Dress Portrait Photography

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday life in "Ideology in Paradi...

It's over! (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Precious (Chicks and Chicks and Sometimes Cocks) - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Ar...

But I Love You! (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

Edition of 20 Portrait of young Natalia Vodianova. Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where th...

Edition of 10 Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where the miseen-scene often subtly references literature and film. Olivar orig...

VOGUE – HANOVER SQUARE – 1961 This photograph by Duffy was taken in 1961. The bare trees reveal a very different W1 Hanover Square to how it is 50 years later. To the left, you can see the statue of William Pitt (The Younger) which still remains today. Once a highly desirable and exclusive Mayfair address, the square now comprises mostly of offices. The models, wearing various evening dresses are stood opposite the Vogue head office at 1 Hanover Square. The offices were completed in 1958 and have been the publications UK headquarters since. The image was used for a feature titled “Getting home with the milk” for British Vogue in June 1961. AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials. Despite repeated requests to return to still photography, give interviews or discuss his career, he became reclusive and his remaining negatives would have stayed in boxes under the stairs had it not been for the persistence of his eldest son, Chris. Chris realised that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing his negatives took many hours whilst Chris was running his own photographic studio. In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London (now Beetles & Huxley) gave Duffy the platform for his first ever exhibition which was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues to see the show. During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. Since 2010 Duffy’s work has been exhibited in numerous museums and galleries around the world. In 2012 the Victoria and Albert Museum requested use of the original Aladdin Sane record cover ‘dye transfer’ print for their British Design 1948-2012 cultural exhibition. In 2013 the V&A approached the archive for use of the newly released ‘Eyes Open’ version as the lead image for the ‘David Bowie is’ exhibition. This exhibition has achieved record breaking numbers in several venues and has been seen by over 1.5 million visitors. Duffy’s name has now become recognised by an international audience and is now firmly back on the map. In 2014 Duffy’s second book was released – Duffy Bowie: Five Sessions which covers his work with David Bowie. Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. The book is also available in French and Italian. The archive is made up of negatives and contact sheets that have been retrieved from numerous UK and international publications; Vogue, French Elle, Glamour, The Sunday Times, The Telegraph to name but a few in addition to work held by independent archives. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work. ARCHIVE TIMELINE 2008 The Duffy Archive was established by Chris Duffy. 2009 BBC Documentary “The Man Who Shot The Sixties” One hour documentary on Duffy’s life and work. First exhibition at Chris Beetles Gallery Mayfair, London (now Beetles & Huxley)* See Exhibits page for full list of exhibition since 2009
 2010 Duffy passed away 31st May 2010 2011 Publication of first monograph “Duffy Photographer” Published by ACC Editions features over 160 iconic images from the 1950s, 1960s and 1970s and in 2011 the V&A Museum London requested Duffy prints for their permanent collection.
 2012 Solo Exhibitions and contributions in Italy, Paris, Amsterdam, Spain, San Francisco, Los Angeles, New York, London and Australia. See Exhibitions section for more exhibits. 2013 David Bowie Is launched at the V&A Museum with Aladdin Sane as the lead image. Also named as one of one hundred ‘most influential photographers of all time’ by the British Journal of Photography. See Exhibitions section for more exhibits. 2014 Publication of Duffy / Bowie – “Five Sessions” Published by ACC Editions. Publication of French Elle – “In The Eyes of Brian Duffy” – Published in French by Glenat. David Bowie Is V&A Exhibition goes on tour to: Sao Paulo, Berlin and Chicago. See Exhibitions section for more exhibits. 2015 David Bowie 'Is' continues to tour Paris, Australia and the Netherlands.
 See Exhibitions section for more exhibits. 2016 David Bowie 'Is' continues to tour Italy and Japan. See Exhibitions section for more exhibits. 2017 David Bowie 'Is' reaches Barcelona. The Archive also contributed to Holden Luntz Gallery...

Photo of Wanda Osiris and Miranda Martino is a vintage black and white photograph realized in the 1980s. Good conditions.

1938 Studio stamp, verso Vintage gelatin silver print 9 x 7 inches This work is offered by CLAMP in New York City.

Later that Day (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Ar...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Tamara F Bette Midler, Concord Pavilion late 1970s/early 1980s Signed, titled, dated, and numbered in pencil, verso Digital C-print 14 x 11 inches (Ed...

Jean Color Photography on Dibond with Perspex Front UV Resistant In Stock Billy und Hells are two photographers: Anke Linz (Nürnberg, 1965) and Andreas Oettinger (Munich, 1963). The...

Baba Beaton and Prince Galitzine, 1927 - Cecil Beaton (Portrait Photography) Signed in pencil on mount Inscribed with 'Baba Prince Galitzine' in unknown hand, stamped with photograph...

Memento Mori 2019 Edition 1/10 plus 2 Artist Proof, 20x25cm. Digital Print based on a Polaroid photograph on Hahnemühle photo rag paper. Signature label and certificate. Not mounte...

Hand-tinted albumen print, 10 1/4 inches x 7 3/4 (260 x 198 mm), numbered B 1221 and captioned in negative at lower right. Unmounted; housed in an archival mat with clear mounting co...

Virna Lisi is a vintage black and white photograph realized in the 1960s. Good conditions.

Edition of 3 More sizes on request. A woman in a beautiful dress is sitting on a chair, beside her stands a lion male. Tyler Shields is an American Photographer, screenwriter, dire...

This is a unique photographic work taken by Andy Warhol. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Exhibition history -Th...

The term "hijra" applies to a very diverse group of people in India who identify as third gender. They can range from a natural born hermaphrodite to a male cross dresser. Dating bac...

Gaby at ten (2014), Edition 1/10. 40 x 40 cm. Printed in Canson Barita Fiber Rag 310gr, based on a Fuji Instant Film (not mounted). Signed on back with Certificate. Once / Cristina ...

Death Valley Junction (The Last Picture Show) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature labe...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

I don't like it (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of Harris Glenn Milstea...

Tangled - 2022 50x50cm. Edition of 10 plus 2 Artist Proofs. Archival Print based on an original Polaroid on Hahnemuhle photo rag paper. Signature label and certificate. Not mou...

Falling Stars - 2020 Edition of 10 plus 2 Artist Proof, 25x20cm, Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signed on back with cert...

This Vintage Photo shows Katia Mann with two of her children. Blurry

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

What are we gonna do?! (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature la...

Norman Parkinson captures Paris Drama, Jean Patchett wearing Balenciaga, Vogue Magazine, 1950 Jean Patchett wearing Balenciaga, Vogue, 1950 C print Estate stamped and numbered editi...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Edition #1/10 The listed print is a framed price . It is also is available in 2 additional paper sizes, unframed. In her new collection of photographs, British born photographer H...

An Image of Life (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Sign...

Alison Cain - Society Portrait Models in Purple Silk Dress by Greek Columns by Slim Aarons 16" x 12" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Al...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday life in "Ideology in Paradi...

ZazaZting #03 [From the series Goldenbogen & Zouzou] 2010 / 2019, edition of 7 + 2 AP, this is no. 1 of 7, 30 x 30 cm. Hand signed & numbered by artist on the back. Museum quality c-...

Museum quality fine art print of Beyonce by photographer Markus Klinko. Shot in 2003 during the cover sessions of the album, Dangerously In Love This print is available in the foll...

Sophia Loren - Oversize Silver Gelatin Print Absolutely Exquisite Extra Large 30 x 30" inches / 76 x 76 cm paper size silver gelatin print. Unframed. Produced on authentic silver ...

Grace Jones in Hallway with JudiJupiter and Others on Opening Night Le Farfalle, NY, NY June 17, 1978 Signed, titled, dated, and numbered, verso Gelatin ...

Don't Give up on Us Baby (Till Death do us Part) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature...

'The way we were' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219...

I don't like it (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

I love you (Till Death do us Part) - 2007 - 20x24cm, Edition of 10, digital C-Print print, based on a Polaroid. Certificate and Signature label, artist Inventory No. 8661, not ...

Thursday I (Wonder Valley) - 2005 20x24cm, Edition of 10, archival Print, based on a Polaroid. Certificate and Signature label. Artist Inventory #3640. Not mounted. published ...

Princess Bianca, 1985 - Portrait of Royal Princess Wearing Pink Jumpsuit in Snow by Slim Aarons 16" x 20" Digital C-Type Print. Limited Edition Estate Stamped Print. Edition of 150....

Lost (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1690...

Untitled from the Dwell Series, 2018, Edition 1/10 plus 2 Artist Proof, 24x20cm, Digital Print based on a Polaroid photograph on Hahnemühle photo rag paper, not mounted. Signature l...

This piece is a pigment print from the original negative, shot by Milton Greene in 1955. This photograph of Marilyn Monroe is from a photoshoot which became known as "The Pekingese D...

Hepburn And Friends (1953) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) 1953 On the left film star Audrey Hepburn (1929 – 1993) talks with Mrs Grover Magnin (centre) ...

Stevie’s New Dress (Sidewinder) - 2005 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x2...

Hotel du Cap-Eden-Roc (1976) Limited Estate Stamped - Giant (Photo by Slim Aarons) Guests standing by a white Rolls-Royce convertible courtesy car at the Hotel du Cap-Eden-Roc, A...

Slim Aarons's iconic and unusual photograph of 60's rock and roll legends, captured in a moment of casual glamour. 1968: From left to right, Singer Marianne Faithfull, the Honorable Desmond Guinness and Mick Jagger (of the Rolling Stones) sit on a sofa under a large gilt framed portrait of a woman in 18th century silk dress at Leixlip Castle, Ireland, the home of Desmond Guinness. The sofa is a deep burgundy red, and the background features a richly patterned and gilded wallpaper...

Side Effects (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13303. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

'Under Ether' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219-620. ...

Museum quality fine art print of Dita Von Teese by photographer Markus Klinko in 2013 in Los Angeles. This print is available in the following sizes, signed and numbered by Markus K...

Edition of 10 Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where the miseen-scene often subtly references literature and film. Olivar orig...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...