-). This contemporary artwork exhibits a remarkably vivid quality, achieved through the harmonious interplay of a pale color palette and bold, large brushstrokes. The painting is countersigned. ‘R. Pia’ is signed in the bottom right corner of the canvas, and 'Raphaëlle PIA' is signed on the reverse side of the canvas. It is dated 1987, is titled ‘ ("Guanorgile") "Guanos II" ’, and its' medium is noted to be 'acrylique s/ toile (et technique mixte)' which translates to 'acrylic paint on canvas and mixed technique'. There is also a reference to a Parisian street that is partially crossed out...

This painting with added elements is an excellent example of Joe Doyle’s abstract illusionist art. It is composed of acrylic on shaped canvas with fabric elements added. It measures 36 x 43 inches. Each edge has been painted except for the left edge which has a frame. The right edge has been shaped. The black elements of the tent-like structure are added fabric. The work is signed, titled "564" and dated on the reverse. As well it bears a label from Harcourts Gallery, a gallery in San Francisco during the 1980s and 1990s. The work is in very good condition. Joe Doyle established himself as a painter during the movement toward new abstraction in San Francisco in the mid-seventies. Stylistically his work evolved from photo-realist renderings of aircraft which exaggerated differences in focus of background and foreground" By 1975 his imagery shifted to arrangements of flat, geometric forms and tubular squiggles in a trompe l'oeil manner that created the illusion of a multi-layered, three dimensional space. By the late 1970s Doyle, along with James Havard, Jack Reilly, George D. Green, and others, had attained national prominence working this style now referred to as Abstract Illusionism. Doyle and others were included in 'Reality of Illusion' a large touring exhibition of primarily American illusionist artists organized by the University of Southern California and The Denver Art Museum. Doyle enrolled at San Francisco State College receiving his M.A. in 1971. From 1971 to 1975 he was a photo-realist transferring images from photographs using airbrush techniques on canvas, occasionally adding political satire into the subject matter, as in "Ice House...

Artist: Juhachiro Takada Title: Untitled V Medium: Watercolor on Paper, Signed in pencil with chop Paper Size: 23.5 x 18.5 inches Frame Size: 31.5 x 25.5 inches