Portrait Photography

" Leopard #4 ” - Signed limited edition archival pigment print - Edition of 10 A series of studio portraits of a panther, or black leopard. Panthers are more commonly known thes...

Jim Kimberly and his wife (far left) and friends with his white sports car and white boats moored on Lake Worth. A Palm Beach socialite, Kimberly acts as Honorary Consul of Jordan. April 1968. (Slim Aarons / Getty Images) Slim Aarons Palm Beach Society...

This mid-1970s portrait photograph, captured by society photographer Slim Aarons, features a guest taking a break from the sun at the Marbella Club, Marb...

Archivio delle Indie II, Siviglia 1990 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches Fra...

"Chanel Lady" Portrait Photography 40" x 30" in Ed. of 15 by Viktorija Pashuta 2018 HD Acrylic Print The photograph is first mounted on the metallic print to the 1/4" clear acrylic sheet, it is then finished with a 1/8" Black Sintra mounted to the back. The clear acrylic magnifies the beauty of the image printed onto the metallic paper which has a luminous appearance. Latvian born Viktorija Pashuta is internationally published and award winning fashion and art photographer gaining momentum and notoriety in Southern California. With visual cues rooted in dance and music, and fashion passion stemming from her European upbringing, her images are sensual, sultry, yet powerful. Viktorija’s work is known for so called ‘color therapy’ – where she uses saturated and vibrant colors to achieve the effect of fashion surrealism. Her images are very feminine and empowering at the same time to celebrate the essence of a woman. Her work has been published in such magazines as RUNWAY (USA), GQ, Esquire, VISION (China), Prestige International (France), Essence (USA), Estetica (USA), Nylon Guys, Vogue (Italia), Tchad (Canada), Fashizblack (France), Highlights (UK), CULTURE (Australia), shooting celebrity covers for Healthy Living Magazine, Runway, Orlando Style, Justine and more. Her celebrity work includes Paris Hilton, Kathy Griffin...

This 2009 photograph by legend photographer, John Stoddart depicts “The Swan with Leda.” It was inspired from the mythology of the Greek story of Leda and the Swan, when the God Zeus...

Limited edition of 7. Sold Edition number will be communicated at the point of sale. White wood frame and plexi Supermodels" portrait of the famous 90's model all dressed in glamour...

Lullaby (The Girl behind the White Picket Fence) - 2013 100x120cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. ...

Sheila Metzner’s unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Looking at Metzner’s photographs is a captivating experience. Innocent, sensual, and sexual, each photo, regardless of subject, exhibits and elicits deep emotion. It is nearly impossible to just glance at Metzner’s photos; they beg to be studied. She says, “Photography in its most basic form is magic…This image, caught in my trap, my box of darkness, can live. It is eternal, immortal. The child in the image will not age as the living child will.” Sheila Schwartz was born in 1939 to an orthodox Jewish family in a poor section of Brooklyn. While attending the School of Industrial Art in Manhattan (now the High School of Art and Design), she was awarded the Mayor Robert F. Wagner scholarship to the college of her choice. She chose Pratt Institute, where she majored in visual communication. Her fondness for painting and sculpture also led her to study with abstract artists Jack Tworkov and James Brooks. After graduating in 1961, Sheila worked as an assistant to Lou Dorfsman at CBS Network Advertising. Five years later, she was hired by the Doyle Dane Bernbach advertising agency as its first female art director, and in 1968 she met and married director, creative director, and painter Jeffrey Metzner. While pregnant with their first child, she was riding in a cab with her mentor and friend, photographer Aaron Rose, discussing whether or not to give up her career in advertising. “He said, ‘You should be a photographer. You live like an artist. You have a good eye, you’d be good at it.’ ” Metzner started taking pictures, amassing them slowly over the next 13 years, while raising her and Jeffrey’s five children—Raven, Bega, Ruby, Stella and Louie. Jeffrey’s two daughters from a previous marriage, Evyan and Alison, were also a regular part of the family. “When they were really small, I’d be with them during the day, photographing and printing at night. At eight or nine in the evening, when they were all asleep, I’d take a shower to wake up and put on high heels and lipstick, which I wore then, to give me the feeling of being ready to work.” She continues, “My children never interfered. When I couldn’t travel because of them, I would find a place in upstate New York and call it Antarctica or Egypt. I found microcosms.” Nine years later, Metzner had accumulated a box of 22 pictures. One of them, a black-and-white photograph titled “Evyan, Kinderhook Creek,” caught the eye of John Szarkowski at the Museum of Modern Art, which he included in his famous and controversial exhibition “Mirrors and Windows: American Photography since 1960.” The New York Times art critic Hilton Kramer loved the picture and soon it became the dark-horse hit of the exhibition. Later that year, Metzner’s first solo show at the Daniel Wolf Gallery in New York drew record crowds. Metzner was now ready to work in color, but not just conventional color. Of her subjects, she once said, “If I use a rose, I want it to be the essential rose—the rose Beauty brought to her father from the Beast’s garden.” Now she aspired to an essential kind of color. “I wanted something that would last. I was looking for Fresson even though I didn’t know they existed.” The Fresson family works outside of Paris and specializes in a labor-intensive four-color “process de charbon” method, which they invented in 1895. Some prints can go up to seven colors, and are pigment prints, the only true archival color print. Metzner is one of just ten American photographers with whom they are willing to work. Fresson prints are the perfect complement to Metzner’s style—soft, sensuous, and grainy, the prints resemble paintings, with a finish which Metzner describes as “a glaze on fine porcelain. The moment I saw the neutral gray,” she adds, “I knew it was perfect.” In 1980 Metzner showed her Fresson color prints at her second solo exhibition at the Daniel Wolf Gallery. This show led to commissioned editorial work for such magazines as Vanity Fair, Vogue, and Rolling Stone. She secured an exclusive contract with Vogue for the next eight years. Metzner considers her portrait of actress Jeanne Moreau for Vanity Fair a turning point in her career. “It gave me a chance to show my work to a broader audience. I wasn’t just producing photographs for the art world.” Of Sheila’s foray into fashion, critic Carol Squiers says, “At a time when fashion photography was caught between sterility and the snapshot, Metzner created a sumptuous vision that stimulated the entire field.” Metzner also started doing commercial photography around this time. Her first client was Valentino, soon to be followed by Bloomingdale’s, Perry Ellis, Revlon, Shiseido, Saks Fifth Avenue, Paloma Picasso, Victoria’s Secret, Levi’s, Ralph Lauren, and fragrances for Chloe and Fendi (the Fendi campaign won a Fragrance Foundation Recognition Award). Her work also appeared on John Mellencamp...

A bartender mixes a drink for a customer at the Ice Bar at the Hotel Krone in Lech, Austria, 1960. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and sta...

O'Brians Catch American actor Hugh O’Brian returns to the beach with a fish after a snorkelling expedition, Antigua in the West Indies, 1961. Paper size 50 x 50 / 127 x 127 cm E...

Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, distu...

DINNER AT EIGHT, Jean Harlow, 1933/ Everett Collection. stunning and vivid photograph of the first sex symbol, Jean Harlow. 12x16 inches Archival Pigment...

The Princess (The Princess and her Lover) - 2009 Edition of 2/5, 125x123cm. Analog C-Print, hand printed by the artist and based on the Polaroid, mounted on Aluminum with matte ...

"CAMOUFLAGED BEAUTY COLLECTION Van Zeijl's love for nature and metamorphosis is also identifiable in the rebellious way she reshapes the dresses of well-known fashion designer Claes ...

Sonhos silenciosas 2023 Silent dreams. A young performer during the Night of the Silent Drums. The Carnaval of Olinda, on the north east coast of Brazil, is a week of high energy and exuberance. Dancers and musicians perform in Blocos that progress slowly through the streets of the beautiful colonial era town. Olinda Pernambuco Brazil James Sparshatt‘s black and white portraits are a search for a connection with a world of emotions. His photographs from the streets of Havana, the milongas of Buenos Aires, the jazz clubs of New Orleans and bars of Andalucia capture the spirit of music in populations wher it is the very lifeblood and expression of life. Matt print direct on to aluminium Edition of 12 Dark wood tray...

Leopard #2 - Signed limited edition archival pigment print - Edition of 3 Large scale A series of studio portraits of a panther, or black leopard. Panthers are more commonly k...

0946 and 0971, Diptych, 2022 by Salvatore Arnone From the ONE series 0946: Photography, pencil, ink and acrylic on fabric 0971: Photography, pencil, ink and pastel on fabric Overall ...

Landscape Iceland, 2018 Contemporary Art, Photograph Printed on cotton paper, unmounted Limited Edition Ships rolled up

Delilah Right Red Hand, Richard Heeps photograph taken at the London Burlesque event The Whoopee Club. Richard Heeps became well-known for his Burlesque Photography after he spent 2...

Artist: Chuck Close Title: Dalai Lama Year: 2005 Medium: Digital pigment print on Hahnemuhle Photo Rag paper Edition: 300; signed, dated and numbered in pen...

Keith Richards sitting in front of Bentley, 1966 — Signed Limited Edition Print, 1966 — Signed Limited Edition Print by Gered Mankowitz Keith Richards of The Rolling Stones is pho...

"David Bowie and Mick Ronson, in the Train 1973" 30 x 40 in 16/25 by Mick Rock David Bowie and Mick Ronson, in the Train to Aberdeen, Scotland, 1973 Edition: 16/25 Signed and number...

Norman Parkinson Jerry Hall , 1976 C print 60 x 40 inches each Estate stamped and numbered edition of 21 on verso American model Jerry Hall wearing a swimsuit by Martil and lipstick...

Slim Aarons Skiing In St. Moritz 1983 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Countess Jan Bonde in the Palace H...

Leopard #2 - Signed limited edition archival pigment print - Edition of 10 A series of studio portraits of a panther, or black leopard. Panthers are more commonly known these d...

Norman Parkinson Wenda and Ostriches 1951 (printed later) C print 40 x 30 inches Estate stamped and numbered edition of 21 on verso with certificate of authenticity from the Norman ...

Limited Edition Series. Black and White Photography by Cuban Photographer René Peña, Self Portrait René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subject and background, subject and object. His work often focuses on the duality between human inability to escape institutionalization and human desire for individualism. His interest in contrast is also reflected in his place of residence: Peña currently inhabits the Cerro neighborhood of Cuba which is home to a mostly poor African-Caribbean population, despite having been an enclave of Havana's richest families in the 19th century. René Peña graduated from the Higher pedagogic Institute of Foreign Languages, University of Havana with a specialization in English in 1983. In the late 1980s he entered the national world of photography and since 1990 became leader of the new trends of Cuban photography...

David Bowie, Aladdin Eyes Open, 1973 by Brian Duffy. This photograph was taken during the photo shoot for the album cover for Aladdin Sane, January 1973, London. This is an exquisite FRAMED* Archival Pigment print. *Note delivery includes secure art crating & shipping. Framed in black wood with glass and matt Stamped by The Duffy Archive, UK. Supplied with certificate of authenticity. Gorgeous print measuring 115 x 115 x 3 cm (framed). The image area is 95 x 95 cm. Produced utilising the original contact sheet. We ship regularly using Fedex Express services and ship to all international locations. About these images : “It wasn’t until we saw the contact sheets the next day I remember thinking, God this is spectacular. You just knew you had cracked it, boy, did you know it.” Celia Philo DAVID BOWIE: FIVE SESSIONS PHOTOGRAPHS BY DUFFY Brian Duffy photographed David Bowie over five sessions between August 1972 and April 1980, and made the iconic Aladdin Sane album cover image. January 1973–Session two–Aladdin Sane. It has been called ‘The Mona Lisa of Pop’. Who could have imagined that the moment he clicked the shutter on the Hasselblad in early 1973 that one of those images would become known as a cultural icon? – Chris Duffy Some background to the shoot. The background stories to the Aladdin Sane shoot are told in rich detail in the book Bowie Duffy – Five Sessions. In particular it is a delight to read Duffy’s (a self confessed Marxist anarchist) analysis and compare that with the measured tone of Tony Defries. If you don’t have a copy of the book, here’s a flavour of their respective views – which amount to much the same thing – just expressed in different ways. First up, Tony Defries: “I was looking for an iconic cover image and artwork that would help me to persuade RCA that Bowie was sufficiently important to warrant megastar treatment and funding in order to propel him to exactly that status. Engaging a master, world-class photographer to shoot the project /brand and to design the artwork was the best way to send that message. Brian had the ability to make the mundane image interesting and the interesting image fascinating.” Then Duffy: “Tony wanted to make the most expensive cover he could possibly get a record company to pay for, because he realised that if it cost fifty quid, well, so what – but if it cost £5,000 the record company were now having to pay attention. He said “Can you make it expensive?“and I said “No problem old love.” I proposed– One: A Dye-transfer. A genius method of being able to spend the most amount of money to get a reproduction from a colour transparency onto a piece of paper. Two: Get the plates made, where? Switzerland. Then employ me to design it and create it – even better and more wasteful.” The Aladdin Sane session was a real team effort. The location was Duffy’s studio at 151a King Henry’s Road in Primrose Hill, London, which had been the setting for the Ziggy Stardust session the previous August. Duffy had agreed with Tony Defries that his design agency, Duffy Design Concepts, which he ran with Celia Philo, would design the sleeve. Present in Primrose Hill on that January day in 1973 were Duffy, David Bowie, Celia Philo, Tony Defries, French make-up artist Pierre Laroche, and Duffy’s studio manager Francis Newman, who also acted as his assistant that day. Follow-up work on the detailed airbrushing required to create the final artwork was carried out by Philip Castle. What about that lightning bolt flash and the liquid pool? The idea for the lightning bolt came from David Bowie. The realisation of that lighting bolt into the form that appeared on the sleeve was down to Duffy. Its source is believed to be a rice cooker that was in Duffy’s studio – and which had a small logo with a red and blue flash. Francis Newman remembers, “Pierre stared to apply this tiny little flash on his face and when Duffy saw that he said, “No, not like that, like this” and literally drew it right across his face and said to Pierre, “Now, fill that in.”” The red colour was lipstick. Adding the pool of liquid to the collarbone was Duffy’s idea, and this was brilliantly airbrushed in as part of the post-production work by Philip Castle. David Bowie explained the background to Rolling Stone magazine, that it was a “Lightning bolt. An electric kind of thing. Instead of, like, the flame of a lamp, I thought he would probably be cracked by lightning. Sort of an obvious-type thing, as he was sort of an electric boy. But the teardrop was Brian Duffy’s. He put that on afterward, just popped it in there. I thought it was rather sweet.” DAVID BOWIE David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/ BOH-ee),[2] was an English singer-songwriter and actor. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century, acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at 140 million albums worldwide, made him one of the world's best-selling music artists. In the UK, he was awarded ten platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Born in Brixton, South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity" became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted radically towards a sound he characterised as "plastic soul", initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth, directed by Nicolas Roeg, and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise. After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its parent album Scary Monsters (and Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He reached his commercial peak in 1983 with Let's Dance; the album's title track topped both UK and US charts. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla...

'Stay On Target!' By BATIK Archival pigment pop art print of a Star Wars TIE fighter chasing actor Cary Grant from the infamous scene in Hitchcock’s North By North West BATIK is a London based fine artist and image maker. Certificate of authenticity supplied Paper size 60x40 inches / 152 x 101 cm unframed signed and numbered on front edition of 3 only this size OTHER Sizes available (in inches): Edition sizes vary with the chosen paper size Classical 12x16 (Edition of 50) Luxe 20x16 (Edition of 35) Longe 30x20 (Edition of 25) Grande XL 40x30 (Edition of 10) Giant 60x40 (Edition of 3) FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Black and white, running, blur, motion, shadow, texture, grain, Star Wars, TIE fighter, chasing, man, males, photography, pop art andy warhol hitchcock

Edda Color Photography Lamba Print Portrait In Stock Billy und Hells are two photographers: Anke Linz (Nürnberg, 1965) and Andreas Oettinger (Munich, 1963). They met in 1986, found ...

This 1970 portrait photograph, captured by society photographer Slim Aarons, features a group of colourfully dressed friends on board the Calypso clothing store owned boat, Bermuda. ...

Untitled V, 2022 by Salvatore Arnone From the Balance series Photographic print on paper Image size: 50 in. H x 35 in. W Edition of 3 + 1AP Production time is 2 to 3 weeks. Unframed ...

Ali with Arms Raised, 1965 40 x 60 in. (101 x 152 cm) Fine Art Archival Pigment Print Edition of 50 The photographer Native New Yorker Neil Leifer began photographing sports e...

In Vogue, 1966 Chromogenic Lambda Print Estate edition of 150 Vogue magazine editor Topsy Taylor, a visitor to Acapulco, circa 1966. Estate stamped and hand numbered edition of 150...

This striking monochromatic underwater fine art portrait captures celebrity Justin Jedlica in a moment of aquatic serenity. The high-contrast black and white treatment emphasizes the...

Ursula Andress Swiss actress Ursula Andress poses in a hammock, in Rome, Italy, circa 1955. Paper size 50 x 50 / 127 x 127 cm Estate Stamped Collection Edition to 150 Photo by ...

Mara Lane Austrian actress Mara Lane posing by the pool at the Sands Hotel, Las Vegas, in a red and white striped bathing costume, 1954. Paper size 50 x 50 / 127 x 127 cm Estate...

Divine Nude No.2 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It is available in 2 dimensions: *...

September 1970: With some of his mystical artwork at Port Ligat, Costa Brava, painter Salvador Dali (1904 - 1989) in a characteristic pose with his trademark walking-stick in vibrant...

Limited Edition of 5 More sizes and Editions on request. Primo was one of the "Big Tuskers" and oldest bulls in the Amboseli National Park in...

47.2 x 31.5 in (120 x 80 cm) C-Type Print Edition of 10

"Untitled 2" In this best-selling, award-winning image, a Karo tribeswoman shows off her pierced lower lip. Self expression is paramount in this community, and both men and women c...

Girls in the Windows, 1960 by Ormond Gigli, is a 38" x 38" (image size) archival pigment print signed by the photographer in an edition of 45 ... is sold out. One piece remains, however, an A/P (artist's proof) Ed. 4/8. The print is signed, titled, and numbered on recto (front of photo) in ink. Print Provenance: artist's archive. Later Print **** Girls in the Windows is one of the most collectible photographs...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

"Untitled 9" The distinctly preserved cultures of the Omo Valley in Ethiopia are featured in this print series titled Omo: Expressions of a People. For this series, Drew received ...

Aerial view with sunbathers and parasols and, dotted with yachts and small boats, the waters off the coast of Porto Ercole, Tuscany, in July 1991. The ...

"Wind Blown" Drawn to the timeless, ethereal beauty that unfolds moment to moment during visits to Sable Island and her horses, Drew's images feature the unforgettable nature of wil...

Donald Trump, Businessman 1985 Archival pigment print 48 x 48 inches, edition of 10, $12,000 36 x 36 inches, edition of 15, $7,000 24 x 24 inches, edition of 25, $5,000 14 x 14 inch...

In this box scented with wild Strawberry flavour I hand folded my Strawberry story into an exclusive leporello This is number 2/3 Digital color print based on a series of original Polaroids
on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - 100% cotton by HAHNEMÜHLE Signed and numbered. 156cm x 15cm The leporello is comfortably wrapped in a latex sheet rubbed with freshly picked strawberries and sprinkled with home made golden shower...

A skating cocktail waiter at the Palace Hotel in St Moritz, Switzerland, March 1978. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Sli...

Gelatin silver print Signed and numbered, verso 32 x 40 inches (Edition of 3) 20 x 24 inches (Edition of 15) 11 x 14 inches (Edition of 5) This photograph is offered by ClampArt,...

"Etched in Stone" This best-selling, award-winning image features the defined musculature of an all white-horse against a black backdrop. The print series Equus: Light & Form focus...

John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with natural light and his subjects in their day to day attire. The C-t...

Nude Portrait - Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A woman poses for a nude studio portrait. Additional Information: Unframed Paper Si...

Mixed Media using the photos of the infamous Sid Vicious of the famed punk rock band, The Sex Pistols. Shot in London. Photographed by Joester himself. Spray paint and oils ad...

Princess Caroline of Monaco, with her pet dog Tiffany, Monte Carlo 1977. Estate stamped and hand numbered edition of 150 with certificate of authent...

A man wearing diving equipment talks with a girl in a wicker chair on the beach, Bahamas, 1967, Printed Later Slim Aarons A Friendly Chat Bahamas Chromogenic Lambda print Slim Aarons Estate Edition Complimentary dealer shipping to your framer. 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: A man wearing diving equipment talks with a girl in a wicker chair on the beach, Bahamas, 1967. Vintage Diving, Vintage Sport, Vintage Slim Aarons, Vintage Bahamas...

Special XL limited edition series - paper size 70" wide x 40" high This iconic image of David Bowie as The Thin White Duke was taken by renowned Rock photographer, John Rowlands, o...

Norman Parkinson 'Audrey Hepburn, Vogue' 1952 Silver gelatin print 36 x 36 inches Estate stamped and numbered on verso “The camera can be the most deadly weapon since the assassi...