Impressionist Landscape Paintings

Haystacks at Sunset French Impressionist artist, early 20th century oil on board unframed board: 7.5 x 10.5 inches provenance: private collection, France condition: sound condition b...

Mathias Alten (German/American 1871-1938) Signed: M. Alten (Lower, Right) " Autumn Landscape with a Stream ", c. 1923 Oil on Canvas Laid on Board 12" x 16" Housed in a 2 1/2" Ca...

Title: British Impressionist Watercolor of Beach Scene with Dramatic Sky and Walker by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11...

"Sunset" is a work that takes you to the heart of the Ukrainian Carpathians, where time seems to have stopped. The canvas skillfully depicts an ancient wooden church sparkling in the...

Mid century landscape watercolor of a campsite in the forest by Joseph Yeager (American, 20th Century). This piece is unsigned, but was acquired with a collection of Yeager work dire...

Paulette Van Roekens Old Whaling Wharf, Newport, Rhode Island, 1921 Signed and dated lower left Oil on canvas 30 x 40 inches Painter Paulette van Roekens was born in France and attended the Philadelphia School of Design for Women (now Moore College of Art and Design) and the Pennsylvania Academy of the Fine Arts. Her talent was recognized early on, and in 1916, she was awarded the John Sartain Fellowship at the Philadelphia School of Design. Her early paintings often were of still lifes, using flowers...

"Grey Day on the Bay" by Lu Haskew Oil 24x28" framed, 16x20" image size Signed lower left When Lu visited her sister in Oregon she always made a point of visiting the ships at dock ...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style, Impressionism Title: Blossom Field, Size: 29" x 55.5" x ...

Delos Palmer Jr. Tree in Winter Signed lower left Oil on Masonite 10 x 8 inches Delos Palmer, Jr. was born January 26, 1890 in New York City. His father was Dr. Delos Palmer, a socially prominent Park Avenue dentist. His mother was Jennifer Emma Banta. His parents were both born in NYC, where they married in 1880 and had five children. There had three sons and two daughters. He was the fourth born. They lived in a private townhouse at 48 West 50th Street, with a cook, a waitress, and a nurse to assist in his father's dental practice on the ground floor. They lived a privileged life and the children all went to the best private schools. He graduated high school in June of 1908. He studied at The Art Students League from 1911 to 1915 with the renowned American Impressionist, George Bellows. According to the artist, "Bellows was a good influence on me. He taught me how to paint what I see and what I feel!" In 1916 Palmer moved to the historic Holbein Studios at 139 West 55th Street. He worked there until 1920, when he moved to the more fashionable Greenwich Village, where he became a successful society portraitist. He was 27 years old during the Great War, so he was not selected for military service. In 1923 Palmer began to sell interior story illustrations to Metropolitan Magazine, The Saturday Evening Post, and Liberty. In 1924 he married Helen Smith Romme and moved to Stamford, CT, where they raised a daughter and two step-sons. The fateful market crash of 1929 ended Palmer's high society portrait business, but he soon found work through his contacts at Liberty magazine's MacFadden Publishing, which also produced several crime and detective magazines such as Master Detective and True Detective. He then began to paint pulp covers for Dime Mystery, Clues, Frontier Stories, Action Stories, Western Trails, All Star Adventure, Complete Western Book...

Tranquil River Scene French Impressionist artist, 1901 signed with initials lower corner oil on canvas, unframed Canvas: 9.5 x 13 inches Provenance: private collection, France Condit...

The Old Harbor signed by Georges Bordonave (French contemporary) dated 1976 oil painting on board, unframed board: 19.5 x 24.5 inches condition: very good, minor wear to the corners ...

Roadside Eucalyptus Trees, Mid Century Vertical Landscape by Jon Blanchette Gorgeous mid-century plein air landscape painting of a tall Eucalyptus tree along a California road side...

An exceptional impressionist oil painting of a bustling marketplace in New Orleans by American artist Paul Bernard King (1867-1947). King was born in Buffalo, New York, and after becoming an established printer, went on to study at the NY Art Students League with Henry S...

Charming Harbor Village at Dusk by Fanch Lel (French b. 1930) size: 10.75 x 16 inches double sided oil painting on board, unframed condition: the painting is in very good condition. ...

Robert Azensky is pleased to offer vivid mid century Original Oil painting of High Sierra Lake and Mountains A beautiful California landscape of the High Sierra mountains by Joseph ...

Canyonland - Western Plein Aire Landscape Acrylic on Board Expansive Western landscape by California Plein Aire artist Nick White (American, 1943-2009). The desert stretches out tow...

Magical Moment oil/canvas 18 x 24 image unframed, 23.5 x 29.13 framed Here is a beautiful winter scene I made up from my imagination as a holiday type of image. It includes a farm wi...

Nautical, Abstract Original oil Painting, Ready to Hang Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: ...

Daugava river near Kraslava. 1986, canvas, oil, 66x81 cm

Signed lower right, "C. Stilling" for Carl Conrad Stilling (Danish, 1874-1938) and inscribed 'Hyères'; dated lower left, '1928' and titled in Danish, verso...

Title: British Impressionist Watercolor of a Stag in a Winter Wonderland By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimensions: 1...

Jim Beckner's (US based) "Night Out" is an original, handmade oil painting depicting pedestrians strolling down a brightly lit city street at night with motion blur. About the Arti...

"Rock Cove" by Barbara Hack is an original landscape painting depicting a peaceful cove with beautiful blue waters. This piece is framed and ready to hang. Barbara Hack’s work is a...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 30 x 40 Frame Size: 38.75 x 48.75 Medium: Oil on Panel Applied by Palette Knife Dated 1977-1978 "Sunset" Costa Brava Spai...

Artist: Cornelius van Fulpen– American (1905 - 1987) Title: Silence Year: 1984 Medium: Oil on Canvas Size: 19.5 x 23.75 inches Framed size: 25.5 x 29.75 inches Signature: Signed, da...

In this piece, I've endeavored to capture the essence of a vibrant, transitional season, weaving together the warmth of changing leaves with the crisp, clear skies. Using acrylics an...

Co. Wicklow by Frank Forty (1902-1996) Irish signed oil painting: Framed: 10 x 12.5 inches Board: 7.5 x 10 inches very good condition (frame is antique and has some losses). Super...

Peter Kuhfeld Born in Cheltenham, Peter is the only child of a German prisoner of war and an English classical pianist. He studied at Leicester School of Art between 1972-76 and on graduation worked for two years giving lessons in drawing and painting at Rugby School of Art before securing a place at the Royal Academy Schools. There he studied under Peter Greenham CBE RA from 1977 to 80. While at the Royal Academy Schools Peter won various scholarships and prizes, notably the David Murray Landscape Prize, the Royal Academy of Art Silver Medal for Drawing, the Royal College of Surgeons Dooley Prize for Anatomical Drawing, the Elizabeth Greenshield Foundation Scholarship and Richard Ford Scholarship for study in Spain. He has enjoyed a successful career exhibiting around the world and often appears in the ING Discerning Eye selection. His drawings are held in the Royal Collection and in 2012, he was commissioned by HRH The Prince of Wales to paint the royal wedding of TRH the Duke & Duchess of Cambridge.

Title: British Impressionist Watercolor of Woodland Walk with Figures and Dog By Anthony Avery (British 1946-2023) Signed: Yes Original watercolor on a...

Title: French Impressionist Oil Painting of Figures Walking Along a Street in a Town By Fanch Lel (French b. 1930) Size: 9.75 x 7.75 inches (height x width) Signed: Yes Oil painting ...

A wonderful depiction of a colorful landscape with puffed trees by the country side. For this beautiful depiction, we find distinct elements that are unique to the earlier works of O...

The Beach at Martigues, South of France French artist, signed and dated 1941 signed oil painting on canvas, framed framed: 22.5 x 26 inches canvas: 19 x 22 inches provenance: private...

"Oil Beach Scene" by Maurice Mazeilie (French) oil painting on thin canvas paper, unframed inscribed and stamped verso painting: 6 x 8.75 inches A delightful original oil painting ...

Immerse yourself in the serene and contemplative world of "Vast Expanse of Water", a captivating watercolor painting by accomplished artist Linda Clerget. This work showcases Clerget...

Ceneri Louis Edouard Morand (1852-1917) "Le verger' Oil on canvas Signed and dated 'C.MORAND, 9 bre 1895' lower right Canvas Size 45 x 64 in Framed Size 55 x 74 in Provenance From t...

Title: British Impressionist Watercolor of a Village Lane with Church and Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x...

A modern impressionist American painting depicting a homestead in Boca Raton, FL with an iconic gumbo limbo tree in the foreground of the painting. This work is signed illegibly and...

An explosion of colour-bright yellow, turquoise, and orange draw the viewer’s eye to this dramatic landscape by Sylvain Louis-Seize. The Montreal artist...

Pierre Thibault was a renowned French artist and known for his figurative paints depicting Parisian life in the 20th Century. Mainly street scenes of the bustling city of Paris and i...

This is an amazing original oil painting on canvas of the famous Portuguese-American painter, Humberto da Silva Fernandes (1937-2005) depic...

Old 17 Mile Drive, Carmel California Landscape Early 1900s Oil on Linen Gorgeous early 20th century landscape of rugged Carmel Old 17 Mile Drive coastline by Frank Lucien Heath...

Spring plein air painting is always a wonderful and lively wall decor, green colours of nature fid perfectly into the interior. Green color is one of the most difficult, Nikolay mast...

Title: British Watercolor of a Scenic Countryside Village Overlook with Horse and Rider By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions...

Evening Sunsets on the North Atlantic coast are spectacular. But after the fiery display comes a still calm when everything appears almost violet. Darkness is coming in but it has no...

THIS WORK IS CURRENTLY ON LOAN TO THE MUSEUM OF MODERN ART IN LE HAVRE AND IS BEING EXHIBITED IN THEIR ELECTRIC NIGHTS EXHIBITION 2020 A stunning oil on original canvas by Achile-Emile Othon Friesz depicting a night time view of the Pont Neuf bridge over the Seine, Paris. The painting shows deep blues and reds - richer than those of traditional impressionist paintings - and shows the transition into Fauvism. Signed and dated 1903 lower right. Framed dimensions are 24.5 inches high by 20 inches wide. Achille Friesz was the son of a family of sailors from Le Havre. From 1885 he often spent time in Marseilles visiting his maternal uncles. As a child he dreamed of going to sea, but from the age of 12 he developed a passion for art, and after secondary school he attended the École des Beaux-Arts in Le Havre. There, from 1896 to 1898, he studied under Charles-Marie Lhullier who had been a friend of Jongkind and whom, like Dufy and Braque, he remembered fondly throughout his life. Lhullier introduced his students to the work of Chardin, Corot, Géricault and Delacroix. After receiving a bursary from the local authorities in 1898, he went to Paris and, while his friends Matisse, Rouault and Marquet studied under Gustave Moreau, enrolled at the École des Beaux-Arts at the studio of Léon Bonnat, where he was joined by Dufy. However, he scarcely attended the studio, preferring to go to the Louvre and make copies of the works of Clouet, Veronese, Rubens, Claude Lorraine and Delacroix. He did his military service in Paris in 1902 but continued with his art. Around this time he met Camille Pissarro and sought his advice. As a young man he began to make frequent trips away, not necessarily travelling very far, but looking for subjects for his work, usually landscapes. Among the places he visited were the Creuse region around 1903, Antwerp in 1905, returning there with Braque in 1906, and La Ciotat, Cassis and L'Estaque in 1906-1907, again in the company of Braque. In Paris he frequently moved lodgings until 1914. He moved in with Henri Matisse at the Couvent des Oiseaux from 1905-1910, that is to say at the period when Fauvism was at its height. In 1908 he returned to his native Normandy to reimmerse himself in his early environment; he would return to the region throughout his life. He made a trip to Munich with Dufy in 1909, and visited Portugal in 1911-1912 and Belgium in 1912. In 1914 he was called up and assigned to technical services, not being demobilised until March 1919, although he did manage to maintain a certain independence. From 1914 until his death he lived in Paris at 73 Rue Notre-Dame-des-Champs, where he occupied Bouguereau's old studio. He made frequent trips to Cap-Brun near Toulon where, in 1923, he acquired a property called Les Jarres, as well as making numerous visits to Normandy and Le Havre. In 1925 he received the highest commendation at the Carnegie Prize in Pittsburgh for Portrait of the Decorative Artist Paul Paquereau. Also in 1925, at the same time as Matisse, he was made a Chevalier of the Légion d'Honneur, rising to in Officier in 1933 and Commandeur in 1937. He was also made Commander of the Swedish order of Vasa in 1934. Throughout his life, Friesz was a teacher: from 1913 at the Académie Moderne; from 1929 at the Académie Scandinave; and from 1941 until his death at the Académie de la Grande-Chaumière. Alongside his activity as a painter, he illustrated several works of literature, including: in 1920 Le Pacte de l'Écolier Juan by Jules Tellier; in 1924 Échelles de Soie by Jean Pédron; in 1926 Le Jardin sur l'Oronte by Maurice Barrès; in 1926 En Suivant la Seine by Gustave Coquiot; in 1929 Rouen by André Maurois; in 1931 The Song of Songs; in 1934 Poésies by Pierre de Ronsard; in 1945 Le Bouquet de la Mariée by Gabriel-Joseph Gros; in 1947 Paul et Virginie by Bernardin de St-Pierre; in 1949 Le Livre de Job by Pierre Poussard; in 1949 Petronius's Satyricon, and in 1949 a collection of 12 unpublished lithographs for Le Désert de l'Amour by François Mauriac. He also designed several pieces of decorative art: from 1906 to 1909 ceramics executed by Metthey among others; a façade for a private house in Le Havre; a china service for two for the Le Havre writer J.-G. Aubry; vases, dishes and plates; in 1912 four sets for La Lumière by Georges Duhamel, performed at the Odéon; in 1916 a screen for the Le Havre collector Léon Pédron; in 1918 panels for Pédron's dining room; in 1920 a mural entitled Children Dancing (Enfants Dansant); in 1920 Les Volières for the apartment of Vicomte Amédée de Flers; in 1935 Peace (La Paix), a Gobelins tapestry presented by France to the Palais des Nations in Geneva; in 1937 La Seine in collaboration with Dufy for the Palais de Chaillot, with each artist taking half of the river's course - From the Source to Paris by Friesz and From Paris to the Estuary by Dufy. The Fauves were producing Fauve paintings before they knew it: it was not until the critic Louis Vauxcelles saw their work at the Salon des Indépendants in 1905 and mockingly used the word Fauve to describe it that the term was born. It is known that Vlaminck and Derain worked together and that the École de Chatou was composed of just these two artists. Friesz was living with Matisse and after his first trip to Antwerp in 1905, he returned in 1906 with Braque. In 1906-1907 Friesz and Braque went to La Ciotat to paint and there they met up with Matisse. The paintings Friesz produced in Antwerp are Fauve inasmuch as they are painted in pure colours and are more or less free of the divisionism of the Impressionists, although the draughtsmanship is fairly standard; these works include The Port, The Escaut, The Canals, The Dock with Sailing Ships and The Red Slipway. Those of Braque the following year, in particular Terrace on the Escaut, show great similarities with those Friesz painted of the same subject. Friesz was already avoiding the hardness of pure flat tints by graduating them in thin glazes, allowing the whiteness of the canvas to penetrate the transparency, a technique that came to characterise his entire Fauve period. At La Ciotat Friesz and Braque adopted completely different Fauve styles, with Braque composing his paintings on horizontal and vertical orthogonals painted in small, regular, spaced-out touches, whereas Friesz developed his own personal rhythmical style of wide arabesques of colour in works such as The Bec-de-l'Aigle, Women Bathing and L'Estaque. Many of Friesz's Fauve works were produced in the south of France, and his Portrait of Fernand Fleuret also dates from this period. When he returned to Normandy in 1908 the period that he described as his 'return to form' began; with compromise paintings such as Entrance to the Port of Honfleur, Côte de Grâce Landscape, The 'Bains Marie-Christine' in Le Havre and the great compositions characteristic of this period - Autumn Labours, Spring, Fisherman on a Rock and Women Bathing. His draughtsmanship retains something of the rhythm of the Fauve period, his figures following the lines of the landscape and the colour remaining clear and resonant. In 1909 he painted the Cirque Médrano series: The Trapeze Artist, The Clown and The Horsewoman. In the south of France he also painted the Olive Trees series. He made a trip to Munich with Raoul Dufy resulting in Winter in Munich. This was also the year of his first trip to Italy. Boat in a Rocky Inlet of 1910 marks one of the pivotal points between a totally rhythmic drawing style of sensual curves typical of his Fauve period and a reduced palette of muted ochres, browns and blues. From 1910 onwards, the final traces of Fauvism become less and less apparent in his work. His use of colour follows the same course, towards the transcription of reality, with broken tones, ochres and browns. After his demobilisation, as well as in his studio in Paris, Friesz spent time in his house in Toulon, returned to Normandy and Le Havre and continued to make frequent, often local, forays in search of new subjects: in 1919 to Jura, producing the series Forests, Pine Trees, Road in the Snow and Invitation to Skate; in 1920 to Italy producing Piedmont Village, Florence Grape Pickers; in 1920 to Le Havre, producing The Étretat Cliffs, People Bathing at Étretat; in 1923 to his house in Toulon, producing View of Coudon, Women Bathing, Grape Harvesting, Jars; in 1924 he painted the Large Nude (which he exhibited at the Salon d'Automne the same year) and landscapes of Toulon; in 1928 he made a trip to Algiers, producing The Algiers Kasbah and its Phantoms; in 1931 to Annecy, producing Women Bathers by a Lake; in 1934-1935 to Dinan and St-Malo producing The Great Dinan Viaduct, The Dock with the Terre-Neuvas, After Bathing; in 1936 to Honfleur; in 1941-1944, remaining in Paris because of the war, he painted mainly still-lifes, including Studio Corner, Earthenware. In 1946 he returned to Honfleur; and in 1947 to La Rochelle producing The Port Tower, Tuna Boats, The Red Sail. Numerically Friesz's work is dominated by landscapes but it should be remembered that throughout his career he tackled more ambitious compositions and appeared to do so with great ease. These include Boat in a Rocky Inlet of 1910 with its frolicking women bathers, Allegory of War of 1915 executed in 24 hours, Invitation to Skate of 1919, numerous paintings of Women Bathing over several periods and much later Women beside a Pond of 1944, which clearly demonstrates his attachment to Cézanne. He exhibited at the Salon des Artistes Français from 1901 to 1903 and then at the Salon des Artistes Indépendants. From 1906 he exhibited annually at the Salon d'Automne, of which he later became a committee and jury member. In 1923 he took part in the founding of the Salon des Tuileries and became head of two of the Salon's sections. His work has been exhibited at countless group exhibitions all over the world. Among the most recent thematic exhibitions is Fauvism in Black and White. From Gauguin to Vlaminck, Fauvist Engraving and its Setting (Le Fauvisme en Noir et Blanc. De Gauguin à Vlaminck, l'Estampe des Fauves et son Environnement) at the Musée d'Art Moderne in Villeneuve d'Ascq in 2001. He also showed his work in numerous solo exhibitions in Paris: his first in 1904 at the Galerie des Collectionneurs and another the same year at the Société des Peintres du Paris Moderne...

The soft morning light and the scent of pine fill this painting. Playful, neatly trimmed trees stand in line, cheerfully greeting you. The warm, golden-orange background creates a s...

Hadley Rampton's "Fleurs" is an original, handmade oil painting that depicts an aspen tree with blue sky in the background. Artist Statement Some tell me I’m crazy for painting in...

Title: French Impressionist Oil Painting of Serene Street Scene in St. Suliac By Fanch Lel (French b. 1930) Size: 10.25 x 7.75 inches (height x width) Signed: Yes Oil painting on boa...

The Flower Garden by Louise Alix (French, 1888-1980) *see notes below oil painting on canvas unframed measures: 28.5 inches high by 34.5 inches wide condition: overall very good and ...

At 11 years of age, Sylvain Louis-Seize was already painting on the sidewalks of his Montreal neighbourhood. True to his early street art origins, Louis-Seize uses bold colours and a...

Signed

Title: British Impressionist Watercolor of Coastal Cliffs and Distant Islets By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15 x 11.2...

20th C French Impressionist landscape a Villa in the South of France or Rivera. Lucien Potronat was a French painter best known for his depictions of ...

Street scene in the French Quarter of New Orleans, Louisiana by New Orleans artist Melba Hildreth Dukes Gianelloni (American/Great Britain, 1914-2012). ...

A charming painting of a boy and girl walking down a country lane. Wonderful rendering of the trees and sky. The painting has two repairs (I have included a photo of the patches on t...