Prints and Multiples

Robert Indiana "The Book of Love 10" 1996; Screenprint in color on A.N.W. Crestwood Museum Edition paper 24 x 20 inches Edition of 200 Unframed

Poster in lithography by Braulio RUIZ SÁNCHEZ 🇪🇸 (1911-1967) promoting the traditional "Feria de Abril" through typical elements of local folklore: a guitarist sitting leaning on h...

Original vintage cruise ship travel poster advertising Plymouth and Panama to the Spanish Main & West Indies The largest and fastest mail steamers from England by French Line (founde...

Artist: Bernard Buffet Medium: Original Lithographic Poster, 1979 (before lettering) Dimensions: 26 x 20.5 in, 66 x 52.1 cm Classic Poster Paper - Perfect Condition A+ This color...

Original vintage movie poster for the German release of the 1951 Russian Civil War drama film about the attack on Petrograd between the White Army and Red A...

Original vintage poster featuring an illustrated map of French West Africa / Afrique Occidentale Francaise marking the capital cities, towns, ports, Sahara Desert and rivers in Mauri...

Kandahar is a contemporary artwork realized by Victor Vasarely in 1955. Screen print on wove paper after a painting of 1951. Hand signed and numbered on the lower margin. Edition ...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Hard Times from is an original offset lithograph realized by George Grosz. The artwork is the plate n.27 from the portfolio Ecce Homo published between 1922/1923, edition of Der Ma...

Beach Boats [2022] limited_edition Linocut print Edition number 50 Image size: H:33 cm x W:45 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Clinker-built boats have always been a fascination of mine. I love their lines and shapes at low tide. These I came across on a coastal walk in Suffolk. The sun was setting and I tried to capture the effect of light on water. Rob Barnes, artist, is available for sale online and in our art gallery at Wychwood Art. Rob Barnes studied painting and printmaking at Hull College of Art and London University in the early 1960s. He taught etching, screen-printing, lino and related surface printmaking at Keswick Hall College in Norfolk. He later moved to the University of East Anglia, Norwich where he continued teaching in the School of Education until 2006. Presently he divides his time between printmaking and his other passion, playing the violin in local orchestras and for choral performances. In 2017 he began making a small number of sterling silver jewellery pieces following a course at West Dean, Sussex. His artwork follows themes, such as light on water, or shadows in the landscape. Linocuts are hand-printed on an Albion press...

Signal is an original lithograph print realized by Leo Guida in 1984. Hand-signed on the lower right and dated in pencil. Numbered on the lower left, from the rare edition of 15 pr...

Original vintage propaganda poster for the Association des Anciens du CEFEO et des F.F. d'Indochine (Corps Expeditionnaire Francais en Extreme-Orient CEFEO Forces Francaises FF) Combattants D'Indochine / French Far East Expeditionary Corps and French Forces alumni of Indochina Fighters featuring an image of three men - an air force pilot with an army soldier and a navy sailor...

Woodcut on hand made laid paper with the publisher's watermark designed by the artist, full margins. From the special suite of 53 woodcut illustrations which were laid in loose to t...

Paysage de la reine. Original color lithograph, 1985. Edition of 100 signed and numbered impressions on Arches paper. Valerio Adami is an Italian artist knows...

Greeting is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 5 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik...

Nestor Arenas (Cuba, 1964) 'Yellow Structure II', 2021 etching, aquatint on paper 27.2 x 21.3 in. (69 x 54 cm.) Edition of 10 ID: ARN-102 Unframed

Colorful and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-201...

Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...

Original vintage advertising poster for Wuppertal Zoo featuring a colourful design depicting a lion holding a flower in its mouth against an orange background with the title text in ...

Original vintage travel poster for Jajce Jugoslavija featuring a scenic view of the walled town with red roof buildings, a church spire and trees leading down to the river and Pliva ...

Original vintage sheet of wrapping paper advertising La Casquette Grand-Sport Adoptee par tous les Champions / The great sport cap used by all Champions...

Tom Wesselmann, Paris 1966: Original 1960s announcement card published on the occasion of: Tom Wesselmann at Ileana Sonnabend, November 3rd, 1966 Paris. A rare 1960s Pop Art gem in good condition. Offset printed gallery announcement card; 4.5 x 9 inches. Some spotting & minor age related wear; in otherwise good overall condition. Unsigned from an edition of unknown. RARE. Tom Wesselmann is considered one of the central figures of 60s New York Pop Art...

Friedrich Geiler Untitled Geometric Abstraction (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen Year: 2003 Signed, numbered a...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is from the rare first edition, No. VII of 20 unbound sets, specially printed for Hans P. Kraus, with Henry de Montherlant inscription to him signed and dated March 3, 1960 These are not individually hand signed or numbered. On BFK Rives French velin art paper Pierre Bonnard (1867 – 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, (the Naive artists) his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Metzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse. He received his education in the Lycée Louis-le-Grand and Lycée Charlemagne in Vanves. He showed a talent for drawing and water colors, as well as caricatures. He painted frequently in the gardens of his parent's country home at Grand-Lemps near the Cote Saint-André in the Dauphiné. He also showed a strong interest in literature. He received his baccalaureate in the classics, and, to satisfy his father, between 1886 and 1887 earned his license in law, and began practicing as a lawyer beginning in 1888. While he was studying law, he also attended art classes at the Académie Julian in Paris. At the Académie Julien he met his future friends and fellow artists, Paul Sérusier, Maurice Denis, Gabriel Ibels and Paul Ranson. In 1888 Bonnard was accepted by the École des Beaux-Arts, where he met Édouard Vuillard and Ker Xavier Roussel. He also sold his first commercial work of art, a design for poster for France-Champagne, which helped him convince his family that he could make a living as an artist. He set up his first studio at on rue Lechapelais and began his career as an artist. From 1893 until her death, Bonnard lived with Marthe de Méligny (1869–1942), and she was the model for many of his paintings, including many nude works. Her birth name was Maria Boursin, but she had changed it before she met Bonnard. They married in 1925. In the years before their marriage, Bonnard had love affairs with two other women, who also served as models for some of his paintings, Renée Monchaty (the partner of the American painter Harry Lachmann) and Lucienne Dupuy de Frenelle, the wife of a doctor; it has been suggested that Bonnard may have been the father of Lucienne's second son. Renée Monchaty committed suicide shortly after Bonnard and de Méligny married. In 1891 he met Toulouse-Lautrec and in December 1891 showed his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his work was displayed with the work of the other Nabis at the Le Barc de Boutteville. The style of Japanese graphic arts became an important influence on Bonnard. In 1893 a major exposition of works of Utamaro and Hiroshige was held at the Durand-Rouel Gallery, and the Japanese influence, particularly the use of multiple points of view, and the use of bold geometric patterns in clothing, such as checkered blouses, began to appear in his work. Because of his passion for Japanese art, his nickname among the Nabis became Le Nabi le trés japonard. He devoted an increasing amount of attention to decorative art, designing furniture, fabrics, fans and other objects. He continued to design posters for France-Champagne, which gained him an audience outside the art world. In 1892 he began to produce lithographs, and painted two of his early notable works, Le Corsage a carreaux and La Partie de croquet. He also made a series of illustrations for the music books of his brother-in-law, Claude Terrasse. In 1895 he became an early participant of the movement of Art Nouveau, designing a stained glass window, called Maternity, for Tiffany. In 1895 he had his first individual exposition of paintings, posters and lithographs at the Durand-Ruel Gallery. He also illustrated a novel, Marie, by Peter Nansen, published in series by in La Revue Blanche. The following year he participated in a group exposition of Nabis at the Ambroise Vollard Gallery. In 1899, he took part in another major exposition of works of the Nabis. Throughout the early 20th century, as artistic styles appeared and disappeared with almost dizzying speed, Bonnard kept refining and revising his personal style, and exploring new subjects and media, but keeping the distinct characteristics of his work. Working in his studio at 65 rue de Douai in Paris, he presented paintings at the Salon des Independents in 1900, and also made 109 lithographs for Parallèment, a book of poems by Verlaine. He also took part in an exhibition with the other Nabis at the Bernheim Jeune gallery. He presented nine paintings at the Salon des Independents in 1901. In 1905 he produced a series of nudes and of portraits, and in 1906 had a personal exposition at the Bernheim-Jeune Gallery. In 1908 he illustrated a book of poetry by Octave Mirbeau, and made his first long stay in the South of France, at the home of the painter Manguin in Saint-Tropez. in 1909, and in 1911 began a series of decorative panels, called Méditerranée, for the Russian art patron Ivan Morozov. During the years of the First World War, Bonnard concentrated on nudes and portraits, and in 1916 completed a series of large compositions, including La Pastorale, Méditterranée, La Paradis Terreste and Paysage de Ville. His reputation in the French art establishment was secure; in 1918 he was selected, along with Renoir, as an honorary President of the Association of Young French Artists. In the 1920s, he produced illustrations for a book by Andre Gide (1924) and another by Claude Anet (1923). He showed works at the Autumn Salon in 1923, and in 1924 was honored with a retrospective of sixty-eight of his works at the Galerie Druet. In 1925 he purchased a villa in Cannes. In 1938 his works and Vuillard were featured at an exposition at the Art Institute of Chicago. The outbreak of World War II in September 1939, forced Bonnard to depart Paris for the south of France, where he remained until the end of the war. Under the German occupation, he refused to paint an official portrait of the French collaborationist leader, Marechal Petain, but accepted a commission to paint a religious painting of Saint Francis de Sales, with the face of his friend Vuillard, who had died two years earlier. He finished his last painting, The Almond Tree in Blossom, a week before his death in his cottage on La Route de Serra Capoue near Le Cannet, on the French Riviera, in 1947. The Museum of Modern Art in New York City organized a posthumous retrospective of Bonnard's work in 1948, although originally it was meant to be a celebration of the artist's 80th birthday. Bonnard particularly used the model of Japanese art in a series...

woman in straw hat with eyes closed

Original vintage men's fashion advertising poster - Austin Reed Good Clothes for Town and Country - featuring a stunning image of two elegantly dre...

Artist: Hunt Slonem, American (1951 - ) Title: Ocelot Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Image Size: 27.5 x 24 inches Size: 31 in. x 26.5 in. (78.7...

In this series Alice explores the graphic qualities of cakes and the romance of cake shops using a combination of printmaking techniques. Working with layered silkscreens, stencillin...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is from the rare first edition, No. VII of 20 unbound sets, specially printed for Hans P. Kraus, with Henry de Montherlant inscription to him signed and dated March 3, 1960 These are not individually hand signed or numbered. On BFK Rives French art paper Pierre Bonnard (1867 – 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, (the Naive artists) his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Metzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse. He received his education in the Lycée Louis-le-Grand and Lycée Charlemagne in Vanves. He showed a talent for drawing and water colors, as well as caricatures. He painted frequently in the gardens of his parent's country home at Grand-Lemps near the Cote Saint-André in the Dauphiné. He also showed a strong interest in literature. He received his baccalaureate in the classics, and, to satisfy his father, between 1886 and 1887 earned his license in law, and began practicing as a lawyer beginning in 1888. While he was studying law, he also attended art classes at the Académie Julian in Paris. At the Académie Julien he met his future friends and fellow artists, Paul Sérusier, Maurice Denis, Gabriel Ibels and Paul Ranson. In 1888 Bonnard was accepted by the École des Beaux-Arts, where he met Édouard Vuillard and Ker Xavier Roussel. He also sold his first commercial work of art, a design for poster for France-Champagne, which helped him convince his family that he could make a living as an artist. He set up his first studio at on rue Lechapelais and began his career as an artist. From 1893 until her death, Bonnard lived with Marthe de Méligny (1869–1942), and she was the model for many of his paintings, including many nude works. Her birth name was Maria Boursin, but she had changed it before she met Bonnard. They married in 1925. In the years before their marriage, Bonnard had love affairs with two other women, who also served as models for some of his paintings, Renée Monchaty (the partner of the American painter Harry Lachmann) and Lucienne Dupuy de Frenelle, the wife of a doctor; it has been suggested that Bonnard may have been the father of Lucienne's second son. Renée Monchaty committed suicide shortly after Bonnard and de Méligny married. In 1891 he met Toulouse-Lautrec and in December 1891 showed his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his work was displayed with the work of the other Nabis at the Le Barc de Boutteville. The style of Japanese graphic arts became an important influence on Bonnard. In 1893 a major exposition of works of Utamaro and Hiroshige was held at the Durand-Rouel Gallery, and the Japanese influence, particularly the use of multiple points of view, and the use of bold geometric patterns in clothing, such as checkered blouses, began to appear in his work. Because of his passion for Japanese art, his nickname among the Nabis became Le Nabi le trés japonard. He devoted an increasing amount of attention to decorative art, designing furniture, fabrics, fans and other objects. He continued to design posters for France-Champagne, which gained him an audience outside the art world. In 1892 he began to produce lithographs, and painted two of his early notable works, Le Corsage a carreaux and La Partie de croquet. He also made a series of illustrations for the music books of his brother-in-law, Claude Terrasse. In 1895 he became an early participant of the movement of Art Nouveau, designing a stained glass window, called Maternity, for Tiffany. In 1895 he had his first individual exposition of paintings, posters and lithographs at the Durand-Ruel Gallery. He also illustrated a novel, Marie, by Peter Nansen, published in series by in La Revue Blanche. The following year he participated in a group exposition of Nabis at the Ambroise Vollard Gallery. In 1899, he took part in another major exposition of works of the Nabis. Throughout the early 20th century, as artistic styles appeared and disappeared with almost dizzying speed, Bonnard kept refining and revising his personal style, and exploring new subjects and media, but keeping the distinct characteristics of his work. Working in his studio at 65 rue de Douai in Paris, he presented paintings at the Salon des Independents in 1900, and also made 109 lithographs for Parallèment, a book of poems by Verlaine. He also took part in an exhibition with the other Nabis at the Bernheim Jeune gallery. He presented nine paintings at the Salon des Independents in 1901. In 1905 he produced a series of nudes and of portraits, and in 1906 had a personal exposition at the Bernheim-Jeune Gallery. In 1908 he illustrated a book of poetry by Octave Mirbeau, and made his first long stay in the South of France, at the home of the painter Manguin in Saint-Tropez. in 1909, and in 1911 began a series of decorative panels, called Méditerranée, for the Russian art patron Ivan Morozov. During the years of the First World War, Bonnard concentrated on nudes and portraits, and in 1916 completed a series of large compositions, including La Pastorale, Méditterranée, La Paradis Terreste and Paysage de Ville. His reputation in the French art establishment was secure; in 1918 he was selected, along with Renoir, as an honorary President of the Association of Young French Artists. In the 1920s, he produced illustrations for a book by Andre Gide (1924) and another by Claude Anet (1923). He showed works at the Autumn Salon in 1923, and in 1924 was honored with a retrospective of sixty-eight of his works at the Galerie Druet. In 1925 he purchased a villa in Cannes. In 1938 his works and Vuillard were featured at an exposition at the Art Institute of Chicago. The outbreak of World War II in September 1939, forced Bonnard to depart Paris for the south of France, where he remained until the end of the war. Under the German occupation, he refused to paint an official portrait of the French collaborationist leader, Marechal Petain, but accepted a commission to paint a religious painting of Saint Francis de Sales, with the face of his friend Vuillard, who had died two years earlier. He finished his last painting, The Almond Tree in Blossom, a week before his death in his cottage on La Route de Serra Capoue near Le Cannet, on the French Riviera, in 1947. The Museum of Modern Art in New York City organized a posthumous retrospective of Bonnard's work in 1948, although originally it was meant to be a celebration of the artist's 80th birthday. Bonnard particularly used the model of Japanese art in a series...

Landscape is a lithograph attributed to Nicholas Verrall in the 1980s. Hand-signed. Numbered, Edition, 9/99. Very Good conditions. The artwork is ...

The Lion King Disney Animation Film The Lion King is a 1994 American animated musical drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It is the 32nd Disney animated feature film, and the fifth animated film produced during a period known as the Disney Renaissance. The Lion King was directed by Roger Allers and Rob Minkoff, produced by Don Hahn, and has a screenplay credited to Irene Mecchi, Jonathan Roberts, and Linda Woolverton. Its original songs were written by composer Elton John and lyricist Tim Rice, with a score by Hans Zimmer. The film features an ensemble voice cast that includes Matthew Broderick, James Earl Jones, Jeremy Irons, Jonathan Taylor Thomas, Moira Kelly, Nathan Lane, Ernie Sabella, Rowan Atkinson, Robert Guillaume, Madge Sinclair (in her last film role), Whoopi Goldberg, Cheech Marin, and Jim Cummings. The story takes place in a kingdom of lions in Africa and was influenced by the Biblical stories of Joseph and Moses, and William Shakespeare's Hamlet. Artists: Ben Harman...

Beautiful 1969 psychedelic poster created by Lee Conklin for the concert of Creedence Clearwater Revival, Fleetwood Mac and Albert Collins. Lee Conklin is an artist best known for his psychedelic posters of the late 1960s and particularly for his iconic cover of Santana's first album. At the time, photography was the basis of advertising, while psychedelic graphics were done by hand and were mostly based on an illustration concept. The posters of this movement claim a new aesthetic: the flashy and warm colors, the shapes and moving typography and the density of the motif that invades the space translate the psychedelic vision, often associated with the taking of substances such as LSD. In this poster from Lee Conklin, a large mass rests in a body of water and from this mass emerges a variety of body parts, objects and the lettering of the concert. Above are cottony clouds with human faces. The main colors are orange, red, green, white, yellow and black. Music - Psychedelic - United States 1st Draw - Bill Graham Tea Lautrec Litho...

Giclee on canvas. Hand signed and numbered by the artist. AP edition. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. All reas...

Original antique World War One era advertising poster - Offizielle Kriegsfursorge Ausstellung Kriegsgraphik Osterreichisches Museum fur Kunst und Industrie Stubenring 5 / Official War Welfare Exhibition War Graphics at the Austrian Museum of Art and Industry (opened 1864; now the Museum of Applied Arts MAK) from 10 March to 22 April. Great design featuring an illustration of a warrior in a helmet holding a spear and shield with his shadow against the yellow background, the bold stylised title text above and on a diagonal box below with further information on the side. Artwork by the poster designer and theatre artist Jozsef Diveky / Joseph Diveky (1887-1951), a member of the Wiener Werkstatte group (the Vienna Workshop...

Original vintage travel poster for the Budapest City Festival with Opera Ballet on 2 February 1939 at the German Theatre - Festball der Stadt Budapest mit dem Kgl. Ung. Opernballett ...

Original “The Joe Louis Story” vintage movie poster (United Artists, 1953). One Sheet (27" X 41"). Sports. Archival linen backed. Starring: Coley Wallace, Hilda Simms, Paul Stewart, James Edwards, John Marley, Dots Johnson, Evelyn Ellis, Carl 'Rocky' Latimer, John Marriott, Ike Jones, P. Jay Sidney, Royal Beal, Ruby Goldstein, Max Baer...

Two faces is an original colored lithograph on the cardboard, realized by Leonor Fini, an Argentine-Italian painter who spent her artistic career in France and was associated with th...

Screen printed poster designed by Stanley Mouse, depicting a classic car under a text bubble in a psychedelic font. The text gives the details of the ev...

In this linocut I was trying to create movement and a warm range iof colours. The cutting is intended to be vigorous with ears of wheat in the foreground against a setting sun. Rob Barnes, artist, is available for sale online and in our art gallery at Wychwood Art. Rob Barnes studied painting and printmaking at Hull College of Art and London University in the early 1960s. He taught etching, screen-printing, lino and related surface printmaking at Keswick Hall College in Norfolk. He later moved to the University of East Anglia, Norwich where he continued teaching in the School of Education until 2006. Presently he divides his time between printmaking and his other passion, playing the violin in local orchestras and for choral performances. In 2017 he began making a small number of sterling silver jewellery pieces following a course at West Dean, Sussex. His artwork follows themes, such as light on water, or shadows in the landscape. Linocuts are hand-printed on an Albion press...

A unique hand-painted lithograph of a colorful Bouquet of Flowers by Wayne Ensrud, American (1934). Quiet Sunday (Yellow) Wayne Ensrud, American (1934) Date: 1980 Hand-Painted Lithog...

Early 20th century signed etching by Axel Herman Haig (1835-1921), an architectural watercolorist and etcher. Finding employment with noted Gothic Revival architecture William Burge...

Abstract geometric color composition Artist: Eve Sonneman Lithograph, 1999 Image Size 25 x 22" Hand signed, dated,and numbered from limited edition. This is from a show at Sidney Janis Gallery and is from the estate of Joan Sonnabend. Eve Sonneman (born in Chicago on 1946) is an American photographer and artist. She did a series of similar sequences in color and black and white and for diptychs. She was included in the show EYE OF THE BEHOLDER Photographs from the Avon Collection The exhibition addressed the diverse and changing concepts of beauty as expressed by women through photography. It included such masters of the form as Berenice Abbott, Marina Abramovic, Ellen Carey, Lotte Jacobi, Barbara...

ABOUT THIS PIECE: This piece is part of the Candy Skies Collection. Utilizing digital collage and advanced editing techniques, Jessica configures the tones of her photographs to represent a true emotional experience. The candy colored palette was inspired by her Salt Water Taffy collection and further influenced her to name each image after a candy flavor to compliment its colorful hues. These images allow the viewer to see the everyday world from a playful new perspective. ABOUT THIS ARTIST: Jessica C. Nugent is a photographer from California known for her contemporary images of nature. She uses her graphic design background to create an emotional connection with the natural world through the use of color. Jessica’s art has recently been featured with Artsy, Domino Magazine, Pottery Barn Teen...

Original vintage Soviet propaganda poster - Our Women Are With Us! - featuring the slogan below three images, the first depicting a young lady in front of a soldier wearing a budenov...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

Original antique Polish railway travel poster for Warsaw - Warszawa Chemins de Fer de l'Etat Polonais - featuring a stunning view by the Polish born artist Juliusz Stefan Norblin de ...

Ajay Malghan is an American artist and son of immigrant parents from India. His mother was usually found combining cultures at home, and his father, a Materials Scientist and Enginee...

Original poster: Hey Fellows! Your Money Brings this Book We Need When We Want It. Original World War 1 antique military poster created by...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

Original vintage World War Two propaganda poster featuring stylised montage artwork by the British magazine and book illustrator and graphic designer Eric Fraser (1902-1983) depicting different materials labelled - fabrics steel concrete coal wood - with images of an industrial factory with metal pipes and tubes, a hand emerging from a dark cave reaching out to vegetables growing from the ground, wooden shapes cut out like a plane with silhouettes of trees and shapes of a telephone and chair, a red dress on a roll of cloth on the side with the title and rest of the text below - from the Original by Eric Fraser RI. Fraser was known for his illustrations for the Radio Times, Everyman's Library book series and J.R.R. Tolkien's Folio Society edition of The Lord of the Rings...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

Oriental Warrior is an original print realized in the first half of the XIX century by Utagawa Kunisada. Beautiful colored woodblock print. This wonderful woodcut by Utagawa Kunisa...

"Miguel Castro Leñero (Mexico, 1956) 'Fuera del Radar I', 2020 engraving on paper Intaglio 300 g. 63.6 x 39 in. (161.5 x 99 cm.) Edition of 30 ID: CAM-104"

Original antique poster advertising elegant afternoon tea at the Maximilian cafe restaurant with a dance band playing music in the afternoons and evenings - und dann ins Cafe Wein Re...

Decorative Motifs - Chinese Styles is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on ...

Original vintage health and safety poster - Don't talk to the man on the job - featuring a great design by the notable artist duo Tom...