People Landscape Paintings

Cecile Hertz-Eyrolles (1875-1974), Oil on canvas. Summer landscape with golden stooks and several grazing cattle. Presented in an elaborate gilt effect frame with floral and acanthus...

Up for sale is a beautiful large oil on canvas painting by the Famous Italian Artist Antonio De Vity (1901-1993) depicting a winter Paris street view - The Opéra Garnier, which is a...

Title: Miniature Watercolor Triptych of Historic English Churches and Gatehouses by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements...

Artist/ School: Norwich School, circa 1876 Title: 'Norfolk Clay Lump and Thatched Cottages'. Medium: oil on canvas, framed Framed: 24 x 31 inches Painting: 19 x 26 inches Provenance: private collection, East Anglia...

Antique Italian painting from the first half of the 17th century. Oil painting on canvas, first canvas, depicting a high quality copy of the Massacre of the Innocents by Jacopo Robus...

This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...

'Plage de Menton', France, circa 1980, Cuca Romley (b. 1933) Image size: 15.5 x 23.5 in. on paper Signed, lower right, in pencil, 'Cuca Romley' , Titled lower center Inscribed, lower...

Judd Mercer's (US based) "Lookout," is an original, handmade oil painting that depicts a rural farm building with a sloping tin roof nestled at the foothills of pine covered green mo...

Godefroy de Hagemann (1820-1877) was a member of the Hanover dynasty, of German Princes. His full name was Godefroy Auguste Christian Volfgann baron de Hagemann, or Godefroy de Hagem...

***Please note the glass will be removed for shipping*** For local and London deliveries the glass can be retained if agreed prior to purchase. George Large, R.I. (born 1936) Edible Fungi Signed and dated (19)91 Watercolour over traces of pencil 26¾ x 14¾ 37 x 24½ with frame ​​ George Large is a painter in watercolour and oil, born in Islington, London in 1936. He studied at Hornsey College of Art (1958-63), teachers including Maurice de Sausmarez, John Titchell and Alfred Daniels. Large spent some time in the display department of Simpson’s, Piccadilly, was part-time at Hornsey College of Art, then head of department at St Julian...

A beautiful oil on canvas painting by French artist, Anatol Bouchet. Bouchet was an French painter known for his colorful cityscapes depicting the times of his generation. This paint...

Dutch Vessels Morning Light by C.W. Smith (British, early 20th century) signed oil on canvas, framed framed: 15.5 x 21.5 inches canvas: 12 x 18 inches inscribed verso Provenance: pr...

A beautiful oil on canvas painting by the French artist, E. Gilbert. Gilbert was an Post-Impressionist painter known for his colorful cityscapes depicting the times of his generation...

Up For Sale is a Beautiful Original Oil Painting On canvas, depicting Parisian street Scene, famous historical place - Triumphal Arch. Signed In Lower right corner S. Doren. Presente...

Theatre Du Chatelet A stunning gouache by one of France's premier artists specialising in Parisian scenes. Eugene Galien LALOUE (1854 - 1941) Eugène Galien Laloue was particularly...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

This painting depicts a city scene at the Montmartre Hill in Paris France, a popular subject of the times painted by many important Post-Impressionists 20th Century painters. This pi...

An exceptional impressionistic depiction of an afternoon along the Jardin des Tuileries, Paris by Jules René Hervé on a summer day with the busy activities of people walking and of f...

This pastoral landscape painting depicts a tranquil country road with two working men meeting below the overhanging trees. The scene is brought to life with the inclusion of small fi...

Artist/ School: Italian School, 17th century. Title: A King and Queen before court figures, amidst a classical landscape with Roman columns. Medium: oil painting on canvas, framed ...

Original oil on canvas post impressionist painting by the American artist, George Shawe. Titled “Path to Pontoise” which is small town outside of Paris, France. Signed by the artist...

A whimsical oil painting depicting a Street Scene in Venice of people going about their day by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produ...

Oil on Board realized by Jules Victor Génisson (1805-1860) in the mid-19th Century. Hand signed lower left. Good condition.

Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep, Cows and a Goat in a Landscape oil on relined canvas canvas size 56 x 53 cm frame i...

Work on canvas Beige wooden frame 53 x 69.5 x 4 cm Around the gray frame, golden borders, beige interior

You have the opportunity to buy this painting showing a wonderful and idyllic example of English countryside and life on a large scale impressing all who view it. Painted around 1850 it has a beautiful free flowing style to it and encompasses everything typical to Victorian England. Signed John Constable bottom right. We offer free shipping worldwide. Canvas Size: 40 x 50" (100 x 125cm) Outside Frame Size: 51 x 61 (127.5 x 152.5cm) John Constable Constable was born in East Bergholt, Suffolk on 11 June 1776 and attended a school in Lavenham and his father hoped he would enter the church. His father was adamant that he would not be a painter as a profession. He met a local man named John Dunthorne who painted local scenes, mainly in nearby fields. His love of all things natural stemmed from this. Later he copied works by Girtin from a book that was lent to him by Sir George Beaumont...

Impressive early American impressionist landscape oil painting. Framed. Oil on canvas. Image size, 12H by 16L. Wonderful subject and great color. Excellent ready to hang condition.

Piazzo San Marco, Venice by Etienne Auguste Krier (1875 - 1953) oil on board, framed framed: 10.5 x 7.5 inches board: 8 x 6 inches Provenance: private collection, Paris Condition: v...

Walking Home by Helmut Reuter (1913-1985, German) signed oil on canvas, framed framed: 24 x 19.5 inches canvas: 21 x 16 inches Provenance: private collection, England Condition: ver...

### Technical Details - Title: "Young Woman by the River" - Artist: Roman Francés - Technique: Oil on canvas - Dimensions: 66 x 46 cm (unframed) - Style: Figurative impressi...

Untitled, c. 1940s, oil on Masonite, signed lower right, 19 ¾ x 25 ¾ inches Ava Vorhaus Gabriel was a New York-based painter, lithographer, and designer. Born in Larchmont, Gabriel ...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

The River Cottages English School, 19th century indistinctly signed "E. Hunt"?? dated oil on canvas, framed in antique original period gilt frame. framed: 20 x 28 inches canvas: 12...

Artist/ School: Signed by Guy Benard (French, contemporary) Title: Jardin en Mai Medium: oil on canvas, unframed Canvas: 25.5 x 32 inches Provenance: private collection, France ...

Holidays in the mountains. Fresh frosty breath, dazzling snow, sun glare and fast sliding.The picture conveys a feeling of speed.The work was done in ...

Fisherman in Highland Landscape by James Mudd (English, 1821 - 1906) signed oil on canvas, framed framed: 28.5 x 41 inches painting: 24 x 36 inches provenance: private collection, En...

Green Iron Jungles N9 is a unique round acrylic on aluminum and gloss varnish painting by Spanish contemporary artist Calo Carratalá, diameter is 150 cm (59.1 in). The artwork is sig...

"Friday Morning in Sag Harbor" is an impressionistic plein air painting of Madison Street in Sag Harbor, New York. Marc Dalessio is one of the world's leading plein air painters and ...

The Scottish Landscape By J.Green (19th Century) oil on canvas, framed framed: 14 x 24 inches canvas : 12 x 18 inches provenance: private collection, England ...

The vibrant painting titled "A Little Moment" by Linda Clerget showcases a serene and enchanting natural landscape. The canvas is awash with a kaleidoscope of colors, from the lush g...

A masterful oil painting depicting a view of a riverside wooded park in a beautiful sunny day at the early fall season. A figure seated on a blue bench with a bridge behind, a couple...

Chuck Mauldin Born 1949 Fredericksburg Artist Image Size: 18 x 14 Frame Size: 22 x 18 Medium: Oil "Spring In Her Step" Cattle Landscape Texas A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles Sovek, Kevin Macpherson, and many others have played a significant role in his development as an artist. He is a member of Oil Painters of America and has achieved Signature membership status in the Louisiana Watercolor Society and the Plein Air Artists of Colorado. Chuck has won numerous awards and has had work accepted into prestigious national juried competitions, such as the Oil Painters of America National Show (2020, 2021), Western Regional Show (2016, 2021, 2022) and Salon Show (2016, 2020). After 28 years in Louisiana, Chuck and his wife, Barbara, moved to Fredericksburg, Texas, in 2005, in order to pursue their passion for art on a full-time basis. In 2008, Chuck started teaching a beginner’s oil painting class and later intermediate classes in composition, landscape painting, and limited palettes. He is represented by Charles Morin Fine Art in Fredericksburg, Texas. Degrees in chemistry from Southern Methodist University (B.S.) and the University of Texas (PhD) led to Chuck's career in research at ExxonMobil Process Research Labs in Baton Rouge, Louisiana. He presently holds 57 U.S. patents in the field of catalysis. He and Barbara have two sons and a daughter, and 8 perfect grandchildren. An Eagle Scout...

Frame size 91x110 cm. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that worl...

'Seaweed Harvester II', 2021 is a gorgeous painting of two men gathering seaweed on the beach. The multiple blues of the sky and sea are reflective of the ephemeral time and moment t...

Blackberry Picking Victorian oil painting by Thomas James Purchas (British 1855-1930) with name plaque to frame oil painting on board, framed within ornate scrolled gilt frame framed...

Title: Historic Miniature Watercolor of Christmas Steps and St Bartholomew’s Hospital by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measure...

The Close of Day English artist, second half 18th century circle of Thomas Gainsborough (British 1727-1788) oil on canvas, unframed canvas: 24.5 x 29 inches provenance: private colle...

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His wor...

The French Coastline and Beach by Michel Kritz (French 1925-1994) signed / dated 65' signed oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France cond...

The Old French Street by Henri Maurice Cahours (French 1889-1974) signed oil on board, framed framed: 29 x 22.5 inches board: 22 x 15 inches provenance: private collection, Provence,...

Christopher Clark's "New York City, Jazz" is an original, hand made oil painting that depicts a night scene of a bustling cityscape.

The Highland Walk Scottish artist, late 19th century oil on canvas, framed framed: 24.5 x 20.5 inches canvas: 18 x 14 inches provenance: private colle...

ARTIST: Signed indistinctly lower left (mid 20th Century) French School TITLE: "Paris River Seine Street Scene" SIGNED: Lowe left MEDIUM: oil on canvas SIZE: 69cm x 52cm inc frame C...

This dynamic oil depicts a dramatic alpine landscape with chalet lodges dotted along a rocky mountain path. Possibly German or Austrian. The oil has been well presented in a distress...

French Orientalist Schooll late 20th century signed oil painting on canvas, framed framed: 30 x 34 inches canvas: 20 x 24 inches Provenance: private collection, Cornwall, England Con...

Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...

Provencal Landscape by Louis Bellon (French 1908-1998) inscribed verso From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measureme...

'Venice by Moonlight' by Henry Pether (1800-1880). The painting – which depicts an extensive nocturnal view of the Grand Canal with the Palazzo Pisani Gritti to the left and the Dor...