Mid-19th Century Art

Signed on plate with the Monogram of the artist “CM”. Original Prints. State III/III Passepartout included : 60 x 40 cm Image Dimensions : 24.5 x 18.5 cm This artwork is shipped fro...

This is a remarkable hand-colored folio sized lithograph entitled "Dendrochelidon Mystaceus" (Bearded Tree-Swift) by John Gould from his monograph "The Birds of Great Britain", publi...

This duotone tinted lithograph with additional hand-coloring is entitled "Christian Church of St. George, at Lud Ancient, Lydda". It was drawn by Davi...

Well painted 19th-century portrait of a young boy possible in a School Uniform. With the label on the reverse being from Scottish panel makers, we bel...

French 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti . Finely carved and gilt-wood frame of the same period . Measurements w...

Large very impressive Victorian oil painting. Unsigned . Full of atmosphere and a hint of the Gothic. Quality painting Good condition, some slight craquelure (see image) New fram...

American 1860's Hudson River Frame. American 1860 applied ornament & gilded Rabbet Size: 13 x 9.75 in. Sight Size: 11.5 x 8.5 in. Overall Framed Size: 20 x 17 x 3.5 in. Provenance: The Historic Period Frame Collection from the Gallery of Eli Wilner...

The Express Train published by Currier & Ives 152 Nassau Street New York City from the small folio shows a train traveling through the country side wit...

Signed lower right, 'Richmond' for George Richmond, RA (British, 1809 – 1896) and painted circa 1845. Displayed in a period, carved and giltwood frame. (Framed dimensions: 22.75 x 21.5 x 1.0) This English painter and portraitist was a founding member of The Ancients, a group of followers of William Blake. Later in life, he established himself as a successful society portrait painter of the British gentry, nobility and royalty. George Richmond was the son of Thomas Richmond the miniature-painter and, also, the father of the painter William Blake Richmond. For a short time, he attended a day school in Soho, before became a student at London's Royal Academy. Here he was much impressed by Henry Fuseli, his professor of painting, and formed a lifelong friendship with Samuel Palmer, and had as fellow-students and companions Edward Calvert...

Genjie is an original artwork realized in 1852 by Utagawa Kunisada (1786-1865). Oban yokoe. From the series "Sono Sugata yukari no utsushi-e" (Faithful images of the Radiant Princ...

1866 Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of ...

This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths in their natural botanical environment, which is plate 4 from Moses H...

Signed and dated lower left: 1848

American 1860's Hudson River School Gilt/Wood frame with fluted cove interior. Rabbet Size: 10 1/8 x 8 1/8 in. Sight Size: 9 5/8 x 7.5 in. Overall Framed Size: 15.5 x 13.5 in. (04-103) Provenance: The Historic Period Frame Collection from the Gallery of Eli Wilner...

American 1850's Hudson River School Gilt/Wood Frame. Rabbet Size: 13.5 x 10.5 in. Sight Size: 12 7/8 x 9.75 in. Overall Framed Size: 18 x 15 in. (12-032) Provenance: The Historic Period Frame Collection from the Gallery of Eli Wilner...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...

This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well. This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...

Interesante óleo pintado sobre cristal que representa a San Francisco de Asís, pintado con un estilo Naif. No esta firmado, solo va titulado. Se presenta con su marco original de m...

Charles Bouchez (1811-1882) French A Soldier Blowing the Trumpet oil on canvas signed and dated ch. Bouchez 1842 canvas dimensions 6.29 x 4.13 inches (16 x 10.5 cm) frame 10.23 x 7...

La obra no va firmada Se presenta enmarcada la pintura con un marco bastante actual Medidas obra: 29 cm altura x 19 cm ancho. Medidas marco: 48 cm altura x 38 cm ancho. Estado ta...

Paris: Cadart & Luquet, 1865. Etching on buff, cream laid paper, 9 3/8 x 13 7/8 inches, full margins. Printed by Delâtre, Paris, with the blindstamp in the center-sheet, lower margi...

William Shayer Senior Oil on Canvas. Signed bottom right Canvas Size: 30 x 40" (76 x 102cm) Outside Frame Size: 39 x 49" (99 x 125cm) 1787-1879 William Shayer was born in Southam...

Brown ink and watercolour, heightened with white, signed lower right Image size: 18 x 14 1/4 inches (45.75 x 36 cm) Gilt frame Modern moral subjects were a special kind of genre that was invented by William Hogarth which satirised the manners and morals of the period in which the artist lived. They were particular in their frankness and often biting social satire. Genre painting became hugely popular in the Victorian age and towards the end of the nineteenth century a new focus for genre painting emerged. The Artist Joseph H Barnes...

L'Ennemi Ne Se Doute Pas Que is a Lithograph realized by Auguste Raffet in the 1830s. Signed on the plate. Good condition with foxing.

The Battle is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition.

Prise De Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Explosion De La Mine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Explosion De La Mine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Fuite Des Arabes De Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Marche Sur Constantine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition

Army gets position is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition

Le Capitaine De Genie Couverte is a Lithograph realized by Auguste Raffet in 1837. Signed on the plate. Good condition

Batterie Couverte is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition

Les Arabes signalent l'approche de l'armée française is a Lithograph realized by Auguste Raffet in the 1860s. Signed in the plate. Good condition

A good antique Dutch/Flemish oil on panel painting, after Cornelis van Poelenburgh, circa 1850. The painting portrays a number of nude and par...

Dutch School, 19th century signed oil on panel, framed framed: 17.5 x 21 inches panel: 14 x 18 inches provenance: private collection condition: good and sound condition

(After) JOHN JAMES AUDUBON (1785 - 1851) MISSOURI MOUSE, 1846 - Plate 100 (C) No. 20 Lithograph with original hand coloring. From Audubon's "The Viviparous Quadrupeds of North America...

Demolition Pour le Percement du Boulevard St.German is a black and White etching realized by Maxime Lalanne in 1862  Titled in the lower Image Size: 32x23 Very good impression. R...

'New South Wales' With decorative border surrounds and vignettes of 'Sydney Cove'. 'The Murray' and 'Xanthorrhea'. 'Drawn and engraved by J Rapkin'. Published by John Tallis. 375m...

An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Wa-Bish-Kee-Pe-Na, The White ...

The Conversations of Maids, Pleading Mrs. Fox is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852...

Armenian Merchant is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Marchand Armenien". The work i...

Édouard de Beaumont, After, French (1821 -1888) - Les Femmes Sont Cheres, Medium: Photogravure, Image Size: 6 x 9.75 inches, Size: 13 x 16.25 in. (33.02 x 41.28 cm), Publisher: M...

Otras Leyes por el Pueblo is a  modern artwork realized by Francisco Goya. Etching and Aquatint, from the Series "Los Proverbios", realized in 1815. This copy belongs to the editio...

English 19th century portrait of the Clipper ship Crescent in full sail. Acquiring a 19th-century English portrait of a clipper ship is more than just adding a painting to your coll...

This is a hand-colored engraving depicting the natural history of moths and a lady bug, which is plate 22 from Moses Harris' publication "The Aurelian: or Natural History of English Insects; Namely Moths & Butterflies", first published in London in 1766 and this from an 1840 edition. The engraving depicts the natural history developmental stages of the Burnished Brass Moth, the Dark Gothic...

Farm Dogs is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published...

Thomas Creswick R.A. 1811 - 1869, was an English landscape painter and illustrator. Creswick was one of the leading members of the Birmingham School of landscape painters and exhibit...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Plate size: 7 1/8 x 8 inche...

Der Wollmarkt mit der Andreaskirche is a beautiful watercolored lithograph on paper, realized at the middle XIX century by the German landscapist artist, Carl Ludwig Frommel (Birkenf...

R.A.E Little Christ's College Chapel, Cambridge, 1842 Watercolour 20 x 26 cm Charming watercolour depicting a view of Christ's College Chapel in the mid nineteenth century. In thi...

LESLIE E.B. SMYTHE 19th century English rural landscapes, with goats by a river and people. Smythe was an English painter who was active paintings in both Scotland and England. He ...

This is an original 19th century hand-colored McKenney and Hall engraving of a Native American entitled "Wa-Na-Ta, Grand Chief of the Sioux, No. 74",...

The Old Pier at Littlehampton is an original modern artwork realized by John Cousen in the middle of the XIX Century. Original colored print on paper. Inscripted on the lower margi...

This is an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Thayendanegea, Great Captain of the Six Nations, N...

Prise de la Ville Pamfili is an artwork realized by Auguste Marie Raffet in the 1852. Etching on paper. Signed on plate on the left margin. Belongs to the series "Souvenir d'Italie...

Antoine-Claude PONTHUS-CINIER (Lyon, 1812 - Lyon, 1885) The Port of Banyuls Oil on paper mounted on cardboard H. 36 cm; W. 52 cm Provenance: - B.R. Collection, Lyon Ponthus-Cinier ...

Artist: (after) John Constable (English, 1776-1837) Title: "Noon" (Plate 36) and "A Lock on the Stour, Suffolk" (Plate 18) Portfolio: English Landscape Scenery: A Series of Forty Mez...