Head Portrait Paintings

Beautiful painting with touches of surrealism, modernism, figurative and very special for the use of gold and silver ink in the work has a fine red velvet maria luisa and a neutral w...

Oil on canvas. Bartolomé Esteban Murillo and workshop. Certificated by Enrique Valdivieso who is the most inportant expert in this artist.

Portrait Of A Gipsy Girl, 19th Century by Alix Louise ENAULT (1860-1913) to $40,000 Large 19th Century French portrait of a young gipsy girl, possibly portrayed as Esmeralda, oil on canvas by Alix Louise Enault. Excellent quality and condition leading example of the famous french female painters...

THE PRIESTS Size: 60 x 48 cm (including frame) Oil on canvas A brilliantly painted mid century figurative portrait of 2 priests, exec...

A charming coloured etching of a European lady, wearing a white headscarf and pink shawl. The sitter stands with her arms folded, gazing to left with a subdued smile. The artist's et...

A Figure by Candlelight 19th-20th Century European School (most likely French) signed indistinctly, oil painting on canvas, framed framed: 25 x 29 inc...

ARTIST: Janet Patterson (1941-) Scottish TITLE: “Portrait OF A Seated Lady” SIGNED: lower right MEDIUM: oil on board SIZE: 30cm x 25cm inc frame CONDITION: excellent DETAIL: Painter and teacher, born in Edinburgh. She trained at Slade School of Fine Art. A French Government Scholarship enabled her to extend her studies, and a Churchill Fellowship in 1987 provided six months travelling and painting in Australia. Lectured at Liverpool and Wallasey Colleges of Art and then at Edinburgh College of Art, later moving to London. She said that her painting was “about the passage of life, how I react to situations and atmosphere”. Group exhibitions included Sheffield Open, Liverpool Academy, LG, National Trust and Fine Art Society, Edinburgh. Solo shows included Petter Potter, Haddington; Scottish Gallery, Edinburgh; and Camden Arts Centre, 1982. Was included in Scottish Art in the 20th Century at RWA, 1991. Won second prize, Hunting Art...

Introducing a stunning portrait by renowned French artist Léon Richet (1847-1907), depicting a young girl adorned with a beautiful floral wreath and a hat perched atop her head. This...

A large and striking female portrait titled "Red Umbrella" by Timoleon Marie Lobrichon (French, 1831-1914) This darling young woman portrait wearing an early 1900's light pink and green satin dress. Her delicate and beautifully rendered hands reach into the light as her face and upper body are carefully shaded by the lush greenery around her. A half moon brooch...

Joseph Highmore (London 1692-1780 Canterbury) Portrait of a young boy holding his pet squirrel Oil on canvas Canvas Size - 30 x 25 in Provenance Sale, Sotheby's New York, Old Master...

The picture tells about a beautiful girl who lives in the village and does housework. Despite the daily routine, she finds time to enjoy life, in the middle of the working day, she s...

Hand signed lower left canvas measures 24 X 18, framed it measures 34 X 28 Calogero was born August 20, 1922 in Catania, Sicily. Self-taught Surreal Artist First exhibitions in 1945 in Sicily and Rome were very successful. He arrived in Paris in 1947 and studied at the Ecole des Beaux Arts. He is best known for his Surrealism and genre works. His paintings are dreamlike and visionary. They travel to an infinite space created by the artist through his memories, the sky and the sea so dear to him. In his paintings there are a few common themes: the masks with their dual dimensions that hide or shows only what you want, the profiles of the women, and the horsemen, drawn as the Sicilian tradition requires. He exhibited at the Gallery Hervé in 1951 and the following year he went to New York to present his show, then in 1953 he was invited to Los Angeles, where he returned two years later, and from where he regularly exhibited his works, and San Francisco. In 1954, Maximilien Gauthier devoted a book to him published by "The Gemini." The first exhibition in Japan was in 1965. He was awarded the Grand Silver Medal by the City of Paris in 1957. Calogero had countless exhibitions in Paris, in the fifties, plus the American exhibitions in New York (Associated American Artists, 1952), Los Angeles (James Vigevano Galleries, 1953) and then later in Japan and in major galleries in Italy. He lived and worked for many years in Paris and Italy. He died in 2001. Galerie Hervè, Parigi 1950. Associated American Artists - New York 1952. James Vigevano Galleries, Los Angeles 1953. Galerie Madsen, Parigi 1954/1960. Antologica, Tokyo 1965. Galleria La Robinia, Palermo 1969. Florida Gallery, Chicago 1970. Galleria Il Cavalletto, Catania 1971. Galleria De Rosa, Milano 1972. Galleria Pinacoteca, Roma; L'Incontro, Taranto 1973. Galleria Idea-Bellini, Firenze; David Galleries, Bari; Palazzo Melloni, L'incontro, Bologna; Galleria Schettini, Milano; Galleria Pinacoteca, Roma; Galleria La Meridiana, Verona; Pier della Francesca, Arezzo 1974. Galleria L'isolotto, Napoli; Pinacoteca, Roma; Galleria del Corso, Latina 1975. Galleria Michelangelo, Firenze; Pinacoteca, Roma 1977. Galleria Robert Philip...

Oil Portrait. The Silence is from the ingmar Bergman movie of the same title and the painting features Ingrid Thulin and Gunnel Lindblom. About the Artist: John Francis Gallagher is a Boston-based contemporary artist. Born in Drogheda, Ireland in the Boyne Valley, he emigrated to the United States at 19. John worked in graphic design, advertising and architectural rendering before turning his hand, full-time, to painting. A self-taught figurative artist, his work has a vintage style that is influenced by the so-called pulp artists of the 20th century. In his large-scale canvases, tone is given precedent to create realism. Working within a limited palette of tones, The paint is woven under, over, and into itself in layers to create a portrait that is seemingly simple but satisfyingly complex. The work has a strong quiet energy that creates space for itself in a frenetic, busy world by being the exact opposite. Often drawn from 1960s European Cinema...

This piece titled "Overheard" is an original artwork by Jason Andrew Turner made of acrylic on canvas. This piece measures approximately 20"h x 16"w. Jason Andrew Turner (b. 1982, B...

Oil Portrait of Elvis on canvas. About the Artist: John Francis Gallagher is a Boston-based contemporary artist. Born in Drogheda, Ireland in the Boyne Valley, he emigrated to the United States at 19. John worked in graphic design, advertising and architectural rendering before turning his hand, full-time, to painting. A self-taught figurative artist, his work has a vintage style that is influenced by the so-called pulp artists of the 20th century. In his large-scale canvases, tone is given precedent to create realism. Working within a limited palette of tones, The paint is woven under, over, and into itself in layers to create a portrait that is seemingly simple but satisfyingly complex. The work has a strong quiet energy that creates space for itself in a frenetic, busy world by being the exact opposite. Often drawn from 1960s European Cinema...

Aiden Kringen's (US based) "Opulence 12" is an original handmade oil painting that is unframed, but ready to hang. About the Artist: A kaleidoscopic fantasia—crystalline planes floating in space, nestling together like immaculate puzzle pieces—abstract nebulae, human figures and faces enveloped in swirling fields or particles of energy—these number among the images evoked by the hauntingly enigmatic paintings of artist Aiden Kringen. Within this worldview a mysterious network of interlocking planes becomes visible to the beholder: mystical fields of unknown substance revealed as the building blocks of our bodies and semblances, surrounding, cocooning, perhaps even protecting us. It is a vision verging on the mystical, which Kringen portrays through a distinctive style: a fractured, cubistic mode of conscious- ness in which multiple dimensions or perspectives assimilate into an ecstatic whole. The artist deploys this style in opulent and seductive portraits as well as abstract tableaux whose optical signature is magnified by compositional dynamism and deeply layered surfaces. Born in Los Angeles in 1992, Kringen lived variously in the American West and Mexico—Sebastopol, Jalisco, Portland, Flagstaff—before settling in the hill- and vineyard-dotted environs of Sonoma, County, where he is now based. In these very different environments, each of which possesses a uniquely picturesque natural beauty, the artist began from an early age to develop his aesthetic approach. He has always had a keen eye for detail, grounded in a gift for looking closely at the human experience. “I’ve always been interested in observing people,” he recalls, “and in the details of how we interact with one another.” He put this natural ability to task when he began working on illustration and graphic-design projects while in high school. From his mother, an artist and graphic designer, he learned the fundamentals of composition and typography, the nuances of positive and negative space and the relationships between them. Using sheets of Letracet—a system for transfer- ring typeface—proved particularly instrumental in developing a methodology for layering and collage, which continue to inform his works on canvas and paper. He learned old-school tech- niques, hands-on and mechanical, in keeping with a Bauhaus-like appreciation for perfectionism, integrity, and hard work. Kringen began painting at 14. Then as now, drawing was central to his approach. He studied vintage anatomy atlases and drew meticulously in his journals, working through myriad permutations of bones and skin, angle and pose, muscles in motion. Honing his natural talent for figuration through long and exhaustive study, he arrived at an understanding of the figure that is both intuitive and virtuosic. On acrylic and mixed media on canvas, Kringen lays down linework with a Micron pen in ever-more-complex compositions, often with the addition of gloss mediums to bring out the layers’ reflectivity and prismatic character. In some pieces he incorporates gold and silver leaf to heighten drama and luxuriance, recalling the mosaic-like work of Gustav Klimt—who, along with fellow Austri- an Expressionist Egon Schiele, stands among Kringen’s most prominent influences. It was in 2011 that he began painting in the style with which he is now most associated: a technique fusing drawing and painting, line and brushstroke, with fragmented shapes undergirding the imag- ery. Notably, this is not simply a stylistic conceit, but more a way of perceiving reality. “Ever since I was young,” Kringen notes, “I’ve spent most of my time observing people: trying to break people down, in a visual sense, into small categorizations of their features, their mannerisms, the way they twitch their nose...” His hypersensitivity to likeness and gesture is key, for this is what distinguishes his portraits from those by artists who strive to depict idealized beauty as an end in itself. Yes, there is an undeniable beauty to Kringen’s subjects, but it does not follow strictly conventional paradigms. There is an individuality, a capturing of idiosyncracies and eccentricities, of optimism and fatalism, light and dark, in his work. He is not painting archetypes, but rather illuminating the essential charac- ters of real people in a highly refined genre of psychological portraiture. The fragmented linework, the grids of planes he uses as lenses to focus these characteristics, is sui generis but never gimmicky; above all it is a tool for defining and refining the features of the face, adding depth and definition. In his abstract work he uses similar techniques, paring the fabric of perception itself down to bare essentials of form, color, and texture. The abstract pieces are simultaneously elegant and complex, combining the sweeping gesturalism of Abstract Expressionism with the rigorous structure of geomet- ric painting. Across the breadth of his output Kringen balances technical and thematic polarities into bracing integrations of sensuality and grittiness, inviting contemplation into the nature of opticality and the infinite possibilities of the seen and unseen. —Richard Speer is a contributor to ARTnews, Artpulse, Visual Art Source, and Surface Design. His essays and reviews have appeared in The Los Angeles Times, The Chicago Tribune, The New York Post, The Oregonian, Salon, Newsweek, and Opera News. He is the author of “Matt Lamb...

Art is a form of expression that can take many shapes and forms. One such form is painting, and Esther Obiwuru is an artist who has created a powerful piece of artwork titled "Sittin...

Contemporary British artist, 21st century oil on board, unframed size: 18 x 22 inches This came from a private collection of artworks by the artist, a few of which are signed 'Andrew...

A delicately painted and unfinished portrait of a Victorian house Maid. Beautiful presented in a period gilt frame and slip, with C-scroll running ...

Oil on masonite

Rainy Day by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on thick paper, unframed signed J.V paper: 10 x 6.25 inches double sided very good condition provenance...

A wonderfully bright and vibrant portrait study by the artist Mary Neill. Completed with expressive brushwork and bright colour. Royal Society of Portrait Painters label fixed to the...

Joanna Woyda (b. 1981) Studied painting at the Academy of Fine Arts in Warsaw (2000-2005). She received her honorary degree in 2005. She was also a scholarship holder of the Ministr...

Art is often a reflection of the world around us and can convey deep emotions and thoughts through various mediums. One such powerful artwork is "In Her Thoughts" created by Esther O...

This is most likely a self-portrait. We see the artist in a reflection holding a small 1950s camera while his wife in the foreground holds a large bran...

Diego Glazer's "Red Button" is an original, handmade oil painting that is framed and ready to hang. The framed measurements are 12.5 in H x 16 in W.

Tuya Natsagdorj (Mongolia 1970) - Naked Goddess - oil on canvas Oil measures 63x53 cm. Frame measures 66x56 cm. Natsagdorj Tuya is a female artist who graduated from the kyiv School of Theater Arts in Ukraine and the Kyoto School of Art in Japan. Popular painter in the United States and Japan. In 2006 he participated in the exhibition "Mongolian art...

Untouchable 2 is an original painting by Obeka Simon. Simon created Untouchable 2 with Oil on a 40W by 42H inches primed canvas. Simon Obeka uses Untoucha...

Work on canvas Golden wooden frame 102 x 86 x 6 cm

"Negotiating with Time" is a stunning artwork that reflects the challenges and opportunities of time. Created by the contemporary artist, Aba Linus, this pie...

This is a one of a kind watercolor on paper figurative painting by San Diego artist, Charlene Mosley. Its framed dimensions are 15" x 18"x 1". It is framed. A certificate of authent...

"Anxiety" is a stunning piece of artwork that captures the complex emotions and inner turmoil that many of us experience on a daily basis. Created by rising artist, Olajire Olalekan...

A female face diving underwater in a cloud of floating bubbles. If one has ever felt weightless in the quietness of the deep sea, the feeling is bliss. New artwork,ready to hang! F...

Medium sized portrait by Katerina Hatzi. A smiling lady blows a big air bubble, diving underwater into the calmness of the sea bottom. New artwork,ready to hang! Artist's quote: «...

The artwork titled "Influence" depicts a lady who appears to be lost in thought. She is portrayed with a blue and yellow color around her neck, which stands out against the grey background. The artwork is captivating, and it seems to tell a story of its own. The lady's posture suggests that she is deep in thought, perhaps reflecting on something significant. The blue and yellow colors around her neck add to the intrigue, leaving the viewer to wonder about their meaning. The colors are bold and bright, almost as if they are trying to break through the grey background. The title of the artwork, "Influence," adds another layer to the piece's meaning. It could be interpreted as the lady being influenced by something or someone, or perhaps she is the one who exerts influence on others. Either way, the title makes the artwork more thought-provoking and leaves the viewer with questions. The use of color in the artwork is striking. The blue and yellow around the lady's neck create a sense of vibrancy and life. The grey background, while muted, provides a subtle contrast that emphasizes the colors around her neck. The color choices are deliberate, each color has its own symbolic meaning. Blue is often associated with calmness, trust, and communication, while yellow is associated with optimism, happiness, and energy. The overall composition of the artwork is simple yet powerful. The lady is the focal point of the piece, and her posture and expression convey a sense of introspection. The blue and yellow colors around her neck draw the viewer's attention, and the grey background provides a sense of stillness and calmness. The artwork is open to interpretation, and the viewer may interpret it in different ways. Some may see it as a representation of someone deep in thought, while others may see it as a symbol of inner strength and influence. Whatever the interpretation, the artwork is visually striking and thought-provoking. In conclusion, "Influence" is a beautiful and thought-provoking artwork that portrays a lady lost in thought with blue and yellow colors around her neck on a grey background. The artwork's title and use of color add to its complexity, leaving the viewer with questions and interpretations. It is a testament to the power of art and its ability to evoke emotions and stimulate the mind. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Aba Linus...

Ganiyat Abdulazeez, a contemporary Nigerian artist, has created many notable works of art that capture the beauty and complexity of the human form. Among her most striking pieces is "Portrait of Theophilus," a painting that captures the essence of a man with a cap, who exudes both confidence and vulnerability. The portrait is executed in a style that is typical of Abdulazeez's work, featuring bold and vivid colors that are applied with loose, impressionistic brushstrokes. The colors in the painting are warm and earthy, with a predominantly brown and pink, and red color scheme that creates a sense of warmth and intimacy. The subject of the painting, Theophilus, is a young man with a cap that partially obscures his face. His expression is one of quiet contemplation, with a hint of a smile on his lips that suggests a sense of humor and lightness of spirit. The pose of the figure is relaxed, with his head tilted slightly to the side and his shoulders hunched forward, creating a sense of intimacy and vulnerability. What sets "Portrait of Theophilus" apart from other portraits is its emotional depth. The figure's relaxed pose and warm color scheme create a sense of intimacy that invites the viewer to connect with the subject on a personal level. The viewer is drawn into the painting, invited to consider the complexities and contradictions that exist within the figure's inner world. The painting is also notable for its simplicity. The figure is depicted against a background, with no distracting elements or contextual details to distract from the essence of the figure. This minimalist approach allows the viewer to focus on the details of the subject's expression, posture, and clothing, all of which contribute to the overall impression of the figure. Overall, "Portrait of Theophilus" is a masterful work of art that captures the essence of a man with a cap in all his complexity and vulnerability. It is a testament to Ganiyat's skill as an artist, and to her ability to create paintings that are both aesthetically pleasing and emotionally resonant. Whether viewed as a portrait or as a study of the human form, this painting is sure to leave a lasting impression on those who see it. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abdulazeez Ganiyat Abosede is a visual artist based in Lagos, Nigeria. She graduated with a National Diploma from the prestigious Yaba College of Technology in 2017 and went on to earn a Higher National Diploma in the same school in 2021. Ganiyat explores a diversity of media spanning pastels, graphites, charcoal, watercolors, acrylics, and oils (being her most favored). In her recent works, she incorporates a distinctive floral motif - believed to have a deep connection with her childhood experiences in her portraits. This reoccurring phenomenon in her work is called jatropha multifida ( coral plant...

This is an original mixed media artwork by Southern California artist, Cheryl Tall. Its dimensions are 12" x 12" x .75". It is unframed. A certific...

Resilience is an Original Painting by Bukola Orioye. Bukola created Resilience with oil and acrylic on a 40W by 40H canvas. Resilience is a painting that...

In the frame: approx 17" x 12: inscribed and dated 1903. Oil on paper.

Provenance: Cornelius Vanderbilt, New York; by whom gifted in 1880 to: The Metropolitan Museum of Art, New York (80.3.673); deaccessioned and sold: Christie’s, New York, 12 June 19...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

A fine early 19th Century portrait in oil, showing a young boy in traditional smock dress and trousers, holding a posy of flowers as his little dog rests its head lovingly in his lap...

Oil on board Image size: 14 x 11 1/4 inches (35.5 x 28.5 cm) Gilt frame This is a striking and well-executed oval half-length portrait of a girl sitting in an armchair in a brown dress and a black lace scarf...

Mira on Pink Dress is an original painting by Theophilus Madaki. Theophilus created Mira on Pink Dress Oil and Acrylic on a 32W by 41H inches primed canva...

The Conversion Of Mary Magdalene, 17th Century Studio Of Il Domenichino (1581-1641) Large 17th century Italian Old Master depiction of the Conversion of Mary Magdalene, oil on canvas. Circa 1630 intimate toilette scene, in which a magnificently dressed Mary removes her jewellery, this allegory has both moral and apologetic purposes in line with the Counter Reformation. The painting records the first steps of Mary Magdalene towards her religious conversion, to renounce worldly belongings and ephemeral pleasures, thereby taking off her precious jewelled pieces, in favour of a frugal and contemplative way of life in the desert. The Magdalene remained one of the most popular saints after the Reformation...

Artist/ School: Italian School, 19th century Title: Classical nude draped in robes with dancing dog. The work looks as though it might have been a ceiling...

My Purple Heart is an Original painting by Meshach Charity. My Purple Heart was created with Oil on a primed 48W by 48H inches canvas. Beauty isn't about...

"Papagena's Dream" Oil Painting 20" x 39" inch by Andrey Remnev ARTIST BIO: "My birth place is Yakhroma town, in the vicinity of Moscow. It is situated on high hills, from where broad Bruegelian vistas are open. The uneven terrain with significant differences of high and low; a canal between the Moskva river and the Volga; small rivers, woods and villages; a nearby ancient town of Dmitrov, which is equal to Moscow in age; ships cruising the canal and trains outdistancing them – all this I saw from my window since my early years. It was a view that embraced all the diversity of the world. This is why I can say that the impressions of my childhood and youth – beautiful nature and remarkable people – are the most important ones. In the museum of Moscow's St. Andronic Monastery I copied the best examples of the old Russian painting of the 15th-17th centuries. My own style evolved from the ancient icon...

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Gabriele Varese (in Italian uniform), 1919 oil on canvas mounted on panel 116 x 90 cm stamp signature Exhibited: Solo exhibition, Stockholm, Nov-Dec 1917; The Royal Academy Stockholm 1973; Åmells Konsthandel – En internationell kubist, Stockholm & London 2008 Hälsinglands Museum 2011 Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and had left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick and continued to support him financially for the rest of his life. Dick Beer also exhibited in Sweden, albeit irregularly due to his failing health. In the 1920s and 1930s, Beer continued to pursue an expressionist painting with intense colours and unexpected perspectives, but eventually he veered towards more naturalistic forms, including a large number of nudes. He also painted several portraits of artists, politicians and writers. In 1938, Dick Beer sojourned in Arles. The budding photographer Christer Strömholm...

Ritrato Postumo di Benedetto Silva d' Angola Oil Painting on Canvas on Wood In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather,...

Huguette Ginet-Lasnier (French 1927-2020) framed signed oil painting on textured board framed: 22 x 19 inches board: 18 x 15 inches. All the paintings we have for sale by this artis...

Oil on canvas Image size: 10 3/4 x 7 3/4 inches (27.25 x 19.5cm) Handmade William Kent frame This quickly created oil sketch is a study for a larger work, its purpose being to aid the artist and give the client a visual representation of the final piece. The subject is a young gentleman in a colourful pink and white outfit. He also wears a powdered wig and bears a decorative sword...

Artist: Joe Montanes – Spanish (1918-1998) Title: Madonna Year: circa 1970 Medium: Oil on board Painting size: 27.75 x 19.75 inches. Framed size: 32.75 x 24.75 inches Signature: Signed upper left Condition: Very good The painting is in very good condition. The frame is in good condition with a few tiny scratches which are barely visible upon very close inspection. Jose Montanes studied at the Escuela de Bellas Artes de San Carlos in Valencia. In 1947, he had his first one-man show in Barcelona Recognition, scholarships, acclaim and honours quickly followed. At about this time, the French government awarded the young artist a scholarship to study at the Ecole de Beaux Arts...

A beautiful c.1930 English post-impressionist / pointillist oil on canvas depicting two young men at a table. The work is superbly executed with a wonderf...

A vibrant and skilled copy of the original painting by the notorious artist Fernando Botero. The painting shows the president of Colombia, astride a brown horse, both depicted in Bot...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

"Strelka. Beginning" Oil Painting 25.5" x 29.5" inch by Andrey Remnev ARTIST BIO: "My birth place is Yakhroma town, in the vicinity of Moscow. It is situated on high hills, from where broad Bruegelian vistas are open. The uneven terrain with significant differences of high and low; a canal between the Moskva river and the Volga; small rivers, woods and villages; a nearby ancient town of Dmitrov, which is equal to Moscow in age; ships cruising the canal and trains outdistancing them – all this I saw from my window since my early years. It was a view that embraced all the diversity of the world. This is why I can say that the impressions of my childhood and youth – beautiful nature and remarkable people – are the most important ones. In the museum of Moscow's St. Andronic Monastery I copied the best examples of the old Russian painting...

Framed Dimensions: 13h x 10.25w in RUTH OWENS graduated in 2018 with an MFA from the University of New Orleans after leaving her medical practice of 25 years. She is represented by ...