Cross Color Photography

'Oui Mon Cul' (The Eyes Of The Fox) - 2015, Artprint based on a Carmen De Vos expired Polaroid photograph on beautiful PHOTO RAG ULTRA SMOOTH, 305gsm, 100% cotton by HAHNEMÜHLE Han...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

Artist Statement: "My first visit to Japan in 1970 had a profound and lasting effect on my life and work. While working on a theatrical project in Tokyo, I visited the Shinto shr...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

MASSIMO LISTRI Sammezanno VIII, Tuscany, 2005 48 x 40 inches 120 x 100 cm Edition of 5 60 x 48 inches 150 x 120 cm Edition of 5 88.5 x 71 inches 225 x 180 cm Edition of 5 UNFRAM...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

Nazareno #2, 2002 by Celso José Castro Daza From The series Buscando Papá. Photo Collage One of a kind photo collage Sheet size: 40 in. H x 27.5 in. W Unframed The root of these uni...

Untitled, 2001 by Celso José Castro Daza From The series Buscando Papá One of a kind photo collage Sheet Size: 39.5 in. H x 27.5 in. W 2001 Unfr...

Dutch fashion model Apollonia van Ravenstein at the Lannan Foundation, Palm Beach, wearing a Mary McFadden dress on Ronald Bladen’s The X. Town & Country, October 1983. Apollonia va...

Forest Light (Strange Love) - 2003 60x225cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. A piece of...

'Hugh Hefner' American publisher Hugh Hefner, founder of 'Playboy' magazine, surrounded by erotica at the Playboy Club in Chicago, 1961. 60 x 40" inch...

Rolando, 2001 by Celso José Castro Daza From The series Buscando Papá One of a kind photo collage Sheet size: 39.5 in. H x 27.5 in. W Unframed ...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Neon Cross, from Richard Heeps' series 'This is Not America' photographs from Vietnam in 2016. This striking artwork has a fun religious kitsch vibe, the ne...

'Maria Magdalena' by Carmen De Vos (Odd Stories) - 1/25, 2014 mounted on black mdf, dimensions 15x11,3cm (the second image shows a sample piece mounted) hand signed by the artist on ...

Nazareno #6, 2002 by Celso José Castro Daza From The series Buscando Papá. Photo Collage One of a kind photo collage Sheet size: 40 in. H x 27.5 in. W Unframed The root of these uni...

Marina Sign, photograph by Richard Heeps taken in the Salton Sea, California. This authentic classic American Sign has been beautifully weathered. The bold graphic style makes it hav...

'Salton Sea', Edition 1/10, 20x30cm, 2016, Color Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. About Tao Ruspoli (born 7 Nov...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

'Notre Dame 4' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and artist c...

'Neon Cross', part of Richard Heeps' 'This is Not America' series photographed in Vietnam in 2016. This artwork has a fun kitsch vibe, the neon really makes...

'Notre Dame 3' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and artist c...

This authentic classic American Sign has been beautifully weathered. The bold graphic style makes it have a great Pop Art appeal. This artwork is a limited edition of 25, gloss phot...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Signed limited edition print of David Bowie by Brian Aris, taken from a session at Brian’s London studio in 1991. Brian Aris limited edition prints, signed...

Lifetime prints are the last remaining prints available, signed by Terry O’Neill and obtained from the Terry O’Neill Archive in London. American actress Raquel Welch being crucified in an oddly anachronistic publicity still for the Hammer Films production 'One Million Years BC...

Charlotte Salomon is an original digital photograph realized by Angelo Cricchi in 2009. Hand-signed, dated, numbered by the artist on the back of t...

Xtreme (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid photograph. Artist inventory Number 909. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Star Link (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1194. Signature label and Ce...

Expanses of Time (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1193. Signature label...

Andy Warhol’s Mexican Crucifix and Maxfield Parrish, In Second Bedroom East 66th St NYC, 1987 6X7 Format Film Archival Inkjet on Paper *Also availa...

Guadalupe (The Last Picture Show) - 2005 38x37cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Archive Fuji Crystal Paper, based on the Polaroid. Artist inventory...

The Sphere (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature ...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

Marina Sign, photograph by Richard Heeps taken in the Salton Sea, California. This authentic classic American Sign has been beautifully weathered. The bold graphic style makes it hav...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

'Notre Dame 4' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and arti...

Part of Richard Heeps' 'This is Not America' series photographed in Vietnam in 2016. This striking piece has a fun kitsch vibe, the neon really makes it pop. This artwork is a limit...

40x40in ed.18 Archival Pigment Print Mounted and Framed Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

Capri Tan, 1968 Chromogenic Lambda Print Estate edition of 150 1968, A kneeling sunbather shows off her rings and pendant on a beach in Capri, Italy. Estat...

Edition 1 of 15. CURRENT EXHIBITION - runs through October 29th, 2017. Any framed photographs purchased during the show will be available after October 29th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.” ABOUT In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work. On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...

Old sign on the Mother Road, old Route 66, located in Tucumcari, New Mexico. This beautiful fine art photograph is a standout in any room. :: Photograph :: Color :: This piece co...

'Isletas Church' by Alain Le Garsmeur Limited Edition Archival Pigment Print Church in Isletas, a small town with a banana plantation, Honduras, Central America, 1981. Paper siz...

Archival pigment print Signed and numbered, verso 8 x 10.5 inches, image (Edition of 15 + 2 APs) 15 x 19.7 inches, image (Edition of 15 + 2 APs) 26 x 34 inches, image (Edition of ...

"East Village Abstract #1" is a color photograph on Etching Rag archival paper. It is a signed Edition of 20, available in sizes 16x24, 11x17 and 8x12 inches. It is a striking compos...

Ed. of 5 Nicolas Ruel has been working, for the last several years, on an ambitious body of work, 8 seconds, where he attempts to revisit the image of the world’s greatest cities. F...

Artist: Guenter Parth, Austrian (1962 - ) Title: Erich Johan: Vienna Year: 1987 Medium: Gelatin Silver Print Photograph Size: 13 in. x 10 in. (33.02 cm x 25.4 cm) Frame Size: 19 x 16...

Neal Slavin (American, b. 1941) Cemetery Workers & Green Attendants, Ridgewood, NY Gravediggers Union Vintage C-print [Chromogenic development print; Ektacolor prints] Hand signed and numbered by the photographer 48/75 Photos made with 2.25 X 2.25 Hasselblad camera and 4 X 5 Calumet camera Contact printed on Kodak Ektacolor 74 RC-N paper Mat is 100% rag archival board Print measuring about 14 x 11 inches (33x26.7 cm.) or slightly smaller. image size varies a bit. Mat measures 18 X 14 In the 1970's, Neal Slavin captured a potpourri of various and sundry American groups of people: hobby groups, hot dog vendors, religious groups, social clubs, meetings, professional unions, and others. Neal Slavin (born 1941) is an American photographer and television/film director. He is the author of Portugal (1971), When Two or More are Gathered Together (1976) and Britons (1986). He directed and produced the film Focus (2001). Slavin was born in Brooklyn, New York. He graduated from the Cooper Union School of Art and Architecture in New York, where he obtained a Bachelor of Fine Arts degree. He was awarded an exchange student scholarship at Lincoln College, Oxford in the UK. Britons is a series of photographs of...

Terry O'Neill (1938-2019) Raquel Welch on the Cross, Los Angeles 1970 lifetime edition Lambda C-Type print 48 x 48 in. (paper size) edition of 50 signed and numbered printed later Price: £25,200 GBP (inc. 20% UK VAT) Notes: A publicity shot for One Million Years B.C. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...

Silhouettes of the churches in Kiev, Ukraine. C Print (Fuji Gloss), face mounted to 0.24" acrylic glass and backed by 0.12" Alu-Dibond. Made in Germany and inspected by artist. Rea...

A project that documents tourism and commodity culture at The Holy Land Experience Christian Theme Park in Orlando, Florida. Humor and irony are combin...

A project that documents tourism and commodity culture at The Holy Land Experience Christian Theme Park in Orlando, Florida. Humor and irony are combined within a documentary approac...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 1/1 on verso. This is a unique print. In the series ‘Weights & Measures’ (2...

Edition of 5. 16 x 20 inches (image); 22 x 26 inches (framed) Catherine Opie’s series '1999' documents her second epic road trip to capture America leading up to the new Millenium; ...

Edition Number 5 of 50 Digitally Printed Signature and Edition number on Front. Posthumous Estate Print Terry O'Neill - photographer / American actress Raquel Welch being crucified in an oddly anachronistic publicity still for the Hammer Films production ‘One Million Years BC...

Edition of 10 Series "The Light within" Also available in 164 x 123 cm (64,5’’ x 48,4’’) Edition of 7. A naked man stands on a rock in the Atacama desert in Chile and is doing Yoga...

American actress Raquel Welch being crucified in an oddly anachronistic publicity still for the Hammer Films production ‘One Million Years BC’, di...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...