People Landscape Paintings

Olive Harvest in Southern Italy on Cold Coastal Morning Italian Riviera Olive Harvesters are bundled up against the cold and dust on a Harvest Morning, somewhere on the southern Italian coast by Francesco (Franco) Matera (Italy 20th C). In an Oak Frame. Franco a...

Serene, small-scale early 20th century landscape of a stream in winter by Ohio artist Martin George Dumler (American, 1868-1958), c. early 1900's. The deep blue stream flows peacefully through white banks of snow, towards the distant trees depicted in loose, abstracted brushstrokes. Signed "M. G. Dumler" in the lower right corner. Presented in a gilded frame. Painting size: 10"H x 8"W. Still-life and Landscape painter and composer of liturgical music, born in Cincinnati (Hamilton). December 22, 1868. He was a pupil of Martin Rettig...

"The Cairo Market" Painting 51" x 43" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 1973 he ...

Francesco Albani (Bologna 1578 - 1660) Circle of The Triumph of the Galatea Nymph (or Allegory of Water) from Ovid, Metamorphoses, book XIII Oil on canvas (53 x 72 cm. - in frame 62 x 82 cm.) The proposed beautiful painting depicting The Triumph of the Nymph Galatea can be attributed to a master adhering to the stylistic and compositional models of the Bolognese Francesco Albani (Bologna 1578 - 1660), presumably active within his close circle. A disciple of Annibale Carracci, Albani is considered, together with Domenichino and Guido Reni, to be one of the leading exponents of Bolognese classicism, in great demand by the cultured patrons of the time. Thanks to a style characterised by compositions of an idyllic nature and therefore pleasing to the most intimate taste of the patrons, the greatest output of Albani's workshop is to be found in mythological paintings rather than those with a religious theme. The composition under examination draws inspiration, albeit with variants, from the Allegory of Fire/Allegory of Water, preserved in the Galleria Sabauda in Turin, part of a cycle of four tondi inspired by the Elements and executed by Francesco Albani between 1625 and 1628 for the superb collection of Cardinal Maurizio of Savoy (brother of Duke Victor Amadeus I), who had been fascinated by the Stories of Venus and Diana painted by Albani for Scipione Borghese before 1622. These compositions enjoyed enormous critical acclaim and were extraordinarily praised by European collectors for their aesthetic and decorative value, in which myth and nature find full landscape ideality. The painting shows, in particular, the Apotheosis of the nymph Galatea, an episode taken from ancient Latin...

Dynamic depiction of a rider with a group of horses near the water's edge. Several horses are in for foreground, running towards the viewer. Just behind them, a rider in American col...

Up for sale is a fantastic antique original oil painting on canvas depicting a seascape - Coastal Landscape with Sailboats and fishermen. S...

Emilio Bosch Roger - Barcelona - Acrylic on canvas Canvas measurements 55x46 cm. Frameless.

Pandolfo Reschi known as Monsù Pandolfo (Danzica 1643 - Florence 1699), attributable Coastal landscape with fortified city, castle with tower, and battle scene oil painting on canvas Measurements: canvas 90 x 120, with frame 104 x 134 This expansive coastal landscape, with a fortress-city overlooking the sea and a small castle with a watchtower, serves as the stage for an eventful battle scene between soldiers and, presumably, a band of brigands. It is an illustrative typology attributable to Pandolfo Reschi (Danzica 1643 - Florence 1696), known for his works in which he perfectly combines the airy landscape of Tuscan-Roman matrix with images of knights in battle or brigands intent on their raids. Pandolfo Reschi was born in Gdansk but from an early age he moved to Rome where he began his brilliant career following the style of Salvator Rosa, even if his real teacher was the Flemish-Italianized Livio Mehus. With Mehus and Rosa he refined his skills as a battle painter and was later taken to the workshop by the Borgognone, even if his main occupation was that of a genre painter. The decisive turning point in his career came after his transfer to Florence, around the middle of 1660, where he continued his studies with Livio Mehus. After a decade he was now an established and highly coveted painter, so much so that in 1670 he was hired by the Medici court as protege of Cardinal Francesco Maria de Medici...

Christ surrounded by angels in the desert Circle of Pietro da Cortona, born as Pietro Berrettini (Cortona 1597 - Rome 1669) Oils on canvas (66 x 50 cm. - in frame 80 x 64 cm.) The ...

19th century French scene of Lovers walking in a Garden, in 17th century costume original frame Wonderful 19th century classical Genre scene, painted with great skill and delicasicy . The artist has captured the meetiung of the two lovers...

Beautiful oil on canvas post impressionist painting by the French artist, Edmund Amedee Heuze. Signed lower right. Circa 1920. Condition of the painting is very good. No restorations. His paintings rarely come to the market. The painting is housed in a contemporary gold leaf gallery frame. Overall framed measurements are 24.25 by 28.75 inches. Provenance: Papillon Gallery (gallery label verso) Edmond Heuze 1883-1967 Edmond Heuzé was a painter, pastellist, watercolourist, and lithographer. His birth name was Amédée Le Trouvé. He was born in Paris, the son of a tailor and a seamstress. Heuzé wanted to be an artist from early childhood, and refused to follow his father into the tailoring profession. When he was 11, His parents moved to Montmartre, and it was there, in rue Cortot, that the thirteen-year-old Edmond Heuzé and his boyhood friend André Utter met Suzanne Valadon, whom Utter would later marry. Heuzé moved into an attic room in 8, rue Cortot, with another friend, the young Russian sculptor Laxine. For two years they studied under Valadon, until Laxine entered the atelier of Fernand Cormon at the Beaux-Arts; Laxine was soon to kill himself. Edmond Heuzé too studied under Cormon, but flounced out when Cormon made fun of his large nose. Discouraged, Heuzé took up a tailoring job at the department store La Samaritaine. But when his portrait of Suzanne Valadon was accepted by the 1902 Salon d'Automne, he resolved to devote himself to art. To support himself, Heuzé took a job as a dancer at the Moulin Rouge, where he danced with La Goulue. For two years he entered dance competitions across Europe under the name Williams. He also taught the painter Maurice Utrillo, who was the son of Suzanne Valadon. In 1908, Heuzé had his first solo exhibition, at the galerie Berthe Weill. The following year he went to Saint Petersburg, where he was the curator of the art collection of Grand Duke Nicolas. On the outbreak of WWI Edmond Heuzé returned to Paris to join up, but was only mobilized for a few months. In Paris he survived doing odd jobs in Les Halles. Continuing with his own art, Heuzé also acted as an intermediary between collectors and artists such as Picasso, Vlaminck, and Valadon. This led to Heuzé being appointed artistic director of the galerie Sagot in rue Lafitte. In 1920 Heuzé exhibited at Bernheim alongside Maurice Asselin, Emily Charmy, and Lucien Mainssieux...

Follower of Ippolito Caffi (Belluno 1809 - Lissa 1866) - Rome, view of the Tiber towards Castel Sant'Angelo. 54 x 69 cm. Antique oil painting on paper transferred to canvas, withou...

Empire State Building Eighth Avenue New York City by Contemporary British Artist Angela Wakefield. This is a major work from her New York Series. Art me...

A charming depiction of Washington Square Park with figures in the snow. A cozy impressionistic street scene with colors of cobalts, red, and burnt sienna's. An iconic street scene w...

This painting is in excellent condition and one of Caballero's 1999 Collector's Edition works. Includes a blue display box, certificate of authenticity from the artist, and hardbound book- see last photo for an example. Salvador Caballero...

This item is in excellent condition, only shown in a gallery. Griselda Ferrandez was born in the city of Barcelona, a cosmopolitan and open city. From her balcony she could contemplate the sea as well as watch the passing freight trains on their way to the mercantile port. At a young age, Griselda was bedridden from heart disease that left her with only books and her balcony view...

"I had a dream last night" Oil Painting 24" x 28 "inch by Dmitriy Krestniy 2007 Comes in a custom frame Size with frame: 26" x 30" A look through Dmi...

Vicente Rincon Garrido (1892-1958) - Spanish Garden - Oil on canvas Oil measurements 46x55 cm. Frameless. Vicente Rincón trained in Zaragoza and settled in Barcelona in 1917. He deb...

Pierre Thibault was a renowned French artist and known for his figurative paints depicting Parisian life in the 20th Century. Mainly street scenes of the bustling city of Paris and i...

Wonderful and dynamic western painting of two wild fighting stallions by listed artist Bernard Preston Thomas (American, 1918-1992), dated 1951. Signed and dated lower left corner and on verso. Image size: 28"H x 36"W. Presented in rustic painted frame size: 34"H x 41"W x 3"D. Originally from Sheridan, Wyoming, he loved football and art, giving up the sport to concentrate on a career in art. Thomas graduated from Woodbury College in Los Angeles with a Bachelor of Science degree, earning the Leo Youngsworth Award for outstanding senior art student at Woodbury. He became a camouflage technician at the outbreak of WWII and caught the attention of General Patton...

Original Painting of the Chrysler Building, New York City, by British Urban Landscape Artist, Angela Wakefield. Art measures 36 x 24 inches Frame measures 43 x 31 inches Angela Wak...

Oil painting Pair by Alfred Kedington Morgan “Village High Street”. Alfred Kedington Morgan A.R.E 1868-1928. Landscape, portrait painter and etcher. Art master at Rugby School. Exhib...

"Harbour at Night" Oil on Canvas, Signed and Framed. Rodney Charman is a British Painter who specialised in marine scenes. He first began painting at ...

Rafael Duran Benet (1931-2015) - Cadaques - Oil on board Oil measurements 50x73 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of ...

John Pairman (Scottish, 1788 - 1843) Signed: J Pairman 1820 (Lower, Right) " Portrait of a Gentleman ", 1820 Oil on Canvas 22 1/4" x 18 5/8" Housed in a 2 3/4" Husar Frame Ove...

Tranquil figurative landscape of two people sitting on a dock by a lake near Medina, Ohio by Joseph Yeager (American, 20th Century). Unsigned, but was purchased with a collection of ...

Once The Master - Mid Century Figurative Landscape "Once the Master" a portrait of a Zuni Master Potter in contrast with the emergent modernism around him. He is beneath an adobe an...

This is an original vintage oil painting on board depicting a country landscape with a cottage, figures on a path with cattle, and children at a brook. No Visible signature. Presented in the vintage ornate gold frame...

An original modern 1930's oil painting by WPA era American artist Henry Ensol. This work comes in a period frame likely original to the piece.

Well painted and interesting composition. Classic mid 19th century English Folk art Cottage Landscape. The piece is framed in its original frame and is a very nice piece of Engli...

A charming depiction of Snow in New York City by Washington Square Park on a cold snowy evening with city lights and buildings captured in the distanc...

Paolo De Matteis (Naples, 1662 - Naples, 1728) attributed to Christ Delivering the Keys to St. Peter (Handing over the Keys) Oil on canvas 88 x 138 cm./ Framed 98 x 149 cm. The pro...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

Very pretty English 19th century River landscape with sailboats, a Paddle Steamer, and a crew rowing. Possibly a view on the Thames in London, this piece ...

Wonderful mid century Santa Barbara California landscape of eucalyptus trees near river with mountains in background by Max Fischel (American, 20th C...

"Pilgrimage", a mid century figurative landscape by Carmel, California artist Mary Miller (Klepich) (American, ? - 1957). Presented in a rustic giltwood frame. Signed "Mary Miller" lower right. Titled "Pilgrimage," dated "1952" and signed "Mary Miller" on logo on verso, with Santa Cruz Art League Twenty Third Statewide Art Exhibition Label. Image, 18"H x 24"L. Framed size: 22.5"H x 28.5"W. Mary Miller (Klepich) exhibited in the Twenty-Third Annual Santa Cruz State-Wide Art Exhibition. She and her husband Fred Klepich studied at Bellas Artes, San Miguel de Allende in Mexico. Fred and Mary Owned Carmel Craft Studios, later (SAS) Studio Art Supplies...

Rooftop Bob is a portrait of a local cat in the area of Jeff Slemons. .There is the use of the palette knife which builds up a texture of the oil paints...

Leon Dolice View from New York Harbor, circa 1960 Signed lower left Oil on canvas 26 x 44 inches Provenance: Private Collection, Boston Private Collection, Worcester, Massachusetts Leon Dolice was one of the masters of the New York City street scene in the decades between the world wars. He showed an unquenchable fascination with the built urban environment and combined it with an interest in modernist technique and a knowledge of European art. His work helped to redefine realist painting and remains a brooding tribute and memorial to the New York of the 1920s and 1930s. Dolice was born in Vienna, Austria in 1892, the son of a machinist. As a young man, he worked as an illustrator and stage designer and traveled the capital cities of Europe, studying the works of the ‘old masters.’ At age 28, Dolice immigrated to New York City and moved to Greenwich Village, then in its first Bohemian incarnation. Dolice developed a friendship with George Luks and became proficient at the art of copperplate etching. Dolice owned an art gallery and studio in his home on Third Avenue and 32nd street where he sold his depictions of the city. One of his favorite subjects was the Third Avenue El, directly adjacent to this studio, but he also traveled the eastern coast, painting urban scenes in Washington D.C., Baltimore, and Philadelphia. Dolice’s New York City etchings...

Wonderful Autumn/Fall landscape by one of Englands finest landscape painters. Born as Benjamin Williams, the artist added the surname Leader (his Father’s middle name) to distingui...

Provenance: Private Collection, purchased in London, UK, sold by the grandson of a prominent Argentinian businessman who said his grandfather acquired the painting in London sometime between 1910-1920 and has remained in their family until sold to Sebastian Deya...

Antique oil painting, atmospheric seascape. 19th century. Oil on canvas. Unsigned. Dimensions without frame 80 cm x 122 cm. The painting and the frame are in an age-appropriate co...

Bold desert scene with Apaches on horseback by Marco Antonio Gomez (Mexican, 1910-1972). Three riders pause at the top of a hill with several riders trailing behind them. The desert stretches into the distance behind them, terminating in a range of mesas. The sunset is glowing behind the horizon, lighting up the bottom portion of the sky, with dark blue clouds hanging overhead. Signed in the lower right corner. Titled and signed on verso. Canvas size: 24"H x 30"W He was the pupil of his father, a famous Mexican portrait painter who moved his family to northern Arizona in 1918. There in quite untamed country, Marco rode and played with Indian children and learned about their culture. He studied at Chouinard's Art Center in Los Angeles and with Martin Syverston. Marco Antonio Gomez "Tony" was born in Durango...

'Les Halles Food Market', oil on canvas (circa 1960s), by Roland Hamon. This artwork captures a typical day in the old food markets of Paris, called Les Ha...

Midwestern Chicago artist Aaron Bohrod painted in 1931 this modernist industrial cityscape during the WPA of the 20th Century. Aaron Bohrod (American 1907 – 1992), Industrial Citysc...

Neapolitan painter (18th-19th century) - Penitent Magdalene with two cherubs. 100 x 80 cm without frame, 129.5 x 109.5 cm with frame. Antique oil painting on canvas, in a carved wo...

Giovanni Angelo Canini (Rome, 1608 - Rome, 1666) The Myth of Jupiter, Io and Juno Oil on canvas (84 x 100 cm - Framed 106 x 125 cm.) The work has the expertise of Prof. Giancarlo Sestieri (Rome) ''I thank you for submitting to my attention this qualitative and interesting mythological scene (oil on canvas, 84 x 100 cm.) that refers to an episode narrated by Ovid in his Metamorphoses, precisely the myth of Zeus and Io, one of the most fascinating unrequited loves in classical mythology, an episode taken from ancient Latin...

Fred E. Robertson (1878 - 1953) Neighborhood Shivaree, 1945 Signed and dated lower left Oil on masonite 16 x 20 inches Exhibited: Buffalo, The Buffalo Fine Arts Academy, Albright A...

Beautiful mid century plein air figural landscape of Laguna Niguel, California by an unknown artist (American, 20th Century). The morning sun gli...

A whimsical oil painting depicting a cafe scene with Lakeside views of Lake Lugano. A region in between Switzerland and Norther Italy. As an Italian Impressionist artist, most of Ca...

A whimsical oil painting depicting a Courtyard Scene with a cafe of figures in France by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in...

Italian painter (17th century) - Port landscape with figures. 65.5 x 95.5 cm without frame, 73.5 x 107.5 cm with frame. Oil on canvas, in a wooden frame. Condition report: Lined c...

A fine impressionist oil of Chiswick Mall, by The Thames, London circa 1930's-40's by listed artist Josephine Matley Duddle later Matley-Duddle Ghilchik (1890-1981) oil on canvas la...

"Barranco del Noi" (Almuñecar) . Oil on canvas by Spanish artist Chico Montilla. Measurements: (H) 81 x (W) 100 x 2 (D) cm. Framed 104 x 123 x 6 cm. The Noi ravine, in Almuñecar, G...

Antoine Blanchard (c.1910 - 1988) Boulevard de la Madeleine, n.d. Oil on canvas 13 x 18 inches Signed lower left Provenance: DeBow Freed, Ohio

Work on cardboard with frame. Total size with frame is 53x69x5 cm Roberto Gherardi is an Italian-Geneva painter born in 1933 in Ascensione in northe...

A wonderfully rich beach scene done in Holland in the Mid-20th Century depicting figures in the sand. Some figures are by the water as kids play in the distance with a bicylist as well. The impressionist details are greatly admired as the sun shines on the water beautifully. This painting is signed lower right and comes housed in a simple contemporary silver wood frame with hanging wire on verso. Art measures 23.5 x 31.5 in Framed measures 26.25 x 34 in The Frisian-born artist Henk Gorter...

A beautiful oil on canvas painting by the French artist, Herbert Waldron Faulkner. This painting is a wonderful example of his work from the prime of his career. Here you see figures...

An impressive 19th-century copy of "The Little Fruit-Seller", after Bartolome Esteban Murillo (Spanish, 1617 - 1682), by an unknown artist (1...