Prints and Multiples

Skid Row-Self Portrait Color lithograph, 1973 Unsigned (as usual) From: XXe Siecle, Volume XXVV, December 1973 Published by G. di San Lazzaro for A. Maeght, P...

Screenprint on lenox museum board. Hand Signed, Numbered, And Dated in Pencil. Edition of 300. Printed By Brand X Editions. Verso Stamped Robert Indiana 1995 Heliotherapy Love. C...

Artist: Robert Indiana Title: The American Dream Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: PP 14/30 (aside from the edition of 395) Frame Size: 26 1/2" x 22...

Robert Indiana Robert Indiana (Monograph hand signed & inscribed), 2006 Hardback book Hand signed, dated and inscribed by artist on title page, with a star drawing. 13 1/4 × 11 1/4 ×...

The artwork was personally obtained by me when I visited the Walled Off Hotel. It has a stamp in the lower left corner that reads, "The Walled Off Hotel". Comes with Certificate of Authenticity from the Hotel which also has a stamp on it. The verso of the print is also a stamp which cannot be seen from the front of the print. The print is in pristine condition and has been stored flat since my arrival back from the Hotel. Also has four crisp corners and is in near mint/mint condition. Banksy’s career—filled with art world pranks and political activism—has produced a variety of posters showcasing the street artist’s wry sense of humor. Commissioned by Greenpeace to protest global deforestation, Banksy’s early poster Save or Delete (2002) features blindfolded characters from Disney’s The Jungle Book standing amidst a devastated landscape. In 2005, Banksy pranked The Museum of Modern Art by secretly installing a painting of a Tesco Value soup can (a spoof on Andy Warhol’s famous silkscreens of Campbell’s Soup Cans) in one of its galleries—a hoax that went unnoticed by the museum’s staff for six days and inspired a series of Tesco Value soup can posters years later. Collectible Banksy posters also include promotional prints for his exhibition “Barely Legal...

Artist: Robert Indiana (American, 1928-2018) Title: "LOVE (Plate 4)" Portfolio: Book of Love *Signed and dated by Indiana in pencil lower right Year: 1996 Medium: Original Screenprint on A.N.W. Crestwood Museum Edition paper Limited edition: 75/200, (there were also 50 impressions in roman numerals) Printer: Freeman Burks of American Image Editions, New York, NY Publisher: Michael McKenzie of American Image Editions, New York, NY Framing: Framed in a contemporary silver moulding and silver filet with white cotton rag matting Framed size: 32.13" x 30.63" Sheet size: 24" x 20" Image size: 18.19" x 18" Condition: Minor cosmetic wear to frame. In excellent condition Notes: Provenance: private collection - Cincinnati, OH. Numbered by Indiana in pencil lower left. Comes from Indiana's 1996 "Book of Love" portfolio of twelve screenprints of the same image in various colors, originally issued in a black-lettered brown paper-covered folio with accompanying twelve poems. Besides the Arabic and Roman numeral editions, there were also 15 artist's proofs. Technical Director: Peter Engert; Plate Maker: James Harvey; Counsel: Gregory S. Smith, Esq.; Fabricator: Al Hirshson; and Die Maker: York Display. Printed in three colors: white, gray, and dark gray. The "Book of Love" project was conceived by the artist as a portfolio that would make a definitive statement on his masterpiece "LOVE", fulfilling his original vision as both a poet and a painter. The prints in the portfolio were created by Indiana as illustrations for his own love poems, written circa 1958-1973. The prints were produced in silkscreen using oil based paints on a newly created fine art paper that he found perfect for rendering "LOVE", which demands a precise line and radiant true color. The poems each have a highly raised embossment of "LOVE", trapped in colors, just below the title. Each print is hand pencil signed, and each poem hand pencil initialed by the artist. Biography: Robert Indiana was born on September 13, 1928 named Robert Clark in New Castle...

Hand-stitched fabric from life vests abandoned on the Mediterranean beaches 45.0 x 61.0 x 3.0 cm Banksy has gained his notoriety through a range of urban in...

Artist: Robert Indiana (American, 1928-2018) Title: "Polygon: Square (Four)" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry paper...

Artist: Robert Indiana Title: God is Lily of the Valley Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 17" x 13 3/8" Signat...

Medium: original silkscreen / serigraph poster screenprint. Published in 1976 by the Santa Fe Opera. Size: 31 x 25 inches. A rich impression on heavy wo...

Soup Cans, 2005
 Offset lithograph on paper, mounted to aluminium Annotated with the artist's signature stamp, lower right on recto Presented in bespoke persp...

Robert Indiana Great American Dream 1971 Limited Edition Print Edition 27/68

Artist: Robert Indiana, American (1928 - 2018) Title: Eight from the American Dream Portfolio Year: 1965 (1997) Medium: Serigraph Edition Size: 395 Image Size: 16.75 x 14 inches Size...

Artist: Robert Indiana Title: Black Diamond American Dream #2 Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 9 7/8" x 9 7/8...

Screenprint from Ten Works by Ten Artists portfolio Edition of 82/500 Published by: Wadsworth Atheneum, Hartford CT Printed by: IVes-Sillman, Inc. New Hav...

Artist: Robert Indiana Title: Parrot Portfolio: 1997 The American Dream Medium: Original serigraph Year: 1997 Edition: 76/395 Frame Size...

Artist: Robert Indiana Title: Polygon: Square Portfolio: The American Dream Year: 1997 Edition: 76/395 Medium: Original serigraph Framed Size: 24 1/2" x 23 1/2" Image Size: 15 1/8" x...

Screen print & hand-finished watercolor on paper. Hand signed and numbered by the artist. Pest Control included. Banksy’s Dumbo is an extremely rare Ban...

Artist: Robert Indiana, American (1928 - 2018) Title: The Figure 5 from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint on wove paper Edition: 395 Image Size: 16.7...

Robert Indiana "The Book of Love 10" 1996; Screenprint in color on A.N.W. Crestwood Museum Edition paper 24 x 20 inches Edition of 200 Unframed

Artist: Robert Indiana (American, 1928-2018) Title: "Decade: Autoportrait 1969" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry pap...

Artist: Robert Indiana Title: Highball on the Redball Manifest Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: PP 14/30 (aside from the edition of 395) Frame Size...

Offset lithograph (sticker) 4.72 x 5.71 in (12.0 x 14.5 cm) Created in a limited quantity (exact number in circulation is unknown). A highly sought after and now very rare piece of...

Banksy Visit Historic Palestine Print Mint Condition The only way to obtain this print was by staying overnight in the Hotel in Bethlehem. On the verso of the print it is double stamped with the Walled Off Hotel Emblem. The artwork was personally obtained by me when I visited the Walled Off Hotel. It has a stamp in the lower left corner that reads, "The Walled Off Hotel". Comes with Certificate of Authenticity from the Hotel which also has a stamp on it. The print is in pristine condition and has been stored flat since my arrival back from the Hotel. Also has four crisp corners and is in near mint/mint condition. Any questions please and thank you ask away. Banksy’s career—filled with art world pranks and political activism—has produced a variety of posters showcasing the street artist’s wry sense of humor. Commissioned by Greenpeace to protest global deforestation, Banksy’s early poster Save or Delete (2002) features blindfolded characters from Disney’s The Jungle Book standing amidst a devastated landscape. In 2005, Banksy pranked The Museum of Modern Art by secretly installing a painting of a Tesco Value soup can (a spoof on Andy Warhol’s famous silkscreens of Campbell’s Soup Cans) in one of its galleries—a hoax that went unnoticed by the museum’s staff for six days and inspired a series of Tesco Value soup can posters years later. Collectible Banksy posters...

Soup Cans 2010 85 x 60 cm Offset lithograph on paper. Comes with a copy of the original POW receipt and certificate of authenticity supplied by gallery. Banksy is a pseudonymous England-based graffiti artist, political activist, film director and painter. His satirical street art and subversive epigrams combine dark humour with graffiti done in a distinctive stencilling technique. Such artistic works of political and social commentary have been featured on streets, walls and bridges in cities throughout the world. Banksy's work was made up of the Bristol underground scene, which involved collaborations between artists and musicians. Observers have noted that his style is similar to Blek le Rat, who began to work with stencils in 1981 in Paris, Jef Aerosol...

Seven Screen print, 1968 Unsigned (as issued) Edition: 2500 From: Number (10 plates), with poems by Robert Creeley Printer: Domberger KG, Stuttgart Publisher: Edition Domberger Stutt...

Robert Indiana LOVE in Central Park, New York, 1971 Color lithograph on wove paper. Pencil signed, dated and numbered with LOVE drawing/flourish Hand-signed by artist, Pencil signed, dated and numbered 66/ 89. Also bears a drawing of the stacked letters LOVE in pencil. Bears Robert Indiana's copyright Published by Robert Indiana and printed by the American Poster Company to raise money for Central Park 39 × 30 inches Unframed This impressively large 1971 lithograph - pencil signed and numbered from the limited edition of only 89, with a stacked LOVE drawing on the front - depicts Robert Indiana's iconic LOVE sculpture (from the permanent collection of the Indianapolis Museum of Art) when it was exhibited at Central Park in New York City. This was the turn of the decade of the 1970s - during the height of the anti-Vietnam War protests of the Nixon Administration, when the presence of Indiana's monumental cor-ten steel LOVE in Central Park took on a much deeper significance in New York and indeed the country. This important print is pencil signed, dated and numbered by Robert Indiana from the very small edition of only 89. It also bears a drawing - a flourish - of the word LOVE written by the artist in pencil. Very few of the signed editions of this print remain -- so it is rarely seen on the market. Indeed, eighty nine (89) is a very small edition; however, this oversized print was used for promotional purposes in public places, so very few of the 89 signed and numbered works remain - let alone with the original stacked love drawing. . If you LOVE Robert Indiana...

Artist: Robert Indiana, American (1928 - 2018) Title: Mississippi from the American Dream Portfolio Year: 1965 (1997) Medium: Serigraph Edition: 395 Image Size: 16 x 14 inches Size: ...

This poster was created by Banksy exclusively for the Walled Off Hotel. It is available exclusively at the Walled Off Hotel in Bethlehem and is limited to a very few pieces. Extremel...

Artist: Robert Indiana Medium: Serigraph Title: Two Portfolio: The American Dream Year: 1997 Edition: PP 14/30 Image Size: 16 7/8 x 14 inches Sheet Size: 22 x 17 inches Framed Size: ...

2004 50 × 70 cm Signed limited edition of 150 Bespoke frame with UV art glass Excellent condition Comes with Pest Control COA

Robert Indiana The Golden Future of America (Sheehan, 92), 1976 Silkscreen on Arches paper Signed and dated in pencil, lower right; numbered 13/175, in pencil, lower left. Also bears printers blind stamp Frame included: Elegantly matted and framed in a handmade wood frame On its face, this Robert Indiana's silkscreen, based upon the eponymous painting "The Golden Future of America", is a patriotic celebration of Americana, done for the country's bicentennial year. But its looks are deceptive, as the work has a far more subversive meaning. In 2014, the Art Newspaper...

Sold framed Banksy created this Rat stencil as an magazine insert very early in his art career in 2002. Rats are central characters in Banksy's oeuvre and here he give this rat plen...

Robert Indiana (American, 1928-2018) 'Love, Louisiana', 1972 An original screen printed exhibition poster presented at the Louisiana Museum near Cope...

Robert Indiana’s message of HOPE has been an important, poetic language spanning his long career. The Four Seasons of HOPE was created for his solo exhibition at the historic Four Se...

Artist: Robert Indiana, American (1928 - 2018) Title: Jenny Reefer from Mother of Us All Series Year: 1977 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 125/1...

Robert Indiana Classic Love, 1995 Hand Woven Wool Tapestry 182.5 × 182 cm (71.9 × 71.7 in) Signed and numbered on label Edition of 150 In excellent condition Provenance: acquired from publisher Accompanied by certificate of authenticity With this particular four-letter arrangement of L.O.V.E, Robert Indiana has created an image so powerful that it has been adopted all over the world. A pop image, with its mix of the top and bottom lines is now presented in the form of the hand-woven wool tapestry. MoMA historian Deborah Wye has said that "[T]he word love was connected to Indiana´s childhood experiences attending a Christian Science...

Artist: Robert Indiana Title: Mississippi Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 16 1/8" x 14" Signature: Unsigned

Limited Edition print from "The American Dream" Series Pop Art Serigraph Published in 1963 by Multiples, Inc. as a felt banner Robert Indiana New Glory Banner...

Robert Indiana’s message of HOPE has been an important, poetic language spanning his long career. The Four Seasons of HOPE was created for his solo exhibition at the historic Four Seasons Restaurant in tribute to his friend and architect Philip Johnson. Robert Indiana Four...

ROBERT INDIANA Santa Fe Opera (Hand signed, numbered), 1976 Silkscreen on wove paper 37 1/2 × 27 inches Edition AP 7/50 Hand Signed and dated lower rig...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

Artist: Robert Indiana (1928-2018) Title: Four Seasons of HOPE (four artworks) Year: 2012 Medium: Silkscreen on Coventry Rag paper Edition: 125, plus proofs Size: 35.25 x 25.5 inches...

Artist: Robert Indiana Medium: Serigraph Title: Two Portfolio: The American Dream Year: 1997 Edition: 76/395 Image Size: 16 7/8 x 14 inches Sheet Size: 22 x 17 inches Framed Size: 28...

Robert Indiana’s message of HOPE has been an important, poetic language spanning his long career. The Four Seasons of HOPE was created for his solo exhibition at the historic Four Se...

Robert Indiana Purim: The Four Facets of Esther (I) Sheehan, 36, 1966 Color silkscreen on off white wove paper Printed by Stephen Poleskie, Chiro...

Robert Indiana Santa Fe Opera 1976 Silkscreen in colors Hand signed in pencil 37.5 x 27 inches

Robert Indiana Title: Eight Medium: Original Screen Print on paper Year: 1968 Edition: From the limited edition of 2500 Publisher: Edition Domberger Stuttgart Suite: "Numbers" Dimens...

Artist: Robert Indiana, American (1928 - 2018) Title: Art from the American Dream Portfolio Year: 1972 (1997) Medium: Serigraph Edition Size: 395 Image Size: 14 x 14 inches Size: 22 ...

Artist: Robert Indiana, American (1928 - 2018) Title: 4 Square from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint Edition Size: 395 (unnumbered) Image Size: 14 x...

Robert Indiana New York City Center of Music and Drama (Hand signed limited edition), 1968 Color Silkscreen 35 × 25 inches Edition 23/144 Hand signed and dated lower right recto; num...

Offset lithograph on card 5.75 x 7.00 in (14.6 x 17.8 cm) Plate signed 'BANKSY', verso. Edition size unknown.

Banksy's Barely Legal is a set of six screen prints on paper named after the Barely Legal exhibition held in 2006 in a warehouse in Los Angeles. From the unsigned edition and each numbered 59/500 (there are also 17 artist's proofs). Published by Modern Multiples Fine Art Editions, Los Angeles, with Pictures on Walls and the publisher's blindstamp. Pest Control authentication certificates included. The Barely Legal Set includes the following: Grannies (22.05 x 29.92 inches) Sale Ends (22.05 x 29.92 inches) Applause (29.92 x 44.89 inches) Trolleys (22.05 x 29.92 inches) Festival (22.05 x 29.92 inches) Morons (22.05 x 29.92 inches) About the Artist: Banksy (British, born 1974) is a contemporary street artist and activist who, despite his international fame, has maintained an anonymous identity. Aimed as a form of cultural criticism, the artist often targets established social and political agendas with his witty illustrations produced with stencils and spray paint in cities such as New Orleans, New York, and Paris. “The art world is the biggest joke,” he said. “It’s a rest home of the over privileged, the pretentious, and the weak.” Although details of the artist’s life are largely unknown, it is thought that Banksy was born in Bristol, United Kingdom, c. 1974, starting his career as a graffiti artist in the city. Better Out Than In, Banksy’s month-long residency in New York during October 2013, featured a man hawking the artist’s paintings for $60 a piece outside Central Park. In 2015, Banksy opened Dismaland Bemusement Park, a temporary art exhibition that functioned as a theme park. After a 36-day run, its workers and materials were sent to the Calais migrant camp in France to build additional housing. Among the artist's most famous stunts include his shredded painting: When a painting by Banksy was sold at auction for $1.4 million in 2018, a mechanism was triggered to cause the artwork to partially destroy itself, resulting in a new piece titled Love in the Bin (2018). The ongoing question as to who Banksy is continued to reach the headlines when in 2017 Robert Del Naja...

ROBERT INDIANA Angel More (Mother of Us All) Screenprint in colors on Arches, 1977 Impression 14 of an edition of 150 Image Size: 18” x 14” Signed, dated, and numbered in lower margin Printed by Mourlot, Paris. Intended for publication by Amiel, New York. Sheehan 96-108. The Mother of Us All, is an opera which imaginatively chronicles the story of Susan B. Anthony and the women's suffrage movement, written by Gertrude Stein and composed by Virgil Thompson in 1945. In 1976 Robert Indiana was hired to create the costumes and set design for the Santa Fe Opera Company’s production of The Mother to Us All. This collection of lithographs illustrates Indiana's costume designs for the Virgil Thomson-Gertrude Stein same-titled opera. Robert Indiana is one of the most recognized names in Contemporary and Pop Art, his LOVE sculptures, paintings, and prints are by far his most iconic pieces. It all began in the summer of 1965, when The Museum of Modern Art commissioned Indiana to design its Christmas card. He submits LOVE in four color possibilities; the museum selects the red, blue, and green version. In 1967 he produces three serigraphs of LOVE, and two serigraphs of LOVE Wall. During the next two years, produces other serigraph variations on LOVE, with more following in 1972, 1973, 1975, 1982, and 1991. Indiana’s LOVE motif has since been translated into a US postage stamp...

Artist: Robert Indiana, American (1928 - ) Title: Tilt from The American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 16.5 x 14 inches...

Artist: Robert Indiana (American, 1928-2018) Title: "Decade: Autoportrait '70 (Vinalhaven)" Portfolio: Decade: Autoportraits, Vinalhaven Suite *Signed and dated by Indiana in pencil ...

Robert Indiana ERR 1963: A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right. Medium: Photoengraving and etching on Rives BFK. Dimensions: 4 1/2x6 inches (including margins). Very good overall vintage condition. Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin. Rare Trial proof, aside from the main edition of 60. Printed by the artist at the School of the Art Institute of Chicago. Further background: According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29. Robert Indiana 1991: "When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..." About the artist: Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...

Signed, Dated, Numbered, Titled and Uniquely Inscribed front and back in pencil, with two original artist's drawings "WALL TO WALL" FROM WALL: TWO STONE SUITE IV, WITH TWO ORIGINAL I...