Portrait Paintings

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 16x20x1.5. It is unframed. A Certificate of Authenticity will follow the...

Clemens August Ferdinand Maria Hyazinth, Duke of Bavaria (* August 16, 1700 in Brussels; † February 6, 1761 in Koblenz) was as Clemens August I from 1723 to 1761 Archbishop of Cologne and thus at the same time Elector of the Holy Roman Empire, sovereign of the associated archdiocese as well as the tributary lands of Recklinghausen and Westphalia. In addition, he was Legatus natus of the Holy Apostolic See in Rome and Archchancellor of Imperial Italy. Furthermore, he combined the offices of Grand Master of the Teutonic Order...

Rachel Bess The Violet Hour, 2017 oil on Dibond 18.5" x 14.5" unframed 22" x 17" framed Rachel Bess is known for her precise and theatrical oil painting...

Sarah Warda's "In a Dream " is an original, handmade oil painting that depicts a white clad female model reclining on a bed of grass with her hands folded o...

Circle of Pieter Harmensz Verelst 1618 - 1678 Portrait of a Young Man Oil on oak panel Image size: 7 ½ x 5 ¾ inches Dutch ripple frame

A rich merchant is an original old master artwork realized in the 18th Century. Mixed colored oil painting on canvas depicting a merchant looking at a coin in his left hand. Provena...

Acrylic paint on canvas Signed on the back Zahra ZEINALI was born in 1975 in Tehran, Iran. From 2001 to 2004, she studied Fine arts at the Art and Architecture University in Tehran. At the same time, she taught visual arts to children during 15 years. Passionate about photography, she trained in photography in 2007 at the House of Photography in Tehran. In 2012, she moved to France. Confronted with her new life, her vision of the world changed. Since 2020, she has resumed training in photography at the EFET School in Paris. Zahra ZEINALI The Doll’s House “What can a true artistic temperament aspire to after a youth spent in Iran today? To flee the hassles, prejudices, restrictions, to open wide a window of freedom rich in potentialities that were believed for a long time inaccessible. Zahra Zeinali became a visual arts teacher for fifteen years. Her pupils are 6 to 12 years old. Drawing, sculpture, painting, model design, she taught them a great diversity of techniques, but above all to think and design freely by themselves, in an atmosphere of joyful creative disorder which, surprisingly, is tolerated by a careful hierarchy. Then she studied four years at the University of Art and Architecture in Tehran. When she arrived in France, after a brief abstract period inspired by the rhythms of nature, it was at the time of the Charlie Hebdo and Bataclan attacks, which marked her deeply, to the point of lastingly darkening the ideal of emancipation and autonomy that she had projected on her stay in Paris. "There is no paradise on earth" she concluded with a melancholy smile. An old doll, bought for 1 euro in a storage room, triggers a click in her. The bitter imprint left by the Iranian confinement, the memory of her fifteen years of teaching visual arts to children, the loneliness of her Parisian exile, all this sentimental nebula found a plastic metaphor in the image of the doll. This is what these delicate earthenware faces evoke, often abused, abandoned, the childish innocence of their ingenuous gazes, a sort of strange absence from the world of the living, as if their attenuated life took place behind the mystery of a theater curtain...

The Martyrdom Of Saint Andrew, 18th/19th Century follower of Bartolomé Esteban Murillo (1617-1682) - signed Murillo Huge 19th Century Span...

Elegant and graphic study of a figure of undetermined gender. It's executed with quick and confident brush strokes in the artist's signature color scheme of black and red. It's a fla...

James Van Fossan's "Calling" is an original, handmade oil painting that depicts an elderly man with a long white beard as atmospheric clouds swirl in the background.

Stephanie Freese's "Waterbuck Nebula" is an original, handmade acrylic painting that depicts a female model in profile with blue hair and horns sprouting from her head that reach int...

Very stylish, unique and original 1930's French fashion design, no doubt of Parisian origin. The painting, executed in gouache/ watercolor and pencil, is dated to the upper corner ...

Katalin Studlik's "Catherine" is an original, handmade acrylic painting that depicts a close up portrait of a female model with a ballerina bun and a dangling gold earring.

This is an framed original painting. June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery...

A wonderful landscape reminiscent of the great American artist Camille Carrot done. The details are masterfully done with beautiful brush work and wonderfully rich and lush color pal...

Daire Lynch's (IE based) "Ghost" is an original, handmade oil painting that depicts a female model in profile with a red glow cast upon her face.

Sir Peter Lely (Soest 1618 – 1680 London) Portrait of lady with a crown, possibly Bridget Drury Lady Shaw, formerly Viscountess Kilmorey, later Lady Baber (d.1696) c.1665 Oil on canvas 46 1/2 x 40 3/4 inches, Framed 42 1/4 x 36 1/4 inches, Unframed Inscribed left [……….]Isabella James Mulraine wrote the following for this piece: This portrait dates to the middle of the 1660s, the decade when Lely’s career took off as successor to Sir Anthony van Dyck. At the Restoration Charles II had appointed him Principal Painter to the King and paid a pension £200 per annum ‘as formerly to Sr. Vandyke...’1 Lely had trained in Haarlem and he was in his early twenties when he came to London in 1643. He was an astute businessman and a wise courtier. In 1650 he painted a portrait of Oliver Cromwell (Birmingham Museum and Art Gallery) while maintaining links with the Royalist exiles through the 1650s. He had arrived in England as a painter of small-scale portraits and lush scenes of nymphs in landscapes in a Dutch style. His experience of Van Dyck in English collections transformed his painting. His lavish and alluring vision of Arcadia exactly captured the spirit of the Court and as Principal Painter he dominated English portraiture for the next twenty years. Lely ran a highly efficient studio along Netherlandish lines, employing a team of specialists like the drapery painter John Baptist Gaspars and young artists-in-training like Nicolas de Largilliere. He had numerous rivals during that period, and by 1670 he had introduced numbered standard poses to speed up production, while collaborating with printmakers for further revenue and advertising. He died in 1680 of a stroke while painting, working to the last. The portrait, painted at a date when Lely’s poses and execution were still individual and inventive shows a lady sitting at three-quarter length facing away from the viewer. She has begun to turn towards the viewer, a pose with a long pedigree in art, first used by Leonardo da Vinci in the Mona Lisa (Louvre). She steadies her blue drapery where it might slip from her arm with the movement, a flash of realism beautifully captured. Like Van Dyck, Lely painted his female sitters in a timeless costume rather than contemporary fashion, showing a loose gown and floating silk draperies. It presented the sitter as a classical ideal. The portrait would not date. The saffron dress may be the work of a drapery painter but the brown scarf must be by Lely himself, and appears unfinished, broadly sketched in behind the shoulder. The delicate blue glaze and nervous highlights suggest shimmering translucence. Lely was a master of painting hands – his hand studies are marvels of drawing – and the lady’s hands are superb, exactly drawn, delicately modelled and expressive. The fidgety gestures, clutching the gown, fiddling with the edge of the scarf, give the portrait psychological bite, suggesting the personality behind the calm courtier’s expression, adding to the sense shown in the look of the eyes and mouth that the lady is about to speak. The portrait’s language is Vandykian. The inspiration comes directly from Van Dyck’s English portraits of women. Lely owned Van Dyck’s Portrait of Lady Elizabeth Thimbleby and Dorothy Viscountess Andover (National Gallery, London) and the sitter’s costume quotes Lady Andover’s saffron dress and brown scarf. But Lely paints a generation who sat nearer to the ground and through a dialogue of expression and gesture he shows sitters who are more flesh and blood than Van Dyck’s. The background with a column and curtain is different to those shown in most of Lely’s portraits of women. They tend to include trees or fountains, with a glimpse of landscape. But there are other examples. A portrait of the King’s reigning mistress, Barbara Villiers Duchess of Cleveland...

Painting oil on panel measuring 40 x 30 cm without frame and 48 x 38 with frame representing a great bishop of the Venetian school from the first half of the 18th century. Very curi...

Lacey Lewis's (US based) "Amber Ray" is an original, handmade oil painting that depicts a female model sitting on a red couch, with big dark hair, and pasties over her nipples. Thi...

A beautiful realist mid 19th century portrait of Gerardina Van Osch (Dutch, 1819-1898) by Jan Hendrik Neuman (Johan Heinrich Neuman) (German, 1819-1898). S...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

The Champ was painted over several days in the artist studio in Florence, Italy. The painting measures 16 x 12 with a handmade frame from Italy. This is oil on a linen panel which ...

Acrylic paint on paper Signed on the back

LADY IN BLACK - Oil on canvas painting, Eugenio De Blasi, Italy, 2011 This is his reinterpretation of a greatest old master painting by Giovanni Boldini. Gold leaf gilded and mohogan...

Gillis Claeissens Portrait of a Lady, probably "Anne Joigny-de Pamele" Oil on wood, 35,5 x 28 cm Gillis Claeissens has only recently been rediscovered as an important portrait painter of the 16th century. He received his training in the studio of his father, Pieter I Claeissens. Gillis became a freemaster of the St Luke's Guild in Brussels in 1566 and worked at the court of Alexander Farnese in Brussels between 1589 and 1592. Later he was also court painter to the Archdukes Albert and Isabella. After his return to Bruges, he created portraits of high Bruges society. It was only through the Forgotten Masters exhibition in Bruges in 2018 that the work of Gillis Claeissens was rediscovered. The present painting recently turned up in a private collection and was confirmed as a typical work by Claeissens by Mrs Oosterwijk at the Museum Groeninghe in Bruges. Gillis Claeissens or Egidius Claeissens (Bruges, 1526 – Bruges, 17 December 1605) was a Flemish painter of portraits and altarpieces and a member of a prominent family of artists originating in Bruges. It has only been possible to distinguish Gillis Claeissens' work from that of his father and siblings after scholars discovered a contract with the artist for the painting of a tryptich. It was further discovered in 2015 that he artist can be identified with the Monogrammist G.E.C. These discoveries have allowed to recognise Gillis Claeissens as an important portraitist alongside Pieter Pourbus in 16th century Bruges. Portrait Paintung, Old Master, Bruges School, Bruges Painting...

Portrait of Lady Bateman, 19th Century School of Sir Thomas Lawrence (1769-1830) Large 19th Century portrait of Lady Bateman, oil on canvas. Half lengt...

Trevor Taylor's "Nebula One" is an original, handmade oil painting that depicts a nude female model angling her shoulders forward as her hair transforms and blends into the outer spa...

Acrylic paint on paper Signed on the back

Oil paint on wood panel Signed on the back "Incanto" or the enchantment of shifting "Nicolas Kennett revisits the organic world through painted and sc...

Acrylic paint on canvas Signed on the back

Kimberly Dow's "Push" is an original, handmade oil painting that depicts a portrait of a female model pushing against a beam as the wind whips her brown hair across her face.

A photograph by Lawrence Schiller. “Marilyn 12, No. 29” is a chromogenic print in color by American artist Lawrence Schiller. The artwork is unsigned and editioned 72/75. Lawrence Sc...

Acrylic paint on canvas Signed on the back

Acrylic paint on canvas Signed on the back

Acrylic paint on paper Signed on the back

Portrait of a young girl, full-length, wearing a blue silk gown, standing on a terrace beside a classical urn holding a branch with blossom. Attributed to John Riley...

HRDR.FSTR,SMTR is an oil painting by V...Vaughan of Steve Navarro of California. In late November Steven Navarro is participating in the PanAmerican games in Cali, Colombia after wi...

AN URGENT MAN 2020 Paris, France Oil and acrylic on canvas portray a ‘derbyed’ man attempting to shed the weighted armor of his obligations and persona. A very loose nod to the char...

Pegah Samaie's "A Thin Smile" is an original, handmade oil painting that depicts a portrait of a female model smiling modestly as her face is overlapped ...

Dutch Female Artist Liseth Visser is no stranger to the world of portraiture. In the past she was nominated for the 'BP portrait award' from 'Th National...

Clyde Steadman's "First Love" is an original, handmade oil painting that depicts an impressionistic portrait of a blonde mother smiling as she cradles her i...

Artist: (after) Sir Henry Raeburn (Scottish, 1756-1823) Title: "Portrait of Margaritta MacDonald in red jacket and white gown (half-length)" *No signature found Circa: 1820 Medium: O...

Annunciation, 2021

"The Good Shepherd" German School, circa 1900 oil painting on canvas, framed canvas: 19.75 x 24 inches framed: 25 x 30 inches Beautiful oil painti...

Portrait Of Jeanne III d'Albret (1528-1572), 16th Century French School Court Portrait - oil on panel Fine 16th century French Old Master portrait of Jeanne III, Queen regent or Navarre, oil on panel. Rare and early depiction of the Queen regent in court attire by a French court painter circa 1550. Jeanne d"Albret married Antione De Bourbon to become the Duchess of Vendome. Her son Henri would be come Henri III...

Bathers On A Mountainous River Landscape, 17th Century attributed to Sisto BADALOCCHIO (1581/85-1647) Fine huge 17th Century Italian Bolognese School Old Master landscape with bathers in a mountainous river landscape, oil on canvas attributed to Sisto Badalocchio. Excellent quality and condition for its age presented in a superb antique gilt frame. Measurements: 120cm x 90cm...

Elena Burykina's "Halfway" is an original, handmade oil painting that depicts a woman with her hands folded and supporting her chin as she stares forward, her face cast in light and ...

Portrait Of Rob Roy MacGregor (1671-1734), 18th Century Rare Early Scottish School Portrait Large 18th Century Scottish School portrait of the famous outlaw...

Holy Week in Antigua, Guatemala by Stacy Kamin was painted as a commission for the gallery. It is 16 x 15 unframed and 20 x 21 framed. It is a handmade w...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

Joaquim Falcó (1958) The painter Joaquim Falcó was born in Manresa (Barcelona, Spain) and was related to art from a very early age: at the age of 9 he e...

A Beautiful Indian woman in a flowing green sari is seated in an exotic chair. The blue and cream rug set off the red and blue background behind her. ...

Artist: Jack Graves III (American, 1988-) Title: "Elvis Presley Icon V" Series: Icon *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2019-2022 Medi...

Study Of A Tulip circa 1700 attributed to Simon SAINT-JEAN (1808-1860) Fine 19th Century French study of a tulip, oil on paper laid to board. Beautiful early circa 1840 intricate ...

Portrait Of Henry Farington, East India Company, 18th Century attributed to Arthur DEVIS (1712-1787) One of a matching pair - the other is believ...

Subrata Das - Untitled - 12 x 12 inches (unframed size) Acrylic on canvas. Style : Subrata Das's works are a poetic representation on Indian Mythological forms, skillfully rendered....

Blue is painted in the style of American Realism. The painting is Representational Figurative art which is a time consuming process especially with portraits and figurative art. T...

Sir Roger De Coverly and his Hounds” by Richard Barrett Davis (1782-1854) Oil on Canvas, Unframed Size: 85 x 112cm Framed Size: 114 x 141cm Signed and dated 1843 Richard Barrett D...