Board Paintings

Stormy Skies is an original landscape painting by Stephen Kinder. The painting has a strong gestural composition and loose brushwork, which heightens the changing light, and tide. A...

Contemporary impasto oil painting rendering a traditional croft and loch scene in rich color with a modern aesthetic, by British artist Charles Wyatt Warren (1908-1993). Mountains w...

Wilhelm Schütze (1840 Kaufbeuren - 1898 Munich). Forest path. Oil on painting board, 30 x 24 cm (visible size), 31 x 26 cm (frame), signed lower left "Wilhelm Schütze". About the a...

Mangroves in Casamance No.2 is a unique oil pencil on cardboard, glued on wooden frame painting by Spanish contemporary artist Calo Carratalá, dimensions are 80 × 139 × 4 cm (31.5 × ...

Modern painting by Margaret Balzer Cantieni (1914-2002). Tempera on wood board. Signed in lower right corner "Balzer '46". Painting measures 1 1" x 14" with frame 16 1/2" x 19 1/2". Margaret Balzer studied at the Art Institute of Chicago with Lyonel Feininger, Josef Albers and William Stanley Hayter...

An original cubist pointillist nude signed illegibly and dates 1962. The artist uses sporadic texture and vibrant color to create a captivating scene.

Wonderful 1940s figurative of paper boy reading the comics by Louise Miller Clark (American, 20th Century). Signed "Louise Miller" lower right. Unframed. Im...

Whimsical textured relief painting of two stylized twin jesters in primary colors, their long mask-like faces created with the technique of hand carving layers of laminated paper board and painting with acrylic, by contemporary English artist Martin Ingley...

Gouache painted on cardstock, intended for a greeting card design, painted circa 1970. Unsigned. Displayed in a red archival mat. Cellophane tape on board.

A beautiful early 20th century oil on board depicting a moonlit river landscape, by Northern English artist Fred Balshaw. Excellent quality and very atmospheric work. Signed with initials lower right and presented in a painted frame. Sold at Sotheby's, London in 1993. Artist: Fred Balshaw (English, 1860-1936) Title: Moonlit River Landscape Medium: Oil on board Size: 14.5 x 18.5 inches (37 x 47 cm) including the frame Provenance: Sothebys, 15 June 1993, Lot 1209 Fred Balshaw was a prolific and versatile genre painter of landscapes, figures and portraits who was born in 1860 in Bolton, Lancashire, the son of Joseph and Sarah, nee Haslam. He appeared on the 1881 census as living in Little Bolton and was described as a general clerk in the county court. In the 1891, 1901 and 1911 censuses he was still in Bolton, but his occupation was given as artist. In 1884 he was a founder member of the Blackpool Sketching Club and a member of the Fylde Art Society and Sketching Club, becoming its Honorary Secretary in 1926. He was also President of Blackpool Art Society in 1930. Balshaw was a regular exhibitor between 1888 and 1914, mostly in the North of England, including Manchester, Rochdale and Bolton, where his painting A Fylde Farm was shown in 1908. He also exhibited at the Royal Academy. The Lytham St Annes Art Society archive file for 1923 shows Balshaw exhibiting 10 artworks in their 7th Annual Exhibition. The 1925 Annual Exhibition records that he exhibited nine works and also details a contribution by Mrs Balshaw entitled 'A Bazaar Costume Portrait'. Bolton Library and Museum Services stated that: 'From 1897 Bolton Council began to buy a small number of works by contemporary British artists (often from the North West) usually from summer exhibitions of “modern paintings” held at Mere Hall...

Gorgeous, vibrant early 20th century seascape painting of Point Lobos looking toward Monastery Beach, Carmel by Rinaldo Cuneo (American, 1877-1939). Signed "Cuneo" lower right. Presented in a giltwood frame. Image, 11"H x 12"W. Dubbed “The Painter of San Francisco." Well received at the Panama Pacific International Exhibition in 1915. Born in San Francisco, California and raised in the North Beach area, Rinaldo Cuneo was a painter of landscape, still lifes, city views and muralist who, commissioned by the Federal Art Project adminstrators, painted murals in Coit Tower in San Francisco in 1934. His studio and cottage in San Francisco, later in his career, had a panoramic view of the bay from Telegraph Hill. His family were painters including two of his brothers, Cyrus and Egisto Cuneo, and several family members were founders of the Tivoli Opera Company in San Francisco. He served in the Spanish-American War and then studied at the Mark Hopkins Institute of Art with Arthur Mathews and Gottardo...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Rene Genis (French 1922-2004) “Les Grues” - The Cranes. Oil on matt board. Scene of a merchant ship being loaded in port (noted on back as possibly Bordeau...

This exquisite watercolor by Swedish artist Olle Hjortzberg is a testament to the beauty that lies in simplicity. Depicting a modest bouquet of summer flowers, this piece evokes a se...

Original gouache, probably Belgian for matchbox covers. Mid-20th Century.

Original Miniature 19th Century Austrian Pastoral Figurative Oil Painting on Wood Painted in the manner of late Romanticism, this charming miniature pastoral landscape by Edmund Fri...

Ireland Landscape Rocky Cliffs with Castle on the Northern Irish Sea Coastline, by 20th Century Irish Australian Artist, Henry McLaughlin. Art measures 10 x 8 inches Frame measure...

Patrick Boudon. Inner Family. Post-war Expressionism. 1970s. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on cardboard. This painting by Patrick Boudon from the 197...

Dawn Seascape Painting with Pink Sky and Waves by 20th Century British Artist, Norman Scott Art measures 16 x 12 inches Frame measures 18 x 14 inches Vintage Original Oil on Boar...

Abstract Landscape Seascape Art with Pink Blue & White Sky by British Painter, Angela Wakefield Art measures 18 x 14 inches Frame measures 24 x 20 inches Angela Wakefield has tw...

The short signature lower left a monogram of joined Cyrillic letters "V" and "P" with date 77, leads to the Russian painter Vasily Dmitrievich Polenov (1844 - 1927). Here we have pl...

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resti...

A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by yacht around Scandinavia and Western Eu...

"Parade" Social Realism Mid 20th Century Modern American Scene WPA Regionalism Gerrit Van Sinclair (1890 – 1955) Parade 20 x 15 inches Oil on board, c. 1940s Signed lower right Fram...

Gustavo Úbeda (1930-1994) - Surrealism - Acrylic panel Acrylic measurements 80x100 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) comes from ...

A classic mid-century California mountain scene of Payne Lake near Mammoth Mountain in the Sierra Nevadas, by Clare Shipton Mayhew (Mrs. J.O. Harvey)....

Still Life American Scene Social Realism 20th Century Woodstock Modern Dudensing Konrad Cramer (1888 – 1963) "Black Glass Bowl and Napkin" 16 ½ x 14 inches Oil on Board Singed lower...

By the moonlight II, triptych painting by French-Japanese contemporary artist Lumi Mizutani, representing white-flowering trees under a gold moon, on a pink background. Chinese pain...

Tribute to Rodin 5 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian ink, pastel, acrylic, engraving and collage on cardboard mounted on canv...

Nocturnal Melody 20 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian Ink, pastel and acrylic; etching on cardboard mounted on stretcher, dim...

Oil Painting of River Bank with Silver Birch Trees and Misty Hills & Mountains by British Artist Charles Wyatt Warren (1908-1993) Art measures 35...

Kyoto VIII Landscape is a unique painting by contemporary artist Lumi Mizutani. The painting is made with gold leaves on Japanese cardboard, it is sold framed. Dimensions of the pain...

Mangroves in Casamance No.3 is a unique oil pencil on cardboard, glued on wooden frame painting by Spanish contemporary artist Calo Carratalá, dimensions are 80 × 139 × 4 cm (31.5 × ...

Painting by Daniel Brush (1947-2022). Signed and dated 73'. Aquatec pigments, mediums and gels on board. Measures 60" x 10". Exhibited at the Phillips Collection, 1974 when Dan...

Old Town Streets, Mid Century Modern Chilean Village Figurative Landscape Vibrant and expressive mid century modern figural landscape oil painting by Luis Valenzuela (Chilean, 20th Century), 1965. Small silhouetted figures stroll down the colorful yellow and blue city streets of old Santiago, Chile at night. The artist uses loose, painterly brushstrokes and dots the canvas with warm red highlights, giving this piece a sense of exuberance and life. Signed "Luis Valenzuela 1965" lower left. Presented in a carved period giltwood frame. Board size; 20"H x 24"W. Luis Valenzuela was born in Santiago de Chile. He studied his elementary and middle school in Victorino Lastarria (Providencia). At age 17 he started in the oil painting arts, where his innate talent flows. It was perfected in the Palace of Fine Arts (1964, 1965), receiving instruction from teachers Carlos Pedraza, Reinaldo Villaseñor, Matilde...

Cosmos III is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments and silver leaves on Japanese cardboard, dimensions are 27.3 × 24.2 cm (10.7 ...

Mangroves in Casamance No.1 is a unique oil pencil on cardboard, glued on wooden frame painting by Spanish contemporary artist Calo Carratalá, dimensions are 80 × 139 × 4 cm (31.5 × ...

Loch nan Arr is a unique oil on board painting by contemporary artist Jonathan Shearer, dimensions are 41 × 51 × 3.5 cm (16.1 × 20.1 × 1.4 in). The artwork is signed, sold unframed a...

The other shore is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, India ink on Japanese cardboard, dimensions are 12.1 × 13.6 cm (4.8 × 5...

Urban landscape III is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Chinese painting, Indian ink and gold leaf on Japanese cardboard, dimensions ...

English mid century oil painting Portrait of a cute Corgi. Paintings of this breed are very rare and very collected. Kate Gray was a British animal portrait painter during the last...

The party’s over I is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Japanese pigments and copper leaves on Japanese cardboard, it is sold with a b...

"Fishermen" Painting 20" x 25" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 1973 he moved t...

A second 4 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with India ink, acrylic, pastel and engraving on grey cardboard mounted on canvas, dimension...

Dancing Cranes is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink, Japanese pigments and silver leaf on Japa...

Liathach and Loch Clair is a unique oil on canvas painting by contemporary artist Jonathan Shearer, dimensions are 91 × 122 × 3.5 cm (35.8 × 48 × 1.4 in). The artwork is signed, sold...

Blue Pines - Day Porters is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Chinese paint, copper leaves on Japanese cardboard, dimensions are 27.3 ...

The party’s over III is a unique painting by contemporary artist Lumi Mizutani. The painting is made with mineral pigments and two types of copper leaves on Japanese paper mounted on...

Camellia VIII is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with pigments, India ink and gold leaf on Japanese cardboard, dimensions of th...

Tribute to Michelangelo III is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian ink, pastel, acrylic, engraving and...

This work represents a beautiful pink tree in the moonlight. It is a celebration of love, tenderness and passion between two beings. It could the...

This work represents a beautiful red flower surrounded by gold. It is a celebration of love, tenderness and passion between two beings. It could therefore be the ideal romantic gift ...

Tribute to Michelangelo IV is a painting by Paris-based Chinese contemporary artist ZHANG Hongyu which represents the famous David by Michelangelo, exhibited at the Galleria dell’Academia of Firenze in Italy. Fascinated by this sculpture, Hongyu Zhang...

Luigi Lucioni Vermont Landscape with Birch Trees, 1936 Signed and dated lower left and inscribed indistinctly verso Oil on board 20 x 15 7/8 inche...

Orrin White California Mountain Landscape Signed lower right Oil on board 8 x 10 inches A nationally known landscape painter, who spent the prime of his career in California, Orrin White was born in Hanover, Illinois. He was artistically inclined at an early age but did not pursue an art career until he was in his thirties. After receiving a Bachelor of Arts degree from Notre Dame University...

"Path of Fire" Mixed media Painting 27.5" x 20" inch by Emanuele Tozzoli Mixed media on board ABOUT THE ARTIST Born in Italy in 1989, Emanuele discovered painting in the very first years of his life together with his father, Dario, who is also an artist and has been painting and creating sculptures with all types of material for over 40 years. At the age of 7, Tozzoli created his first small sculpture by assembling objects, and painted his first informal abstracts, discovering a side of creative and fascinating art. Deeply attracted by the most intimate nature of artistic research, in the following years, he extended his studies to the field of music, forming adolescence as a sound engineer. From 2007 he began composing electronic music, carrying out his research in the field of sound. In the following years, he studied musical composition and played his productions in clubs in Italy and Europe, also published on various underground record labels. He learned the restoration of antique woodworking...

Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...

Early Triptych Abstract Trees Forest Landscape Painting by British Urban Artist, Angela Wakefield. This rare early work is from an intense body of abstract work that formed the very ...