Abstract Geometric Paintings

I collected meaningful symbols of this brutal war in Ukraine for liberty on this canvas: the leopard as a sign of help with armament, metal from Azovstal, images of the mother's womb...

Lee Sang Yeop is an emerging South Korean artist that at his young age has reached a highly sophisticated level of composition and technique. We can appreciate his tranquil but yet c...

Contemporary abstract geometric painting by artist Mark Byckowski. The piece features horizontal lines with a variety of vivid colors of blue, pink and purple painted against a bright white background. Each of Byckowski's work features a bright red line at the bottom right corner. Signed, titled, and dated on reverse. Currently unframed, but options are available. Artist Biography: Mark Byckowski was born March 18, 1957 in Chicago, Illinois. He remained in and out of the Chicago area until moving to Raleigh, North Carolina in 1990. In 2016 moved to Livingston, Texas where he currently resides. At an early age, he began drawing, studying, and creating art which has continued throughout his life. His artwork has changed and evolved through different periods and styles that span for decades. In the early years, he was influenced by traditional representational artists and illustrators, then impressionism, surrealism, and avant-garde of modernism captured his imagination. His artistic talent eventually led him to Northern Illinois University where he received Dean List Honors in Fine Art with an emphasis in the studio painting. As a studio artist he has produced a body of work in various media painting, drawing, sculpture, printmaking, and computer art also known as digital art. While in college the artist began searching for an original idea and style of his own. In 1979 when the first apple personal computers became available in the art department. He immediately knew the technology would eventually influence the direction of fine art in the future. It took time to learn how to program and explore the possibilities of computers as a new tool in the creation of art. Personal computers back then did not have the capabilities they have today and were not user-friendly. There were only two fine artists Mark Pinson and I working with computer technology back then. We worked on our own ideas and after completing the programs and turning them into paintings and drawings we collaborated and mounted a two-man exhibition. My first program was a series of interconnected images entitled “Concatenation” paintings and drawings created from the program were exhibited with Mark Pinson’s work entitled “Random” in a two- man show at The Holmes Center Gallery, Northern Illinois University on November 30, 1980. The second program entitled “Visual Music” the paintings and drawings exhibited in a one man show at The Recital Hall Music Building Gallery, Northern Illinois University on April 26, 1981. Followed by an exhibit sponsored by Illinois Bell, works on paper selected a drawing from the Visual Music series for “A New Generation of Artists” at The Lobby Gallery, 225 West Randolph Street, Chicago, Illinois, May 14 through June 12, 1981. The artist has participated in exhibitions dating back to 1974. The above exhibitions were selected because they marked a new beginning and direction in the artist’s work that continues to the present day. Other positions held in the Fine Art field include: 1984-1985- Austin Galleries, Michigan Avenue, Chicago, Illinois (Main Gallery) and other locations Fine Art Consultant / Gallery Director 1982-1984- Atlas Galleries, Michigan Avenue, Chicago, Illinois (Main Gallery) and other locations Fine Art Consultant / Assistant Gallery Director Artist Statement: Subject matter for computer art, painting, and drawing Mark S. Byckowski In 1979 searching for a for an original idea and style of my own I began looking for abstract ideas that I could program with a computer for a new a paintings series. I decided on an idea called “Concatenation” a series beginning from the original image undergoing a transformational change from the previous image connected in a linked series. Example: Image 1 is the original, image 2 changes image 1 by adding a new line, and image 3 changes image 2 by adding an additional new line. Continually changing the previous image by adding an additional line etc. In 1980 I began working on a new abstract idea that I could again program with a computer for a new painting and drawing series. The similarities between music and art intrigued me and began thinking about how I could create a visual representation of musical sound. In music notes are arrangements turned into compositions. In art color is also, arranged into compositions and both seek aesthetic rhythms and harmony. Depending on what notes or colors used can also, affect different emotions and moods. The Artists painting process Step one: Create the computer drawing. For years I have used Microsoft classic paint to create drawings. It allows me to arrange an aesthetic composition and select a color scheme in advance. I can make changes easily until I am satisfied. Step two: I build a custom stretcher frame with support bars and corner braces. Step three: Measure and Stretch the canvas onto the frame pulling the canvas and using a staple gun...

Contemporary abstract geometric painting by artist Mark Byckowski. The work is featured in a series of paintings. The work features horizontal lines with a variety of vivid colors of red, purple, green, and yellow, painted on a black background. Each work in the series features a bright red line at the bottom right corner. Signed, titled, and dated on reverse. Currently unframed, but options are available. Artist Biography: Mark Byckowski was born March 18, 1957 in Chicago, Illinois. He remained in and out of the Chicago area until moving to Raleigh, North Carolina in 1990. In 2016 moved to Livingston, Texas where he currently resides. At an early age, he began drawing, studying, and creating art which has continued throughout his life. His artwork has changed and evolved through different periods and styles that span for decades. In the early years, he was influenced by traditional representational artists and illustrators, then impressionism, surrealism, and the avant-garde of modernism captured his imagination. His artistic talent eventually led him to Northern Illinois University where he received Dean List Honors in Fine Art with an emphasis in studio painting. As a studio artist, he has produced a body of work in a variety of media painting, drawing, sculpture, print making, and computer art also known as digital art. While in college the artist began searching for an original idea and style of his own. In 1979 when the first apple personal computers became available in the art department. He immediately knew the technology would eventually influence the direction of fine art in the future. It took time to learn how to program and explore the possibilities of computers as a new tool in the creation of art. Personal computers back then did not have the capabilities they have today and were not user-friendly. There were only two fine artists Mark Pinson and I working with computer technology back then. We worked on our own ideas and after completing the programs and turning them into paintings and drawings we collaborated and mounted a two-man exhibition. My first program was a series of interconnected images entitled “Concatenation” paintings and drawings created from the program were exhibited with Mark Pinson’s work entitled “Random” in a two-man show at The Holmes Center Gallery, Northern Illinois University on November 30, 1980. The second program entitled “Visual Music” the paintings and drawings exhibited in a one man show at The Recital Hall Music Building Gallery, Northern Illinois University on April 26, 1981. Followed by an exhibit sponsored by Illinois Bell, works on paper selected a drawing from the Visual Music series for “A New Generation of Artists” at The Lobby Gallery, 225 West Randolph Street, Chicago, Illinois, May 14 through June 12, 1981. The artist has participated in exhibitions dating back to 1974. The above exhibitions were selected because they marked a new beginning and direction in the artist’s work that continues to the present day. Other positions held in the Fine Art field include: 1984-1985- Austin Galleries, Michigan Avenue, Chicago, Illinois (Main Gallery) and other locations Fine Art Consultant / Gallery Director 1982-1984- Atlas Galleries, Michigan Avenue, Chicago, Illinois (Main Gallery) and other locations Fine Art Consultant / Assistant Gallery Director Artist Statement: Subject matter for computer art, painting, and drawing Mark S. Byckowski In 1979 searching for a for an original idea and style of my own I began looking for abstract ideas that I could program with a computer for a new a paintings series. I decided on an idea called “Concatenation” a series beginning from the original image undergoing a transformational change from the previous image connected in a linked series. Example: Image 1 is the original, image 2 changes image 1 by adding a new line, and image 3 changes image 2 by adding an additional new line. Continually changing the previous image by adding an additional line etc. In 1980 I began working on a new abstract idea that I could again program with a computer for a new painting and drawing series. The similarities between music and art intrigued me and began thinking about how I could create a visual representation of musical sound. In music notes are arrangements turned into compositions. In art color is also, arranged into compositions and both seek aesthetic rhythms and harmony. Depending on what notes or colors used can also, affect different emotions and moods. The Artists painting process Step one: Create the computer drawing. For years I have used Microsoft classic paint to create drawings. It allows me to arrange an aesthetic composition and select a color scheme in advance. I can make changes easily until I am satisfied. Step two: I build a custom stretcher frame with support bars and corner braces. Step three: Measure and Stretch the canvas onto the frame pulling the canvas and using a staple gun...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"1 Repertorio (M6)" . Red, Black, Grey. Abstract geometric painting Acrylic Paint on panel, 2024. Dimensions: 96 x 61 x 2 cm. In inches: 37.8" x 24" x 0.79" . This abstract paintin...

Contemporary abstract geometric painting by artist Mark Byckowski. The work is featured in a series of paintings on a rag surface watercolor board. The work features horizontal lines...

Contemporary abstract geometric painting by artist Mark Byckowski. The work is featured in a series of paintings. The work features horizontal lines with a variety of vivid colors of...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

Contemporary abstract geometric painting by artist Mark Byckowski. The work is featured in a series of paintings on a rag surface watercolor board. The work features horizontal lines...

Contemporary abstract geometric painting by artist Mark Byckowski. The work is featured in a series of paintings on a rag surface watercolor board. The work features horizontal lines...

Contemporary abstract geometric painting by artist Mark Byckowski. The work is featured in a series of paintings. The work features horizontal lines wit...

Contemporary abstract geometric painting by artist Mark Byckowski. The work is featured in a series of paintings. The work features horizontal lines with a variety of vivid colors of...

Beautiful abstracted geometric landscape of mountains surrounding San Francisco Bay Area titled "Tidal Planes" by Erle Loran (American, 1905-1999). Signed and dated lower right "Lora...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

Contemporary abstract geometric painting by artist Mark Byckowski. The work is featured in a series of paintings. The work features horizontal lines with a variety of vivid colors of...

Contemporary British, 21st century oil on board, framed size: 21 x 10 inches board: 19.5 x 9.5 inches provenance: private collection, Surrey, England condition: The painting is in ...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created c...

Contemporary British acylic painting on paper stuck on board, in a black frame framed: 16 x 18.5 inches paper: 11 x 13.5 inches private collection the painting is in overall very go...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Contemporary British, 21st century oil on board, framed size: 21 x 10 inches board: 19.5 x 9.5 inches provenance: private collection, Surrey, England condition: The painting is in ...

In Upweller, Kurt Herrmann orchestrates a striking interplay of color, form, and movement in a vivid geometric abstraction. Executed in acrylic on a square canvas, the painting is de...

Geometric abstraction painting by Brazilian-born artist Elizabeth Freire. Painting is acrylic on canvas. Signed on reverse and titled "From the Center". B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris. Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse. In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne. Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo and the architect Oscar Niemeyer. She then traveled extensively throughout Europe and North Africa. In 1983, the sculptor Cardenaz advised her to go to Carrara in Italy to develop her carving skills. She spent the following two years at the Studio Nicoli where she met the sculptors Knutt Steen, Gigi Guadagnucci...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...

Symbol #14 Jack Brusca, American (1939–1993) Date: 1969 Oil on Canvas, signed Size: 72 x 48 in. (182.88 x 121.92 cm)

Christine Romanell's "Mars Sucks" (2025) is a sculptural wall piece measuring 14 x 18 x 3 inches, composed of acrylic and Flashe on seven layers of laser-cut birch plywood. Predomina...

''Cubist Composition" by Édouard Righetti (1924-2001) inscribed verso oil painting on canvas, beautifully painted with thick impasto oil and bold colo...

Each work contains its share of mystery, Worked in shades of blue gray we can guess books arranged flat in a library. The spectator remains free of his interpretation by seeing books...

Rectangles and squares, large and small, in grey, green, red, blue and orange, dance across an orthogonal of light blue on a white ground in this canvas by Burton Kramer. The title o...

Christine Romanell’s bold geometric wall sculpture bursts with vibrant color and dynamic movement, showcasing her signature use of sacred geometry. This three-dimensional constructio...

Golden, soft blue and shades of gray resin and oil mosaic painting, created with sculptural hand tinted and cast epoxy resin cubes on wood, from American artist Erin Parish. The pai...

Susan Kiefer Confronting the Void Oil on Wood Panel Year: 2023 Size: 12x12x1.35in Signed by hand COA provided Ref.: 924802-1488 Tags: texture, hard-edged abstract, angular shapes, t...

"Deep ocean blue pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Contemporary British, 21st century oil on board, framed size: 21 x 10 inches board: 19.5 x 9.5 inches provenance: private collection, Surrey, England condition: The painting is in ...

Textural abstract geometric composition featuring two hearts on fibrous handmade paper by Marc Foster Grant (American, b. 1947). Signed and dated "Grant '05" lower right. Displayed i...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Lee Sang Yeop is an emerging South Korean artist that at his young age has reached a highly sophisticated level of composition and technique. We can appreciate his tranquil but yet c...

Original portrait painting by the German artist Ljubow Jung. Jung is a professional artist and clothes designer. Imitation of stained glass windows. Stained glass windows are made o...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

Bands, squares and rectangles in fire red, orange, mauve, aqua and orange dance across a fern green ground in this horizontal acrylic on canvas. The curated, lively composition inter...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Step into regal elegance with Borja Guijarro's striking portra...

Artist/ School: Modern British contemporary Title: abstract composition Medium: oil on canvas , unframed Canvas : 19.5 x 19.5 inches Provenance: private collection, UK Conditi...

Huge Colourful Male Portrait, Geometric, Cubist Original Oil Painting By European schooled artist, Mid 20th Century Oil painting on board, unframed Board size: 60 x 48 inches A fab...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

Signed, verso, on stretcher bar, 'Renee Harwin' (Austrian-American, born 1924) and painted circa 2000. A substantial, Post-Painterly abstract comprising hard-edged, geometric forms in primary colors, with ochre and burnt umber, stacked in a vertical composition. Born in Vienna in 1924, Renee Harwin emigrated to the United States with her family to escape Hitler and the Holocaust. She graduated from San Francisco State University in 1970 and went on to receive her MFA from the San Francisco Art Institute in 1973. Harwin exhibited widely and with success in the California Bay Area, including at the University of California at Davis, the C.N. Gorman Museum (1993) and at the De Young Museum. Her work combines the influence of Midwest painters such as Clyfford Still and her San Francisco Art Institute instructor, Jack Jefferson...

Time Travel Black & Gold Glyphs I by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary F...

Anastasia Vasilyeva - Black white abstraction 013 (2019) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Fine original abstract painting by the French artist, Yvette Dubois-Habasque (1929-2016). The painting has excellent provenance having come from the artists studio sale in Paris. It ...

Geometric and gestural abstract painting on canvas in earth tones of beige, tan, light brown, with details of white and pale yellow "Passing Through #2", by Jeanette Fintz in 2018 54...

Acrylic on linen b. 1986 Yantai, Shandong, China In the Diamond Sūtra, existence and emptiness are fundamental Buddhist notions. Buddha states that, “All conditioned phenomena are ...

Minimalist geometric abstract by Santa Cruz, California artist Arn Ghigliazza (American, b.1937). Presented in a painted slat-wood frame. Titled "Kiva IV", signed and dated 1973 on v...

Christopher Barrow has studied the smallest details of life in urban society and translated these details into engaging paintings. His scenes are familiar to us but also ever so slig...

When creating this piece, many thoughts danced in my head. I chose the star as the dominant visual element, inspired by humanity's timeless fascination with the night sky and the gui...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...