Prints and Multiples

Indian View C, 1971 Screenprint in colors 22 4/5 × 30 7/10 in 58 × 78 cm Edition 1/75 + 1AP Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wood...

Large, scarce limited edition color aquatint by Alexander Calder, from a limited edition of 90. Signed by Calder and numbered in pencil. Printed and published by 2RC Edizioni d'Art...

Signed and numbered in pencil

Alexandre Calder (1898 - 1976) Santa Claus : Figures with Canes, 1974 Original Etching Handsigned in pencil On vellum 51 cm x 66 cm (c. 20,1 x 25,9 inch) Very good condition

Bright colors and abstract textures highlight two shapes, like a pair of eyes, at the center of this etching with watercolor and pastel. Howard Hodgkin based this print on a trip he...

Alexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror 1976 Condition: Good Condition Dimensions: 38 x 56 cm Source: Derrière le miroir (DLM), n°141, 1...

Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...

Edition of 75 Signed and numbered in pencil

Signed and numbered in pencil Color Lithograph Excellent Condition Framed Perfect for your beach home!

Abstract, large scale red, orange, crimson, black, and pink scene with lines, shapes and hand painted brushstroke texture. This dramatic Howard Hodgkin work is ideal for display in m...

Black and yellow, hand painted abstract work by Howard Hodgkin. A bright yellow calligraphy or graffiti-like mark is set against translucent grey. While most Hodgkin works are abstract, the artist usually includes observational gestures: for example, a room viewed from above becomes a grouping of soft shapes. Here, the fragmented corner of a wraparound porch is a yellow, calligraphic angle floating in shrouds of grey. Wide ribbons of velvety gouache wash over the incandescent shape’s border, with polite ink blots, frantic scribbles, and measured brushstrokes. These marks seem to set the yellow shape in place like a gem’s bezel...

Alexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror 1976 Framed Dimensions: 38 x 56 cm Source: Derrière le miroir (DLM), n°141, 1976 Alexander Cald...

Large scale black and white etching depicting an abstracted pool, at David Hockney’s home in Los Angeles. This hand painted Howard Hodgkin work is i...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Paper: 30 x 40 in. / 76.2 x 101.5 cm. Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on yellowish grey Hodgkinson hand made paper. Signed by the artist, dated 70, and numbered 21/100 lower center in red crayon. Printed from the same plates as 'All Alone in the Museum of Modern Art'. While All Alone features dark pools of hand coloring, the lighter image field of Thinking Aloud reveals how Hodgkin used his entire hand to create lines and textures. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive brush marks and fingerprints in this print are an example of the artist’s movement in the late 70s towards pronounced gestures. Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Abstract, large scale earth toned red, black, taupe and grey scene with dynamic lines, shapes and hand painted brushstroke texture. This dramatic Howard Hodgkin work is ideal for dis...

"Derriere Le Miroir" is an original portfolio of lithographs and text by Alexander Calder. The artist signed the portfolio on the last page. This is edition number 146/150 of the del...

Alexander Calder - Original Lithograph - Behind the Mirror 1 Original lithograph created in 1976 Dimensions: 38 x 28 cm Source: Derrière le miroir (DLM), n°221, 1976 Alexander Cald...

Alexander Calder - Original Lithograph - Behind the Mirror 1 Original lithograph created in 1976 Framed Dimensions: 38 x 28 cm Source: Derrière le miroir (DLM), n°221, 1976 Alexand...

Alexander Calder - Original Lithograph - Behind the Mirror Original lithographs produced in 1976 Dimensions: 38 x 56 cm Source: Derrière le miroir (...

Alexander Calder - Original Lithograph - Behind the Mirror 2 Original lithographs on the same paper (recto/verso, on both paper sides) produced in 1976 Conditions: Good Conditions D...

Moody, expressive large scale black and white abstract interior scene with grey watercolor and gouache, depicting a bust, indian Mugal carpet, floral design...

Alexandre Calder (1898 - 1976) Santa Claus : Three Figures, 1974 Original Etching Handsigned in pencil On vellum Arches 50.5 cm x 66 cm (c. 19,7 x 25,9 inch) Excellent condition

Alexandre Calder (1898 - 1976) Santa Claus : Two Men, 1974 Original Etching Handsigned in pencil On Arches vellum 50.5 cm x 66 cm (c. 19,7 x 25,9 inch) Excellent condition

Artist: Alexander Calder Title: Cover (Derriere le Miroir #156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Date: 1966 Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" I...

Alexander Calder - Original Lithograph - Behind the Mirror 1 Original lithograph created in 1976 Framed Dimensions: 38 x 56 cm Source: Derrière le m...

Alexander Calder - Original Lithograph - Behind the Mirror 1 Original lithograph created in 1976 Framed Dimensions: 38 x 28 cm Source: Derrière le miroir (DLM), n°221, 1976 Alexand...

Alexander Calder - Original Lithograph - Behind the Mirror 1 Original lithograph created in 1976 Dimensions: 38 x 28 cm Source: Derrière le miroir (...

Lithograph from three aluminium plates printed in classic black, transparent brown/black, and violet black, with hand colouring in gouache (three different greys). On buff Velin Arch...

Artist: Alexander Calder, American (1898 - 1976) Title: Two Acrobats from Derriere le Miroir Year: 1975 Medium: Lithograph Size: 15 in. x 11 in. (38.1 cm x 27.94 cm) Frame Size: 23 x...

Lift-ground etching and aquatint with carborundum from three aluminium plates printed in different tones of red, warm black, and cool black, with hand colouring in cobalt blue egg te...

Lithograph from four zinc plates using tusche and crayon, printed in orange, two shades of blue, and black. On BFK Rives wove paper (250 gsm) Signed, numbered and dated '66 in pencil...

Lithograph from four aluminium plates using tusche and washes, printed in transparent red, orange and a red to orange blend, with hand colouring in ivory black watercolour and blue and green gouache. On two sheets of buff BFK Rives mould-made paper (300 gsm) Hand-signed by artist, Signed with initials and dated 1980 in pencil, in the lower left on the left-hand sheet. Numbered in pencil in the lower right, verso Published by Bernard Jacobson Ltd. Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013; 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Pat Gilmour, 'Howard Hodgkin', The Print Collector's Newsletter, vol. 12, no. 1, March-April 1981, p. 5 (ill. front cover); Deborah Phillips, 'New Editions: Howard Hodgkin', ARTnews, vol. 80, no. 7, September 1981, p. 161; 'Prints by Six British Painters: Stephen Buckley...

51 x 64.5 cms (20 1/8 x 25 3/8 ins) Edition of 75 Signed and dated '67 in pencil, lower right Edition of 75, with 14 artist's proofs, 1 trial proof, 1 printer's proof, 1 B.A.T...

Intaglio print with carborundum from three aluminium plates printed in two shades of black and two shades of red ochre and chrome yellow (mixed), with hand colouring in alizarin red ...

Red and Blue Spirals Alexander Calder (American, 1898-1976) Signed in Pencil Lower Right Numbered 59/150 in Pencil Lower Left 26 x 37 inches 35.5 x 46 inches with frame One of Amer...

A lithograph poster by Alexander Calder for the Los Angeles County Museum of Art (LACMA), created in 1965. The dynamic composition is signed and dated in the plate. Exhibition Poste...

A very good impression of this color lithograph. Artist's proof, aside from the edition of 75. Signed and inscribed "EC" in pencil. Printed by Maeght, Paris. Published by Société Int...

Artist: Alexander Calder (after) (American, 1898-1976) Title: Flying Colors for Braniff Airlines Year: 1974 Medium: Lithograph, signed in the plate Size: 20 in. x 26 in. (50.8 cm x 6...

Artist: Alexander Calder Title: "Swirl" from The Flying Colors Collection, 1975 for Braniff Airlines Year: 1974 Signed in Plate Dimensions: 26" x 20" Sold unframed This is an origi...

ALEXANDER CALDER (1898-1976) Credited with the invention of the mobile, Alexander Calder revolutionized twentieth-century art with his innovative use of subtle air currents to animat...

Alexander Calder Nid d'oiseau (Bird's Nest), 1968 Hand-signed Lithograph in colors 29.5 x 43 inches

Alexander Calder, Red Boomerang, Silkscreen on BFK Rives Paper, 1961. Edition of 300. Hand signed and numbered 143/300 in pencil. cm 45.5 x 56.5 cm Very good condition, except fo...

This work of art is a lithograph on paper featuring abstract geometric shapes in primary colors.

The Triangles and Spiral, 1973 By. Alexander Calder (American, 1898-1976) Signed Lower Right Numbered: 66/150 Unframed: 26 x 19.25 inches Framed: 34 x 27 inches Alexander Calder was born in Philadelphia in 1898. After obtaining his mechanical engineering degree from the Stevens Institute of Technology, Calder worked at various jobs before enrolling at the Art Students League in New York City in 1923. During his student years, he did line drawing for the National Police Gazette. In 1925, Calder published his first book, Animal Sketches...

Alexander Calder Lithographic cover: Derrière le miroir 1973: Lithographic cover sheet; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. Por...

Beautifully framed "Composition with Circles" geometric abstract lithograph by Alexander Calder. Hand-numbered 9/100 in lower left corner. Hand-signed Calder in lower right corner.

Artist: Alexander Calder, American (1898 - 1976) Title: Stabiles VI from Derriere Le Miroir Year: 1963 Medium: Lithograph Image Size: 14.5 x 10.5 inches Size: 15 x 11 in. (38.1 x 2...

Vintage original 1960s Alexander Calder lithograph from Derriere le Miroir: Dimensions: 11 x 15 inches. Minor signs of handling; good overall vintage condition with well preserved colors. Unsigned from an edition of unknown. Sold unframed. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931. His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London. Related Categories: Alexander Calder prints. Mid Century Modern Calder prints. 1970s. Calder spiral. Calder mobile. Vintage Alexander Calder. Miro. Calder spirals. Calder flowers.

Intaglio print with carborundum from three aluminium plates printed in green, green and yellow (mixed), ultramarine blue and white (mixed), with hand colouring in vermillion red egg ...

Created by Howard Hodgkin in 1992, Put Out More Flags is a stunning hand-colored etching with carborundum, hand-monogrammed, dated, and numbered in pencil. The artwork measures 17 1/...

Created by Howard Hodgkin in 1977, A Furnished Room, is an etching and aquatint with hand-coloring on Arches paper measuring 21 1/4 x 27 1/4 in. (53.8 x 69.3 cm), unframed. Hand-si...

TECHNICAL INFORMATION Alexander Calder Acier du Constructeur, 1965 Lithograph 21 7/16 × 29 3/8 in 54.5 × 74.6 cm Edition of 75 Condition: This work is in excellent condition

Alexander Calder - Original Lithograph - Composition 1972 From the art review XXe Siecle Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unnumbered as issued

A large image with wonderful presence, Venice, Afternoon was created by British colorist, Howard Hodgkin in 1995 as a hand-painted etching and aquatint with carborundum on 16 sheets ...

Executed by the artist between 1979 and 1985, David’s Pool at Night is an etching and aquatint with hand-coloring by British colorist, Howard Hodgkin.  The artwork measures  25 1/8 x...

Soft-ground etching and aquatint, with hand-colouring, 1979-85. Signed and dated in pencil, numbered from the edition of 100. Printed on Hahnemühle mould-made paper by Atelier Crom...

Original lithograph printed in five colors (black, blue, red, yellow, grey) on Arches wove paper Hand-signed in pencil lower right Calder. A superb impression of the definitive st...

Soft-ground etching printed in black, 1979. Signed and dated in red crayon, numbered from the edition of 100 (total edition includes 20 artist's proofs). Printed on buff BFK Rives m...