Impressionist Landscape Paintings

This lovely British Edwardian Impressionist landscape oil painting is by noted Slade School artist Bertram Priestman. Painted in 1901 the location is the River Wharfe a river in York...

Title: British Impressionist Watercolor of a Nude Reclining Woman in Quiet Reflection By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: ...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

Large and finely painted American impressionist landscape oil painting by Raymond A. Ewing (1891 - 1976). Framed. Oil on canvas. Signed.

Title: British Impressionist Watercolor of a Floral Staircase and Cottages By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15.25 x 11....

A Rocky Coastline French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas), unframed o...

Judd Mercer's (US based) "Sunset Melt" (2019) is an original handmade oil painting depicting a street covered in snow that is melting from the warmth of the sunset. Artist bio/stat...

Nothing beats a British autumn. {Autumn Series} is one of the most personal projects of Shizico Yi; the sensitive colours, her signature expressive and confident brushstrokes are an ...

Title: British Impressionist Watercolor of Morning Shadows by the Lake by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15.25 i...

Medium: Watercolour on paper, unframed Size: 14 inches (height) x 10 inches (width) Signed: Yes Condition: Sound condition, with some minor signs of foxing visible Provenance: Privat...

A stunning view of the Thames at Battersea which Whistler would have been proud of. A superb 1887 impressionist view of London with the river Thame...

The state close to noon in the summer at sea is when the temperature rises to forty degrees Celsius. And the blue haze plunges the distance into the haze, dissolving all objects, con...

Marshes and trees in Summer colors by an American (signature illegible) artist. Circa 1970s. Reminiscent of the Florida Highwaymen style. Ruby Velve...

Title: British Impressionist Watercolor Still Life of Floral Arrangement in Green Jug by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: ...

Sunrise on Nantucket Island Fisherman Gazing at the Sky 1929 Nantucket Sunrise, a Fisherman is gazing at the sky by James Francis Barker (American, 1872 – 1950). In the style of Albert Pinkham Ryder (1847 - 1917) was active/lived in New York, Massachusetts. Albert Ryder is known for Romanticism-pastoral landscape painting. Barker has a heavy impasto and extensive brushwork throughout and captures American Post Impressionism with this early sunrise on Nantucket Island scene. Image, 10.25"H x 14.25"W Signed "J. F. Barker" dated "3/29" on Stretcher bar verso Signed James F. Barker on Linen verso James F. Barker’s lineage traces back to eleven of the original Nantucket settlers. He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, With a degree in mechanical engineering and graduate degree in architecture, his career was centered among institutes of higher learning. Barker was also a skilled painter and a talented photographer. Barker specialized in waterfront, wharf, and beach scenes. The artist exhibited his work during the summer months at the Eagle’s Wing Studio on Union Street, having named the studio after a steamer, which had been captained by his grandfather. James Francis Barker (1872 – 10 December 1950) was the second president of the Rochester Athenæum and Mechanics Institute, succeeding Carleton B. Gibson, from 1916–1919. He also pursued painting, pottery, metal working, and cabinet making. Gravestone in Prospect Hill Cemetery, Nantucket He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, becoming Superintendent of the Manual Training Department at East Division High School in Milwaukee, Wisconsin in 1897. He left in 1904 to pursue similar positions at Grand Rapids High School and the Hackley School in Muskegon, Michigan. In 1906, he participated in the formation of East Technical High School in Cleveland, Ohio and served as its first principal. He married the former Kate Spooner in 1897 and raised one daughter. After being widowed in the late 1930s, he married Josephine M...

Mikael Olson's (US based) "Beaver Dam" is an oil painting that depicts a stream flowing past the banks of brush and dead foliage as the winter snow melts.

Edge of the boatyard, Yarmouth by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled and signed to lower right *FREE...

La Rue Sombre by Jacques Madyol (Belgian 1874-1950) signed oil on canvas, unframed Canvas: 20 x 26 inches Provenance: Private collection, Brussels, Belgium Condition: Great condition...

A beautiful oil on panel circa 1900 by French impressionist painter Emilio Boggio. The piece depicts a coastal scene. The blue-green water crashes against the rocks on a grey day. S...

Early spring is a good time for painting rivers. You can smell wonderful smells of young ground, river, first flowers. The painting was created near the Elchik river. The most part o...

Genevieve Hamel Glow Oil on Wood Panel Year: 2024 Size: 36 x 18 x 1.625 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for design and natur...

Beautiful double-sided painting of a California nocturnal seascape on one side and a Sierra mountain scene on one side on the other by William L. Hughes. Signed "W. L. Hughes" bottom...

Artist: Vahe Yeremyan Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2023 Style: Impressionism Title: Fall Size: 11" x 15" x 0.8'' inch,...

Todd Carpenter's (US based) "Above Plain" is an oil painting that depicts a black and white mountainous landscape. Bio/artist statement: Todd Carpenter is a Los Angeles based artis...

Judd Mercer's (US based) "049 - Plein Air-Red Rocks, CO" is a gouache painting depicting a large red rock. Artist bio/statement Judd Mercer is a contemporary landscape painter and ...

This painting depicts an impressionistic scene of Brunch at Tartine in New York City. Figures are seated having Brunch with drinks in hand on this su...

Title: Mid Century French Drawing Hillside Landscape with Trees and Distant Houses Artist: Josine Vignon (French 1922-2022) Medium: Pen and Oil Pastel on artist paper Size: 19.75 (height) x 25.25 (width) Signed: Yes Condition: Good Provenance: All the paintings we have by this artist have come from the artist's estate Description: This intricate pen drawing presents a captivating view of a hillside, with rolling terrain dotted with trees and small houses in the distance. The rich textures of the landscape are brought to life through Vignon’s use of fine, detailed line work. The foreground is framed by large, twisting tree...

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter years to...

Landscape of Rolling Hills Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 18 inches inscribed verso Provenance: private collection Condition: great cond...

Artist/ School: Martin Lindenau (French b. 1948), signed Title: 'Tunisio' A Street Scene Medium: signed oil on canvas, inscribed verso and unframed Size: 2...

A Colorful Garden Scene original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 9.5 x 12.5 inches In good condition p...

This artwork "Seascape, California Coast" is an oil painting on canvas by noted California artist Willam Henry Blackman, b.1930. It is signed at the lower left corner by the artist, also stamped signed in the back. The canvas size is 23.75 x 48 inches. It is in excellent condition. About the artist: William H. Blackman was born February 2, 1930 in San Diego. He spent most of his early years in West Los Angeles. He became interested in art at about the age of 12 when he painted his first oil painting. In high school he majored in art so he could experiment with various mediums to find ways to interpret his ideas. In December of 1948 he joined the Navy and was stationed in Hawaii. After his tour of duty he returned to California and attended Woodbury College to learn about advertising and the graphic arts. While there, he met his wife Shirley, who coincidentally came from the Big Island of Hawaii. They were married on June 11, 1955 in her home town of Honokaa. When they returned he began his career in the graphic arts. In 1960 they began their family and moved to a new home in the San Fernando Valley. Meanwhile, Bill had become interested in the fine arts again. His position as an advertising production manger put him in contact with art directors and they would lunch together and then visit various art galleries in the area. He began oil painting again as a hobby. In 1964 he made an important contact through an associate at his agency. This person was a vice-president at Aaron Brothers Galleries and purchased paintings for them. They had showrooms in various major cities and sold original framed paintings to art galleries and furniture stores. He said they could possibly sell some of his seascapes so Bill began painting in his spare time. Gradually, they sold more than he could produce so Bill made the decision to leave the advertising business and devote his time to painting. In 1965 the Blackman's moved to Thousand Oaks, California. He began his career as a fine artist and to this day resides in Thousand Oaks. He contracted with Aaron Brothers to be his exclusive agents and began specializing in seascapes. After a few years he added landscapes and some other subjects. Bluebonnet landscapes and Padre Island seascapes were popular in the Dallas showroom. He and his family vacationed frequently in Hawaii and that became another source of inspiration. There, he was represented by the Davis Gallery in Honolulu. A good relationship with "Barney" Davis continued after the closing of the Aaron Brothers Wholesale Division in 1980. He painted for the Davis Gallery for about 8 years until they closed due to illness. Afterwards, he was contacted by Kobayashi Art Enterprises and has been represented by them. In 1980 he began teaching in private studios around the country, demonstrating his method of painting various subjects. During the latter part of the 80"s he was approached by Susan Scheewe Publishing to author and illustrate a book showing his way of painting. The first was published in 1990 and he has authored four other books since then. He demontrated six different instructional video tapes that were produced by his artist friend Gary Jenkins. Gary, who was helpful introducing Bill to the teaching business, was also an artist for Aaron Brothers Galleries. William Blackman is a published artist. Twenty subjects have been lithographed, six being limited editions, when he was with Aaron Brothers. One of his Hawaiian paintings...

Village Bridge scene by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 14.75 x 19 inches *FREE SHIPPING ...

Albert Rafols Cullerés (1892-1986) - Landscape - Oil on board Oil measures 27x36 cm. Frame size 33x42 cm. Catalan painter formed the Llotja with Lluis Labarta and Arcadi Más and fon...

French Landscape signed by Louise Alix (French, 1888-1980) *see notes below oil painting on artist paper, unframed measures: 12 inches high by 16.5 inches wide condition: overall ver...

Julian Onderdonk Shelter Island, Long Island, New York, circa 1905 Signed "Chas Turner" lower right Oil on canvas 14 x 19 1/2 inches Julian Onderdonk was...

Vintage French Painting by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back watercolour painting on artist paper, unframed measures: 8.75 inches high by ...

The enchanting Montreux Embankment stretches almost 7 km along the shores of Geneva Lake, which surround the mist-covered Alps. This idyllic corner is famous not only for fantastic views of the lake and mountains, but also for the wondrous beauty of nature: shady palm trees and cypresses, well-kept emerald lawns, fragrant exotic plants and bright flowers, from which gardeners create bizarre sculptures - real works of art. • This painting was presented in Lugano (Switzerland) at the exhibition - competition "Golden Palette", where Vik Schröder received this award (Covered by the Press). This original painting was created on a high-quality canvas (80/60 cm) with a palette knife, using environmentally friendly oil colors with natural pigment. The painting was created in a unique individual technique in the impressionism style. It does not require a frame. Painting is covered with UV varnish. Signed back. Ready to hang. Сontemporary Art. One-of-a-Kind Painting (only one piece worldwide). Certificate is attached. This artwork is from a series of paintings that heal your space. About the artist: Vik Schroeder...

Jeremy Mann's "Composition #59" is an original, handmade oil painting that depicts a dark city setting filled with fog and passerby. About the artist: Je...

We originally had the name of the actual bay in Canada this fine painting depicts, but have been unable to dig it up. At any rate, it shows a number of sailboats with sails lowered, ...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

Antique American school seascape oil painting. Oil on board. Framed. Unframed. Image size, 20L x 16H.

Violet Horizon II is a Neo Impressionist Landscape painted en plein air in Long Island, NY. Artist Bio Ben Fenske (b. 1978) although a native of Minnes...

Evening Retreat Egret is an oil painting on Masonite panel by award winning contemporary artist Michael Budden that showcases a beautifully lit sundown and an egret catching the ligh...

Signed lower right, 'Barnes' for David P. Barnes (American, 20th Century) and painted circa 1985 A substantial, oil seascape showing a dramatic view of the oc...

Walk Out to Winter in an original oil painting on canvas by established artist Timothy McGuire. To stand before one of Tim McGuire‘s works is to be immersed in a world of colorful e...

This is a very rare painting by Louisville, Kentucky native Goldsborough Cowan Robinson. He was born in 1887 to Charles Bonnycastle Robinson (1853-1928) and his wife Helen Blasdell ...

Edward SEAGO (1910-1974, British) Seated Figure Reading by a River Oil on canvas Stamped signature on reverse Framed 18 ½ x 22 ¾ inches Provenance: Private Estate, Maryland A beaut...

Gorgeous mid century Pacific Northwest oil landscape of McKenzie River, Oregon by La Selva Beach, California artist Loretta Adele Lee Kirchoff (American, 1907-1994). Signed "Kirchoff...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Spring Trees, Size: 12" x 16" x 0....

Acquired by the gallery directly from the artist UNFRAMED: 30" x 48" FRAMED: 39" x 57" x 2" Artist Statement “This painting depicts delivery cowboys riding through a serene and pi...

Wonderful early 20th Century study of Jean Leon Gerome Ferris's 1885 Lion and Sun landscape "The Two Majesties." Unsigned. Condition: One tear professiona...

Title: British Impressionist Watercolor of Sunflowers in a Vase By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15 x 11.25 inches (Hei...

Set amongst the acres and acres of rolling blue cypress and kelly green colored hills and fields is the morning pasture where the dairy cows graze, feed and produce milk for the folk...

Title: French Impressionist Oil Painting of a Rural Chapel with Figures By Fanch Lel (French b. 1930) Size: 9.5 x 7 inches (height x width) Signed: Yes Oil painting on board, unframe...

Olives and Lemons in Provence French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas)...