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Black and White Photography For Sale
Color:  White
Color:  Pink
Ocean Dance
Located in Chicago, IL
Ocean Dance Galapagos Islands, 2019 Available sizes: 20 x 30 in / Edition of 6 32 x 48 in / Edition of 6 Archival Pigment Print printed on Hahnemühle Photo Rag Paper Diving in a...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Pink Decks
Located in Los Angeles, CA
Nick Veasey Pink Decks 23 x 52 inches, AP Edition Digital C Print Framed in black Signed and numbered by artist Currently on display at Art Angels Nick Veasey X-Ray Chanel DJ Music...
Category

2010s Contemporary Black and White Photography

Materials

C Print, Digital

Photo Lithograph Jannis Kounellis Arte Povera Italian Avant Garde Etching
Located in Surfside, FL
'Lo faro il litterato tutta la vita' Photo Lithography on rag paper hand signed lower right in pencil: Kounellis numbered 37/90. Provenance: The Collection of Ileana Sonnabend (Mrs Leo Castelli) & the Estate of Nina Castelli Sundell I have seen this piece identified as being 1969 and I have seen it as 1972. Jannis Kounellis (Greek: Γιάννης Κουνέλλης; 23 March 1936 – 16 February 2017) was a Greek Italian contemporary artist based in Rome. A key figure associated with Arte Povera, he studied at the Accademia di Belle Arti in Rome. Kounellis was born in Piraeus, Greece in 1936. He lived in Greece during the Second World War and Greek Civil War before he moved to Rome in 1956. From 1960 to 1966, Kounellis went through a period of only exhibiting paintings. In some of his first exhibitions, Kounellis began stenciling numbers, letters, and words onto his canvases, often reflecting advertisements and signs seen on the street. In 1960 he began to introduce found sculptural objects such as actual street signs into his work, exhibiting at Galleria La Tartaruga. This same year he donned one of his stencil paintings as a garment and created a performance in his studio to demonstrate himself literally becoming one with his painting. This newfound convergence of painting, sculpture, and performance was Kounellis' way out of traditional art. By 1961 he began to paint on newspaper to reflect his feelings towards modern society and politics. From 1963, Kounellis introduced found objects in his artworks, among them live animals but also fire, earth, burlap sacks, and gold. He replaced the canvas with bed frames, doorways, windows or simply the gallery itself. Kounellis' work from the 1980s, which also consisted of sculptures and performances using unusual materials, traveled all over Europe. In 1974, he performed with Edward Kienholz, Wolf Vostell and other artists in Berlin at the ADA – Aktionen der Avantgarde. His work has become integral to numerous renowned, international museums' collections. In 1967, Kounellis became associated with Arte Povera, a movement theorized by curator Germano Celant as a major shift from work on flat surfaces to installations. Kounellis participated in the exhibition 'Arte Povera – e IM Spazio' at the La Bertesca Gallery in Genoa curated by Celant, Arte povera means literally ‘poor art’ but the word poor here refers to the movement’s signature exploration of a wide range of materials beyond the traditional ones of oil paint on canvas, bronze, or carved marble. Materials used by the artists included soil, rags and twigs. Leading artists were Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Piero Gilardi, Jannis Kounellis, Mario Merz, Marisa Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini and Gilberto Zorio. They worked in many different ways. They worked in painting, sculpture and photography and made performances and installations, creating works of large physical presence as well as small-scale gestures. To solidify the movement, Celant curated yet another group show, 'Arte Povera', which was exhibited at the De' Foscherari gallery in Bologna in 1968 with similar artists. In the same year Kounellis exhibited 'Senza titolo (Untitled)', which consisted of raw wool, rope and a wooden structure all leaning against a wall. Finally, Kounellis was also included in 'RA3 Arte Povera + Azioni povere' which was organized by Marcello Rumma and curated by Celant. In 1967, Kounellis installed "live birds in cages along with rose-shaped, cloth cut-outs pinned to canvas" alongside his painting. Through this shift in his work, "Kounellis was more interested in anarchical freedom from linguistic norms and conventional materials. The space of the gallery and the exhibition site in general were transformed into a stage where real life and fiction could join in a suspension of disbelief." The viewers became part of the scene of these living natural sources of energy within the gallery space. He continued his involvement with live animals later in 1969, when he exhibited twelve living horses, as if they were cars, in the Galleria l'Attico's new location in an old garage in Via Beccaria. Gradually, Kounellis introduced new materials, such as propane torches, smoke, coal, meat, ground coffee, lead, and found wooden objects into his installations. He also looked beyond the gallery environment to historical (mostly industrial) sites. In 1997, Kounellis installed thirteen wardrobes and two doors that were sealed in lead along a scaffolding ledge that blocked the entry to a central hall. In 1968, in an interview by Marisa Volpi, Kounellis stated that incidental adjustments are certain as aspects that can indicate the human liberty of life. Selected Solo Exhibitions 1960: La Tartaruga gallery, Rome 1969: Attico Gallery, Rome 1981: Van Abbemuseum, Eindhoven 1982: Whitechapel Art Gallery, London 1988: Castle of Rivoli, Turin 1996: Museo Nacional Centro de Arte Reina Sofía, Madrid 2005: Albertina, Vienna 2007: Neue Nationalgalerie, Berlin 2007: Kounellis - Jaffa Port...
Category

1960s Arte Povera Black and White Photography

Materials

Lithograph

Jacob Colier, LA, Contemporary, Celebrity, Photography, Portrait
Located in Munich, DE
Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of the English musician....
Category

2010s Contemporary Black and White Photography

Materials

Archival Pigment

Ocean Dance
Located in Chicago, IL
"Ocean Dance" Galápagos Islands, 2019 Available sizes: 20 x 30 in / Edition of 6 32 x 48 in / Edition of 6 Archival Pigment Print printed on Hahnemühle Photo Rag Paper with deck...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Lonestar
Located in Fairfield, CT
In "WEST The American Cowboy", Anouk revisits this enduring iconic symbol of America's pioneering spirit. The new series inspire with a fresh and contemporary perspective of the Amer...
Category

2010s Black and White Photography

Materials

Pigment

Horse II
Located in Carmel-by-the-Sea, CA
Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selec...
Category

Late 20th Century Black and White Photography

Materials

Digital Pigment

Wolf III
Located in Carmel-by-the-Sea, CA
Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selec...
Category

20th Century Black and White Photography

Materials

Digital Pigment

Zebra I
Located in Carmel-by-the-Sea, CA
Signed by the artist. This piece is available in five different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selective t...
Category

21st Century and Contemporary Black and White Photography

Materials

Digital Pigment, Archival Pigment

Mendocino Headlands, Pacific Ocean
Located in Carmel-by-the-Sea, CA
Signed, dated and editioned. Signed, titled, editioned and dated on back of mount on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includ...
Category

21st Century and Contemporary Black and White Photography

Materials

Silver Gelatin

Afternoon Light, Pacific Ocean
Located in Carmel-by-the-Sea, CA
Signed, dated and editioned. Signed, titled, editioned and dated on back of mount on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includ...
Category

21st Century and Contemporary Black and White Photography

Materials

Silver Gelatin

Maquillage
Located in Sante Fe, NM
That was the River, This is the Sea Portfolio Introduction: The past several years of my life have been colored by change, both positive and adverse: a new partner; a new child...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Suspect Displacement
Located in Sante Fe, NM
Eidolon Point is an apparition of a place. Within this liminal state between going and gone, the bones of architecture take on new forms to create spaces are neither inside or outsid...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Cat and Fish: Estella Warren
Located in New York, NY
All editions signed by the photographer.
Category

1990s Black and White Photography

Shop Black and White Photography

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.

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