Expressionist Figurative Paintings

"Always and Forever" is a captivating artwork that features a man and a woman, tenderly intertwined in an embrace that evokes a sense of timeless affection. The woman is positioned b...

"Melanated Queen" is more than just a painting; it's a tribute to the beauty that resides within melanin-rich individuals and an homage to the resilience of African queens throughout history. Odetomi expertly captures the essence of this woman, her features exuding confidence and pride. The warm, earthy tones used to depict her skin convey a sense of strength and natural beauty, while the rose flower ribbon symbolizes femininity and grace. The woman's posture in the painting is a testament to the empowerment of women, especially women of color. Her regal posture and unyielding gaze project an aura of self-assuredness, breaking free from the limiting stereotypes that have plagued the representation of African women in art for centuries. Odetomi's brushstrokes artfully depict the subtle yet powerful transformation of vulnerability into strength, revealing the queen-like qualities present within every woman. Central to the artwork is the rose flower ribbon adorning the woman's hair. The rose has long been associated with love, beauty, and passion, and its presence here infuses the painting with a sense of romance and elegance. Moreover, the rose flower ribbon serves as a symbol of the interconnectedness between nature and the woman's identity. It highlights the harmony she shares with the world around her, as well as her ability to nurture and cultivate beauty in her surroundings. Abayomi Odetomi...

Shepherd. Oil on canvas and cardboard, 24 x 26 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer...

"Now you see me" is an art depicting mental clarity. A seat we all must sit on to understand our own strengths, weaknesses, and consecrations. Knowing where...

"Abike" takes its name from the Yoruba language, where it symbolizes a woman who is born to be cared for. This profound concept emphasizes the intrinsic value of women and underscores the responsibility that society has to protect and nurture them. However, despite this cultural ideal, the artwork brings attention to the alarming prevalence of domestic violence against women. Through "Abike," Olamilekan Bello...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour/gouache painting size: 7.5 x 11 inches Beautifully colourful, original painting by the very popular and highly regarded Hungarian/ French...

As individuals, we all have our styles and choices of what's suitable for our personalities. In terms of lifestyle and individuality, colors have an important role played in an individual's beauty, attractiveness, and fascination with looking gorgeous and awesome. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Joshua Salami...

28.-Women wuith light bulb 130 x 100 cm acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production co...

Cloaks 3: Expose" is a poignant and powerful artwork that speaks to the issue of oppression, marginalization, and societal judgment. The painting features a figure draped in a cloak, standing, and pointing. The cloak in the painting represents the societal pressure to conform, and the figure represents the consequences of not conforming. The painting is a powerful representation of the consequences of non-conformity, and the emotional weight that comes with it. The artwork is a reminder of the power of societal judgment and the role it plays in oppressing those who do not conform. The figure's stance and body language convey a sense of defeat and shame, reflecting the psychological and emotional toll that comes with societal judgment. The impact of societal norms and the fear of rejection that comes with not conforming. The painting is not just a representation of oppression and societal pressure, but it is also an example of artistic excellence. The intricate details of the cloak, the figure, and the crowd demonstrate the artist's mastery of the craft. The use of light and shadow is also exemplary, creating a sense of depth and emotion that draws the viewer into the painting. Moreover, the painting is a call to action, urging us to challenge societal norms and expectations that oppress and marginalize individuals. It is a call for empathy, compassion, and understanding, and a reminder that everyone deserves to be accepted and loved for who they are, regardless of whether they conform to societal norms or not. In conclusion, "Cloaks 3: Expose" is a powerful work of art that speaks to the issue of oppression, marginalization, and societal judgment. It is a poignant reminder of the power of societal norms and the consequences of not conforming. It is also an example of artistic excellence, showcasing the artist's skill and creativity. The painting is a call to action, urging us to challenge societal norms and expectations and embrace empathy, compassion, and understanding. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Victor Chigozie Anachuna...

The will to succeed is important, but it is more important to prepare. It's hard to get to the top of success, but harder to remain there. It may take time, but the result is always ...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Woman with Flowers III Year: 1970 Medium: Oil on Canvas, signed l.r. Size: 18 in. x 10.5 in. (45.72 cm x 26.67 cm)

"Freedom" is a mesmerizing composition that commands attention with its compelling portrayal of a woman's portrait. Theophilus masterfully captures the essence of liberation through the subject's confident and defiant gaze, radiating a sense of empowerment. The woman's facial expression and body language exude a combination of strength, self-assurance, and a resolute determination to be true to oneself. The artist employs a nuanced and skillful technique, bringing depth and dimension to the portrait. Each brushstroke seems to convey the emotions and experiences that have shaped the subject's journey toward freedom. Theophilus pays meticulous attention to the smallest details, rendering the textures of the woman's features with precision, giving her a palpable presence within the artwork. "Freedom" encapsulates the triumph of breaking free from societal expectations and norms. The woman's portrait serves as a symbolic representation of individuals who have found the strength to embrace their true selves and live authentically. Her expression reflects the liberation that comes with shedding external pressures, embracing personal identity, and embracing the inherent right to be free. The artwork's moniker, "Freedom," amplifies its central theme. It serves as a powerful reminder that true freedom lies not only in external circumstances but also within one's mind and spirit. Theophilus encourages viewers to explore the boundless possibilities that arise when individuals break free from societal constraints and allow their true selves to shine. "Freedom" by Adewuyi Theophilus...

Artist/ School: French School, indistinctly signed and dated Title: Large group of figures travelling through desert - possibly Biblical, Moses? Medium: signed oil painting on canvas, framed and inscribed verso. framed: 24.25 x 20 inches...

"Queen Eniola" is a stunning portrait of an African queen created by the Nigerian artist, Theophilus Madaki. The painting depicts Queen Eniola, a pow...

Walt Francis Kuhn American, 1877-1949 At the Flower Market Oil on Canvas 15 by 18 in, w/ frame 22 ½ by 25 ½ in Signed lower right A painter and major organizer of the Armory Show, ...

Five figures gathered of old friends--the best friends-- by San Francisco artist Michael William Eggleston (American, 20th century). From a collection of his works, unsigned. Unframe...

Bed of Roses is a Mixed Media painting by Damilola Olusegun. Damilola created "Bed of Roses on a 36W by 48H inches primed canvas. In Bed of Roses, Damilo...

"Lumberjack's Dream" - Textured Expressionist Composition in Acrylic on Canvas Textured abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). Brigh...

Artist/ School: French School, circa 1950's Title: an expressionist painting depicting an elegant lady overlooking a moonlit lake view. Medium: oil on board, framed Framed: 13 x...

"Nambe Reservation" (1985) By Joellyn Duesberry is an original handmade oil painting on linen that depicts an expressionist landscape. A self-taught landscape oil painter, Duesberry...

"Ney Access" (2012) By Joellyn Duesberry is an original handmade oil painting on linen that depicts a river rushing through a landscape tinted with autumn colors. A self-taught lan...

"Boulder Creek Falls" (2012) By Joellyn Duesberry is an original handmade oil painting on canvas that depicts a rocky waterfall in a lush green landscape. A self-taught landscape oi...

Wonderful figurative of male ballet dancers by Patricia Gren Hayes (American, 20th Century), 1980. Signed, titled and dated on verso. Presented in rustic w...

Louis Bosa (American, 1905–1981) Two Wagons, Bucks County, PA, 1934 Oil on canvas Signed and dated lower right 20 x 24 inches 30 x 34 inches, framed Born in Codroipo, a small villag...

Jon Doran's (UK based) "Dark Cup on Grey" was painting in 2019 and it depicts a grey cup with an abstracted background. Artist statement: "I am interested ...

In creating this piece, I delved deep into the soulful presence of the equine form, decorating it with elements of nature to symbolize purity and renewal. The oil mediums allowed me ...

In this painting, I sought to capture the intimate and serene connection between a mother horse and her foal amidst a splendid golden field. The use of oil enhances the luminosity an...

odalisque, yellow, orient Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize...

Signed lower right, 'Zarbano' for Mary Zarbano (American, 1931-2019) and painted circa 1985. Born in Nebraska, Mary Zarbano received her MFA from Califor...

A vivid, multicolored expressionist depiction of a gracefully reclining female figure by Bay Area artist Rick Rodrigues (American, 20th Century). Signed with the artist's symbol lowe...

A woman's polite devotion is her greatest beauty. Painting Charcoal, Acrylic on canvas Size: 18W x 24H Inches Unmounted artwork Ships in a well-protected tube from Nigeria This work...

The Triumph of Love weaves symbolism with uplifting imagery. The painting is woven with free flowing brush strokes overlaying the canvas to create a stunning piece that is imbued wit...

10” x 6” Unframed Original Acrylic on Canvas Board Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his portraits in village landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. Art measures 25.5 x 21.25 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. For the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher, he encouraged individual expression. Baxte stated, “No pupil should ever be forced into the imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient's light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

"The Saint of the Flaming City" is an original oil painting on canvas by Raymond Breinin. It depicts a group of figures looking over an abstracted and green city as the colors of fire rage through the sky. The artist signed and dated the piece in the lower right. This painting was lent by the David Barnett Gallery to the Art Institute of Chicago for their 52nd Annual Exhibition. 30" x 40" art 39 3/4" x 49 3/4" frame Raymond Breinin, Russian/American painter & designer (1910-2000), was born in Vitebsk, Russia, where he commenced his art studies with Uri Pen (who was also the first teacher of Marc Chagall) and later attended the Vitebsk Academy of Art where Malevitch was the director. He came to the United States with his family in 1922. When he came to America he attended classes at the Art Institute of Chicago and the Chicago Academy of Fine Arts. A painter of murals for the WPA, he was invited to join the Downtown Gallery in New York City, one of the foremost galleries at the time, where he exhibited in one man shows and group shows over a period of 18 years. The winner of numerous major prizes at the Chicago Art Institute and other museums, he also won the $1000 purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition. He designed the sets and costumes for Anthony Tudor's ballet, "Undertow" produced by the American Ballet Theater. He executed commissions for "Life", "Fortune" and "Redbook" magazines, for the Capehart Corporation, Eli Lilly...

"Flooded Brandy Creek" (2014) By Joellyn Duesberry is an original handmade oil painting on linen that depicts a river rushing through a lush green landscape. A self-taught landscape...

Seated woman in a pink suit strong yet warm color consistent with the artist's palette. It is painted on jute a coarse type of burlap mounted on a cradled wood board . Framing recomm...

Francois HEAULME Nude near the Source (Study after Courbet) Original Oil on canvas Signed bottom right On canvas 92 x 60 cm (c. 36 x 24 in) Excelle...

Elin Siân Blake. Welsh ( b.1981). Until Tomorrow (Tan Yfory). Oil On Artist’s Canvas Board. Signed Lower Right. Image size 9.5 inches x 11.6 inches ( 24cm x 29.5cm ). Frame size 16....

Ball. 1920's, oil on canvas, 65x92 cm Provenance: Romans Suta daughter Tatjana Suta (1923-2004) Artwork not signed Romans Suta Born on April 28, 1896 in the vicinity of Cesis (Lat...

Jean Vinay was a self-taught artist though he received artistic guidance from Albert Marquet, the Fauvist, who he knew through his travels in French North Africa. Jean Viney...

"Road Trip Up The Coast" is from Sandra Jones Campbell's recent Summer collection, a series that displays her unique vision of the world and is informed by her current social observ...

Seascape cliffs worked in palette knife and oil with many layers. The texture is important and can recall that of De Stael Each work contains its share of mystery, but nothing comes ...

Colorful and bold impasto oil portrait with dynamic, expressive brushstrokes by Richard Lofton (American, 1908-1966). The name of the sitter, Kenneth Lucas, is inscribed along the ri...

original expressionist acrylic painting. Framed During its first exhibition in Paris, the French press catalogs it like "The Catalan Sorolla". Honorary Member of the MECOART (Medit...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

In this oil painting, I've immersed myself in capturing the simple joy of an abundant harvest. The vibrant, impressionistic brushstrokes convey the lushness of nature and the warmth ...

SALE ONE WEEK ONLY UNTITLED by Fanny Rabel a Mexican artist who was born in Poland in 1922 is a soul wrenching work depicting among other things, the children killed by Nazi bombing in Spain during the Second World War. The lavender and purple surrounding the seated female figure and the kneeling child suggest both grief for the innocents' deaths and the prayers being offered for an end to the carnage. The bright gold and red can be read as either explosions or the hopeful light of redemption after death. Like Picasso's Guernica from 1937, this painting from 1965 can stand as a powerful anti-war statement. Numerous key galleries and museums such as Morton Auctions, Cerro de Mayka have featured Fanny Rabel's work in the past. Her anti-Nazi and anti-Fascism politics resulted in her participation in a mural called Retrato de la Burguesía in 1940 for the Sindicato Mexicano de Electricistas building on Alfonso Caso Street in Mexico City. Rabel met a group of exiled Spaniards in Mexico along with Antonio Pujol, who invited her to take part in a mural project headed by him, David Alfaro Siqueiros, Joseph Renau, Luis Arenal, Antonio Rodríguez Luna and Miguel Prieto. The artist died in 2008. Fanny Rabel born August 27, 1922, in Poland born Fanny Rabinovich, was a Polish-born Mexican artist who is considered to be the first modern female muralist and one of the youngest associated with the Mexican muralism of the early to the mid-20th century. She and her family arrived in Mexico in 1938 from Europe and she studied art at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where she met and became friends with Frida Kahlo. She became the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. She also worked as an assistant and apprentice to Diego Rivera and David Alfaro Siqueiros, painting several murals of her own during her career. The most significant of these is "Ronda en el tiempo" at the Museo Nacional de Antropología in Mexico City. She also created canvases and other works, with children often featured in her work, and was one of the first of her generation to work with ecological themes in a series of works begun in 1979. She is considered to be the first female muralist in Mexico. She was an assistant to Diego Rivera while he worked on the frescos for the National Palace and an apprentice to David Alfaro Siqueiros. Her most important mural is Ronda en el tiempo located in the Museo Nacional de Antropología, which was created from 1964 to 1965. She also created murals at the Unidad de Lavaderos Público de Tepalcatitlán (1945), Sobrevivencia, Alfabetización in Coyoacán in 1952 Sobrevivencia de un pueblo at the Centro Deportivo Israelita (1957) Hacia la salud for the Hospital Infantil de México (1982), La familia mexicana at the Registro Público de la Propiedad (1984) (which Rabel preferred to title Abolición de la propiedad privada) and at the Imprenta Artgraf. In collaboration with other artists, she participated in the creation of the murals at the La Rosita pulque bar (disappeared) and at the Casa de la Madre Soltera. She entered the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" shortly after it was established in 1942, taking classes with José Chávez Morado, Feliciano Peña and Frida Kahlo, with whom she became close friends. She changed her last name from Rabinovich to Rabel during her career. Rabel married urologist Jaime Woolrich and had two children Abel and Paloma Woolrich, both of whom became actors. The first exhibition of her work was in 1945 with twenty-four oils, thirteen drawings, and eight engravings at the Liga Popular Israelita with Frida Kahlo writing the presentation. In 1955, she had an individual exhibition at the Salón de la Plástica Mexicana. She had a large exhibition at the Museum of the Palacio de Bellas Artes to commemorate a half-century of her work. Her last exhibition was in 2007 at the Universidad Autónoma Metropolitana. Her work can be found in collections in over fifteen countries including those of the New York Public Library, the Library of Congress in Washington, D.C., the Royal Academy of Denmark, the National Library in Paris, the Casa de las Américas in Havana, the Benemérita Universidad Autónoma de Puebla and the Museo de Arte Moderno in Mexico City. A retrospective of her work after her death called Retrospectiva in Memoriam, Fanny Rabel (1922-2008) was held at the Museum of the Universidad Popular Autónoma del Estado de Puebla . She is considered to be the first modern female muralist in Mexico although she also did significant work in painting, engraving, drawing, and ceramic sculpture. Her work has been classified as poetic Surrealism, Neo-expressionism and is also considered part of the Escuela Mexicana de Pintura (the dominant art movement of the early to mid 20th century in Mexico) as one of the youngest muralists to be associated with it along with Arnold Belkin and José Hernández Delga. Rabel was more drawn to depicting mankind’s pain rather than happiness, sharing other Mexican muralists' concerns about social injustice. However, she stated to Leopoldo Méndez that she could not create combative works, with clenched fists and fierce faces, and she wanted to leave the Taller de Gráfica Popular. Méndez convinced her to stay, saying that more tender images are important to political struggle as well. Children with Mexican faces...

Abstract Expressionist painting of nude and reader dated December 1966 by Jennifer Wallace (American, 20th Century). Image 44"L x 37.75"H. Jennifer Wallace Mack received a Bachelo...

Signed lower left: “Freeman”. Artist’s frame.

Fishermen is a very common theme in Filcer's paintings. He was fascinated by both the ocean and the fishermen around the world.