Portrait Paintings

Oil on canvas Signed in red, u.r. 14 x 11 inches, canvas size 14.5 x 11.5 inches in distressed gold leaf frame This artwork is offered by ClampArt, located in New York City. “Bruc...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

A fine 19th century Continental School portrait depicting a distinguished lady, set against a dark background with a floral arrangement adding colour and depth. The portrait is beaut...

(early 19th century) English School Portrait of a Young Gentleman, with Riding Crop and Dog The reverse stamped T Brown, High Holborn, Linen, oil on canvas, The size overall being 104 cm x 84 cm whilst the painting is 89cm x 70cm A charming portrait in overall very good condition housed in a gilt frame The painting has been cleaned recently . There is some old restoration in the form of a small patch to the rear,barely visible to the front. some texturization to top right in certain light Certainly does not detract from this charming painting SHIPPING Free uk delivery Delivery usually within 14 working days.Fully insured delivery. please provide telephone/email details for courier. We ship worldwide for free. All taxes/customs etc to be paid for by purchaser. RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase, if for any reason you are not, then you are entitled to return the item to us for a refund. For all purchases made you are entitled to return the item(s) for a period of up to 14 days following receipt by you or a representative indicated by you. Please contact us to confirm that you are returning the item(s) and the reason for doing so. Upon receipt of the item(s) we will refund the purchase price via your original payment method...

Taju Mayakiri is the son of the Well know Nigeria Old Master and Postwar artist - Tijani Mayakiri ( 1937 - 1992), he invented a style of Painting that has the sketch at the back and...

Set of Eight Apostles each oil on panel each framed (different as some are golden, some are not, please view the photos) So far there is no certain attribution. The style of the ser...

Louis Recchia's (US based) "Advance to Go" is an original, handmade oil painting on canvas. This piece depicts several small girls with Monopoly characters advancing through the sce...

18th/19th Century School 'A scene of Christ entering Jerusalem' Medium: oil on canvas, framed Size of painting: 21.5" x 18.25" inches condition: overa...

America Martin "Portrait In Olive & Peach" Oil & Acrylic on Canvas 30 x 24 in. Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration fro...

Boy & His Dog, 19th Century by Jules BRETON (1827-1906) sales to $1,500,000 Large 19th Century French country portrait of a Boy and his Dog, oil on canvas by Jules Breton. Large 19th century portrait...

Attributed by Nikolay Alekseyevich Kasatkin (1859 - 1930). In this touching artwork, the artist perfectly conveyed the character of the old woman, who has seen a lot in her life. The hands, tired out and riddled with veins, lie helplessly on the knees. Her slouched body tells us about the load of years lived. The painter skillfully conveys a sense of wisdom, kindness, and humility through her wrinkled face and detached gaze. The painting exudes warmth with a subtle touch of sadness and reflection on a life lived. Thanks to moderately contrasting colors, the portrait comes to life and shows us the depth of the artist's intention. Kasatkin not only continued the traditions of the best masters of portraiture in Russia in the 19th century, but also introduced new principles into it. He sought to display on canvas not only the external features of a person, but also to demonstrate his spiritual world. Antique oil painting on canvas, signed bottom left, framed. Size app.: 68.5 x 52.3 cm (roughly 27 x 20.6 in), frame is 80.5 x 63.5 cm (roughly 31.7 x 25 in). Very good condition, very well preserved recently conserved condition with minimal wear (notice few micro losses here and there). Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 5.4 kg is going to measure 8 kg packed for shipment. Nikolay Alekseyevich Kasatkin (1859 - 1930) was a Russian painter, considered to be one of the founders of Social Realism in Russia. From 1873 to 1883 he studied at the Moscow School of Painting, Sculpture and Architecture with Vasily Perov and Illarion Pryanishnikov. Upon graduating, he received a medal for his painting "Beggars at the Church Door". In 1891, he began exhibiting with the Peredvizhniki and, from 1894 to 1917, was a teacher at his alma mater. For thirty years, beginning in 1883, he worked with Ivan Sytin, providing illustrations for his popular almanac/calendars and teaching lithography. He also contributed The Great Reform, an encyclopedia that celebrated the fiftieth anniversary of the Emancipation (1861), and a collection called "Russian History in Pictures". In 1903, he became a member of the Imperial Academy of Arts. He participated in the Exposition Universelle (1900), where he won a silver medal, and the Louisiana Purchase Exposition (1904), among others. In 1923, following the Civil War, he was named the first "People's Artist of the Republic" and became a member of the AKhRR (Association of Artists). He is considered to be one of the forerunners of Socialist Realism in the arts and was sometimes called the "Gorky of Painters". In 1956, the Soviet Union honored him with a 40 kopeck commemorative postage stamp. In 1971, his painting of a female mine worker...

Victor Schegin 'Seehund' Lost and Found 130 x 97 cm oil on canvas The French artist Victor Schegin 'Seehund' lives and works in Paris. At the age of 15, young Victor discovered tag...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1924. The Italian girl. Very beautiful work where post-impressionism embellished with a few cubist touches form a harmoni...

“I paint the human figure and explore further till I reach the Beauty of Being, the Soul.. the part of Human Being where everything is in total Serenity, Goodness and Harmony, where ...

Provenance: Bradley Collection. Private Collection, Upperville, Virginia. Literature: Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75. This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin. This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2). Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566. This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...

This artwork is a mesmerizing portrait that showcases a delicate interplay of color and texture. The profile of a young woman is captured in serene contemplation, her features render...

Part of the Influencers de Taberna series, Fluorescent Husband (2020) captures a moment of surreal humor inspired by a real yet absurd conversation. The painting depicts a woman bath...

Oil on canvas. Framed. Signed.

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Born in Cambridge, Massachusetts in 1891, John Gilmore Wolcott graduated from Harvard in 1914 and continued studies in art with Charles Woodbury. He was active in the Boston art scen...

The Playing Cards by Louise Alix (French, 1888-1980) *see notes below oil painting on canvas unframed measures: 30.5 inches high by 22.5 inches wide condition: overall very good and ...

Isolda Hermes de Fonseca Brazilian, 1924–2004 Portrait of a Young Woman with Bouquet, ca. 1970. Oil on masonite panel, 24 x 36 inches. Framed Dimension: 34 x 46 inches. Signed lo...

Gazing boldly is an act of defiance against the uncertainties of life. It embodies the spirit of facing challenges head-on, with unwavering confidence and clarity. This phrase evokes...

Joseph Kardonne (1911-1985). Nude Woman, 1966. Watercolor on paper, sheet measures 10 x 13.5 inches. Signed, dated and titled lower right. Excellent condition. Born in Newark, New ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Gustav Klimt (Austrian, 1862-1918) Frauenkopf nach rechts, 1916 Pencil on paper Dimensions: 22.5 x 14.75 Inches (57.2 x 37.5 cm) (sheet) Stamped lower right: GUSTAV / KLIMT / NACHLAS...

Midnight, by Sergio Bazan Oil on canvas Image Size: 63 H x 63 W inches Unframed Signed by artist _______ The paintings of Sergio Bazán have a strong gesture and expressionist impr...

Pauwels Franck, known as Paolo Fiammingo (Antwerp, 1540 - Venice, 1596) Venus lying in a landscape Oil on canvas 116 x 150 cm. In antique frame 136 x 170 cm. The work is accompanied by a critical card by Dr. Federica Spadotto The splendid painting proposed sees portrayed, bare and stretched out on a red brocade cloth in gold sprinkled with roses, a refined and sensual Venus, in a composition with a profound symbolic value, and arriving at the perfect representation of the Renaissance woman who, like Venus, becomes an allegory love, eros, beauty and fertility. The canvas is part of the prestigious Venetian artistic and cultural environment of the second half of the sixteenth century, whose distinctive distinctive trait can be traced back to its cosmopolitan vocation. This characteristic, as Dr. Spadotto noted in her in-depth study, belongs to the same physiology of the Venetian capital, that is, being a distinctly commercial city located in a strategic point with respect to trade. Representing one of the liveliest ports in the Mediterranean also meant witnessing the continuous passage not only of goods, but of men, ideas, suggestions from distant countries, which influenced not only the taste of their people, but above all art. This happened thanks to the circulation of prints, as well as pictorial specimens, to which are added the stays of great foreign artists and, above all, the permanence in the capital of a non-negligible number of Dutch, Flemish and German masters. An emblematic case in this regard comes from Pauwels Franck (Antwerp, 1540 - Venice, 1596), better known as Paolo Fiammingo, who established himself in his native city at a young age - in 1561 a figure enrolled in the Guild of San Luca - and arrived in Venice in 1573. . He resided in Venice from 1584 until his death, although the stylistic and formal references of some of his works have led critics to believe that in previous years he had undertaken a journey to central Italy, or to Florence and Rome, where he would have metabolized the lively cultural debate that permeated these cities and which, on the other hand, seemed completely absent in Venice. Here Paolo will be fascinated by the sense of color and by the atmospheric component fixed on the canvas by Jacopo Tintoretto (Venice 1518 - 1594), of which he becomes a collaborator, to undergo, around 1590, the suggestion of Paolo Caliari...

Vintage Landscape figurative oil painting, post impressionist portrait painting of two woman taking tea in the garden signed in the bottom right corner Valery Krassouline...

The Castle By Norman Lindsay (1879-1969), Watercolour painting on canvas mounted on board and framed signed to lower right painting measures: 30.5cm x 23.5cm framed: 77.5cm x 70.5cm ...

'Portrait of Future Man', oil on board, Berlin School, (circa 1960s). A thoroughly modern portrait clearly in the style of Italian Futurist, Fortunato Depero (1892-1960). Futurism co...

For we've come this far To be whatever we plan to be From the lessons we've learned And all the reasons that keep us going, though the journey is far and rough but we will never for...

Price includes $400 cost of framing. Oil on canvas mounted to Masonite Signed in red, u.r. This work is offered by ClampArt in New York City.

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Elie HATUNGIMAN...

Malika is a bright and provocative painting that narrates the story of an extraordinary female character who thrives in the spotlight. With her undeniable talent and charisma, she c...

A depiction of a young woman wearing long pearls and a loose dress. A romantic air is felt throughout this piece with a dreamy atmosphere and lush colors. She has dark black hair, we...

Portrait Of A Elizabethan Gentleman Traditionally Identified As Edmund Spenser (1552-1599) Large Elizabethan School portrait of gentleman traditional...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Suicide, 19th Century Unusual European School Oil On Panel 19th century European School interior scene of an artists suicide, oil on panel. Beautifully painted melancholy interior...

Muideen Abdulkadir, a renowned artist from Nigeria celebrated for his ability to convey profound emotions through his artwork, has once again demonstrated his artistic genius with "L...

Another very pretty mixed media from the studio of this well collected British artist. Image 21" x 15" mounted Originally from Bury, in the North of England, John Emanuel works in ...

In my artwork, I explore the symbolic intersection of journey's end and new beginnings. Using acrylics, I depict a person next to their classic car by a "road ends" sign. The spaciou...

Ballet Duet by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 15 x 18 inches condition: overall very good, minor surface scuffs from...

Portrait Of A Bride, circa 1900 circle of George CLAUSEN (1852-1944) Circa 1900 Impressionist portrait of a young bride with a French landscape b...

Frame size 98x117 cm. Ramon Aguilar i Moré (Barcelona, ​​1924-Barcelona, ​​September 23, 2015) was a Spanish painter. His work was influenced by the expressionist movement, although...

Sir Henry Raeburn (Stockbridge, Edinburgh, UK, 1756 - Edinburgh, UK, 1823) Title: Portrait of a landowner Year: Early 19th century, 1803 Medium: Oil on canvas Dimensions: Without fra...

Jean La Forgue (French 1901-1975) signed oil on unstretched canvas, unframed painting: 27 x 21 inches provenance: the artists estate, France condition: the painting is on unstretched...

Artist/ School: French School, mid 20th century, indistinctly signed lower right corner. Title: Portrait of a Young Girl Medium: oil on canvas, framed Framed: 23.5 x 17 inches Pa...

A finely detailed silhouette of a Victorian lady, unusuallly depicted wearing an elaborate hat with lace brim and plume. Circle of Hinton Gibbs (1783-1839) Portrait of a lady, bust ...

La obra no va firmada, es de autor anónimo El estado de la obra es muy bueno Se presenta bien enmarcada la pintura Medidas obra: 80 cm de altura x 71 cm. altura Medidas marco: 10...

FIGURE IN THE DARK Size: 49 x 40 cm (including frame) Oil on canvas An emotive and expressive semi-abstract figurative portrait, executed in oil onto canvas and dated 1975. The co...

Title: Portrait of a Gentleman in Red - Expressive Contemporary Oil Painting Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 14 (height) x 10.75 (width) (Mo...

This painting of a bartender waiting for an order is an unusual composition for Fred Machetanz, who is known for his scenes of Alaska. It has been speculated that this was likely co...

"Eternity's Embrace" is a captivating and evocative painting that celebrates the timeless bond between two black African souls. Against a backdrop of vibrant Ankara fabrics, meticulo...

This highly stylized portrait depicts a well dressed man in front of a mining property likely in West Virginia. It is very much in the manner of earlier American artists such as Gra...

"Slow at Dark" by Clyde Steadman (United States) is a handmade female portrait painting that is unframed, but ready to hang.

A fine impressionist style portrait study of a young woman in a garden filled with flowers. She pulls a branch of blossom towards her to smell, her eyes drifting to the distance in t...

Portrait Of Mary Of Modena, Queen Of England, 17th Century Studio Of SIR PETER LELY (1618-1680) Huge 17th century English Old Master portrait of Mary Of Modena, Queen Of England, o...

A pair of beautiful oil paintings by Fritz Zuber-Buhler, titled "The New Arrival" and "After Bath," exemplify his dedication to academic traditions in the ...