1980s Paintings

An original oil on paper by contemporary artist Bruce Adams from his Fish and Bicycles series. This work is currently part of an exhibition at Benjaman Gallery "Over the Fence". This piece comes framed in an archival natural wood frame presentation. The Fish and Bicycle series employs a similar strategy as my Men at Work series. This time the subject matter includes both men and women (exhibited in pairs) representing a range of gender identities. The title is derived from Irina Dunn’s witty statement (often erroneously attributed to Gloria Steinem...

Artist: Ian Hornak (1944-2002) Title: Untitled (Connecticut Landscape) Year: 1983 Medium: Acrylic on Canvas Size: 60 x 43 inches Condition: Excellent Provenance: Fischbach Gallery, N...

"Untitled Abstract II" is an Original Oil on Canvas by G. CURTIS. The piece is part of a set. It measures 49.5 x 37.5 x 1 inches with frame. It is signed and dated by the artist. The...

Sunny landscape. Bilateral. 1985. Oil on cardboard, 46x60 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in...

Artist: Harry McCormick, American (1942 - ) Title: Man on a Park Bench Year: circa 1985 Medium: Oil on Canvas, signed l.r. Size: 58 x 72 in. (147.32 ...

An original acrylic on paper expressionist painting by American contemporary female artist Jackie Felix. This painting from Felix's Beauty Series was exhibited in the artist's solo ...

18.50" x 23.50" sight size Debra Yoo received a degree in Fine Art and the Humanities from the University of Chicago, strongest influences were painting professor Vera Klement and the proximity of the Art Institute of Chicago. Her undergraduate work was primarily abstract, deeply influenced by Matisse, Russian icon painting, Robert Motherwell, and Barnett Newman. After graduation she decided to pursue a growing interest in painterly realism. At that time Minimalism and Conceptualism were dominant, but there was (as there is still) a core of distinguished American artists who practiced the kind of contemporary realism based on modernism. Matisse continued to be a guiding light, but she also became interested in the work of Larry Rivers, Louisa Matthiasdottir...

In the heyday of summer. 1988, oil on canvas and cardboard, 50x63,5 cm Summer landscape with blooming meadow Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional educatio...

George McClancy (1930-2014) abstract pattern painting. Acrylic on canvas 72" x 72" George McClancy received a MA in painting from Catholic Universit...

Large, outstanding original oil on canvas beach painting by the well known American artist, Andre Gisson. Signed by the artist lower right “Gisson”. Circa 1980. Condition is very go...

Artist: Gabriela Patulea Dragut, Romanian (1935 - 2007) Title: Marea Ofranda Year: 1982 Medium: Oil on Canvas, signed and titled verso Size: 57 x 53.5 in. (144.78 x 135.89 cm) Frame ...

Oil on canvas, signed, dated, and titled verso, unframed (gallery wrapped).

Farmhouse. 1985. Oil on canvas. 80x74 cm Henri Klebah (b. 1928.24.X Riga - 1998.) – painter. 1946 – 1949 – studied at Secondary Art school of J. Rozentals 1946 – 1949 – Latvian Stat...

Jim’s of Lambertville is proud to offer this artwork by: Mercedes Matter (1913 - 2001) Born in New York in 1913 to famed Philadelphia Modernist, Arthur B. Carles, Mercedes Matter g...

Daugava river near Kraslava. 1986, canvas, oil, 66x81 cm

Collage and Painted mixed media artwork painting. Born 1930 in Chile, Golomb immigrated to Palestine in 1935. He later became a member of the Radius Group and an instructor at the Avni Institute, Tel Aviv. He had 20 one-man shows and participated in numerous exhibitions. Golomb has been using oils, tempera, acrylic, encaustic and pencil to produce his works often based on musical associations. Education: With Canadian, Barry Ortzki, a pupil of Henry Moore, and studied painting in tempera with Ernst Fuchs and Wolfgang Manner, Reichenau, Austria Studied drawing with Esther Peretz Arad and Avinoam Kosowsky Teaching Avni Institute, Tel Aviv Group Exhibition, Radius, Tel Aviv 11 February, 1984 - 7 March, 1984 Artists: Shimon Avni, Lea Nikel...

large abstract oil painting on canvas green orange brown

Unique work by famous Israeli artist, Menashe Kadishman. Made witht he artist's signature style.

Dandelions are blooming. 1981. Oil on cardboard, 40x50 cm Realistic sunny landscape with dandelions and lilacs Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional educat...

An original oil on canvas painting by American modern female artist Jackie Felix.

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins ...

Monday’s Muse by Darryl Hughto, American (1943) Date: 1988 Oil on Canvas, signed and dated verso Size: 55 x 42.25 in. (139.7 x 107.32 cm) Frame Size: 57.5 x 44.25 inches

Bay Area Figurative Nude Study - Oil On Canvas Bay area figurative male nude study by unknown artist named Sumrall (american, 20th C). A male figure poses nude, facing to the left o...

Title: Maternity Artist: Jesús Villar (1930–2015) Medium: Oil on canvas Dimensions: 14.96 x 18.11 in Framing: Unframed Signature: Signed lower right: JVillar Date: Circa 1980s ...

River,Flowers,Pink,Russian Art,Impressionist Nikolaj LATYSHENKO (Artjomovsk, Ucraina, 1937) Born in Ukraine in 1937, he first studied in Saratov and in 1957 he joined the Repin Ins...

Artist: John McCormick, American Title: Rolls Royce Year: 1983 Medium: Oil on Canvas Size: 18 in. x 32 in. (45.72 cm x 81.28 cm)

Painter, art teacher Valters Uzticis was born on 19 July 1914 in Daugavpils into a family of labourers. From 1932 to 1936 he studied at the Liepāja Art Secondary School. In 1943 he graduated from the master workshop of figurative painting of Professor Ludolfs Liberts...

Aaron Bohrod Faun and Fawn, 1984 Signed lower right Oil on gesso board 16 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life, which comprised most of Bohrod's early work. Under Sloan's tutelage, Bohrod came to subscribe to the belief that painters should find the subjects of their art in the immediate world around them. These paintings emphasized architecture unique to north Chicago and featured Chicagoans engaged in such everyday activities as working, playing or going to the theatre. The romantic aspect was conveyed by the use of misty colors, and the realism by attention to detail. In 1936, Bohrod won the Guggenheim Fellowship award in creative painting...

Artist: Philippe Alfieri, Italian/American (1921 - 2009) Title: Seated Clown Year: 1988 Medium: Oil on Canvas, signed l.l. Size: 36 x 24 in. (91.44 x 60.96 cm) Frame Size: 46 x 34 in...

Steven H. Rehfeld (American, born 1954) "Blue Impressions" 1980 Oil Paint, Mixed Media, Paper, Tape, Graphite, Ink, Canvas, Stretcher Bars The artist signed the back of the painting....

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: This work was re-framed AFTER photography was completed. The frame seen in the photos was original, and has since been replaced with a solid maple floater, finished in a polyurethane clear coat (see other listings for an example of this frame). Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Acrylic on canvas, signed lower left and right. Not framed.

Incredible Outsider Artist Barry Johnson presents a new series of canvas paintings from his creatures series. Wild Colors! Utterly unique compositions....

A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by yacht around Scandinavia and Western Eu...

**Technical Sheet** Title: Cadaqués Artist: Rafael Durán Benet (Terrassa, 1931 - Barcelona, 2015) Technique: Oil on canvas board Dimensions: 13 x 16 inches (33 x 41 cm) Year: Un...

Artist: Isaac Maimon, Israeli / French (1951 - ) Title: Lady Contemplating Medium: Oil on Canvas, signed l.r. Size: 24 in. x 28 in. (60.96 cm x 71.12 cm) Frame Size: 33 x 37 inches

Robert Kushner Pears, 1985 Acrylic & Collage on Paper; Framed with Holly Solomon Gallery Label & Reader's Digest Art Collection Label Signed and titled by the artist on the front This is a unique work Frame included (original vintage wood frame with UV plexiglass) Stunning signed and titled acrylic collage on paper. This work bears the original Holly Solomon Gallery label from 1987, as well as the Reader's Digest Association inventory # RDA# 60170. (In that era, RDA had one of the foremost art collections in America) Frame included Measurements: Framed: 41 by 33 by 2 inches Work: 27.5 by 22.5 inches Robert Kushner Biography Since participating in the early years of the Pattern and Decoration Movement in the 1970s, Robert Kushner has continued to address controversial issues involving decoration. Kushner draws from a unique range of influences, including Islamic and European textiles, Henri Matisse, Georgia O’Keeffe, Charles Demuth, Pierre Bonnard, Tawaraya Sotatsu, Ito Jakuchu, Qi Baishi, and Wu Changshuo...

Colorful red, teal, and orange modern abstract impressionist landscape painting by Cuban artist Illeana Mulet Batista. The work features multiple buildings in a town center rendered ...

The key to this painting's charm is that the subject is a beautiful young woman who is showing her face. We see her with her charming smile. She lounges comfortably in a carpeted bo...

Young Model Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

"The green tree, monumental landscape" in Romantic style by English artist Sheila Querre. Dimension art cm: 60 W x 81 H Dimension frame cm: 78 W x...

The Last Mediterranean Hummingbird Size: 51x41 framed under glass 64.5x54.5 x1 Joseph Norman. The artist created this stunning work of art in Spain in the late 80s; it is from a S...

Artist: Jim Ceravolo, American (1953 - ) Title: Marilyn Monroe Year: circa 1980 Medium: Acrylic and Silkscreen on Canvas, Signed l.r. Size: 38 x 32 inches

Blooming apple trees. 1980. Pastel on paper, 28x34,5 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis Zemitis...

Rotor IV Todd Boppel, American (1934–2000) Date: 1990 Oil on Canvas, signed verso Size: 60 x 44 in. (152.4 x 111.76 cm) Frame Size: 61 x 45 inches

Madonna with baby. Paper, watercolor, 85,5x62,5 cm Dzemma Lia Skulme (born 1925 20 IX - 2019) Skulme graduated from the Academy of Arts of Latvia, Department of Monumental Painting ...

One of the most prolific and acclaimed illustrators of the 20th century, Mark English produced work for such publications as McCalls, Time, Sports Illustrated, and Redbook before co-...

A calligraphy portrait painting of a woman by Tatsuya Nakamoto. Nakamoto is a postwar & contemporary artist from Japan. Calligraphy on paper Dimensions: 9" x 9" Framed Size: 14.25" x...

Signed and titled cubist oil on canvas circa 1980 by French painter Camille Hilaire. This wonderful and colourful piece depicts a gondola on the Grand Canal, Venice with old palace behind. Signature: Signed lower right and titled verso Dimensions: Framed size: 21"x24" (53.3cm x 61.0cm) Size: 15"x18" (38.1cm x 45.7cm) Provenance: Private French collection Camille Hilaire was a pupil at the École des Beaux-Arts in Paris. He also worked in the free academies, including that of André Lhote, whose teaching had a major influence on his work. He executed numerous mural decorations...

Baby Pollock is an artwork by Mark Kostabi in 1989. Mixed Media on Canvas. cm. 24x30. Good conditions! Mark Kostabi (Los Angeles, November 27, 1960) is an American painter a...

Signed Oliveras - Fisherman's Beach - Oil on canvas. Slight paint chips on the sides that covered the frame. Oil measurements 61x122 cm. Frameless.

Walk. Paper, watercolor, 102x73 cm Dzemma Lia Skulme (born 1925 20 IX - 2019) Skulme graduated from the Academy of Arts of Latvia, Department of Monumental Painting with diploma wo...

Untitled Mixed media on paper, 1981 Signed and dated 1981 lower left (see photo) Provenance: Knoedler Gallery, New York (label) Charles Cowles Gallery, New York The Collection of Jan...

Modern Cubist inspired portrait painting by the iconic Houston based artist David Adickes. The work features a seated female figure dressed in aqua blue against a bright green backgr...

Acrylic on cotton duck cloth canvas. Canvas size: 12 x 9 inches. Inscription: Hand signed, as issued. Notes: Registered #2057, in the Peter Max Archive, New York, 1982. PETER MAX (1...

Aaron Bohrod Gallimaufry, 1989 Signed on the right Oil on gesso panel 14 x 11 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism...

Artist: Jose Canes (aka Dore) [Spanish, 1931 - ] Title: Woman in Red Medium: Acrylic and Pastel on Paper, signed "Dore" l.r. Year: circa 1980 Size: 19.5 x 25.5 inches