Modern Landscape Paintings

Signed lower left, 'Denis Paul Noyer' (French, b. 1940), titled, 'Mougins' and dated 1968. A mid-century, stylized painting of the Place du Commandant Lamy in Mougins leading to a ...

Pausing for Thought Paris School, mid 20th century signed oil on canvas, unframed painting: 25 x 20 inches provenance: private collection, Paris condition: very good and sound condition

Antique American modernist surreal oil painting. Oil on canvas. Framed. No signature found.

Antique American modernist Maine landscape oil painting. Oil on canvas. Signed. Framed. Image size, 40L x 36H.

Neide Carreira (Lisbon, Portugal 1992- ):- Untitled triptych, oil on thin wood panel These paintings are sold as a set. The price of 800 € is the price for the set of 3.

The Provencal House French School, late 20th/ early 21st indistinctly signed oil on canvas, framed framed: 39 x 32 inches canvas: 32 x 26 inches provenance: private collection condit...

Antique American modernist abstract seascape oil painting. Oil on canvas. Framed.

Katharyn Gwendoln Truesdell - (American; 1909-1996) This colorful painting depicts a Southern California valley, likely near Sun City, over the mountains from Los Angeles and San Di...

Large Modern French acrylic on canvas of a 'gaggle' of geese by Jean-Jacques Marais. Signed and dated bottom left. A bright and joyful painting of a group of geese (a gaggle) enjoyi...

Ravello. All that visit know the capture of the place when looking towards the Med. Gradwell created of semi abstract view of the collaspe between coast and the town dwellings . An e...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed.

Signed oil on canvas coastal landscape by French modern painter Maurice Brianchon who was known as one of the Painters of Poetic Reality. This simple and charming piece depicts a view of the beach at Soorts-Hossegor on a grey day. The figures of two soldiers walk across the sand and others are gathered on the walkway beyond. Signature: Signed lower right Dimensions: Framed: 30"x38" Unframed: 21"x29" Provenance: Private collection - Switzerland As a young man, Maurice Brianchon studied at school in Le Mans before joining the École des Beaux-Arts in Bordeaux. He went on to study at the École des Arts Décoratifs in Paris, remaining there from 1917 to 1923 and working under the direction of Eugène Morand. It was here that he met and became friends with Oudot and Legueult. When he exhibited for the first time at the Salon d'Automne he was immediately elected as a member. He received the Blumenthal Award in 1924 and the Carnegie Prize in 1939. He was a founder member of the Salon des Tuileries and was appointed to serve on the committee in 1941. He also exhibited at the Salon de la Société Nationale des Beaux-Arts in Paris. He took part in major exhibitions abroad, including the Venice Triennale, Antwerp, Rio de Janeiro, New York, Madrid, Brussels and Stockholm. He soon made his mark as a decorative artist, creating stage sets for the Opéra for a production of Griséldis (1922) in collaboration with Legueult, and for Noble and Sentimental Waltzes ( Valses Nobles et Sentimentales) (1938), Sylvia (1941) and The Model Animals ( Les Animaux Modèles) (1944). He created a large, decorative piece entitled Symphony at the Palais de Chaillot, where he worked with Chapelain-Midy, Planson and Oudot. He also decorated the Lycée Janson-de-Sailly with murals. With his wife Marguerite Louppe he produced three large panels commissioned by the state in 1942 for the Conservatoire. The Gobelins and Aubusson tapestry works produced tapestries after his cartoons. He also produced cartoons for stained glass windows at the church of Assy in 1946. He taught at the Estienne school and the École des Arts Décoratifs in 1937 and in 1949 at the École des Beaux-Arts. He often painted landscapes showing the banks of the Seine, as did the Impressionists, and demonstrated a particular interest in circuses and music halls, as can be seen in Acrobats and French Can Can...

"Hibiscus Garden I" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mil...

Watercolour view of boats in a port, looking out to sea, by French Painter Jean-Paul Claveau. The painting is signed and dated bottom left and presented in painted wood frame, with c...

"Le Mas" French Modernist artist, 21st century indistinctly signed lower corner oil on canvas, framed framed: 21.5 x 25.5 inches canvas: 15 x 18 inches provenance: private collection...

Antique American modernist signed abstract tropical oil painting. Oil on board. Framed.

Antique American modernist signed landscape oil painting. Oil on canvas. Signed. Framed.

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Jefferson Market Library (Courthouse), c. 1930s, oil on canvas, 30 x 24 inches, signed lower right; presented in a newer silver painted frame About the Painting Writing about an exhibition of Charles W. Adams’ work at the Eighth Street Art Gallery in the mid-1930s, Emily Grenauer observed in The World-Telegram that the artist’s paintings were “distinguished for their solid form, well organized design and sumptuous color” and the art critic for The Herald Tribune found Adam’s work “a strong, formal realization of his subject . . . he paints with vital emphasis on structure and composition.” Although we do not know which works these critics referenced, it is likely they were writing about paintings like Jefferson Market Library (Courthouse). With its carefully designed reality, strong angles, solid forms, and well-disciplined puffs of smoke in the background, Adams presents a highly structured version of the Greenwich Village landmark, the Jefferson Market Library, which was a courthouse at the time Adams completed this work. The Jefferson Market Library was a prized subject for downtown painters, including the Ashcan School painter, John Sloan, the modernist, Stuart Davis, and the precisionist, Francis Criss...

The Labourers French School, mid 20th century oil on canvas, unframed canvas: 24 x 29 inches provenance: private collection, Marseille condition: very good and sound condition

Commercial illustration depicting happy California framers for California Prunes. The work is rendered in a charming and highly stylized manner. Unfr...

Antique American modernist street scene oil painting. Oil on board. Framed.

Landscape with Trees Watercolor on paper, 1929 Signed in pencil lower right corner Obviously influenced by the Cezanne works in the collection of his patron Alfred C. Barnes of Phila...

Hans Hofmann Hiddensee, Herbst (Autumn), 1927 Signed with initials and dated lower left; titled on the reverse Oil on paper 18 x 22 inches Provenance: John Adams Fine Art, London Pr...

Framed Pegsdon by Tim Woodcock-Jones [2019] Signed by the artist Oil on canvas Image size: H:91 cm x W:122 cm x D:2cm Frame Size: H:99 cm x W:130 cm x D:4cm Please note that insitu i...

Work on canvas sold with frame The frame measures 63x74 cm. The mountain on the painting is the "Salève" from Troinex, Geneva. John Henri DELUC is...

Oscar Bluemner Sheepshead, Long Island, 1907 Signed with the artist's conjoined initials "OB" and dated "4-30 - 5 - 30" / "Aug 3, 07" Watercolor on paper 6 x 10 inches Provenance: J...

This artwork "Market Scene" 1968 is an oil painting on canvas by noted Haitian artist Petion Savain, 1906-1973. It is signed and dated at the lower right...

An original mixed media piece on paper by Gradwell. painting 42cm x 55cm glazed oak frame 63cm x 82cm View of a cove and sea in Amalfi, Italy. in evening light.

Oil on canvas painting by Ferdinand Kaufmann. Signed by the artist in the lower left corner. Mountain landscape painting, likely of Colorado or California in summer with a rushing...

CITY STROLL Size: 44 x 66 cm (including frame) Oil on Canvas A very pleasant modernist oil street scene composition, painted by the established Swedish artist Stig Wernheden (1921-1...

Night Life in the City - Figurative Cityscape Mid 1960s cityscape by an unknown artist. Oil on artists board. Image, 16"H x 20"W

Work on cardboard

Busy City Square French School, mid 20th century indistinctly signed oil on board, framed framed: 15 x 19 inches board: 8 x 12 inches provenance: private collection condition: very g...

Vintage modernist abstract village painting. Oil on board. Housed in a period frame. Image size, 24L x 12H. Signed.

Peter Donnithorne (b.1933) The opening hunt meet, November 1984 Oil on canvas Signed lower right Canvas Size 14 x 18 in Framed Size 17 x 20 1/2 in Peter Donnithorne British born in ...

Antique American modernist nocturnal starlit harbor painting. Watercolor on paper. Signed. Framed.

2023, Oil on canvas

Signed lower right, 'Caputo' for Antonio "Tonino' Caputo (Italian, 1933-2021) and dated 1962. Born in 1933, Antonio Caputo studied in Rome at the Faculty of Architecture and held hi...

Oil on canvas

"Rainforest Walk I" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mil...

CALM SHORE Size: 55.5 x 63 cm (including frame) Oil on canvas A beautiful and expressive composition of a coastline, executed in oil onto canvas and dated 1960. The painting captur...

Duncan Gleason lived in New York and other places for work or studies but it was really Southern California where he felt most at home, and looking at his body of work, that love of ...

Swimmers and sun tanners at the local watering hole. Her birth name was Theresa Berney. At the time of her passing she was known as Theresa Loew. Birth place: Baltimore artist, blo...

Jack Hooper "Figures Laying with Shadows" December 1986 Paint on paper 9.5"x8" unframed Signed and dated in pencil lower left In this modernist masterpiece by Jack Hooper, two abstr...

Tempera on board painting titled 'The Carved Door' by Archie Musick, signed by the artist in the lower right corner. Depicts a semi-abstract landscape with flora and fauna. Presented...

Jogen Chowdhury Landscape, Felt Pen with Pastel on Paper 8.5 x 11.5 inches, 2023 ( Delivered ) Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhu...

Oil on board Image size: 19 x 14 inches (48.25 x 35.5 cm) Contemporary style handmade frame

Winter evening. Church 2011. Oil on canvas. 40x50 cm "Winter Evening. Church" is a captivating artwork created in 2011 by Igor Maikov. It is an oil painting on canvas with dimensio...

THE WORKING FARM Size: 48 x 56.5 cm (including frame) Oil on Board A brilliantly executed mid century modernist landscape composition of a farm, painted in oil onto board. Executed...

Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of art...

Antique American modernist surreal landscape oil painting. Oil on canvas. Framed. Signed.

Early modernist Israeli Judaica painting, by British mid-century artist. Israel Old City of Jerusalem scene.

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Abstract Street (Untitled), 1939, oil on canvas, signed and dated lower right, 12 x 32 inches; provenance includes a private collection in Venice, California; presented in what is likely the artist's original handmade frame About the Painting The present work is the culmination of a series of mainly horizontal urban abstractions Harari completed between 1937 and 1939. Deeply influenced by Stuart Davis, Harari’s New York streetscapes began with clearly recognizable objects and landmarks as in Into New York (1937 - Collection of the Whitney Museum of American Art), New York Harbor (1937), Up and Downtown (1938), and his other mural proposals for the Nurses Home on Welfare Island (1937) and the Williamsburg Housing Project (1938). At the end of the series, Harari’s vistas became increasingly abstract with broad planes of color representing buildings and streets, the slightest cross-hatching forming a bridge or elevated train track and the vague suggestion of a streetlight looping in the right center of the composition. Figures, birds, and a street vendor’s cart are reduced to pictograms scratched into the surface of the canvas. Abstract Street (Untitled) is among Harari’s most spare works of the 1930s and 1940s and calls to mind the seemingly childlike, but deeply sophisticated works of Paul Klee from the 1920s. It serves as an excellent reminder of why Harari was heralded as one of the earliest members of the American Abstract Artists. About the Artist Hananiah Harari was an artistic polyglot who was equally at home working in styles as diverse as Cubism, Constructivism, Expressionism, Hard Edged Abstraction and trompe l’oeil Realism. A native of Rochester, New York, Harari initially studied as a child at the Memorial Art Gallery in his hometown and later as a scholarship student at the College of Fine Arts at Syracuse University. In 1932, Harari left for Paris where he befriended Nahum Tschacbasov, Benjamin Benno and John Graham and studied at the ateliers of Lhote, Leger and Gromaire. He also studied fresco painting at the Ecole de Fresque. By 1933, Harari had completed enough work and gained a sufficient reputation to have a solo exhibition at the American Club in Paris. The following year, Harari and his childhood friend and fellow artist Herzl Emanuel traveled to Palestine, where the artists worked hard in the orchards and fields of Kibbutz Deganiah, but produced little art. After returning to New York, Harari married Emanuel’s sister, Freda, and set out on the development of what noted scholar Gail Stavitsky has called an “original synthesis of the old and new." Harari became an early member of the American Abstract Artists (AAA), an organization formed to give modernists exhibition opportunities. Harari was also a member of the socially conscious Artist’s Union and the American Artist’s Congress. From 1936 through 1942, Harari worked on the Federal Art Project and assisted Marion Greenwood on a project as part of the Mural Division, but to his disappointment did not lead his own project. During the late 1930s and early 1940s, Harari completed a series of paired paintings with the same subject matter depicted in a Cubist manner and in trompe l’oeil Realism. Harari was acclaimed by Clement Greenberg and six of the artist’s works were selected for the Museum of Modern Art’s important 1943 exhibition American Realists and Magic Realists. During World War II, Harari served in the US Army Air Corps. Following the war, Harari continued to produce fine art while also producing commercial art. During the McCarthy Era, Harari’s progressive politics and leftist leaning art...

Valence French School, circa 1960's signed oil on canvas, unframed inscribed verso canvas: 21.5 x 29 inches provenance: private collection, France condition: very good and sound cond...

Signed Nathanson. Could be the famous artist Avraham Naton (Natanson) I am not certain. it is a very lovely Modernist Israeli landscape. Avraham Naton (Natanson), Israeli, born in Bessarabia, 1906-1959. Avraham Naton was born in Rani, Bessarabia to a large secular family. In 1935, after Art studies in Romania, he immigrated to the Land of Israel and settled, first, in Givat Haim and later in Ramat Gan. From the 1940s he worked as an Art teacher in Ramat Gan and Givataim. In 1948 he worked as an illustrator at BaMahane Newspaper. He was one of the Founders of New Horizon Group. Between 1952-1959 he was a member of the Milo Club and served as the club secretary. Education 1930-33 Art Academy, Bucharest, Romania Teaching 1940's Ramat Gan and Givataim Awards And Prizes Jerusalem Prize for Painting and Sculpture 1942 Dizengoff Prize 1953 Milo Club Prize New Horizons, The Ofakim Hadashim art movement began with a group of artists who mounted an exhibition in Tel Aviv's Habima national theater in December 1942, under the name "The Group of Eight". The group evolved into a coherent artistic movement only after the founding of the state of Israel in 1948. Members of the school included Arie Aroch, Zvi Meirovitch, Avraham Naton (Natanson), Avigdor Stematsky and Yehezkel Streichman. The work of sculptor Dov Feigin also appeared in the catalog of the 1942 exhibition, though it was not displayed. In February 1947 five of the original members of the group joined Joseph Zaritsky...

A beautiful oil on canvas impressionistic painting featuring a young lady dressed in white and holding a white umbrella while watching the sea and seagulls. The sky shows rainbow col...

Antique American modernist signed landscape oil painting. Oil on canvas. Signed. Framed.

Antique American modernist architectural iron gate oil painting. Oil on canvas. Signed. Framed.