1980s Paintings

A beautiful impressionist watercolor painting of vibrant Lewisian flowers along the waterline with mountains in the distant background. Signed and dated "H.P.C. 1/17/81" lower left. ...

Detritus Series 7 Juan Sánchez Juárez, Mexican (1946) Date: circa 1980 Acrylic on Canvas, signed l.r. Size: 48 x 60 in. (121.92 x 152.4 cm)

Rocky Derivation, Large Scale Modern Geometric Wyoming Abstracted Landscape Stunning abstracted landscape with lavender, blue and pink on black titled, "Rocky Derivation" by listed...

Signed upper right, 'Gertrude Schoeler' (American, 1913-2007) and dated December, 1980. Additionally signed, verso, on stretcher bars and with artist...

"In Advance of Spring" is an original work in alkyd paint on canvas by Fred Reichman. It depicts a barren tree on a pink background. 48" x 42" art 50 3/...

Hay stacks. 1981. Oil on cardboard, 22x30 cm

Vibrant abstract of Berkeley Hills overlooking the city of Oakland, California by Erle Loran (American, 1905-1999). Presented in a wood slat white frame. Signed lower right "Loran." ...

At sun. 1982, oil on cardboard, 29x34 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and G. Sk...

African American artist Alvin Hollingsworth part of the famous Spiral Group , created an inventive and intriguing close-up portrait with figures in the distance. Found objects such as swatches of burlap, plastic spoons, press type and wood shapes are adhered to the surface make this work an object as much as an image. The overall image is bathed in a super hot orange-yellow. This is Hollingsworth interpretation of the soul of Africa. Indistinctly signed lower right in red. The work makes a powerful statement in person. Provenance: The Artist to a personal friend. Private collection Framed dimensions 19 1/4 x 25 1/4 in. Alvin Carl...

Acrylic on black paper showing the death of an individual, most likely the artist himself. The lead figure top right is his wife Irene. This is one of the artist's last paintings as ...

Includes a Certificate of Authenticity

Waterline Fine Art, Austin, TX is pleased to present the following work: Chinese ink and acrylic on rice paper, stretched on canvas. Artist's stamp upper left. 71 x 38.25 in. 72.25...

Abstract expressionist nude figure by Louis Nadalini (American, 1927-1995). Signed "Louis Nadalini" in the lower right corner. Signed "Louis Ernie Nadalini" on verso. Unframed. Image...

On heavy Arches deckle edged paper. This combines text or poetry in calligraphy on the side. Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surr...

Loren Munk (American, b. 1951), mixed media photograph collage painting signed Loren dated 1989. 13" x 19" inches sheet, framed 20.25" x 26" inches. This one has a drawing of 2 African American kids in a park at the water fountain. Titled "Squirt" (squirt) along with 2 photos of a white boy playing with the water fountain and the details of how the artwork came about. The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese...

Artist: Dan Teis Title: Abstract with Red Forms Year: 1980 Medium: Acrylic on Canvas, Signed l.r. Size: 54 x 60 in. (137.16 x 152.4 cm) Frame Size: 55.5 x 61.75 inches

Nocturnal seascape by Vasil (Victor) Papkov (20th Century). At the top of the piece, the moon is peeking through through ark clouds, causing them to glow white and yellow. The turbul...

Joe Bergeron (American) Saturn From Titan, 1980 Oil on canvas Framed: 40 x 30 x 1 1/2 in. Signed lower right: Bergeron 80 Inscribed verso Joe Bergeron grew up in the twin hamlets of Endicott and Endwell in upstate New York. As a boy he taught himself the constellations using a cardboard star wheel, watching in awe as stars he had never before identified rose according to prediction. Later he began a more thorough examination of the heavens using various small telescopes. A devoted hiker, Joe prowled his surroundings at all hours of the day and night, often discovering semi-abandoned sites of human activity which his imagination invested with the mystery of ancient ruins. Joe was known as a "class artist" in high school, mostly by virtue of superhero drawings done in ballpoint pen. His early efforts at painting were clumsy at best and disastrous at worst, leading him to be intimidated by the brush. Finally, called upon to produce planetarium shows during a summer job, Joe taught himself to paint so he could create visuals for the shows. Soon he was selling paintings and drawings at science fiction art...

Signed lower right, 'Barnes' for David P. Barnes (American, 20th Century) and painted circa 1985 A substantial, oil seascape showing a dramatic view of the oc...

Signed lower left, 'Lavallen', dated 1987 and titled verso 'Mujer Dormida' (Woman Sleeping). A large figural oil painting of a young woman shown reclining on a sofa. Julio Lavallen...

Impressive oil on canvas painting, worked with brush and palette knife of the iconic Pont Neuf bridge in Paris. Done in a post modern by the French artist, Dominique Simon, who used...

Provenance: Galeria Durban Cesar Segnini, Caracas Venezuela. Emerio Dario Lunar was born on January 27, 1940 in Cabimas, Zulia state. Self-taught ...

Flowers and books. 1986, oil on board, 100x70 cm Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1927 – 1930 – learning a...

A charming 20th Century still life showing a collection of old bottles. The artist has signed and dated to the reverse. On board.

A truly magnificent oil on canvas painting of a sunset off the coast of California in the late 1800's. Signed lower right and in it's original period gold gilt frame which is in excellent condition. Overall it is 33 x 47 inches. Minor stretcher bar wear. Biography Charles Theller Wilson Born in San Francisco, CA on Oct. 10, 1855. Wilson first studied painting with his mother, Agnes (California's earliest known woman artist) and later with Jules Tavernier...

Spring Storm is an original vintage painting by renowned New Mexico and Oklahoma modernist Doel Reed (1894-1985). This captivating piece, painted in June 1980, depicts a dramatic Sou...

Samovar,Breakfast on the lawn, green, we send the work anywhere Shipping included OLGA BOGAEVSKAJA (Moscow, 1916 – St. Petersburg, 2000) Works by Olga Bogaevskaja can be found in va...

A highly abstracted figure emerges in fluid, elegant brush strokes, reminiscent of the works of Francis Bacon, in this striking abstract painting by Bay...

SALE ONE WEEK ONLY "Ellos Tres" translates to "Them Three" and is a clever piece by the Mexican artist Fernando Ramos Prida. Using acrylic and a ...

Sauna in the Open Air Museum Oil on cardboard, 13x24 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in di...

Gentle scene of sail boats sailing past a small inviting lighthouse through calm waters on the California Coast. Majority of this peice is light in color, which causes the areas of c...

Mountain landscape with a village. 1980. Cardboard, oil. 49,5x70cm In this work artist paid attention to infinite landscape depiction of mountains in summertime. Mountains are thought to contain divine inspiration in many forms, and are the focus of pilgrimages of transcendence and spiritual elevation. Mountains surpass ordinary humanity and extend towards the heavens. They symbolize constancy and permanence and at their peak signify the state of absolute consciousness. The visual components of color, form, line, shape, space, texture, and value in this painting works together as one story of peaceful moment next to nature. The village at the foot of the mountains is depicted in light brush strokes. Information about artist: Janis Lauva...

An original expressionist painting by American female artist Jackie Felix.

Franklin Arbuckle, Canadian, 1909 - 2001 BARN IN WINTER, 1981 Oil on canvas, mounted to board 12 x 16 in 30.5 x 40.6 cm INSCRIPTIONS signed lower left; also signed, titled and dated 1981 on the revers Roberts Gallery, Toronto label verso PROVENANCE Roberts Gallery, Toronto framed Franklin Arbuckle Biography (1909 - 2001) RCA Arbuckle studied at the Ontario College of Art under J.W. Beatty and J.E.H. MacDonald. He attended summer classes at Franz Johnston's Georgian Bay art...

Bizarre scene of Lady in bed dreaming socially diverse erotic activities.

Mid Century Carmel Mission Landscape by Elmer Ekeroth Wonderful landscape of the historic bell tower of the Carmel Mission with background of dynamic ...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Artist: Raphael Soyer (1899-1987) Title: Girl with Braided Hair Year: Circa 1987 Medium: Oil on canvas Size: 12 x 9 inches; framed size, 19 x 16 inches Condition: Excellent Inscripti...

Beautiful still life painting of a slice of cantaloupe melon by an unknown artist. Signed lower right, d’0lajos. Circa 1980. Oil on board. Condition good. Overall in art nouveau st...

A painting by Michael Knigin from around 1980. A multi-media collage mixing traditional Japanese illustrations with contemporary urban photographic imagery. Signed and numbered in pencil, framed in dark wood frame. Artist: Michael Knigin, American (1942 - 2011) Title: Woman with Umbrella...

Vintage Oil Painting of Fantasy Cottage in the Woods with Flowers & Gardens Art measures 36 x 24 inches Frame measures 40 x 28 inches

Modernist abstract landscape painting by Abraham Pariente. Oil on canvas, circa 1990. Signed. Displayed in a giltwood impressionist frame.

ADAM NIEMCZYC (born in 1914) Painter, graphic artist, poet, novelist. He practiced easel, mural painting and book illustration. Since 1958 he participated in numerous exhibitions in ...

Paul Soulikias, Canadian, b 1926 Winter landscape, Quebec. 1969 Oil on canvas 16 x 20 in 41 x 51 cm Signed and dated 1969 lower right Framed

Branko Bahunek, Croatian (1935 - ) - Nude Guitar Player. Year: 1986, Medium: Oil on Canvas, signed and dated, Size: 21.5 x 18 in. (54.61 x 45.72 cm), Frame Size: 26 x 22 inches

A Citizen of the World Expressionist Portrait of Ernst Kirchner German Modernist A bright abstracted portrait and collage by California-based artist, Ricardo de Silva (American/Braz...

MALCAH ZELDIS ''Circus, Fire Eaters'', 1989, gouache on paper Hand signed and dated bottom center, titled in pencil on paper verso Paper 12''h, 9''w. Provenance: Estate of Laura Fisher...

Oil on canvas painting by the well known American artist, Larry Horowitz. This painting exemplifies his early apprenticeship with Wolf Kahn. Executed in 1983. Signed lower left. Titled and dated verso. Housed in a contemporary rock maple frame. Overall 24.25 by 44.25 inches. LARRY HOROWITZ Born in 1956 in New York City, Horowitz is an American landscape paper with a focus on vanishing landscapes. After graduating from SUNY Purchase, he served as apprentice to Wolf Kahn. He has been selected to participate in the Arts-In-Embassies in Finland and Russia. He strives to capture the beauty of the American landscape with an expert use of texture and color that invites imagination and discovery. EDUCATION: 1971-76 Private study with Maxim Bugzester, New York, NY 1974 Art Students League, New York, NY 1974-78 B.F.A., State University of New York, Purchase, NY ONE-PERSON EXHIBITIONS: 2013 Franklin Bowles Galleries, San Francisco, CA 2013 Cove Gallery, Wellfleet, MA 2013 Meredith Long & Co., Houston, TX 2012 Franklin Bowles Galleries, New York, NY 2012 Cove Gallery, Wellfleet, MA 2011 Cove Gallery, Wellfleet, MA 2011 Munson Gallery, Chatham, MA 2011 Franklin Bowles Galleries, New York, NY 2010 Franklin Bowles Galleries, San Francisco, CA 2010 Cove Gallery, Wellfleet, MA 2010 Aerie Art Gallery, Rehoboth Beach...

Blue and purple toned surrealist still life with various shapes cut out of canvas adhered to the background canvas. Currently hung in a gold frame. Dimensions Without Frame: H 47 in x W 59 in x D .5 in. Biography: Paulo Laport...

Michael Quirke was born in 1946 and studied at St Martin’s School of Art, London. After moving from London, Michael became a member of the art community in St Ives and was elected Pr...

Technical sheet - Artist: Joan Carles Roca Sans (b. 1946) - Title: *Landscape of the Ampurdán* - Technique: Oil on canvas - Dimensions: 23.6 x 28.7 ...

Wonderfully vivid landscape of boat in Monterey Bay at sunset. Signed lower right "JSG" monogram. Unframed. Image size: 12"H x 9"W.

Original painting on canvas. Hand signed, titled and dated on verso by Paul Jenkins. Artwork is in excellent condition. Acquired by our gallery from a private collector. Gallery i...

Clément Rosenthal Abstraction N°11 1987 Oil on Canvas 79 x 70 in, 202 x 178 cm Signed by Artist Provenance: Artist's Studio, France Very early on, Clément Rosenthal aimed t...

Still Life with Fruit in Basket - Vintage Oil in Ornate Frame by British Artist Art measures 12 x 10 inches Frame measures 18.5 x 16.5 inches Roy Hodrien, born in Lancashire in M...

Wonderfully evocative abstract expressionist oil painting of a face with figure reflecting in the eye by an unknown California artist (American, 20th Century). Unsigned. Unframed. Im...

Artist: Ian Hornak (1944-2002) Title: Martin Heade’s Window Year: 1980 Medium: Acrylic on Canvas Size: 48 x 36 inches Condition: Excellent Inscription: Signed recto; signed, dated, and titled by the artist, verso. Provenance: Fischbach Gallery, New York, NY; Private Collection, MI Notes: A seminal example of Hornak’s Photorealist multiple exposure landscape...

Wonderful vintage watercolor landscape of Yosemite Valley with Half Doom in autumn by P. Mar Kunth (American, 20th Century), circa 1980. Signed lower left corner. Presented in rustic...