Paint Portrait Paintings

Modernist Portrait of Woman with Flowers French artist, circa 1960's Signed lower right corner Oil on canvas, unframed Canvas: 24 x 18 inches Provenance: Private collection, France C...

This lovely British Victorian oil painting is by noted artist John Eaton Walker. Painted circa 1855 it is portrait in an interior of a beautiful young woman in a yellow satin dress. ...

[Bruce Sargeant (1898-1938)] Christopher Posing with Leather Jacket in White Jockstrap n.d. Signed in red, u.r. Oil on canvas 24 x 12 inches $3,250 + $125 framing This work is o...

ARTIST: John Nicolson RBA RSW (1891-1951) British TITLE: "Male Nude In The Studio" MEDIUM: oil on canvas laid to board SIZE: 48cm x 37cm incl frame CONDITION: very good NOTES: Bor...

The University Sports Club Blazer by Kathleen Emily Temple-Bird (British 1879 - 1962) signed and dated 1939 oil painting on canvas laid over board, framed framed: 35 x 30 board: 29.5...

Sir Henry Raeburn (Stockbridge, Edinburgh, UK, 1756 - Edinburgh, UK, 1823) Title: Portrait of a landowner Year: Early 19th century, 1803 Medium: Oil on canvas Dimensions: Without fra...

This is a highly stylized portrait of a lady by known and listed artist Lisa Mangor. Ms.Mangor was born in Russia in 1890 and came to New York likely around the beginning of World W...

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter ye...

Artist: Abraham Straski, Polish (1903 - 1987) Title: Rabbi and Torah Year: circa 1957 Medium: Oil on Canvas, signed l.r. Image Size: 16 x 12 inches Frame Size: 26 x 20 inches

The scale of this dynamic party painting by Leroy Foster (1925-1993) makes you feel like you are in the room with a cocktail in hand. He was an accomplished muralist, so it is no s...

AMERICAN SCHOOL (CIRCA 1840) A Gentleman with Groom, Horse and Greyhounds outside a Country House Oil on canvas Framed 75 by 99 cm., 29 ½ by 39 in. (frame size 87 by 113 cm., 34 ¼...

Follower of Ambrose McEvoy Circa 1910 Portrait of a Lady Oil on canvas Image size: 20 x 16 inches (51 x 40.5 cm) Original ebonised Frame A stunning portrait of a lady with flami...

Contemporary colorful oil on canvas abstract painting by Polish artist Monika Rossa. Artwork is a gestural abstraction, there are many dynamic shapes and composition consists of many...

Antique painting depicting the Face of Christ as Salvator Mundi Flemish painter, 16th-17th century Oil on copper 22 x 18 cm./ framed 42 x ...

The Orchestra Simone Forge 1930's French Impressionist oil on board unframed board: 16 x 13 inches Provenance: private collection, France Condition: great condition For more any ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adebayo Taiwo, ...

'Expressions in Bloom: Portraits from the 20th Century XIV', oil on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings thro...

Red Terrier Possibly Dutch School Oil on wood panel, circa 1900-1910. Initialed lower left 7 1/2 x 7 (12 x 11 1/2 frame) inches A charming and thoughtfully rendered depiction of a t...

This beautiful folk art style portrait by Kerry Louise Bennett contemplates the idea of personal growth, the journey towards contentment and the notion of being comfortable in your o...

"Selena By Charles Joshua Chaplin"Monogram in the lower-left cornerNamed and signed on the backCrack in the panel / restoredReframed in a modern frameAlthough Charles Chaplin worked ...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

Masri Hayssam (Lebanese, born 1965) "Traccia" (2019) Acrylic paint, Oil paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. "Traccia"—meaning "Trace" i...

This painting by artist Ray Simonini titled "Luna" is a 12x16 farm animal oil painting on canvas featuring a portrait of a white horse against a colorful bright background. Afternoon...

This stunning romantic exhibited Scottish Edwardian Impressionist portrait oil painting is by noted Scottish artist James Wallace. Painted in 1908 with excellent provenance, the brus...

Madonna & Sleeping Infant Christ, 18th Century Italian School Large 18th century Italian Old Master devotional scene of the Madonna & Child, oil on canvas. Excellent quality and co...

Her beauty is natural, she exudes so much grace and perfection. She's a visual symphony of beauty and majesty. She's adorned. She always graced her presence with her well-crafted fa...

This charming oil study depicts the back of a ballerina who sits in her tutu facing away from the viewer. The artist highlights the details of the dancer's costume and her neatly swe...

Work on cardboard Golden wooden frame 42 x 34 x 3.5 cm

George Knapton (London 1698 - 1778), attributable Portrait of a young aristocratic maiden sitting by a fountain in a garden in the company of a lamb Oil on canvas (127 x 102 cm - Fr...

Lady is an orignal modern artwork realized by Antonio Feltrinelli in the 1930s. Mixed colored oil painting on canvas. Not signed. Antonio Feltri...

This captivating piece, titled "Opium Dance," showcases Serj Tankian’s exploration of a unique technique and brush strokes that create a mesmerizing visual experience. The compositio...

Portrait of a lady attributed to William Wissing, half-length, wearing a pearl necklace and an amber gown adorned with jewels to the bodice and sleeves, wit...

This finely rendered American School portrait of a young girl reflects the careful attention to detail and craftsmanship of late 19th to early 20th-century portraiture. The sitter, d...

"The Matador" is an oil painting on canvas on board, created in 2022 by Dave Seeley, a distinguished artist based in the United States. The artwork, with dimensions of 36 by 24 inche...

Jacopo BASSANO (c. 1510-1592, Italian) Portrait of a Procuratore Oil on canvas 30 ¼ x 26 inches (including frame) Provenance: Lucien Bonaparte’s Collection (as Portrait of Doge Priuli, Tiziano); Rich-mond, Virginia Museum, Portrait of Doge Lorenzo Priuli. The painting is a portrait of a man half-length, on a black background. It is a three-quarter portrait, according to a custom very common in the genre of portraiture in sixteenth century. The man is wearing a decorated...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. A difficult time can be more...

Title: Portrait of a Lady Artist: Rosendo González Carbonell Medium: Oil on canvas Dimensions: 24 x 20 inches (unframed) Condition: Good con...

Info artist : Van Beers studied at the Academy in Antwerp. In 1873, he undertook a trip to London with Alexandre Struys. In 1878, Van Beers went to Paris where he worked in the stud...

A Full-Length Portrait of Nicholas I of Russia in a classical setting. Pietro Labruzzi (1739–1805). 1802.    Signed, located and dated lower left: ‘Pietro Labruzzi Roma Pinx Anno 1802.’ Oil on canvas.   Dimensions:  Unframed: 135.7 x 98.5 cm.; 53½ x 38¾ in. Framed: 151.6 x 115.6 cm.; 59¾ x 45½ in. Description:  Nicholas I (Russian: Nikolay Pavlovich) (1796-1855), Russian Emperor...

Pinckney Marcius-Simons, (American, French, 1867-1909) Signed: Marcius-Simons, (lower, right) " Lost in Her Thoughts ", circa 1890-1892 Oil on mahogany panel bearing the stamp on verso of " H. Vieille e. Troisgros Sueei, 55 Rue de Laval...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

19th/ early 20th Century Italian School Madonna and Child oil painting on canvas, unframed canvas: 32 x 24 inches provenance: private collection, UK co...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Work on canvas

The Bank Manager by Stuart Scott Somerville (1908-1983) signed oil on canvas, framed Framed: 56 x 47 inches Canvas: 50 x 40 inches Provenance: private collection, UK Condition: very ...

Non si tratta di uno studio preliminare al dipinto ma di una ulteriore messa a fuoco della fisionomia stravolta del protagonista, un ‘primo piano’ che ben corrisponde a quanto annota...

This artwork throws three impeccably dressed figures into the middle of a vast, sun-drenched desert—because nothing says "existential crisis" like wearing all black under the scorchi...

Portrait Of Emperor Nicholas I Of Russia (1796-1855) On Horseback, 19th Century circle of Heinrich Muller (1781-1851) Large 19th Century portrait of Nicholas I, Emperor of Russia o...

After Raphael Conestabile Madonna 1483 - 1520 Oil on poplar panel Image size: 8 x 8 inches (20.5 x 20.5 cm) Original ornate hand carved gilt frame Conestabile Madonna Made in compos...

Fisherman Portrait by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 47.5 x 24 inches condition: overall very good, minor surface s...

Elegant Portrait of a Woman Spanish/ French School, mid 20th century signed oil on canvas, framed in original period frame inscribed verso Framed: 30 x 27 inches Canas: 22 x 18 inche...

This portrait is truly mystic. A young, beautiful person—let's call her Angel—is playing an invisible violin. The surroundings are dark, yet a strong light illuminates only her face ...

n.d. Double-sided oil painting on panel Signed in red This artwork is offered by ClampArt, located in New York City.

Morteza Pourhosseini (Iran, born 1985) "The Circus 15" oil and acrylic on canvas, 2013 . Depicting a muscular male nude with "The Persian Iranian Lion" tattooed on his stomach and a...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...

Sir Peter Lely (Soest 1618 – 1680 London) Portrait of lady with a crown, possibly Bridget Drury Lady Shaw, formerly Viscountess Kilmorey, later Lady Baber (d.1696) c.1665 Oil on canvas 46 1/2 x 40 3/4 inches, Framed 42 1/4 x 36 1/4 inches, Unframed Inscribed left [……….]Isabella James Mulraine wrote the following for this piece: This portrait dates to the middle of the 1660s, the decade when Lely’s career took off as successor to Sir Anthony van Dyck. At the Restoration Charles II had appointed him Principal Painter to the King and paid a pension £200 per annum ‘as formerly to Sr. Vandyke...’1 Lely had trained in Haarlem and he was in his early twenties when he came to London in 1643. He was an astute businessman and a wise courtier. In 1650 he painted a portrait of Oliver Cromwell (Birmingham Museum and Art Gallery) while maintaining links with the Royalist exiles through the 1650s. He had arrived in England as a painter of small-scale portraits and lush scenes of nymphs in landscapes in a Dutch style. His experience of Van Dyck in English collections transformed his painting. His lavish and alluring vision of Arcadia exactly captured the spirit of the Court and as Principal Painter he dominated English portraiture for the next twenty years. Lely ran a highly efficient studio along Netherlandish lines, employing a team of specialists like the drapery painter John Baptist Gaspars and young artists-in-training like Nicolas de Largilliere. He had numerous rivals during that period, and by 1670 he had introduced numbered standard poses to speed up production, while collaborating with printmakers for further revenue and advertising. He died in 1680 of a stroke while painting, working to the last. The portrait, painted at a date when Lely’s poses and execution were still individual and inventive shows a lady sitting at three-quarter length facing away from the viewer. She has begun to turn towards the viewer, a pose with a long pedigree in art, first used by Leonardo da Vinci in the Mona Lisa (Louvre). She steadies her blue drapery where it might slip from her arm with the movement, a flash of realism beautifully captured. Like Van Dyck, Lely painted his female sitters in a timeless costume rather than contemporary fashion, showing a loose gown and floating silk draperies. It presented the sitter as a classical ideal. The portrait would not date. The saffron dress may be the work of a drapery painter but the brown scarf must be by Lely himself, and appears unfinished, broadly sketched in behind the shoulder. The delicate blue glaze and nervous highlights suggest shimmering translucence. Lely was a master of painting hands – his hand studies are marvels of drawing – and the lady’s hands are superb, exactly drawn, delicately modelled and expressive. The fidgety gestures, clutching the gown, fiddling with the edge of the scarf, give the portrait psychological bite, suggesting the personality behind the calm courtier’s expression, adding to the sense shown in the look of the eyes and mouth that the lady is about to speak. The portrait’s language is Vandykian. The inspiration comes directly from Van Dyck’s English portraits of women. Lely owned Van Dyck’s Portrait of Lady Elizabeth Thimbleby and Dorothy Viscountess Andover (National Gallery, London) and the sitter’s costume quotes Lady Andover’s saffron dress and brown scarf. But Lely paints a generation who sat nearer to the ground and through a dialogue of expression and gesture he shows sitters who are more flesh and blood than Van Dyck’s. The background with a column and curtain is different to those shown in most of Lely’s portraits of women. They tend to include trees or fountains, with a glimpse of landscape. But there are other examples. A portrait of the King’s reigning mistress, Barbara Villiers Duchess of Cleveland...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Oluwatobiloba A...

Portrait of Princess de Joinville riding a Bay Horse Henri d’Aincy, Le Comte Monpezat (French 1817-1859) Painted circa 1837-9 oil on canvas 113 x 92 inches (including frame) 92 x 70 inches (unframed) Provenance – from a private royal collection This magnificent portrait depicts Princess de Joinville, the daughter of Pedro I, Emperor of Brazil and the King of Portugal. Through her illustrious family she was directly related Alexander III and Nicholas II of Russia and the Russian royal family, as well as to many of the great ruling families of Europe. The work clearly confirms Monpezat as one of the most accomplished equestrian portrait painters in France in the early nineteenth century. In terms of scale, quality and dramatic power, it must surely be considered amongst his finest works. The stance of the powerful thoroughbred - in half rear - emphasises the calm nature and courage of the Princess. Francisca of Brazil (1824-98) married a son of Louis Philippe I, the King of the French, and had three children. Born at the Imperial Palace of Saint Christopher, her youngest brother was the future Pedro II...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil, double sided The sketch is original, v...