Portrait Paintings

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Wis...

From the estate of Jerry Opper & Ruth Friedman Opper Black Floor c. 1940-1950's Gouache on Paper 15" x 18" Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Portrait with Piercing eyes

Adam Shaw's "Outkast" is an original, handmade oil painting on canvas created in 2015. This striking contemporary artwork measures 20 x 16 inches (50.80 x 40.64 cm) with a depth of 0.62 inches (1.57 cm) and is professionally framed to 21.50 x 17.50 inches. Shaw masterfully captures the essence of the iconic hip-hop duo Outkast in this thought-provoking piece. The painting features vivid portraits of Andre 3000...

Portrait of a Dancing Women French artist, mid 20th century signed oil on canvas, framed in original 'Montparnasse' style frame framed: 30 x 25.5 inches canvas: 22 x 18 inches Prove...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Gaspard Netscher (Heidelberg, 1639 - The Hague, 1684) Guitar Player Oil on canvas 39 x 31 cm. - Framed 55 x 45 cm. With expertise by Prof. Ferdinando Arisi Outside a patrician palace, a woman is portrayed seated while delighting in playing a baroque guitar...

"Uncanny brilliance is deployed as we run through art history’s highlight reel via the work of Ta Byrne. With the recurrent motif of an egg and Edward Burra-like layered body composi...

Flower garland with a portrait of the Virgin Francesco Trevisani (Capodistria 1656 - Rome 1746) and Niccolò Stanchi (Rome 1623 - 1690), attributable Oil on canvas 66 x 49 cm. - In f...

There is a common thread that binds us all, and that is our shared humanity. Everyone has a general desire in their heart - to be seen, heard and understood. Each of us has dreams, f...

Expressive Portrait of a Young Figure Josine Vignon (French 1922-2022) ...

Anne Marjorie Robinson 1858 - 1924, was a British painter in oil and watercolour of portraits and miniatures. Annie as she was sometimes known was born in Belfast Northern Ireland an...

Delicate and detailed portrait of Jesus by notable outlaw John Paul Chase (American, 1901-1973). Jesus is looking directly at the viewer with a piercing gaze, holding a glowing sacred heart in his left hand. The other hand is gesturing toward the viewer, palm up, and the stigmata can be seen on his palm. Jesus is wearing a red garment with a blue cloak, the traditional symbolic colors for humanity and the heavens. It appears that this piece was painted over a previous composition. Signed "John Paul Chase" in the lower right. Presented in a mahogany frame with an oval opening. Board size: 31"H x 24"W Oval opening is 28.75" x 22" at widest points John Paul Chase (December 26, 1901 – October 5, 1973) was an American bank robber and Depression-era outlaw, who also became an artist. John Paul Chase was born in San Francisco, California. He left grade school to work on a ranch and later became an assistant machinist in a railroad yard. In 1926, Chase was fired from the railroad and was hired as a chauffeur for a professional gambler in Reno, Nevada. He spent the next few years as a bootlegger in Sausalito, San Rafael and San Francisco but was not involved in major crime until his association with Baby Face Nelson in the early 1930s, possibly in March 1932. It is generally agreed among crime historians that Reno was the most likely place where the two first became partners, Nelson having connections in the local underworld and frequently hid out there while in Chicago and the general Midwest. On October 23, 1933, he and Nelson robbed their first bank together in Brainerd, Minnesota escaping with $32,000. Along the way, they picked up a number of other outlaws including Charles Fisher...

America Martin "Three Listen To The Flowers And The Breeze" Acrylic on Linen 31 x 62 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin draw...

18th century, antique painting, oil on canvas, old master. Mother with child. Relined canvas. Stretcher frame also renewed. Artist unknown.

Ryan Morse's "Emerging" is an original, handmade oil painting that depicts a feminine figure in a bikini floating in water. Ryan Morse is a Denver based freelance artist who receiv...

The painting is set in a precious gilded wooden frame, 72 x 59 cm. The measurements without the frame are 53 x 42 cm. Gazing up at the sky, eyes bright and wide open, mouth half-clo...

A stunning portrait oil painting of Violet Ann Gilbert which was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A beautiful portrait of a young woman from the nineteen twenties. In excellent condition and framed in the original period frame. This is a fine painting by a noted listed artist and a great example of an early 20th century portrait painting. Signed lower left. Provenance. Exhibited at the Paris Salon 1929, labels verso. Condition. Oil on canvas in excellent condition, image size 40 inches by 30 inches. Housed in its original gallery frame, framed size is 47 by 37 inches. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates, he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery the next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

Collage Vogue portrait of Audrey Hepburn. The work is signed by the artist in the bottom corner. Jim Hudek is an emerging artist in the Texas region and Houston Texas. A native Houst...

André Hallet Liège, Belgium 1890 – 1959 Kisenyi, Rwanda Belgian Painter 'The Water Carriers' Signature: signed lower left 'A. Hallet', placed and named on reverse Medium: oil on canvas Dimensions: image size 100 x 80,5 cm, frame size 120,5 x 100,5 cm Biography: Hallet André was born in the Liege in 1890, emerged as a luminary in the world of Belgian post-impressionist painting. His oeuvre, a testament to his profound talent, has graced the walls of over 60 museums worldwide, including the venerable Louvre in Paris, France. Hallet’s artistic repertoire was as expansive as it was breathtaking. He wielded his brush with mastery in a multitude of genres, creating enchanting landscapes, bustling cityscapes, serene garden views, captivating marine scenes, evocative genre depictions, and intimate portraits that breathed life onto his canvases. The journey of André Hallet’s artistry began under the tutelage and guidance of R. Heintz. He honed his craft further at the Academy in Liege. It was in the South of France that Hallet discovered the transcendent allure of light and the sun, infusing his work with a cheerful and impressionistic burst of color. The vibrant hues of his palette mirrored the radiant landscapes he encountered in Flanders and the Mediterranean, from the sun-kissed shores of Southern France to the picturesque vistas of Italy. In 1920, Hallet embarked on a new chapter, working in the enchanting city of Bruges before ultimately settling in Leuven. Each location left its mark on his art, contributing to the rich tapestry of his creative journey. A turning point in Hallet’s life came in 1934 when the Belgian government sent him to Congo. Later, in 1947, he found his home on the shores of Lake Kivu in Kisenyi, present-day Rwanda. It was here that he would spend the remainder of his life, captivated by the mesmerizing beauty of the African landscape. He passed away in 1959, leaving a lasting legacy. During his time in Africa, Hallet forged a deep connection with Tutsi king Mwambi Matura III of Ruanda-Burundi. This relationship inspired a series of exquisitely detailed portraits, offering a glimpse into the regal splendor of the king’s family...

The Meditator 80 x 80 cm Acrylic on canvas Frame is included Framed the painting measures 90 x 90 cm The artist Mitzy Renooy in this painting shows what she likes to paint most. A child living in his own world, dancing on his own way. Mitzy Renooy, artist and mother of four daughters, has exhibited twice before at Galerie Bonnard...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

John Baker’s “They Now call it Grooming” is an acrylic on canvas with collage 20 x 16 inches in blacks, purples and greens. His tie being adjusted and his hair being patted down, a young innocent...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents an ideal abandoned church...

Paul LUNAUD (Brantôme 1900 – 1949) The ironer Oil on wood H. 80 cm; W. 64 cm Signed and dated on the right in the center, formerly signed lower right. 1942 Provenance : Artist's stu...

The Christ Child as Redeemer of the World Oil on Canvas, 69.3 x 49.7 cm Provenance Private Collection, Belgium The present painting is known in different versions. One of them is ...

Ksenya Istomina Bright Expectations 100 x 95 cm Oil on canvas The painting is not framed, if you wish to have it framed, we will be happy to advice you on this. This portrait painti...

Her Majesty Queen Elizabeth II by Paul Briscoe, (British), signed & dated 1953 oil painting on board, unframed size: 40 x 30 inches condition: overall very good and presentable. provenance: from a private collection in England we can help arrange a suitable frame if buyers wish, prior to shipping. A magnificent large scale portrait of Her Majesty, Queen Elizabeth II. Portraits of Her Majesty in private collections are exceedingly rare and adding to the importance of this work is the fact it was painted in the year of her Coronation, 1953. Her Majesty requires no introduction from us, but here is a quick reminder of the basic facts: Elizabeth II (Elizabeth Alexandra Mary; born 21 April 1926) is Queen of the United Kingdom and 14 other Commonwealth realms. Elizabeth was born in Mayfair, London, as the first child of the Duke and Duchess of York (later King George VI and Queen Elizabeth). Her father acceded to the throne in 1936 upon the abdication of his brother, King Edward VIII, making Elizabeth the heir presumptive. She was educated privately at home and began to undertake public duties during the Second World War, serving in the Auxiliary Territorial Service. In November 1947, she married Philip Mountbatten, a former prince of Greece and Denmark...

Valery Gazukin (1951-2014) – Portrait of Sergei, Ural Avant-Garde Urals, 1970s-1980s Medium: tempera on cardboard Dimensions: 40 x 40 cm (53 x 51 cm with frame) Signature: signed l...

Lisa Fricker's "A Realist" is an original, handmade oil painting that depicts a portrait of a man deep in thought, it measures 8 x 8 inches. This painting is framed and ready to hang...

Zero in Blue by Peter Max, German/American (1937) Date: 1985 Acrylic on Canvas, signed u.r. Size: 24 in. x 18 in. (60.96 cm x 45.72 cm) Frame Size: 26.5 x 20.5 inches

Small limited edition run of 49 and 6 E.A."s (Edition of the artist). Each canvas reproduction is crafted by a skilled printer under the supervision of the artist. Román Francés has...

"The Orange Voltaire" by Linda Delahaye (France based) is an original oil on panel depicting a graceful female nude bathed in sunlight. Born: 1980, Canada ...

This powerful and graphically composed image of a black man with white angel wings was painted in a realist style by African American artist ...

The painting conveys the idea that what we perceive as life may be an illusion, while the true reality remains hidden. At the center of the scene, a man and a woman stand by a pool, ...

This artwork portrays a vast desert scene under a vibrant blue sky dotted with fluffy clouds. In the foreground, two young women stand together, one holding a McDonald's bag, clearl...

Vintage American signed interior scene oil painting. Oil on canvasboard. Signed. Framed. Image size, 14L x 11H.

Work on cardboard Golden wooden frame 39 x 33 x 5 cm

A finely detailed silhouette a Victorian gentleman Peter Skeolan (1815-1871) Portrait of a gentleman, profile turned to the left, wearing coat and cravat Watercolour with gold highlighting on paper/card Stencilled with artist's details to the reverse 3¼ x 2¾ inches, oval, without the frame 5½ x 4¾ inches with the frame Peter Skoelan the son of Stephen Skoelan was born in Ireland in 1815. During his early career he worked as an itinerant miniature portrait painter and profilist, possibly as early as the 1830s. The 1841 census shows us that he was working in Leeds, his stated occupation was painter, aged 25. He was lodging with Thomas Lacy, a Tailor. By this time he had married and had a son and daughter...

Portrait of a Lady, c. 1900 Oil on canvas 36 x 28 1/2 in. Framed: 37 3/4 x 30 1/2 in.

America Martin "Dance In The Soft Golden Wind (Triptych)" Oil & Acrylic on Canvas 40 x 110 in. Overall Exploring the identity of both her namesake and country, LA-based America Mart...

1996: Angelo Peruzzi - Juventus Goalkeeper in the Net, Champion of the UEFA Champions League Technique: Charcoal on paper, signed and dated '96 Author: Marco Silombria (Savona, 19...

This painting is made by Pam Hawkes. On the painting you see the portrait of a woman This British artist is new to the Netherlands, her work is now a household name in the rest of ...

17th Century Italian School St Peter Oil on Canvas 55 1/2 x 41 inches This large and tender rendering of Saint Peter was painted by the hand of great Italian painter of the 17th Cen...

Luis de Morales, called 'El Divino' (Badajoz 1509 - 1586) workshop of La Pietà with Saint John Oil on panel (82 x 65 cm /In frame 109 x 92 cm) STATE OF CONSERVATION: The panel is in good condition, with restorations and cracks clearly visible from the pictures. Gilded and lacquered wooden frame, in good condition. We present this intense Pietà executed on wood panel, the work of a painter of the late Spanish Renaissance who drew on the celebrated iconographic model created by Luis de Morales, known as El Divino (Badajoz 1509-1586), a subject reproposed by the artist and then by his flourishing workshop in numerous versions. This is an extraordinary work, in which the author demonstrates incredible realism and emotional depth in his portrayal of the Madonna and Christ, accompanied by Saint John the Evangelist. In an extremely devout Spain, Luis de Morales counts himself as one of the painters most interested in the dramatic aspects of Christ's life, from his painful Passion journey to his death. This devotional subject, the Pieta, so frequent in Christian art, is renewed in Morales' art with enormous expressive force; it is not for nothing that the artist was nicknamed the Divine, and not only for the creation of a devotional iconography in line with the spirituality of the time, but also for the intrinsic intensity of his religious paintings. The depiction, to great dramatic effect, shows Christ, immediately after being deposed from the cross, gently welcomed into the arms of the Virgin. The intense maternal compassion is also evident in the expression on her face, which, always aware of her son's fate, exudes suffering, melancholy but also serene resignation. Christ, abandoned in his mother's embrace, shows an emaciated and sorrowful face, made even more ghostly by his half-open mouth. The tree of the cross looms over the figures, emphasised by an evocative dark, completely monochrome background, to which the three figures are contrasted with strong lighting. Evident in Morales' painting is the devotional slant typical of Counter-Reformation painting, accentuated by a style that recalls both Italian painting for its research and chiaroscuro effects, and Flemish and German painting for its strongly accentuated dramatic tones. The work shows a strong physical and psychological characterisation of the characters, rendered by the marked chiaroscuro effects and the plastic construction of the figures, also using a sfumato technique, which show the primary influence of Leonardo da Vinci, Raphael and Sebastiano del Piombo. On the other hand, his Flemish training is evident in the anatomical modelling and treatment of the folds of the Virgin's dress, which retain the sharpness of the Nordic painting tradition. We can mention, among the most beautiful versions similar to our composition: - Fig.1 Luis de Morales (c. 1520-1586), La Piedad, c. 1568, Óleo sobre tabla 72 x 50 cm.
Museo de Bellas Artes de Bilbao - Fig.2 Luis de Morales, La Piedad, c. 1560, Óleo sobre tabla 126 x 98 cm.
Real Academia de Bellas - Fig.3 Luis de Morales, La Piedad, 1565 - 1570, Oil on panel 42 x 30 cm.
Museo del Prado - Fig.4 Luis de Morales, Triptych of the Pietà St John and St Mary Magdalene...

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Dr Mens III, 1918-1919 oil on board 70 x 50 cm stamp signed painted c. 1918-1919 Provenance: Within the family Beer until today Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

This is a rare unique original acrylic/oil painting on canvas in a naive primitivism style depicting Self-Portrait. The painting has some notes on the verso: My Autoportrait (some people say I look like John Kennedy. JFK - The 35th President of the United States...

Lady Selby Of Melton. circa 1710 attributed to SIR GODFREY KNELLER (1646-1723) Large circa 1710 portrait of Lady Selby of Melton, oil on canvas attributed to Sir Godfrey Kneller. Excellent quality and condition oval bust scale portrait of the young lady set...

Portrait of a girl in Art Deco style, French School around 1920, signed by painter Hélène Le Roy d'Etiolles. Oil on canvas in gilt frame. This splendid portrait comes to us from the ...

The painting depicts a proud and confident black African woman with her afro hair as her crowning glory. The intricate and detailed portrayal of her features and hair are rendered in...

Work on canvas Golden wooden frame 81 x 68 x 3 cm Woman with a chef's hat This striking portrait, typical of Expressionism, depicts a woman in an introspective pose. Vigorous brushst...

Jacob Huysmans Flemish 1633 - 1696 Portrait of a Lady Oil on canvas Image size: 49 x 40 ¼ inches Gilt frame Huysmans was born in Antwerp and came to England during the reign of Charles II where he became one of the fashionable painters of the court.. The diarist Samual Pepys noted the artist as capable of a more exact likeness than Lely. Certainly the diarist records that by August 1664 in the circle of Queen Catherine...

This striking British Edwardian portrait oil painting is by artist Shirley Slocombe. He painted it in 1901 and it is signed and dated lower right. The composition is a bust length po...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

'Boxers' by David Shevlino's, oil on canvas, 37 x 40 inches unframed. Painted in 2024, created with a minimal range of colors, and featuring the artist's sensuous application of pai...

The journey is never-ending. There is always going to be growth, improvement, and adversity; you just have to take it all in and do what’s right, continue to grow, and continue to live in the moment. This painting "Moment" depicts the feelings and actions of the mind. There is a moment in life in which we tend to put all differences and difficulties aside. Putting a pause to the challenges of life. At this point in time the mind and heart of free from worries. This act helps to put a person in a deep state of self-awareness coupled with the clues and directions to be taken. This element in the painting symbolizes the process of the mind. The compass is for guidelines and directions. The clock signifies the state of actualization putting in place the solution to the worries of the mind. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Taiwo Samuel Olutimileyin...

Giacomo Stella (Brescia 1545 - Rome 1630) - Allegory of Time Indicating Truth, Oil painting on canvas, 192 x 74cm. - in golden frame 198 x 81 cm. The work is accompanied by a critic...

Judd Mercer's (US based) "Heading Down" (2023) is an original handmade oil painting depicting a man hiking back down the path during sunset. Artist bio/statement Judd Mercer is a c...