1980s Abstract Paintings

Artist: Betsy Kaufman – American (1953- ) Title: Landscape of Reflection Study Year: 1988 Medium: Acrylic on paper mounted to canvas Sight size: 13.5 x 1...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...

Artist unknown "Black & White Lounger" c. 1980s Acrylic on Strathmore paper 40.5"x25.75" unframed Unsigned Very Good Condition - Minor wear consistent with age and history 2" tear o...

Ararat Sargsyan Musicians, cardboard/oil 83x56 cm,1980

Juan Suarez (Spanish, b. 1946) Naturaleza Muerta, Mixed media painting on three assembled canvases, (triptych) It is either oil or acrylic paint. it seems like oil to me. A label verso has it indicated as acrylic. Dimensions: 64 1/8 W: 64 1/4 in. Provenance: The Cleveland Museum of Art (bears label verso); Galerie Juana de Aizpuru Gallery (bears label verso). Born in Puerto de Santa María (Cádiz). Studies at the ETSA and at the Superior School of Fine Arts of Santa Isabel of Hungary in Seville. Grant from the Juan March Foundation in 1976. Advanced studies in Architecture and Fine Arts, University of Seville. Although he was not born in Seville, Juan Suárez is a member of the group of painters from the city who, in the seventies, linked their artistic practice, based fundamentally on painting, to international tendencies. Rather than a set of intellectual ideas, José Ramón Sierra, Gerardo Delgado and Juan Suárez shared a life experience: they were all students at the Escuela Técnica Superior de Arquitectura in Seville and were all interested in art. Juan Suárez also studied at the Fine Arts Faculty. He held his first individual exhibition at Galería Juana de Aizpuru in 1970. (They were an important contemporary art gallery in Seville spain and showed Wolfgang Tillmans, Georg Dokoupil, Jordi Colomer, Albert Oehlen, Eduardo Chillida and Andres Serrano). In 1982 his work was shown in Diez Pintores Sevillanos, together with Manuel Salinas (1940) and Ignacio Tovar (1947), among others. At various points his worked has been shaped by American Abstract Expressionist painting, Latin American Geometric Abstraction and by Constructivist painting and sculpture. In 1976 he received a grant from Fundación March, and in 1980 another from CINFE at the Ministry of Culture. He was awarded the Drawing Prizes at the Nuremberg Biennial (1979) and ARTEDER 82, the Premio de Pintura from the Diputación Provincial de Sevilla, also in 1982, and the Premio de los Festivales de Navarra in 1985. The Geometric spirit that is ever-present in his work and his perpetual curiosity lead him to incorporate materials from a very wide range of sources; composing some pieces with superimposed planes where abstraction is a key actor. His background in architectural practice and his constant demand for excellence profoundly shape his work. In his work, the influences of Barnett Newman, Jules Olitski, Kenneth Noland and, especially, Richard Diebenkorn can be appreciated. However, Juan Suárez moves away, at the same time, from the uniform vibration of color fields and the structural rigidity of closed compositions, alternating both concepts, from an emotional and poetic perspective. The density of the color dialogues with drippings and suggestive liquidiscent stains,while reserves and sharp lines make up and hold the pictorial structure.He writes in different magazines and specialized books on art and architecture. Recently the University of Seville has published its research work, New Ways of Living. Exhibition 2008 Primavera, verano, otoño, invierno. Galería Egam. Madrid. (solo) 2006 Dibujando las distancias/Retratos. Obras reciente 99/05”. Galería Rafael Ortiz. Sevilla. (solo) 2004 Lugares Geométricos. 1968/1980. Salas Caja San Fernando. Sevilla. (solo) 2003 Lugares Geométricos. 1968/1980. Salas Caja San Fernando. El Puerto de Santa María, Cádiz. (solo) 2003 VITA I, VOL. VI. Galería Milagros Delicado. El Puerto de Santa María, Cádiz. (solo) 2001 VITA I, VOL. IV. Galería Carmen de la Calle. Jerez de la Frontera, Cádiz. (solo)VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo) 2001 VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo) 1999 VITA I. VOL. III Galería Senda. Barcelona. (solo) 1995 Sobre Papel. El juego de la Pasión. Galería Juana de Aizpuru. Sevilla. (solo) 1994 A Passion Play - Los libros del reposo. Galería Magda Bellotti. Algeciras, Cádiz. (solo) 1991 Pinturas. Salas Nicanor Piñolé. Diputación. Gijón. (solo) 1990 Pinturas. Galería Juana de Aizpuru. Sevilla. (solo) 1988 Pinturas. Galería Michael Dunev. San Francisco. U.S.A. (solo) 1987 Pinturas y Esculturas. Galería Juana de Aizpuru. Madrid. (solo) 1987 Mirada, Memoria, Engaño 1980 1987. Museo Arte Contemporáneo. Sevilla. (solo) 1986 Pinturas y Esculturas. Galería Juana de Aizpuru. Sevilla. (solo) 1986 Pinturas. Galería Temple. Valencia. (solo) 1986 Muestra personal. Festivales de Navarra. Castillo de la Maya. Pamplona. (solo) 1986 Pinturas. Galería Fúcares. Almagro, Ciudad Real. (solo) 1983 Pinturas. Galería Juana de Aizpuru. Madrid. (solo) 1982 ARCO ‘82. Stand Galería Juana de Aizpuru. Madrid. (solo 1981 La Suerte de Pintar. Galería Juana de Aizpuru. Sevilla. (solo) 1979 Pinturas de Barcelona. Galería Ciento. Barcelona. (solo) 1978 191 x 63. Galería Juana de Aizpuru. Sevilla. (solo) 1977 191 x 63. Galería Juana Mordó. Madrid. (solo) 1974 Sobre el Paisaje de fondo del Tránsito de la Virgen de Mantenga. Galería Juana de Aizpuru. Sevilla. (solo) 1974 Paisajes Imaginarios. Salas de Cultura CAN. Pamplona. (solo) 1970 Apócrifos-Cajas. Galería de Arte La Pasarela. Sevilla. (solo) EXHIBITIONS ONLY 1970 Apocrypha-Boxes. The Catwalk Art Gallery. Seville. Spain. 1974 On the background Landscape of the Transit of the Virgin of Maintenance. Juana de Aizpuru Gallery. Seville. Spain. Imaginary Landscapes. Halls of CAN Culture. Pamplona. Spain. 1977 191 x 63. Juana Mordó Gallery. Madrid, Spain. 191 x 63. Juana de Aizpuru Gallery. Seville. Spain. 1979 Paintings of Barcelona...

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...

A bold abstract expressionist watercolor with yellow and purple, contrasted with dynamic red linear accents, by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Ander...

At the Seaside is an original Contemporary artwork realized in 1985 by the italian artist Leo Guida (1992 - 2017). Original Oil painting on canvas. Frame is included. Total Dimen...

Composition is an original drawing in oil on cardboard realized by an unknown artist in 1989. This Artwork is depicted through strong and confident s...

Untitled, c. 1980s Oil on canvas 43 1/2 x 55 1/2 in.

Flames Michel Picotte, Canadian (1947) Date: 1984 Acrylic on paper, signed and dated in pen Image Size: 28.5 x 21 inches Size: 30 x 22.5 in. (76.2 x 57....

This framed, 37" x 40" x 1.75" oil on canvas painting by Robert Bonaparte was done in 1980. The painting presents an abstract composition that utilizes a vibrant and contrasting colo...

Artist: Dan Teis Title: Abstract with Red Forms Year: 1980 Medium: Acrylic on Canvas, Signed l.r. Size: 54 x 60 in. (137.16 x 152.4 cm) Frame Size: 55.5 x 61.75 inches

Vivid abstract geometric landscape of Oregon's John Day Fossil Beds and Painted Desert by Erle Loran (American, 1905-1999), 1989. Signed lower right "Loran '89." Estate stamp on verso. Unframed. Image size: 60"H x 52"W. Erle Loran was born in Minneapolis, Minnesota. He studied at the Minneapolis School of Art under the direction of Cameron Booth...

Artist: Richard Weston, American XXth Title: Hillsdale, Aug 14 Year: circa 1980 Medium: Acrylic on Canvas, signed u.l. Size: 48 x 48 inches (121.92 x 121.92 cm)

Unique vintage abstract with burnt sienna and cobalt blue expressive strokes by Carmel, California watercolor artist Richard Brace (American, 20th-century...

Painted Desert Dreams, Large Scale Modern Geometric Multi-Color Abstract Abstract Expressionist rendering inspired by the Jon Day Painted Desert, a vi...

image is 21 X 21 inches; frame: 30 X 30 inches Born in 1955, Hyderabad, India, painter and writer Sangeeta Reddy migrated to the United States in 1978 and continued her studies in art. Currently she maintains a studio on Santa Fe Dr. in Denver, Colorado and Hyderabad, India, dividing her time between the two. She has been represented by various galleries in Aspen, Denver, New York, New Delhi, Chennai and now, Hyderabad since the beginning of her 26 year career. Sangeeta has lived and breathed the arts from a very young age – her maternal grandmother was a contemporary of the classical vocalist Kesarbai Kerkar, her grandfather a connoisseur of the arts. Steeped in music, her mother was one of the first disciples of the late Pandit Ravi Shankar. Her late father was a pictorial photographer who co-founded the Hyderabad Photographic Society. Sangeeta chose to follow her own path into the visual and literary arts. With seven years of undergraduate work in fine art in India and the US, and a bachelor’s from Bombay University in English literature and Philosophy, in 1985, Sangeeta’s work has developed into a highly individual style of mixed media abstract expressionistic paintings and monotypes on both canvas and paper. The deconstructed calligraphy and vibrant and nuanced color ever present in her work gives the work the flavor of India in concert with a western restraint. Known primarily for her mixed media collages on paper and canvas, her abstract work was conceived from a challenge to visually parallel Sankara’s idea of Brahman in Advait philosophy and has now evolved into a formal language of deconstructed Devanagari calligraphy. Her artistic influences range widely from Indian weaving and textiles to Vincent Van Gogh, Paul Cezanne and Pablo Picasso (who were introduced to her at a very young age by her father’s interest in Western art), to her discovery (while studying in the US) of the Taos School of landscape painters as well as the Abstract expressionist painters, painters, in particular, Mark Rothko and Willem De Kooning, Robert Motherwell, Antoni Tapies and Richard Diebenkorn. After having worked for 28 years in an abstract expressionist manner, her latest series of paintings are based on the rock formations of the Colorado Plateau. She was first Inspired By Abstract Expressionists like Barnett Newman, Mark Rothko, Clyfford Still, Ray Parker, her style evolved into abstract expressionism and color field painting, Since moving to the US she has become familiar with some of the artistic giants – Georgia O’keeffe, Maynard Dixon, Ernest Blumenschein, Victor Higgins and John Marin, much later of the Group of Seven and of Regionalism. The mountains and plains, canyons and stretches of sky, pinion, sage and cottonwoods. Mostly they were in the form of small plein air works in pastel, charcoal or water color, or drawings from memory or photographs that were more reductive and expressionistic. She has also worked in monotype techniques and in collage. SELECTED EXHIBITIONS Recent Shows: 2016 Fractured Landscapes of the West, BMOCA, Boulder, CO 2014 Erasing Borders 11th Annual Exhibition of Contemporary Indian Art, Queens Museum, NYC 2014 LA Artcore, Los Angeles 2013 Shrishti Art Gallery, Hyderabad, India 2013 Erasing Borders 10th Annual Exhibition of Contemporary Indian Art, 2012 Erasing Borders 9th Annual Exhibition of Contemporary Indian Art, Art Crossings, Queens, the Bronx school for the Arts, New York and Art6, Richmond, Virginia. 2011 “IAAC Erasing Borders: 8th Annual Exhibition of Contemporary Indian Art”, Queens Museum of Art, Queens, New York, Aicon Gallery, NYC, Charles B. Wang Center, Stony Brook and Jorgenson Center, 2011 The William Havu gallery, Denver, Colorado 2009 15th Street Gallery, Boulder 2009 Retrospective, Rocky Mountain Women...

This is from her celebrated Drip Series, Titled, "Small Dark Center" Signed and dated verso 1980. Berenice Dvorzon was an extraordinary artist who began as an active young painter during the heydey of the abstract expressionists. Her art was heavily influenced by her love of water and her travels to Europe, China, Israel, Bali, and the deep South. Her commitment to feminism, Judaism, and environmental issues was reflected in much of her work. She exhibited throughout the United States in many galleries and museums, is included in private collections, and received numerous awards. Berenice taught at Wilkes University from 1968 to 1988, where she served as an associate professor of studio art. “Most of my work deals with water images...

Gorgeous colors in this abstract of the sunrise on the bay by Erle Loran (American, 1905-1999), a modernist of urban and coastal views and geometric painting. Signed on verso. From a...

This original painting by Pablo Echaurren is hand signed and dated overleaf . This original artwork is made with the acrylic technique. The artworks comes with a certificate of au...

Vertigo is a colorful artwork realized by the Italian artist Franco Giuli during the 1989-1990. Acrylic on canvas. Artwork exhibited on the occasion of ...

Iridescent blue centrality is an original contemporary artwork realized by Luigi Boille in 1983. Mixed media on canvas. Had signed, dated and titled on the back. Original tile: Ce...

Myriam Bat-Yosef Surrealist abstract oil painting in colorful abstract patterned rectangles and shades Hand signed and dated 1984. Miniature design letter also signed. Myriam Bat-Yosef, whose real name is Marion Hellerman, born on January 31, 1931 in Berlin, Germany to a Jewish family from Lithuania, she is an Israeli-Icelandic artist who paints on papers, paintings, fabrics, objects and human beings for performances. Myriam Bat-Yosef currently lives and works in Paris. In 1933, her family fleeing the Nazi Holocaust, Miriam Bat-Yosef emigrates to Palestine and settles in Jaffa. In 1936, she suffers a family tragedy, her father, militant Zionist, is called to fight, still recovering from an operation of appendicitis. The incision will become infected, antibiotics did not exist yet, and her father will die in the hospital after 9 months of suffering. Myriam and her mother leave Palestine to live in Paris for three years. French is Myriam's first school language. In 1939, still fleeing Nazism, she returned to Palestine, leaving France by the last boat from Marseille. She moved to Tel Aviv with her mother, aunt and maternal grandmother. In 1940, she began attending the Academy of Fine Arts in Tel Aviv and took her name as an artist, Bat-Yosef, which means Joseph's daughter in Hebrew, as a tribute to her father. In 1946, Myriam graduated as a kindergarten teacher but wanted to be an artist. Her mother enrolled her in an evening school to prepare a diploma of art teacher. At 19, she performs two years of military service in Israel. In 1952, with a pension of $50 a month that her mother allocated, she went to study at the Beaux-Arts in Paris. To survive, she has several activities while studying. In 1955, she had her first solo exhibition, at the Israeli Club on Wagram Avenue in Paris. Many artists, such as Yaacov Agam, Yehuda Neiman Avigdor Arikha, Raffi Kaiser, Dani Karavan and sculptors Achiam and Shlomo Selinger attended the opening . In 1956, she enrolled at the School of Fine Arts in Florence. This is where she meets the painter Errô. They share an icy studio in winter. Myriam moves to Milan with friends. She organizes a joint exhibition with Erro, one room each, at the Montenapoleone gallery. Her works are admired by the sculptor Marino Marini and the painters Renato Birolli and Enrico Prampolini. Myriam and Erro exhibit in Rome, Milan, Florence and meet many personalities: Alain Jouffroy and his wife, the painter Manina, Roberto Matta and his wife Malitte, textile artist who was one of the founders of the Pompidou Center. Back in Paris, Myriam and Erro get married, which allows Myriam to avoid being called into the Israeli army during the Suez Canal War. In 1957, Myriam and her husband went to Iceland. Myriam works in a chocolate factory. Having enough money, she starts producing art again. She exhibited in Reykjavik's first art gallery. She meets the artist Sigridur Bjornsdottir, married to the Swiss painter Dieter Roth . In 1958, Myriam and her husband leave for Israel. They exhibit in Germany, then in Israel. Back in Paris, the couple became friends with artists of the surrealist movement, such as Victor Brauner, Hans Bellmer, the sculptor Philippe Hiquily, Liliane Lijn, future wife of Takis and photographer Nathalie Waag. Erro and Myriam have a daughter on March 15, 1960, named Tura, after the painter Cosmè Tura, but also close to the Icelandic Thora or the Hebrew Torah. Bat-Yosef’s complex trajectory throughout the 20th century is linked as much to the transnational history of what was for a time called the School of Paris as it is to a certain legacy of Surrealism. Her work features the same idea of resolving antinomies that also defined the spirit of surrealism, and is enhanced with her readings of the Kabbalah and her spiritual grounding in Taoism. However, while there are reasons for her approach to be associated with the process of the ready-made, it is important to consider the immediate intrication of these works with her practice of performance, during which the body itself is also painted – a feminist response to Yves Klein’s Anthropometries (1960) and an echo of the happenings which Jean-Jacques Lebel organised at the time in Paris. In 1963, Erró told Myriam that if she wants to be a painter, she can not be his wife. Myriam chose to be a painter and the couple divorced in 1964. Since that time, Myriam Bat-Yosef has exhibited in many countries: Europe, United States, Japan, etc. Although long in the shadows, the work of Myriam Bat-Yosef has been greeted by many artists and personalities: Anaïs Nin, Nancy Huston, André Pieyre of Mandiargues, José Pierre, René de Solier , Jacques Lacarrière, Alain Bosquet, Pierre Restany, Sarane Alexandrian and Surrealist André Breton who, after a visit to her studio, confided to having been intrigued by its phantasmagorical dimension. She was included in the book Pop Art and Beyond: Gender, Race, and Class in the Global Sixties by Mona Hadler and Kalliopi Minioudaki. Extract "World Citizen, Artist of the Pop Era Sarah Wilson; Why do we know so little of Myriam Bat-Yosef, the most important female Israeli artist of the Pop era? Issues of identity and sexuality feature constantly in her work. She exhibited internationally from Reykjavik to Tokyo; she had two shows at Arturo Schwarz’s famous Dada/surrealist gallery in Milan; she participated in feminist art events in Los Angeles. Above all, in 1971, she conceived Total Art, a Pop Gesamtkunstwerk inside and outside the Israel Museum, Jerusalem. Painter, performer, and installation artist, she was also a lover, wife, and mother. Of Lithuanian-Jewish descent, she was close to the family of philosopher Emmanuel Levinas. An émigré in Paris she would repudiate a national passport, participating in Garry Davis’s short-lived “World Citizens” movement. She continues the lineage of women surrealist artists: Valentine Hugo, Leonor Fini, Dorothea Tanning, Leonora Carrington, Unica Zürn, Jane Graverol...

Elena Fia Fozzer, Irradiant Chromosectorial. Acrylics on four canvases applied and positioned with magnets on a metal panel, 1989. Signature on the back of each canvas Artist's si...

Project is an artwork realized by Lucio Del Pezzo, 1985. Collage e Acrylic on cardboard. Handsigned in red in the lower part. cm. 32.5x50 Lucio Del Pezzo (Naples, December 13, 1...

Post Impressionism is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 1989. Original Oil Painting on Canvas. Hand-signed and dated on the back of the canvas: G. Lo Fe...

Abstract Composition is an original contemporary artwork realized by Claudio Palmieri in 1989. Mixed colored pastel on paper. Hand-signed and dated by the artist on the lower right ...

Artist: Suzanna Hart-Broughton – American (ca.1935-) Title: Crimson Labyrinth Year: 1983 Medium: Oil and/or acrylic and collage on canvas Sight size: 30 x 36 inches. Framed size: 30.25 x 36.25 inches Signature: Signed lower right, reverse Condition: Very good Frame: Framed in original frame This painting is composed of oil/and or acrylic paint with collage on canvas. The painting's collage elements have a strong symbolic/mythological reference in keeping with Hart-Broughton's extensive study of Carl Jung...

Colorful abstract modern pop art painting by Texas artist Robert Sandman. The title refers to when Jor-El and Lara watch as their son Kal-El, better kno...

Large Scale Geometric Abstract Landscape with White & Pistachio Green Wonderful large scale abstract with pistachio, cobalt blue and red...

Hand Signed and dated overleaf. Certificate of Authenticity by Fondazione Pablo Echaurren.

Tulips in a vase #4. Oil on cardboard, 48 x 39 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School o...

Abstract Composition is original lithograph realized in 1981 by an unknown artist, mounted on a blue cardboard Passepartout, with the title on the lower left. Hand-signed on the lowe...

Variations on red, yellow and blue result in a dynamic Carnival abstract of geometric and curvilinear designs by San Francisco, California abstract expressionist George Niehaus (Amer...

Wonderful 1980's abstract of sunset through Golden Gate Bridge arch. Unsigned. Presented in rustic painted wood frame. Image size: 8.5"H x 11"W.

Bold, bright, and colorful, this large-scale abstract expressionist piece by D.S. Silver, a San Francisco, California bay area abstract expressionist, explores abstracted modern liberty. A high voltage color palette combined with bold and energetic abstract brushstrokes splashed across the huge canvas...

Artist: Richard Weston, American XXth Title: Volcanic Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 48 x 60 in. (121.92 x 152.4 cm)

Ode to Roundel abstract acrylic painting. Embellished with added texture and machine sewn gold thread patterns throughout the gouache. Signed "Morgan" and titled "Ode to Roundel" low...

Abstract landscape painting of Wyoming Hills by Erle Loran (American, 1905-1999), a modernist of urban and coastal views and geometric painting. Signed lower right "Loran '83." Prese...

Signed lower right

it is currently unframed and will be sold thus. Similar in style to the 80s work of Elizabeth Murray. A bright, colorful expressive piece signed (labels are not included as it is un...

Theatre with signals 1 is an original sketch in tempera by Leo Guida (1986). The artwork is in good conditions. Image Dimensions：67 x 45.7 cm Hand-signed with pencil by the artist...

Sunil Das - Rare Early Drawing II Pen & Ink on paper, 24 x 14 inches Complimentary shipment in a roll form. Sunil Das ( 1939-2015) was a Master Modern Indian Artist from Bengal . E...

Tulips in a vase. Oil on cardboard, 45 x 30 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of A...

Vibrant and dynamic abstracted nude figure drawing, depicted with expressive line and color by Stewart Goldman (American, b. 1936). Signed "S. Goldman" and dated "82" lower right. "Steward Goldman," dated "1982" and titled "Figure Drawing #2" on verso. Presented in a metal frame. Image size, 29.5"H x 22"W. Exhibited:Chamber Paintings and Other New Work - Toni Birckhead Gallery - Cincinnati, Ohio EDUCATION Philadelphia College of Art - 1955-58, 1960-62, BFA in Painting TEACHING EXPERIENCE Art Academy of Cincinnati –September 1968-August 2001 –Retired PROFESSIONAL SERVICE Cincinnati Art Museum Board of Trustees Member– 2013-2016 Advisory Committee- Weston Art Gallery Previous Service Center for Holocaust and Humanity Education, Board of Trustees Member Gamble-Nippert YMCA - Committee of Management Member GRANTS and AWARDS Ohio Arts Council Grant-Exhibition support-“Working Spaces” Munich, Germany -2001 Ohio Arts Council Grant-Exhibition support-“Tales of Slavery and Deliverance”, Munich, Germany-1999 Kulturreferat, Munich, Germany Grant-Residency, Villa Waldberta-Feldafing, Germany-1997 Cincinnati Arts Allocation Grant-To create installation-“The Cherubs of Theresienstadt”-1994 Ohio Arts Council Grant-To curate exhibition and travel “Cincinnati Artists Works on Paper” Kharkiv Art Museum, 1993 Cincinnati Bell Mural Commission-1990 Cincinnati Summerfair Fellowship-1988 Cincinnati Post-Corbett Award, Outstanding Individual Artist-1988 RECENT PROFESSIONAL ACTIVITIES 2013 Curator- “Seeing Opera” Weston Art Gallery, Aronoff Center for the Arts, Cincinnati, Ohio 2013 Book publication, My Mother’s Eyes, Italian translated edition 2011 Curator - exhibition for Constella Festival of Music and Fine Arts, Cincinnati, Ohio 2010 Created print at invitation for Cincinnati Art Museum portfolio commemorating Jim Dine 2007 Book Publication, My Mother’s Eyes, German Translated edition 2005 Commencement Address, New Hampshire Institute of Art, Manchester, NH Colloquia, College of Applied Science, Cincinnati, Ohio Portfolio Presentation, 92 Street Y, New York, NY 2004 Book Publication, My Mother’s Eyes. Holocaust Memories of a Young Girl SELECTED SOLO EXHIBITIONS 2017 Mythic Macrocosm - Tarble Art Center, Eastern Illinois University, Charleston, ILL 2015 Stewart Goldman: Nuances - Philip M. Meyers, Jr., Memorial Gallery, University of Cincinnati - Cincinnati, Ohio 2009 Stewart Goldman Presence through Absence - Cincinnati Art Museum – Cincinnati, Ohio 2008 Then and Now- Paintings and Tape drawings – Springfield Museum of Art- 2006 Old Square/New Square: Paintings and Wall Drawings-Weston Art Gallery, Aronoff Center for the Arts 2005 Paintings-Cincinnati Art Galleries...

Stunning abstract Bay Area Figurative Movement piece titled "Napoleon's Ambition" by Katherine Barieu (American, 1917-2010), 1982. Signed and dated lower right corner. Presented in grey painted slat shadow box frame. Image size: 16"H x 16"W. Framed size is 17"H x 17"W x 1.50"D. Born in 1917, Katherine Barieau was among the artists associated with the University of California at Berkeley in the 1950s. She remained active in the regional art scene throughout the following decades, producing abstract and figurative work in oil, acrylic, watercolor, mixed media and collage. The daughter of Scottish immigrants, Barieau was raised in Cambridge, MA. She graduated from Wellesley College (BA 1938) and later settled in California. Her art studies culminated with her enrollment in the art department at the University California, Berkeley (MFA 1953). A quote from a 1992 artist statement reads, "I was caught up in the wave of Abstract Expressionism and influenced by the riches in the Unconscious (I had a Jungian therapist). I have never ceased to experiment with media and searching to find how best to express inner ideas. It was wonderful to be exposed to established and active painters, to have a chance to study with experienced painters, to have friends who were also exploring and involved." Her teachers included John Haley, James McCray, Glenn Wessels and Felix Ruvolo. Her friends included fellow UC students Paul Wonner, Theophilus Brown and Jerrold Davis - as well as Richard Diebenkorn after this return to Berkeley in 1953. Barieau also studied with the California watercolorist Alexander Nepote, and with the New York School Abstract Expressionists Esteban Vicente and Kyle Morris...

Abstract painter Paul Heald was born in Michigan in 1936. He moved to the West Coast and died in Washington in 2014. His body of work focuses on line and form abstract painting, usu...

Artist: Cary Smith, Puerto Rican/American (1955 - ) Title: Not Now Year: 1989 Medium: Oil and wax on canvas Size: 72 x 72 in. (182.88 x 182.88 cm)

Gorgeous acrylic on paper titled "Schwindle" or "Deception" 1986 by James Sprouse (American, 20th Century). Image 6"H x 9"W. Sheet, 12"H x 18"W. Unframed and with acid free neutral color mat. Sprouse minimalist approach to monochrome objects and colors are rare treasures. Currently a New York based artist. He was born in Chicago and received a Master’s of Fine Arts from the University of Illinois. His work has been shown in solo and group exhibitions throughout the US, including the Soap Box Gallery, Van Brunt Projects, Robert Anderson Gallery, the San Jose Institute of Contemporary Art, and the Kohler Art Center and 57W57Arts. His work has been featured in Details Magazine...

The Room of Metamorphosis (Original title: La Stanza delle Metamorfosi) is an original Contemporary artwork realized in 1980 by the italian artist Leo Guida (1992 - 2017) Original ...

Door #1 1988/89 33 inches x 24 inches oil on canvas Artist Statement: "This is an early work I produced in my studio at 11th street and Ave 'B" NYC. I was working at free expressio...

Bay area abstract expressionist landscape of Paris, France woods by Eric Hoffman (American, B-1954). Signed and dated "Hoffman '84" lower right and "Hoffman 1984 France" on verso. Image 19.5"H x 25.75"W. Oil on paper. Master of Fine Arts, 1978, San Jose State University, CA: Master of Arts, 1977, San Jose State University, CA.; Bachelor of Arts, 1975, San Jose State University, CA.;Education, University of California, Santa Cruz, 1993; Computer Graphics, Foothill College, Los Altos, CA. 1996,1997; Filmmaking/ Animation / Computer Graphics, De Anza College, Cupertino, CA. 1996-1998; Video Editing & Motion Graphics, Bay Area Video Coalition, San Francisco, CA. 1999; Printmaking, Kala Institute, Berkeley, CA. 2001; Spanish Colonial Wood Carving...

Trace is an original mixed media painting on panel realized by the Italian artist Marco Amici in 1980. Original Title: Traccia Title, Signature, date and monograms are written by t...

Paula Holland (American, b. XX), "Energy Field Generator", Acrylic on Canvas, 1980, signed and dated to verso, descriptive label to verso, unframed. 60" H x 36.25" W. Provenance: Fro...

Original painting on canvas. Hand signed on front by Peter Max with studio catalog number and date on verso. Canvas size 30 x 24 inches. Custom framed with hand painted fillet as ...

The Rooster is an original Contemporary artwork realized in 1985 by the italian artist Leo Guida (1992 - 2017). Oil painting and colored oil pastels on canvas. Total Dimensions: 7...

Blue Cloud, Pink Sky is an original artwork realized by the English artist Martin Bradley in 1983. Original gouache on paper. Titled on the lower left corner Blue Cloud, Pink Sky...

The Sigil is an original painting and collage artwork in mixed media, ink, tempera and watercolor realized by Sergio Barletta in 1987. Hand-signed on the lower right. Titled on the ...

Little Sky 3 (original title: Piccolo Cielo) is an original Contemporary artwork realized in 1985 by the italian Contemporary artist Leo Guida (1992 - 2017). Original Oil painting o...