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18th Century Art

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Period: 18th Century
29. Arctian, Castnia, Steirodon thoracicm
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category

Realist 18th Century Art

Materials

Pigment

Ann Baker - Framed 1747, George II Needlework Sampler
By Ann Baker
Located in Corsham, GB
A charming George II sampler, hand embroidered by Ann Baker in 1747, aged 13. The sampler depicts numerous alphabets above a moralistic verse and a pair of birds beside a tree. Well ...
Category

18th Century Art

Materials

Tapestry

Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...
Category

18th Century Art

Materials

Engraving

18th Century Oil on Canvas Italian Painting Mystical Marriage of Saint Catherine
By Antonio da Correggio
Located in Vicoforte, IT
Antique Italian painting from the second half of the 18th century. Oil on canvas artwork depicting a religious subject, antique copy by Correggio (1489-1534), Mystical Marriage of Sa...
Category

18th Century Art

Materials

Canvas, Oil

Interior of the Nieuwe Kerk, Amsterdam
Located in Paris, Île-de-France
Jan Goeree (Middelburg 1670 – Amsterdam 1731) Interior of the Nieuwe Kerk, Amsterdam (c. 1724) Red chalk for the architecture, pen and black ink, grey wash on paper Composition reversed in preparation for engraving 25 × 17.5 cm Watermark: Hunting horn, Churchill 318 (dated 1724) Unsigned Provenance Private collection, France Context & Attribution Trained in the studio of Gérard de Lairesse, Jan Goeree was among the finest Dutch engravers of the early eighteenth century, celebrated for his architectural views of Amsterdam. This drawing is a preparatory study for an engraving of the same subject now preserved in a major public collection. The final print—slightly larger—closely follows the reversed composition of this sheet. Subject In the center of the Gothic nave, five bearers carry a catafalque toward a freshly dug grave—a tribute to the naval heroes often buried in the Nieuwe Kerk. This funerary motif, familiar from Dutch painting (e.g. Emanuel de Witte, 1657), evokes the vanitas theme and the transience of earthly life. Technical Analysis Goeree’s use of red chalk for the architecture and ink for the figures reveals his working method: the chalk lines could be used to produce a counterproof restoring the correct orientation of the architecture, while the inked figures remained adjustable before the design was transferred to the copper plate. Place within the Oeuvre Drawings of church...
Category

Old Masters 18th Century Art

Materials

Ink, Chalk

The Infant St John the Baptist with Lamb - Italian Old Master art oil painting
Located in London, GB
This beautiful 18th century Italian Old Master oil painting is something rather special. Painted circa 1750 the subject matter is Saint John the Baptist as a very young child. He is ...
Category

Old Masters 18th Century Art

Materials

Oil

Portrait of Mrs Emma Burward, 19th Century by Sir JOHN HOPPNER (1758-1810)
Located in Blackwater, GB
Portrait of Mrs Emma Burward, 19th Century by Sir JOHN HOPPNER (1758-1810) Large 18th century portrait of Mrs Emma Burward, oil on canvas by Sir John Hoppner. Excellent quality and...
Category

18th Century Art

Materials

Canvas, Oil

English 18th century portrait of a water spaniel dog standing in a landscape
By George Stubbs
Located in Bath, Somerset
Circle of George Stubbs (1724-1806). English 18th century portrait of a water spaniel standing in a wooded landscape. This charming painting is a wonderful example of the style of English dog painting made popular by artists such as George Stubbs and other sporting artists working in England in the 18th century who painted the dogs and horses of the aristocracy and wealthier classes. It follows in the ancient tradition of celebrating and commemorating our faithful canine companions through portraiture. Oil on canvas in a giltwood frame Provenance: Private collection, Somerset George Stubbs (1724-1806) was classified in his lifetime as a sporting painter, and as such was excluded from full membership of the Royal Academy. He is best remembered for his paintings of horses and his conversation pieces. Having studied anatomy, Stubbs's pictures of horses are among the most accurate ever painted. Stubbs was born in Liverpool, the son of a leather worker...
Category

English School 18th Century Art

Materials

Canvas, Oil

Painted Architectural Capriccio with Figures 18th 18th Century
Located in Milan, IT
Oil on Canvas. Second half 18th century. A portion of a large ruined architectural structure fills the entire scene: a portico topped by a balustrade, overgrown with plants, surroun...
Category

Other Art Style 18th Century Art

Materials

Oil

Portrait of a noble Gentlemen, Max Franz of Austria, Archduke, Meytens, Habsburg
Located in Greven, DE
Portrait of Max Franz as coadjutor of the Teutonic Order Oil on canvas, 54 x 45 cm Maximilian Franz of Austria Austrian Archduke Maximilian II. Franz, was Grand Master of the Teutoni...
Category

Rococo 18th Century Art

Materials

Canvas, Oil

Set of Two Engravings after Cipriani "Four Muses" & "Father and Two Daughters"
Located in Saint Augustine, FL
Artist: Francesco Bartolozzi (Italian, 1727-1815) Title: "Four Muses" & "Father and Two Daughters" Portfolio: Rudiments of Drawing *Issued unsigned, though both are signed by Bartolo...
Category

Old Masters 18th Century Art

Materials

Engraving, Etching

Skeleton - Etching by Jean Moitte - 1771
Located in Roma, IT
Skeleton is an etching realized by Jean Gullaume Moitte in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...
Category

Modern 18th Century Art

Materials

Etching

View of Castello dell'Acqua Felice - Etching by G. B. Piranesi - 1751
Located in Roma, IT
View of Castel of Acqua Felice is an original etching realized by the italian artist Giovanni Battista Piranesi in 1751. Very precoius and rare lifetime impression. Roman edition. I...
Category

Old Masters 18th Century Art

Materials

Etching

Man on Horseback Abducting a Woman
Located in Paris, Île-de-France
Jean-Robert ANGO (Active 1759 – 1773) Man on Horseback Abducting a Woman Red chalk and white chalk 26.1 x 25.9 cm Provenance Libert-Castor sale, November 19, 1993 (lot no. 23, ill...
Category

Old Masters 18th Century Art

Materials

Chalk

River Landscape with Shepherdess and Ruins 18th century
Located in Milan, IT
Oil on Canvas. Signed " Schütz fecit" on the ruin to the right of the shepherdess. Christian Georg Schütz the Elder captures an idyllic, serene landscape crossed by a meandering, slo...
Category

Other Art Style 18th Century Art

Materials

Oil

Ancient Ruins - Oil Painting by Vinzenz Fischer - Late 18th Century
Located in Roma, IT
Ancient monuments is an original painting realized by Vinzenz Fischer (1729-1810) in the late 18th century. Mixed colored oil painting on canvas. This beautiful artwork represents ...
Category

18th Century Art

Materials

Oil

Skeleton after Titian - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Skeleton after Titian is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through confident stroke...
Category

Modern 18th Century Art

Materials

Etching

Framed 18th Century Watercolour - The Blind Man
Located in Corsham, GB
A fine 18th century portrait in watercolours, depicting a blind man seated in an expansive country landscape. The artist delicate brushwork and monochrome pa...
Category

18th Century Art

Materials

Watercolor

Engraved 18th century view of Cambridge
Located in London, GB
18th Century View of Cambridge Engraving 15 x 20 cm This detailed engraving captures an 18th century view of Cambridge from the West. Green expanses dominate the piece, featuring s...
Category

Realist 18th Century Art

Materials

Engraving

Crossing the ford Capriccio Baroque Landscape 18th century Oil Painting
Located in Stockholm, SE
As we gaze upon at this artwork, our eyes are immediately drawn to the foreground where a comical spectacle unfolds before us. A carriage, stubbornly stuck in the midst of a ford, se...
Category

Realist 18th Century Art

Materials

Canvas, Wood, Cotton Canvas, Oil

18th Century By Vincenzo Re The Pool of Bethesda Oil on Canvas
Located in Milano, Lombardia
Vincenzo Re (Parma, Italy, 1695 - Naples, Italy, 1762) Title: The Pool of Bethesda Medium: Oil on canvas Dimensions: without frame 50 x 62 cm - wi...
Category

Old Masters 18th Century Art

Materials

Oil, Canvas

Stonehenge, Great Britain engraving by Pieter van der Aa, after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Stonehenge Engraving 12 x 16 cm Two eighteenth-century views of the pagan and mystical Stonehenge, engraved by Pieter v...
Category

18th Century Art

Materials

Engraving

Portrait of a Young Woman, Sir Godfrey Kneller, Hand carved gilt frame
Located in London, GB
Oil on canvas Image size: 30 1/4 x 25 inches (77 x 63 cm) Original hand carved gilt frame Provenance Private Estate, England This is a very fine example of Kneller's work in the early 18th century. Here, the emphasis is placed directly on the sitter's alluring femininity, with this being enhanced by the falling hair around her shoulder. This looseness of focus is created with a free fluidity of brushstrokes. He has used a Rembrandt-esque technique of subtle tones in the face, and we can see how Kneller often allowed the bluer ground layer to show through when suggesting the darker flesh tones.The painterly technique seen here is an excellent demonstration of Kneller’s style. The bold handling of the flesh tones is Kneller at his most emphatic, while the sizeable areas of dark grey ground we see are indicative of his method of painting quickly, developed by this stage in his career to cope with the many demands of a large circle of patrons. The same effect is used for the shadows in the face: rather than paint darker colours on top of the pink flesh tones, as most artists would have done, Kneller instead painted in the reverse order, using the ground layer for his dark shadows, and then painting the lighter colours on top. Often he worked with an almost dry brush in strong firm strokes. Here the flesh tones have been rapidly, almost roughly painted, with bold areas of impasto giving way to areas where almost no paint has been applied at all, a trick that allowed Kneller to use the blue-grey ground layer to show darker flesh tones. Godfrey Kneller...
Category

Academic 18th Century Art

Materials

Canvas, Oil

Stage design of Mausoleum. Entourage Galli Bibbiena.
Located in Firenze, IT
The Galli Bibiena Dynasty and European Courts. The Galli Bibiena family, renowned Italian artists and scenographers, served the most distinguished European courts, including those ...
Category

Baroque 18th Century Art

Materials

Paper, Ink

Bulldogs Hunting A Badger, 18th Century attributed to Charles TOWNE (1763-1840
Located in Blackwater, GB
Bulldogs Hunting A Badger, 18th Century attributed to Charles TOWNE (1763-1840) Large 18th Century English School hunting scene of Bulldogs Hunting a badger, oil on canvas laid to...
Category

18th Century Art

Materials

Canvas, Oil

18th Century Roman School , A Palazzo with antiques, drawing
Located in Paris, FR
18th Century Roman School A Palazzo with antiques Brown ink and pen, brown ink wash on paper 12.5 x 20 cm Framed : 28,5 x 35.5 This nice drawing represents a genre scene, with a nobleman, priests, a mother and her children...
Category

Old Masters 18th Century Art

Materials

Ink

Tête d’expression portrait study of a gentleman
Located in Maidenhead, GB
French Academic School, 18th century A tête d’expression study of a gentleman, c. 1780-90 Oil on canvas 46.1 x 35 cm.; (within frame) 57.5 x 46.6. cm. Provenance: Private Collectio...
Category

French School 18th Century Art

Materials

Oil

The Aurelian, A Natural History English Moths Butterflies Plate XXVII 1778 ed.
Located in Paonia, CO
Moses Harris ( British 1731-1785 ) The Aurelian, A Natural History of English Moths and Butterflies Hand colored engraving – Plate XXVII 1778 edition Plate XXVII is from The A...
Category

18th Century Art

Materials

Engraving

Antiquities of Herculaneum - Letter B - Etching by G. Mignani - 18th Century
Located in Roma, IT
Antiquities of Herculaneum  - Letter of the Alphabet B,  from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Mignani in the 18th centur...
Category

Old Masters 18th Century Art

Materials

Etching

Landscape with Marching Soldiers
Located in Chicago, IL
Etching from the Six Landscapes
Category

18th Century Art

Materials

Etching

'Bacchus' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original by Giovan...
Category

Realist 18th Century Art

Materials

Engraving

Cuzco School Baptismal Dish
Located in New York, NY
Provenance: Manuel Ortíz de Zevallos y García, Peru; and by descent in the family to: Private Collection, New York. This impressive baptismal dish is an example of eighteenth-cent...
Category

Old Masters 18th Century Art

Materials

Silver

Terracotta Bust Portrait of a Lady Italy 18th century
Located in Pistoia, IT
Terracotta bust, portrait of young lady, Italy, Tuscany, second half of the 18th century. The bust, entirely hand-molded, depicts a young woman with an intricate hairstyle wearing ...
Category

Italian School 18th Century Art

Materials

Terracotta

Fables - Vintage Rare Book Illustrated by William Blake - 1793
Located in Roma, IT
Fables is an original Modern Rare book engraved by Sir William Blake (London, 1757 - London, 1827) and written by John Gay (Barnstaple, 1685 – London, 1732) in 1793. Full title: "Fa...
Category

18th Century Art

Materials

Paper, Etching

18th Century French Map and City View of Joppe/Jaffa (Tel Aviv) by Sanson
Located in Alamo, CA
An original antique engraving entitled "Joppe; in ’t Hebreeusch by ouds Japho; hedendaags Japha, of Jaffa; volgens d’aftekening gedaan 1668", by Nicholas Sanson d'Abbeville (1600 - 1667). This is a view of the city of Joppe (in Hebrew Japho), now called Japha or Jaffa, the harbor portion of modern day Tel Aviv, Israel as it appeared in 1668 . It depicts a very busy harbor with numerous boats. A large ship on the left appears to be firing its canons and a small ship on the right appears to be sitting very low in the water, either heavily loaded with cargo or sinking. The town is seen on the far shore with a fortress on a hill across in the background. The map is printed from the original Sanson copperplate and was published in 1709 by his descendants. The map is presented in an ornate brown wood frame embellished by gold-colored leaves and gold inner trim with a double mat; the outer mat is cream-colored and the inner mat is black. There is a central vertical fold, as issued. There are two small spots in the lower margin and one in the upper margin, as well as two tiny spots adjacent to the central fold. 1717 is written below the date 1668 in the inscription. The map is otherwise in very good condition. Another map of the "Holy Land" (by Claes Visscher in 1663), with an identical style frame and mat is available. This pair of maps would make a wonderful display grouping. Please see Reference #LU117324709892. Artist: Nicholas Sanson d'Abbeville (1600 - 1667) and his descendents were important French cartographer's active through the 17th century. Sanson started his career as a historian and initially utilized cartography to illustrate his historical treatises. His maps came to the attention of Cardinal Richelieu and then King Louis XIII of France, who became a supporter and sponsor. He subsequently appointed Sanson 'Geographe Ordinaire du Roi' the official map maker to the king. Sanson not only created maps for the king, but advised him on geographical issues and curated his map collection...
Category

18th Century Art

Materials

Engraving

Cupid Paint Oil on canvas France Neo classicism Art Quality Love 18th century
Located in Riva del Garda, IT
Eighteenth-century French school Entourage de François Boucher (Paris 1703 - 1770) Cupid who shoots his arrow Oil on canvas, 48 ​​x 40 cm with frame 58 x 49 cm. The painting, of pl...
Category

Old Masters 18th Century Art

Materials

Oil

Remarkable Ruins of Morea, formerly called the Peloponnesus
Located in Middletown, NY
Engraved by Pierre François TARDIEU, after Giovanni Paolo PANNINI London: Alexander Hogg, c1778. Etching with engraving on light weight wove paper, 7 1/2 x 11 1/4 inches( 190 x 285...
Category

18th Century Art

Materials

Ink, Handmade Paper

12 images on 6 sheets from Nuova raccolta delle vedute moderne di Roma
Located in Middletown, NY
Rome: 1795. Each an engraving with extensive hand coloring on laid paper, some with a partial heraldic watermark, each 6 5/8 x 4 3/4 inches (165 x 120 mm); (sheet) 10 1/4 x 7 1/8 in...
Category

Italian School 18th Century Art

Materials

Ink, Handmade Paper

Old Towers of Rostov Kremlin, Serigraph, signed and numbered in pencil
Located in Long Island City, NY
Anatole Krasnyansky, Ukrainian/American (1930 - ) - Old Towers of Kyiv, Medium: Screenprint, signed and numbered in pencil, Edition: 55/350, Image Size: 10.25 x 9.25 inches, Size: 1...
Category

18th Century Art

Materials

Screen

Roman Theater - Etching after Michelangelo Specchi - Mid-18th Century
Located in Roma, IT
Roman Theater is an original etching on paper realized after Michelangelo Specchi, the engraver is anonymous. Signed on the plate, lower left. With the description on the lower. T...
Category

18th Century Art

Materials

Etching

18th Century By Giustino Menescardi Ascent to Calvary Oil on Canvas
Located in Milano, Lombardia
Giustino Menescardi (Milan, Italy, c. 1720 - Venice, Italy, after 1779) Title: Ascent of Calvary Medium: Oil on canvas Dimensions: without frame 47 x 36 cm - with frame 57 x 43 cm Shaped and gilded wooden cassetta frame Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti...
Category

Old Masters 18th Century Art

Materials

Canvas, Cotton Canvas, Oil

Ancient Roman Statue - Original Etching by Carlo Nolli - 18th Century
Located in Roma, IT
Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th century. Signed on the plate, on the lower ri...
Category

Old Masters 18th Century Art

Materials

Etching

Citrus and Apricots
Located in London, GB
WEINMANN, Johann Wilhelm. Citrus and Apricots Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plate, being one of the earliest examples of colour printing. Johann ...
Category

Naturalistic 18th Century Art

Materials

Laid Paper, Mezzotint

Aquarius - Etching by Charles De la Haye - 18th Century
Located in Roma, IT
Aquarius is an original etchingon paper realized by Charles De la Haye after Andrea Stech, in the 18th century. Signed on the plate on the lower. Good condit...
Category

Modern 18th Century Art

Materials

Etching

Judith and Salome, a pair of oil paintings on canvas by Francesco Conti
Located in PARIS, FR
This widely referenced pair of paintings is one of Francesco Conti’s most successful productions. Francesco Conti is one of the finest painters of 18th-century Florence. In the shimmering colors typical of his best work, he represents two opposite characters from the Bible: the virtuous Judith, whose courage saves her people by cutting off the head of the invader Holofernes, and the depraved Salome, who under the influence of her mother becomes responsible for the beheading of the prophet John the Baptist. The artist's talent lies in his ability to treat these two macabre subjects with a light touch, presenting us with two attractive women who seem to twirl with glee amidst the severed heads... 1. Francesco Conti, the “Florentine Tiepolo” Francesco Conti is a major painter of the Florentine school of the 18th century; he can even probably be considered, along with Giovanni Domenico Ferretti (1692-1768), as one of the two main painters of the second quarter of the Florentine 18th century. Born in Florence in 1682, Francesco Conti began his apprenticeship in the workshop of Simone Pignoni (1611 - 1698), a disciple of Francesco Furini; he was also influenced by the Venetian Sebastiano Ricci. A protégé of Marquis Riccardi, he accompanied him to Rome between 1699 and 1705, where he frequented Carlo Maratta's studio. He settled permanently in Florence in 1705. Painted exclusively on canvas, the majority of his work consists of religious subjects, altarpieces or private devotional works. It is likely that Conti himself was a devout churchgoer, as evidenced by his affiliation, in the third decade of the eighteenth century, to the Society of the Disciples of Saint-John-the-Baptist, and his entry, at the end of his life, into the fraternity of the Venerable Society of the Holy Trinity. In Florence, Conti worked for the Grand Duchy's major patrons, including the last Medici - in particular Giangastone and Annamaria Luisa, Electress Palatine - and confirmed his role as a reference painter under the Lorraine Regency, as master of the Public Drawing School, which was closely linked to the institute responsible for the manufacture of semi-precious stone mosaics, then located in the Uffizi complex. Matteo Marangoni, an art critic of the early 20th century, praised his "brushwork full of elegance and true spirit of the 18th century", pointing out that Conti was "probably one of the best colorists" of the Florentine school of his time. These two characteristics led the art historian Paolo dal Poggetto to nickname him the "Florentine Tiepolo". 2. Judith and Salome, two biblical characters opposing each other These two paintings form a pair presenting two biblical episodes, which have in common the depiction of a "heroine" carrying the severed head of a man. While the Salome episode might at first appear to be an echo of the Old Testament story of Judith, each character is the exact opposite of the other. Judith, whose story is told in the Book of Judith, is a beautiful young widow from Bethulia who, accompanied by her maid, went into the camp of the invading Assyrians and won the confidence of Holofernes, the general commanding the enemy army. Invited to a great feast on the fourth evening, she took advantage of Holofernes' drunkenness to cut off his head. “She went up to the bedpost near Holofernes’ head, and took down his sword that hung there. She came close to his bed, took hold of the hair of his head, and said, “Give me strength today, O Lord God of Israel!” Then she struck his neck twice with all her might, and cut off his head. Next she rolled his body off the bed and pulled down the canopy from the posts. Soon afterward she went out and gave Holofernes’ head to her maid, who placed it in her food bag...
Category

Old Masters 18th Century Art

Materials

Canvas, Oil

Chauvesouris - Etching by Louis Legrand - 1771
Located in Roma, IT
Chauve- souris is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et partic...
Category

Modern 18th Century Art

Materials

Etching

18th-century celestial - Cetus
Located in London, GB
18th-century celestial FLAMSTEED, John. Cetus London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas published up to that ti...
Category

Naturalistic 18th Century Art

Materials

Watercolor, Engraving

Three Heads of Women, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Three Heads of Women, Year: of original: 1637, Medium: Etching, Size: 12 in. x 10 in. (30.48 cm x 25.4 cm), Printer:...
Category

18th Century Art

Materials

Etching

Colorful Parrot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Perruche-Ara, de Cayenne (Parrot)" by Francois Nicolas Martinet, plate 864 from 'Histoire Naturelle des Oiseaux' in ass...
Category

Naturalistic 18th Century Art

Materials

Engraving

Le Lapin Domestique - Etching by Jacques De sève - 1771
Located in Roma, IT
Le Lapin Domestique is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardb...
Category

Modern 18th Century Art

Materials

Etching

18th Century By Dalla Rosa Portrait of Angela Guggerotti Fracastoro Oil/Canvas
Located in Milano, Lombardia
Saverio Dalla Rosa (Verona, Italy, 1745 - 1821) Title: Portrait of Angela Guggerotti Fracastoro Medium: Oil on canvas Dimensions: without frame 94 x 73 cm - with frame 105 x 94 cm Fr...
Category

Old Masters 18th Century Art

Materials

Canvas, Oil

Veduta della Basilica di San Giovanni in Laterano by G.B.Piranesi - 1749
Located in Roma, IT
Veduta della Basilica di San Giovanni in Laterano, is an original etching realized by Giovanni Battista Piranesi in 1749. S. Giovanni in Laterano with palace and Scala Santa on t...
Category

Modern 18th Century Art

Materials

Etching

Marble Head of Mercury
Located in Los Angeles, CA
A hand-carved marble head of Mercury mounted on a stained wooden plinth.
Category

18th Century Art

Materials

Marble

Vue de Macerata et de sa Campagne - drawing by J. P. Verdussen - 1742
Located in Roma, IT
China ink and watercolour on paper. Some foxing, otherwise very good condition. Titled and dated. Includes passepartout.
Category

18th Century Art

Materials

Ink, Watercolor

Pair of Roman Landscapes - by J.F. Van Bloemen - 18th Century
Located in Roma, IT
Beautiful couple of Roman Landscape by J. F. Van Bloemen, in very good conditions and with later wooden frames. Bibliography and Exhibitions: Old Master Exhibition, H.Terry-Engell, ...
Category

18th Century Art

Materials

Oil, Canvas

Set of Four Gourds
Located in London, GB
Set of 4 double-page mezzotint engravings, printed in colour and finished by hand. [Published: H. Lentz and H.G. Neubauer, Regensburg, 1737]. An attractive collection of fine plates...
Category

Naturalistic 18th Century Art

Materials

Handmade Paper, Engraving, Mezzotint

Baroque Italian Old Master, Madonna, Child, Angels, Oval, Marratta, Christmas
By Workshop Of Carlo Maratta
Located in Greven, DE
Religious Painting, depicting Madonna and the Child, surrounded by Angels by the Circle of Carlo Maratta (Maratti). This painting is wonderful example of...
Category

Baroque 18th Century Art

Materials

Canvas, Oil

Le Petit - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Petit is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...
Category

Modern 18th Century Art

Materials

Etching

Roman Temple and Tower - Etching by Giuseppe Aloja - 18th Century
Located in Roma, IT
Roman Temple and Tower from "Antiquities of Herculaneum" is an etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good conditions. The etching b...
Category

Old Masters 18th Century Art

Materials

Etching

Rococò Venetian painter - 18th century figure painting - Virgin child - Italy
Located in Varmo, IT
Venetian painter (18th century) - Madonna with Child. 37.5 x 45.5 cm without frame, 55 x 63 cm with frame. Antique oil painting on canvas, in a carved wooden frame (not signed). C...
Category

Rococo 18th Century Art

Materials

Canvas, Oil

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