Mid-19th Century Art

Cathedral in Palermo is a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the gove...

A fine 19th century watercolour by David Cox Snr depicting women returning from harvesting hay. Both carry large bales on their backs as they make their way across a small stream. We...

Celebratory Parade is an original Woodcut print realized in mid 19th century after Utagawa Kunisada. Good condition and Beautiful colored woodblock print. This wonderful modern a...

Assaut is a lithograph realized by Auguste Raffet (1804-1860). Good condition included a cream colored cardboard passpartout (36x53 cm). Titled, Dated on plate on the lower margin,...

Napoléon is an artwork realized by Hippolyte Bellangé in 1846. Original lithograph on paper. Passepartout included: 34 x 49 cm. The title and an ...

Retour de l'ile d'Elbe is an etching that belongs to the suite AtlasBatt realized for Jacques Norvins Histoire de Napoleon, published in 1837. Author Jacques Norvins published one o...

The Living Kite is an original Woodcut print realized in the late 19th century after Utagawa Kunisada. Good condition except for some damaged paper on the edge and Beautiful colore...

Brain Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, realized in 1843. Signed on plate on the...

Les Tables Tournantes (…) is a original b/w lithographed plate (n. 10) from La Fluidomanie. This is a satiric series composed of 12 plates of caricatures “de mœurs” (of behaviours), realized by Honoré Daumier (France, 1808-1879) and published on the French Periodical, Le Charivari between May and June 1853. Printed by Charles Trinocq and edited by the Maison Martinet, Paris. Original Title: Les Tables Tournantes moralisant les coulisses des théâtres (Turning tables...

Shirasuga, Shiomi -zaka zu (View of Shima Slope) is a superb polychrome woodblock print (nishiki-e, ink and colour on paper) by Utagawa Hiroshige (Japanese, 1797-1858). This is the p...

Basilica of Saint Clement is a phototype print on cardboard, with the description on the lower dated "1863". Good conditions with diffused foxing. The Medieval scene represent a si...

A. GUILLAUME (Active in the 1830s) Watercolor on paper 32.5 x 47 cm (60 x 74.5 cm with frame) Signed and dated lower left (on the rock) “A. Guill. / 1838 » Beautiful 19th century fra...

Voilà.... is an original colored lithograph, realized in 1839 by Honoré Daumier (1808-1879). The artwork is from the portfolio Types Parisiens composed of caricatures of the immense...

Tourelle de la rue de la Tixeranderie is an original Modern Artwork realized in the half of the 19th Century by Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868). Original Etching. Fine impression printed by the artist. II/III state on V. Total dimensions: 24 x 12 cm. Passepartout is included. Excellent conditions of sheet. Reference: Salimbeni no.163; Schneiderman n. 24; Delteil n. 29. Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868). He was a French artist who worked almost entirely in etching, as he suffered from color blindness. Although now little-known in the English-speaking world, he is generally recognized as the most significant etcher of 19th century France. His most famous works by him are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also suffered from mental illness, dying in an asylum. Meryon had sketched in Athens, Algiers and other exotic places he had visited, and by late 1840 decided to take lessons in drawing from the Toulon...

Warriors is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but aged. ...

The Student is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux", 1852. Published by Manesq & Harvard, Paris. Good Conditions but aged. The artwork is depicted through strong strokes with perfect hatching. Jean Ignace Isidore Gérard...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Roman Costume is an original etching artwork realized by Bartolomeo Pinelli in 1831. Signed by the artist on the plate, dated lower right. Good conditions. The artwork represents ...

Sir Francis Seymour Haden (1818-1910. British) "Old Chelsea Church" Etching 1865 4 3/8" x 7 3/4" unframed 12.75" x 15.75" framed

Petites Misères de la Vie Humaine is an original modern rare book written by Nick Old and engraved by Jean Jeacques Grandville (Nancy, 1803 –...

Testicles Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlant...

Portrait of Murat is an etching that belongs to the suite AtlasBatt realized for Jacques Norvins Histoire de Napoleon, published in 1837. Author Jacques Norvins published one of th...

Image dimensions: 31.5 x 25 cm. Published on: La Caricature, October 16, 1834 Not Signed. It includes passepartout. Good conditions except some mowings.

The Excavation is an original lithograph by J.J. Grandville from "Scènes de la vie privée et publique des animaux", 1852. Published by Manesq & Harvard, Paris. Good Conditions. Th...

Diseases of the Dura Mater is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to th...

Vie Privée et Publiques des Animaux is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Publishe...

The Prince of Borbone is an original lithograph by Antonio Zezon. Naples 1851. Interesting colored lithograph which describes the Prince Francesco II di Borbone riding his horse, in...

Bone Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante gen...

An Irish Wake Etching on copper. Image Dim:cm 11 x 9.2; Sheet Dim: cm 22 x 13.5. Passepartout Dim: cm 24.8 x 17.5 Title at the center. Signed on plate und...

Ancient View of Naples is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. In...

Ancient View of Piraeus is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letters:...

Landscape is an Original China Ink Drawing realized by Auguste Bigand (1803-1875). Good condition included a green and white cardboard passpartout (50x65 cm). Stamp Signed on the l...

Gate in Algeria is an original Hand-colored lithograph on paper realized in 1846 by an Anonymous artist of the XIX century. Titled in Italian on the lower center "Porta Bab-Azoun i...

Liver Disease is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante ge...

Rotterdam is an original modern artwork realizedin the mid of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin: Rotterdam. Sheet dimension...

Osakae is an original artwork realized in the 1861 by Ichiyôsai Yoshitaki. Woodcut print Chuban Diptych. The actor Nakamura Jakuemon I as Matsushita Kaheiji, Arashi Rikan III as Ak...

Portraits is an original pencil drawing on paper by Horace Vernet realized during XIX century. Very good conditions. Image dimensions: 22 x 17.5 cm. Inc...

Jaguar is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in...

David De Noter Ghent 1818 – 1892 Bologhine Belgian Painter 'Still Life with a Lapis Lazuli Coloured Flower Vase on a Table' Signature: signed lower right 'David De Noter' Medium: oil on panel Dimensions: image size 35 x 27 cm, frame size 41,5 x 34 cm Biography: David De Noter was born in Ghent on June 24, 1818, and passed away in Saint Eugène Bologhine, Algiers, on January 21, 1892. He was a renowned Belgian painter, celebrated for his detailed still lifes and interior scenes. Born in Ghent, he was the son of Jan-Baptist De Noter, a draftsman and architect, from whom he received his early artistic training. His mother, Carola Maya, married Jan-Baptist shortly before David’s birth. He had a brother, Michaël, who tragically passed away at a young age (1821-1823), and two sisters, Anne-Marie and Edalie. In 1840, De Noter moved to Brussels, and five years later, on November 25, 1845, he married Clemence Wauters in Mechelen. Together, they had seven children. His son Raphaël would also become a painter. By the 1860s, De Noter had relocated to Paris, where it is believed he shared a studio with the well-known art dealer J. Goupil around 1864. In his later years, De Noter and his family moved to Algiers, North Africa, where he contributed a floral still life to the Algiers Museum in 1870. By around 1879, he was living in Le Nador, near Marengo. David De Noter is primarily celebrated for his exquisite still lifes featuring flowers, vegetables, seafood, game, and fruit. He also painted detailed kitchen and salon interiors, as well as genre scenes, often with a strong focus on still life elements within the broader composition. His style combined meticulous realism with a romantic atmosphere, capturing both the beauty and mood of his subjects. During his time in Algiers, De Noter began painting local scenes, including views of the Kasbah of Algiers. Throughout his career, De Noter collaborated with notable artists such as Henri Leys, Guillaume Koller, Louis Tuerlinckx, and Alfred Stevens. His works remain highly valued on the art market today. His paintings were exhibited in various cities, including Kortrijk, Brussels, Rotterdam, The Hague, and Paris. In 1854, he was awarded a gold medal at an exhibition in Brussels. David De Noter’s artwork has been exhibited in prestigious galleries and museums across Europe, showcasing the enduring appeal of his detailed and romantic still life paintings. His works can be found in the permanent collections of several important institutions, including: Royal Museums of Fine Arts of Belgium, Brussels; Musée des Beaux-Arts, Cambrai; Stedelijk Museum, Kortrijk; Art Gallery, Leeds; John Selbach Museum, Maaseik; Museum Hof van Busleyden, Mechelen; Musée des Beaux-Arts, Mulhouse; Municipal Collection, Schaerbeek; Museo Revoltella, Trieste; Museo Municipal “Quiñones de León...

Ancient Ruins of Palmira is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letters...

Conformation Defects is a lithograph realized by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante...

Londonderry is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Londonderry....

Three women in the Saruwaka-machi District with a view of Kinryûzan Temple seen from the famous landmark Matsuchiyama. The woodblock print is from the series "Famous Places in Edo". ...

Le Comte De N is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. S...

Gaston De R is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Sig...

Marguerite Gautier is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

Peterhead is an etching realized in the Early-20th Century by R.Brandard. Signed in plate. The artwork is realized in a well-balanced composition.

Mary- Port Pier is an etching realized in 1845 by W. H. Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautifully...

The Great Pylon at Edfou, Upper Egypt Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 1, (36 plates) Published by Wi...

Diseases of the Brain a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlant...

Stomach Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante ...

Arman Duval is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

To see our other views and maps of England, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Chessell Buckler (1793 - 1894) Horham Hall, Essex (1830) Watercolour 25 x 34 cm Signed and dated lower right; titled below. Horham Hall was built in Thaxted, Essex by Sir John Cutte in the early sixteenth century. The original hall was a timber-framed moated manor house built circa 1470, but it was largely demolished by Cutte, who built the present house between 1510 and 1515. Cutte was under-treasurer in the households of Henry VII and Henry VIII. The mansion was built in brick in two storeys in a quadrilateral layout with a gatehouse and incorporated some elements of the former building. The house was visited three times by Elizabeth I as the guest of Sir John Cutte. It is believed that the Tower was built for her to watch the local hunt. It was while staying at Horham in 1578 that the Queen received the envoy of the Duke of Alençon proposing marriage. John Chessell Buckler was a British architect, the eldest son of the architect John Buckler. His work included restorations of country houses and at the University of Oxford. Buckler received art lessons from the painter Francis Nicholson...

Louise is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land...

Entrance to the Port of Dundee is an etching realized in 1845 by W. H.Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork ...

Figure is an Original Pencil Drawing realized by Alexandre Bida (1823-1895). Good conditions. No signature. F. Alexandre Bida (1813–1895) was a Frenc...

Havre is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Letters: Havre. Pa...

Carrick-a-Rede, Coast of Antrim is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central ...