Early 1900s Art
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Period: Early 1900s
Resting Lady, Roma /// Antique Rome Italian Watercolor Figurative Landscape Art
Located in Saint Augustine, FL
Artist: Filippo Bartolini (Italian, 1861-1908)
Title: "Resting Lady, Roma"
*Signed by Bartolini lower right
Circa: 1900
Medium: Original Watercolor on heavy wove paper
Framing: Rece...
Category
Victorian Early 1900s Art
Materials
Watercolor
Lonely Mother and Child in Embrace - Female Illustrator
Located in Miami, FL
In this interior illustration for "When the Heart Beats Young" by J.W. Riley, pioneering female illustrator Ethel Franklin Betts creates an intimate statement of mother and child in an embrace. The composition is abstract with patterns that suggest the influence of Asian art—initialed lower right. Work is framed under glass - Oil on board
Ethel Franklin Betts Bains (September 6, 1877 – October 9, 1959) was an American illustrator primarily of children's books during the golden age of American illustration in the late 19th and early 20th centuries.
Betts first gained work illustrating magazines, including St. Nicholas Magazine, McClure's, and Collier's. Beginning in 1904, she was commissioned to illustrate several books, including James Whitcomb Riley's The Raggedy Man, While the Heart Beats Young, and Frances Hodgson Burnett's A Little Princess...
Category
American Impressionist Early 1900s Art
Materials
Oil, Board
"La danse" lithograph
By Jules Chéret
Located in Henderson, NV
Medium: original lithograph. This impression was printed in 1900 and published in Paris by the Revue de l'Art ancien et moderne. Sheet size: 11 3/8 x 8 1/4 inches (290 x 210 mm). Sig...
Category
Early 1900s Art
Materials
Lithograph
Storms (At Sea)
Located in Fairlawn, OH
Storm (At Sea)
Oil on board, c. 1908
Signed: L. O. Griffith lower left (see photo)
Titled on label verso
Image: 6 5/8 x 8 3/4"
Frame: 10 x 12 x 1 1/2"
Provenan...
Category
American Impressionist Early 1900s Art
Materials
Oil
"The Old Marble Hall, Venice" lithograph 1905
Located in Henderson, NV
Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a rare deluxe...
Category
Early 1900s Art
Materials
Lithograph
Etching of John Knox's House Hedley Fitton RA
By Hedley Fitton
Located in Larchmont, NY
Hedley Fitton (British, c. 1857-1929)
John Knox's House, c. 1900
Etching
17 x 12 3/4 in.
Framed: 25 x 20 1/2 in.
Signed in the plate by Hedley Fitton
Sig...
Category
English School Early 1900s Art
Materials
Etching
René Buignet (1888-1915) La Fontaine Médicis, Paris, two watercolors signed
Located in Paris, FR
René Buignet (1888-1915)
La Fontaine Médicis, Jardin du Luxembourg, Paris
Each one signed lower right
watercolor on paper
size of each : 28.5 x 21 cm
In the same mount and framing :...
Category
Impressionist Early 1900s Art
Materials
Watercolor
Antique British Signed & Dated Oil Painting Mother & Child by Cottage Landscape
Located in Cirencester, Gloucestershire
Landscape with figures in a cottage
signed by W.Greaves
oil on canvas, framed
dated 1909
framed: 10 x 19 inches
canvas: 9 x 18 inches
provenance: private collection, UK
condition: ve...
Category
Victorian Early 1900s Art
Materials
Oil
Evening - The depth of the visible -
Located in Berlin, DE
Max Clarenbach (1880 Neuss - Cologne 1952), Evening. Etching, 18 x 41 cm (platemark), 33.5 x 57 cm (frame), inscribed "Abend" in pencil at lower left, signed and dated "M. Clarenbach. 28.III.[19]09". Framed and mounted under glass.
- Somewhat browned and slightly foxed.
About the artwork
The horizontally elongated etching depicts the panoramic view of a small town as seen from the other side of the river. There are gabled houses on the left and a mighty church spire on the right. The bourgeois houses and the large religious building indicate the urban character. These buildings are rendered in dark tones to emphasise the lighter row of houses in the centre of the picture, closer to the water. The chiaroscuro contrast creates two parallel planes that open up a space for the imagination of what the city could be. The imagination is stimulated by the almost entirely dark, barely recognisable buildings, while the arm of the river leading into the city further stimulates the imagination.
However, as the silhouette of the city as a whole is reflected in the water, the parallel planes are perceived as a band of houses that stretches across the entire horizontality of the etching and seems to continue beyond the borders of the picture. The reflection has almost the same intensity as the houses themselves, so that the band of buildings merges with their reflection to form the dominant formal unit of the picture. Only the parallel horizontal hatching creates the convincing impression of seeing water, demonstrating Max Clarenbach's mastery of the etching needle.
The water is completely motionless, the reflection unclouded by the slightest movement of the waves, creating a symmetry within the formal unity of the cityscape and its reflection that goes beyond the motif of a mere cityscape. A pictorial order is established that integrates everything in the picture and has a metaphysical character as a structure of order that transcends the individual things. This pictorial order is not only relevant in the pictorial world, but the picture itself reveals the order of the reality it depicts. Revealing the metaphysical order of reality in the structures of its visibility is what drives Clarenbach as an artist and motivates him to return to the same circle of motifs.
The symmetry described is at the same time inherent an asymmetry that is a reflection on art: While the real cityscape is cut off at the top of the picture, two chimneys and above all the church tower are not visible, the reflection illustrates reality in its entirety. The reflection occupies a much larger space in the picture than reality itself. Since antiquity, art has been understood primarily as a reflection of reality, but here Clarenbach makes it clear that art is not a mere appearance, which can at best be a reflection of reality, but that art has the potential to reveal reality itself.
The revealed structure of order is by no means purely formalistic; it appears at the same time as the mood of the landscape. The picture is filled with an almost sacred silence. Nothing in the picture evokes a sound, and there is complete stillness. There are no people in Clarenbach's landscape paintings to bring action into the picture. Not even we ourselves are assigned a viewing position in the picture, so that we do not become thematic subjects of action. Clarenbach also refrains from depicting technical achievements. The absence of man and technology creates an atmosphere of timelessness. Even if the specific date proves that Clarenbach is depicting something that happened before his eyes, without the date we would not be able to say which decade, or even which century, we are in. The motionless stillness, then, does not result in time being frozen in the picture, but rather in a timeless eternity that is nevertheless, as the title "Abend" (evening), added by Clarenbach himself, makes clear, a phenomenon of transition. The landscape of the stalls is about to be completely plunged into darkness, the buildings behind it only faintly discernible. The slightly darkened state of the sheet is in keeping with this transitional quality, which also lends the scene a sepia quality that underlines its timelessness. And yet the depiction is tied to a very specific time. Clarenbach dates the picture to the evening of 28 March 1909, which does not refer to the making of the etching, but to the capture of the landscape's essence in the landscape itself.
If the real landscape is thus in a state of transition, and therefore something ephemeral, art reveals its true nature in that reality, subject to the flow of phenomena, is transferred to an eternal moment, subject to a supra-temporal structure of order - revealed by art. Despite this supratemporality, the picture also shows the harbingers of night as the coming darkening of the world, which gives the picture a deeply melancholy quality, enhanced by the browning of the leaf.
It is the philosophical content and the lyrical-melancholic effect of the graphic that give it its enchanting power. Once we are immersed in the image, it literally takes a jerk to disengage from it.
This etching, so characteristic of Max Clarenbach's art, is - not least because of its dimensions - a major work in his graphic oeuvre.
About the artist
Born into poverty and orphaned at an early age, the artistically gifted young Max Clarenbach was discovered by Andreas Achenbach and admitted to the Düsseldorf Art Academy at the age of 13.
"Completely penniless, I worked for an uncle in a cardboard factory in the evenings to pay for my studies.”
- Max Clarenbach
At the academy he studied under Arthur Kampf, among others, and in 1897 was accepted into Eugen Dücker...
Category
Realist Early 1900s Art
Materials
Etching
Evening Sunset - Douai - Impressionist Landscape Oil Painting by Henri Duhem
By Henri Duhem
Located in Marlow, Buckinghamshire
Signed and dated landscape oil on panel by impressionist painter Henri Duhem. The work depicts a snow-covered barge making its way down the canal in Douai at evening.
Signature:
Si...
Category
Impressionist Early 1900s Art
Materials
Oil, Panel
Postcard - Offset and lithograph by Filiberto di Savoia - 1904
Located in Roma, IT
Postcard by Filiberto di Savoia is a vintage and historical postcard realized in 1904, with hand-written on the rear.
Stamped on the rear.
Good conditions.
Category
Modern Early 1900s Art
Materials
Lithograph, Offset
Le Ruban Noir - Early 20th Century British Portrait by Edmund van Someren
Located in London, GB
EDMUND VAN SOMEREN
(British 1875-1963)
Le Ruban Noir
Signed l.r.: E L van Someren; signed, inscribed and dated on the reverse: “Le Ruban Noir”/ E L van Someren 1903
Oil on canvas
F...
Category
Realist Early 1900s Art
Materials
Oil
Lady with Cupids and Dwarf - Lithograph by Adolphe Willette - 1906
Located in Roma, IT
Lady with Cupids and Dwarf is a Lithograph realized in 1906 by Willette (Adolphe Léon).
Hand-signed with pencil on the lower right corner.
Good condition with folding and consumed ...
Category
Art Nouveau Early 1900s Art
Materials
Lithograph
Bloques (Road Block)
Located in Fairlawn, OH
Bloques (Road Block)
Color lithograph, 1905
Signed and numbered in pencil lower right; signed and dated in the stone lower right (see photo)
Edition: 100, first edition (33/100)
Published by Edmund Sagot, Paris
Printed by Atelier Chaix, Paris
Deluxe edition with artist's signature and penciled edition, as well as Sagot blindstamp
There is an unlimited edition with title and publisher, printer text below the image. (state ii/II)
Condition: Excellent, never matted or framed
Image size: 13 x 19 5/8 inches
Sheet size: 18 x 24 3/4 inches
Provenance: Edmund Sagot (1857-1917) publisher
Sagot Heirs
Georges Meunier (1869-1934)
Meunier was born in Saint-Cloud, France in 1869. He moved to Paris as a young man and studied at the National School of Fine Arts; there, he was a student of artist Joseph-Robert Fleury. Following this training, Meunier attended The School for the Decorative Arts where he was trained in both classical and modern design, these skills would later influence his poster graphics. Subsequent to his education, Meunier's posters were exhibited in salons throughout Paris, giving his work notoriety. George Meunier was a prolific artist at the turn-of-the-century influenced greatly by Cheret, the founder of the advertising poster movement. Meunier succeeded Cheret at the Chaix printing house as principal artist and director. He worked as a poster artist for only a short time, making a career change to a book illustrator, which he pursued until the end of his life.
Regarding the publisher Edmund Sagot (1857-1917)
Edmond-Honoré Sagot , born in 1857 and died on April 6 , 1917, is a bookseller , art dealer , publisher of prints and original posters . In 1881 he founded the house “Ed. Sagot” in Paris. This establishment still exists under the name “ Sagot - Le Garrec ” and is one of the oldest art galleries still in operation.
Edmond Sagot is the first contemporary art dealer...
Category
Art Nouveau Early 1900s Art
Materials
Lithograph
H.O. Miethke Das Werk folio "Water Snakes II" collotype print
Located in Chicago, IL
Water Snakes II, no. 9 from the fourth installment of Das Werk Gustav Klimts
The last painting Klimt exhibited with the Secession before resigning, Water ...
Category
Vienna Secession Early 1900s Art
Materials
Paper
Assuan - Herzliche Grusse in 1909 - Vintage Photograph - 1909
Located in Roma, IT
Assuan - Herzliche Grusse in 1909 is a vintage photograph.
Hand-written on the lower and rear.
Good conditions.
Category
Contemporary Early 1900s Art
Materials
Photographic Paper
Moto-Fuite
Located in Fairlawn, OH
Moto-Fuite
Color lithograph, c. 1902
Signed in the stone lower right (see photo)
Published by Edmund Sagot (1857-1917), Paris
Printed by Atelier Chaix, Paris
Large edition with title and text
Part of a series of two humorous auto related images depicting Brass Era French automibiles
Provenance: Edmund Sagot (1857-1917), publisher
Sagot Heirs
Condition: Excellent
Never matted or framed
Colors fresh and unfaded
Image eize: 19 5/8 x 13 inches
Sheet size: 27 x 18 1/4 inches
Georges Meunier (1869-1934)
Meunier was born in Saint-Cloud, France in 1869. He moved to Paris as a young man and studied at the National School of Fine Arts; there, he was a student of artist Joseph-Robert Fleury. Following this training, Meunier attended The School for the Decorative Arts where he was trained in both classical and modern design, these skills would later influence his poster graphics. Subsequent to his education, Meunier's posters were exhibited in salons throughout Paris, giving his work notoriety. George Meunier was a prolific artist at the turn-of-the-century influenced greatly by Cheret, the founder of the advertising poster movement. Meunier succeeded Cheret at the Chaix printing house as principal artist and director. He worked as a poster artist for only a short time, making a career change to a book illustrator, which he pursued until the end of his life.
Publisher: Edmund Sagot Courtesy of French Wikipedia
Edmond-Honoré Sagot , born in 1857 and died on April 6 , 1917, is a bookseller , art dealer , publisher of prints and original posters . In 1881 he founded the house “Ed. Sagot” in Paris. This establishment still exists under the name “ Sagot - Le Garrec ” and is one of the oldest art galleries still in operation.
Edmond Sagot is the first contemporary art dealer...
Category
Art Nouveau Early 1900s Art
Materials
Lithograph
American School Portrait of a Lady
Located in Larchmont, NY
Portrait of a Lady, c. 1900
Oil on canvas
36 x 28 1/2 in.
Framed: 37 3/4 x 30 1/2 in.
Category
American Realist Early 1900s Art
Materials
Canvas, Oil
Mystery European Artist, signed garden painting
Located in Larchmont, NY
Mystery European Artist
Untitled, Late 19th-20th Century
Oil on board
13 x 16 1/4 in.
Framed: 16 3/4 x 19 1/2 in.
Signed lower right
Category
Impressionist Early 1900s Art
Materials
Oil, Board
Boat in the lake in windy weather, Geneva
Located in Genève, GE
Work on paper
Golden wooden frame with glass pane
40.3 x 49 x 3.5 cm
Category
Early 1900s Art
Materials
Watercolor
California Impressionist Landscape Painting Framed 19th Century Rare Purple
Located in Buffalo, NY
An original American impressionist figurative watercolor of a California coastline with trees.
Category
American Modern Early 1900s Art
Materials
Paper, Watercolor
original lithograph
Located in Henderson, NV
Medium: original lithograph. Printed in Paris in 1902 for the special Felix Vallotton issue of L'Assiette au Beurre on the theme of Crimes et Chatiment...
Category
Early 1900s Art
Materials
Lithograph
original etching
By Daniel (Daniel Ortiz y Vierge) Vierge
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in 1901 for Gustave Geffroy's "La Vie Artistique". Image size: 4 1/4 x 3 inches (110 x 75 mm). Signed in the plate...
Category
Early 1900s Art
Materials
Etching
Pommes et poires
Located in Washington, DC
Signed with monogram lower left
* The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...
Category
Post-Impressionist Early 1900s Art
Materials
Oil, Wood Panel
Peter Tom-Petersen, View From Brahetrolleborg, Oil Painting
By Peter Tom-Petersen
Located in Cheltenham, GB
This early 20th-century oil painting by Danish artist Peter Tom-Petersen (1861-1926) depicts a view on the Brahetrolleborg estate.
Beyond a fence with climbing rose bushes, three me...
Category
Naturalistic Early 1900s Art
Materials
Canvas, Oil
Oil Painting Depicting a Birch Forest, Karlberg, Kungsholmen, Stockholm
Located in Stockholm, SE
Painted in 1909, this artwork depicts a scene from Karlberg, located on Kungsholmen (Stockholm). The focal point is a majestic birch forest, with tall and...
Category
Post-Impressionist Early 1900s Art
Materials
Canvas, Oil
Dieppe-Le Pont Tournant - Impressionist Landscape Oil Painting by Paul Madeline
Located in Marlow, Buckinghamshire
Signed and dated oil on canvas landscape by French post impressionist painter Paul Madeline. This beautiful work depicts the Tournant bridge over the River Arques at the seaport in D...
Category
Post-Impressionist Early 1900s Art
Materials
Canvas, Oil
Early 20th Century Portrait in Venice Drawing
Located in San Francisco, CA
A bit of a mystery scholarly sanguine drawing. Very well executed portrait of a Lady dated either 1904, 1907, or 1909 in Venice. It is signed but I cannot make it out. The paper meas...
Category
Early 1900s Art
Materials
Conté
"Verite" original lithograph
Located in Henderson, NV
Medium: original lithograph. This impression on chine-colle paper was printed in 1900 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 7 1/2 x 5 1/2 inches...
Category
Expressionist Early 1900s Art
Materials
Lithograph
Sadness - Etching by Albert Besnard - 1909
Located in Roma, IT
Sadness is an etching realized by Albert Besnard in 1909.
Etching ex. 6/30.
Slab dimension cm. 15 x 9,5. paper cm. 25 x 18.
Pencil signature and date in the lower right part, date in the left part.
Good conditions.
Paul Albert Besnard (Parigi 1849 - 1934)born in Paris, was the son of an artist; his father, Louis Adolphe, was a painter and his mother, Louise Pauline Vaillant, was an esteemed miniaturist, a pupil of Lizinska de Mirbel. Besnard first studied drawing and
painting with Jean-François Brémond and at 17 entered the École des Beaux-Arts, where he was taught by Alexandre Cabanel.
In 1874 he won the Prix de Rome with the canvas "Death of Timofane, tyrant of Corinth", and during his stay at Villa Medici he had the opportunity to meet Franz Liszt and his pupil André Worsmer, whose portrait he painted in 1877. his stay in Italy and, in
1879he married the sculptor Charlotte Dubray, daughter of the sculptor Gabriel-Vital Dubray, with whom he moved to England for three years, until 1884, exhibiting at the Royal Academy of Arts in London.
At the Paris Salon of 1886 his "Portrait of Madame Roger Jourdain...
Category
Modern Early 1900s Art
Materials
Etching
Chrysanthemums Blooming on a Terrace
Located in Washington, DC
Large oil painting of chrysanthemums by one of the most well-known 19th-century French flower painters.
Signed and dated lower right
Category
Academic Early 1900s Art
Materials
Canvas, Oil
"Leatherhead" Surrey - original etching
Located in Henderson, NV
Medium: original etching. Published in London in 1901 for "The Art Journal". Printed on cream wove paper, the image measures 7 x 9 3/4 inches. Signed in th...
Category
Early 1900s Art
Materials
Etching
Cattle Series Study, Early 20th Century Bovine Painting, Cleveland School artist
Located in Beachwood, OH
Henry George Keller (American, 1868-1949)
Cattle Series Study, 1901
Oil on canvas
Signed verso
22 x 26 inches
28.5 x 33 inches, framed
Keller, a leading painter in Cleveland, was born at sea, off Nova Scotia on April 3, 1869. His earliest training was in Karlsruhe, Germany under Hermann Baisch (1846-1894), then at the Cleveland School of Art...
Category
Early 1900s Art
Materials
Oil
"Street Fair” William Glackens, Ashcan School, Street Scene, Carnival, Boxing
Located in New York, NY
William Glackens
Street Fair, circa 1905
Pencil, ink and gouache on paper
10 x 14 inches
Provenance:
The artist
Kraushaar Galleries, New York
Estate ...
Category
Ashcan School Early 1900s Art
Materials
Gouache, Pencil, Paper, Ink
Oil Portrait of a Yeshiva Student, Dated 1903 by Saul Bernstein American
By Saul Bernstein
Located in Hallowell, ME
In the frame: approx 17" x 12: inscribed and dated 1903. Oil on paper.
Category
Abstract Impressionist Early 1900s Art
Materials
Oil
Original Antique Advertising Poster Griffon Motorcycle Bike France Design Art
Located in London, GB
Original antique advertising poster for Griffon motorcycles featuring artwork by the French artist Frederic-Hugo de Alesi (1849-1906) showing a man...
Category
Early 1900s Art
Materials
Paper
Portrait of John Seymour Lucas
Located in East Grinstead, GB
Portrait of artist John Seymour Lucas in Charcoal, dated 1907 by the paper watermark, drawn by Alphonse Legros. This is a Museum quality drawing. Superim...
Category
Early 1900s Art
Materials
Charcoal
original lithograph
Located in Henderson, NV
Medium: original lithograph. Printed in Paris in 1902 for the special Felix Vallotton issue of L'Assiette au Beurre on the theme of Crimes et Chatiment...
Category
Early 1900s Art
Materials
Lithograph
"Depart pour la promenade" original etching
By Raoul du Gardier
Located in Henderson, NV
Medium: original etching and aquatint in bistre. This impression on watermarked laid paper was printed in 1905 and published in Paris for the Revue de l'art ancien et moderne. Plate ...
Category
Realist Early 1900s Art
Materials
Etching
"Parisienne" original lithograph
Located in Henderson, NV
Medium: original lithograph. This impression on thin China paper was printed in 1904 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 9 7/8 x 6 3/8 inches ...
Category
Early 1900s Art
Materials
Lithograph
'Batterie de Cote Engagee' - A Naval Battle with Admiral Nelson. Oil on canvas
Located in St. Albans, GB
Francois Tattegrain
Canvas Size: 185 x 295cm
Outside Size: 220 x 330cm
This painting is named and listed in Benezit
This fantastic painting is one of Francois Tattegrain's most out...
Category
French School Early 1900s Art
Materials
Oil
"The Bransford" Antonio Jacobsen, Marine Ship Portrait, Great Lakes Seascape
Located in New York, NY
Antonio Jacobsen
The Bransford, 1903
Signed, inscribed "West Hoboken," and dated lower right
Oil on canvas
22 x 50 inches
Antonio Jacobsen was born in Copenhagen, Denmark, to a family of violin makers. He was an accomplished string player and throughout his life music was to remain an avocation.
He studied at Copenhagen's Royal Academy, and emigrated to the the United States in 1871. He frequented the harbor around Battery Park, sketching, until he was hired by the Marvin Safe Company to decorate safes. Subsequently he received commissions from sea captains, ship owners, and steamship companies.
The Old Dominion Line, the Fall River Line, and the White Star Line hired him to paint visual records of their entire fleets; he also received commissions from the Clyde, Black Ball, Mallory, Anchor, and the Red Star Lines.
Jacobsen's style is often, though not exclusively, characterized by a flattened perspective. He had a complete understanding of ships and achieved great accuracy of detail in his works.
In 1878 Jacobsen married; he remained in New York City until 1880, when he moved to Hoboken, New Jersey. His home became a gathering place for marine artists including James Bard, Fred Cozzens, Fred Pansing, James Buttersworth, Worden Wood...
Category
Early 1900s Art
Materials
Canvas, Oil
Country landscape and peasants mowing hay
Located in Genève, GE
Work on canvas
Beige wooden frame
61 x 78.5 x 5 cm
Category
Modern Early 1900s Art
Materials
Oil
Circa 1900 rare original Poster for the brand Automoto Motorcycles and bicycles
Located in PARIS, FR
A superb poster, very old, realized around the years 1900 for the brand Automoto.
Automoto is a brand of motorcycles and bicycles
🚲 originating in Saint-Etienne.
It was launched in 1899 by developing a copy of the De Dion...
Category
Early 1900s Art
Materials
Linen, Paper, Lithograph
Signed Modernist European Rainbow Cityscape Painting Original Frame 19th
Located in Buffalo, NY
A modernist landscape featuring a pair of figures and a rainbow.
Signed but without a determination of the maker this charming painting is utterly unique.
Original period frame.
Category
Modern Early 1900s Art
Materials
Paper, Watercolor
Still-Life With Roses and China Jewel Box
Located in Saint-Ouen, FR
Hortense DURY-VASSELON (1860-1924)
Still Life with Roses and China Jewel Box
Oil on canvas signed and dated 1905 low left
DIm canvas : 63 X 50 cm
Di...
Category
Academic Early 1900s Art
Materials
Oil
Jeune femme à l'ombre d'un arbre
Located in LE HAVRE, FR
Georges MANZANA-PISSARRO (1871-1961)
Jeune femme à l'ombre d'un arbre
Circa : 1903
Oil on canvas mounted on cardboard
Format of the work: 27 x 36 cm
Stamp of the artist on the back...
Category
Impressionist Early 1900s Art
Materials
Canvas, Oil, Cardboard
City View by Ludovic-Rodo Pissarro - Landscape painting
Located in London, GB
SOLD UNFRAMED
City View by Ludovic-Rodo Pissarro (1878-1952)
Watercolour and ink on paper
17.8 x 22.9 cm (7 x 9 inches)
Signed with Estate stamp
Executed circa 1904
Provenance
Priv...
Category
Fauvist Early 1900s Art
Materials
Paper, Ink, Watercolor
"Ivoire et Celadons" original etching
Located in Henderson, NV
Medium: original etching. This impression on cream laid paper was published by the Gazette des Beaux-Arts in 1903. Plate size: 4 3/4 x 8 3/4 inches (125 x 220 mm). Signed in the plat...
Category
Early 1900s Art
Materials
Etching
"Quai de la Gare: Decharge Publique" original etching
Located in Henderson, NV
Medium: original etching. This impression on wove paper was printed in 1908 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 5 3/4 x 8 1/2 inches (143 x 2...
Category
Expressionist Early 1900s Art
Materials
Etching
"La charrue" original etching
By Pieter Dupont
Located in Henderson, NV
Medium: original etching. This impression on japon paper was printed in 1902 and published in Paris by the by Gazette des Beaux Arts. Image size: 5 x 8 1/2 inches (127 x 213 mm). Not...
Category
Realist Early 1900s Art
Materials
Etching
Maisons à Billancourt
Located in Basel, CH
ALBERT MARQUET
(BORDEAUX, 1875 – PARIS, 1947)
Maisons à Billancourt
Vers 1903-1904 Période fauve
Huile sur toile
50,2 x 60,2 cm.
Signé en bas à droite « marquet »
Provenance
(Probabl...
Category
Fauvist Early 1900s Art
Materials
Oil
Fruits sur une table, compotier et plateau
By Albert Andre
Located in Washington, DC
Post-impressionist still-life painting by Albert Andre. A similar picture is in the collection of The Phillips Collection, Washington, D.C.
Category
Post-Impressionist Early 1900s Art
Materials
Canvas, Oil
"Tete d'Etude" original lithograph
Located in Henderson, NV
Medium: original lithograph. This impression was printed in 1904 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 10 1/8 x 7 3/4 inches (257 x 198 mm). Thi...
Category
Early 1900s Art
Materials
Lithograph
Marie Joseph Clavel dit Iwill (1850-1923) Landscape with a village, signed
By Marie-Joseph Iwill
Located in Paris, FR
Marie Joseph Clavel dit Iwill (1850-1923)
Landscape with a village,
signed lower right
color pencils on paper
27 x 18.5 cm
In good condition, a stain visible in the upper left corn...
Category
Early 1900s Art
Materials
Color Pencil
Rodin - Le Penseur, Camera Work Steichen Supplement
Located in Santa Fe, NM
Edward Steichen. Rodin - Le Penseur, Camera Work Steichen Supplement. 1906. 6 x 7.25". vintage photogravure.
Category
Early 1900s Art
Materials
Photogravure
original lithograph
Located in Henderson, NV
Medium: original lithograph. Printed in Paris in 1902 for the special Felix Vallotton issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Size...
Category
Early 1900s Art
Materials
Lithograph
Portrait of Keith McLeod
Located in East Grinstead, GB
Signed later as John Singer Sargent , a charcoal portrait of Keith McLeod (American artist ), very rare museum quality drawing.
Alphonse Legros was known for teaching his students t...
Category
Early 1900s Art
Materials
Charcoal