Building Landscape Paintings

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Old Farm, Size: 11" x 16" x 0.8'' ...

Title: Set of Four Miniature Watercolors of Corn Street and Churches in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements ...

This artwork titled "Fort Jones, Siskiyou County, Neat Mount Shasta" c.1960 is an oil painting on canvas by noted California artist Clifford Holmes 1876-1...

Title: Clifton Suspension Bridge and Bristol Cathedral Historic Miniature Watercolor by Jack Grunwell, 20th century British artist Medium: W...

19th century English Folk Art Landscape with Cottage. This charming English Victorian 19th-century folk art landscape is a delightful portrayal of pastoral life, blending a quaint t...

Date: 1918 Medium: Grisaille Gouache on Illustration Board Dimensions: 15.75" x 22.38" Signature: Signed Lower Right

A native of Kansas City, Josh George completed his BFA at the Kansas City Art Institute (1997), followed by an influential session at The Illustration Academy. His exhibitions and pu...

Marla Korr Biography American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy E...

Snowy New York [2020] Please note that insitu images are purely an indication of how a piece may look Snowy New York is an original work by artist Gill Storr...

Title: Historic Miniature Watercolor of Bristol Cathedral from College Green by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2....

⭐ La Défense ⭐ It's a cityscape, dominated by modern, high-rise buildings (Sky scrappers, office in Paris ) buried on snow.. The architecture suggests a contemporary urban environme...

Title: Set of Four Historic Miniature Watercolor of Bristol Coaching Inns and Landmarks by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

Harry Dunn (1929-1998). Island People, ca. 1970. Oil on masonite panel, 18 x 30 inches; 24 x 36 inches framed. Signed lower right. Excellent condition. Du...

Notre Dame, Paris by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 15 x 18 inches condition: the painting is in very sound and presentable ...

High Desert Scene at sunrise circa 1930s by Herbert A. Schmidt (American, 1885 - 1930) Schmidt was a well known architect and designer of many San Francisco buildings and was a pupil at the Mark Hopkins Art Institute (SF) in 1899-1901. Graduated from the University of Pennsylvania in Architecture. President of the San Francisco Bohemian Club...

Judd Mercer's (US based) "Chance of Showers" (2023) is an original handmade oil painting depicting a neighborhood with a large storm cloud above. Artist bio/statement Judd Mercer i...

Katharina Husslein's textural and abstract paintings vividly encapsulate the vibrancy and movement found in a bouquet of flowers. This series differs from Husslein’s more controlled...

Laundry Day (Untitled), c. 1940s, oil on canvas, signed lower left, 30 x 24 inches Florence Walton Pomeroy was a New Jersey-based artist who primarily created portraits, still life...

Watercolor paper Brown wooden frame with plexiglass 85,5 x 65,7 x 2 cm

Wijnand Driessen (Dutch artist) Broadway And 71 street Manhattan - New York 50 x 40 cm (framed, included in price 59 x 49 cm) Oil paint on canvas Artist Wijnand Driessen lives and w...

Title: View of Village with Olive Groves and Mountains Artist: Antonio Reverte Oliva (Monteagudo, Murcia, 1943 – Gavà, Barcelona, 2014) Medium: Oil on canvas Dimensions: 73 x 92 c...

Title: Brittany Watercolor of Rustic Stone Cottage Overlooking the Coast by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 9 x 12.25 (height x width) Provenance: From the artists atelier collection, South of France Description: This stunning watercolor captures the rugged beauty of the Brittany coastline, featuring an old stone cottage overlooking the Atlantic Ocean. The traditional thatched-roof house, weathered by time, stands alone against a backdrop of rolling cliffs, golden sands, and deep blue waters. The sky is alive with swirling clouds, adding a dynamic and atmospheric feel to the composition. Key features include: Authentic Breton Setting: The coastal landscape and rustic architecture evoke the charm of Brittany’s traditional fishing villages. Richly Textured Stone Cottage: The weathered stone walls, wooden shutters, and thatched roof reflect the region’s historic craftsmanship. Breathtaking Coastal Views: The sweeping seascape, rocky inlets, and sandy shores create a serene yet dramatic composition. Vivid Sky & Atmospheric Lighting: The interplay of light and shadow on the clouds and water adds a sense of movement and depth. A captivating tribute to Brittany’s coastal heritage, this painting is perfect for collectors who appreciate seaside landscapes, rustic French cottages, and the untamed beauty of the Atlantic...

Charming French Townhouses Simone Forge 1930's French Impressionist acrylic on board unframed board: 13 x 9.5 inches Provenance: private collection Condition: great condition For ...

Title: Historic Miniature Harbourside Watercolor of the Llandoger Trow Inn in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75 inches (height) x 3.25 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: This characterful watercolor by Jack Grunwell captures the Llandoger Trow Inn, one of Bristol’s most iconic and storied pubs, located near the city’s historic harbourside. Built in 1664, the timber-framed building has long been associated with maritime history and folklore, said to have inspired Robert Louis Stevenson’s Treasure Island and once frequented by pirate Edward Teach...

Mid-century Southern landscape of the historical Home possibly of the Artist and built by the Kentucky Governor John Breathitt for his daughter Jane (some historical accounts say) and later the McClean family lived there, in Russellville, Kentucky by Roberta Fisk McClean (American, 1882-1975). As we get the information confirmed we will update the description. Roberta painted numerous versions of the house and one example called it the Bowden House. There is a House that looks similar on E5th in Russellville called Governors Corner, but many look like the same structure of the time. Signed "R. McClean" in the lower left corner Presented in a giltwood frame. Artist's board size: 14"H x 19"W Framed size: 17.75"H x 22.5"W Born in Russellville, Kentucky, Roberta McClean...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

Title: Set of Four Historic Miniature Watercolors of Blaise Hamlet and Bristol Landmarks by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Meas...

Josh George's (US based) "Parkade" is an original, handmade mixed media painting that depicts a brightly lit urban parking structure. About the Artist: Josh George is a contemporar...

Title: French Watercolor of "Porte d’Aquitaine, Bordeaux" with Cityscape Details by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unfr...

Title: Set of Three Miniature Watercolors of Historic Inns and Almshouses in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurem...

Paris: Place de la Concorde looking towards Rue Royale by Henri Miloch (1898-1979) signed lower right and dated for 16th September 1948 watercolour and gouache painting on artist's paper, unframed Sheet:: 9.5 x 12.25 inches Very pretty painting by the highly regarded painter, Henri Miloch. It depicts Place de la Concorde with a cyclist making their way through the traffic. The artist was seated immediately by the fountain closest to Hotel de la Marine...

Title: British Impressionist Watercolor of a Country Church and Cottage By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15.25 ...

Village Courtyard by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 11 x 15 inches condition: very good and read...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only members...

Work on canvas sold with original frame Total size with frame 66x100 cm Vérène Mettler is a Swiss artist known for her intricate and evocative works, often exploring themes of natu...

John Holland Snr British, (1830-1886) Braintree Fair, Essex Oil on canvas, signed Image size: 13.25 inches x 20.5 inches Size including frame: 19 inches x 26.25 inches Provenance: Frost & Reed A lively painting of an annual town fair near Braintree, Essex by John Holland Snr. The middle of the scene shows a crowd of figures dancing on the green next to the Kings Head Inn whilst others watch on. In the foreground, people can be seen conversing with sellers and other visitors. John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists. By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint. He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886. A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a label for Frost & Reed, a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...

Doug Reina is a two-time Pollock-Krasner grant recipient whose studio is in Setauket, New York. Reina is a full-time artist who creates paintings both on location and in his studio o...

Title: Venice Impression VI Medium: Oil on canvas Size: 24 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

French school from the mid-19th century Oil on paper 33 x 46 cm (37 x 51 cm with the frame) Inscription on the verso "Avon"

Bright impressionist views done with almost pointillist brushwork are rare and even more so from this vantage point in Provincetown. It is in a h...

A painting by French artist Remi Chapelle, born 1969. The piece is a landscape from a series of works depicting city and canal scenes and draws upon the ...

Painting of Mont Saint-Michel in Normandy, France Signed Lower Right

Farm landscape by an unknown artist (20th Century). Two barns sit in a field, both somewhat rundown and needing repairs. The countryside stretches into the distance behind them, with...

Title: Historic Miniature Watercolor of St. Peter’s Hospital in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 4 inche...

Title: Historic Miniature Watercolor of Theatre Royal and Coopers Hall in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurement...

Paris: Atelier Rue Alain Chartier by Henri Miloch (1898-1979) unsigned but inscribed by Miloch verso watercolour and graphite painting on artist's paper, unframed sheet: 11 x 14 inc...

Empire State Building, Manhattan, Cityscape Painting, New York, by British Landscape Artist. Art measures 60 x 40 inches Wakefield's work...

Oil on copper Image size: 15 x 10 1/2 inches (38 x 26.5 cm) Period style hand made frame This landscape depicts the area surrounding the Tivoli waterfalls in Italy. Thanks to its proximity in Rome, which lies some 30 km to the Southwest, Tivoli has long been a destination for artists. The Italian landscapists whose work was so coveted by Grand Tourist collectors—Claude, Gaspard Dughet and Salvator Rosa—all sketched there, while the Northern Italianates, including Cornelis van Poelenburgh...

Three Chimneys, 1956, oil on Masonite, signed and dated lower left, 18 x 36 inches, titled verso, presented in its original frame Three Chimneys is a prime example of Ethel Margolies’ Precisionist-influenced industrial scenes. Throughout the 1950s and 1960s, Margolies made a name for herself by painting the Northeast’s factories, foundries, and manufacturing plants. Although this subject matter is often associated with male artists, Margolies is part of an important lineage of female modernists who depicted symbols of America’s industrial might. Starting with artists like New Jersey’s Elsie Driggs and Chicago’s Yvonne Deluc Pryor, Margolies is part of a through line of women Precisionist painters that also included the West Coast’s Vanessa Helder. Whereas these artists tended towards a stark and pristine realism, Margolies seems to have been influenced by the 1920s and early 1930s work of Charles Demuth’s and Charles Sheeler’s highly designed paintings from the same period, as both adopted a cubo-futurist oriented brand of Precisionism. Ethel Polacheck Margolies was a Connecticut painter...

The Scottish Highlands signed by F. E. Jamieson (British 1895-1950) oil on canvas, framed framed: 19.5 x 27 inches canvas: 16 x 24 inches inscribed verso provenance: private collecti...

Title: French Watercolor of Château de Chambord with Huntsman, Horses, and Hounds by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Size: 14.25 x 20 (height x width) Condition: Very good Provenance: From the artists atelier collection, South of France Description: This vibrant watercolor captures the iconic Château de Chambord, a masterpiece of French Renaissance architecture...

Title: British Impressionist Watercolor of a Sunlit Stone Bridge and Riverside Village By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

Ramon Dilley 1933 - Spanish Le château d’Artigny Signed “Dilley 90” (lower right) Signed and titled “Ramon Dilley / Le château d’Artigny” (en verso) Oi...

Title: Set of Architectural Miniature Watercolor of Bath Abbey and Pulteney Bridge by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measuremen...

English Town by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22.25 inches signed lower right Lovely original watercolour painti...

Title: Historic Miniature Watercolor of St Mary the Virgin Church in Mangotsfield by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurement...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Step into the captivating scene of "Walking Under Blossom" by ...

Courtyard with Arched Colonnades and Fountain Simone Forge 1930's French Impressionist oil on board unframed board: 16 x 13 inches Provenance: private collection Condition: great c...

In “Fiddler on the Roof,” Alec Montroy depicts a bird’s eye view of Times Square at night, with traffic hurtling below and illuminated advertisements rising to the top of the frame.