Prints and Multiples

Litho/Litho Lithograph on Special Arjomari paper Signed, dated, and numbered in pencil Corlett 101

Banksy (British street artist) Welcome Mat, 2020 Medium: Doormat and refugee life vest Dimensions: 24.6 x 17.7 x 1.4 in (62.5 x 45.0 x 3.5 cm) Edition size: undisclosed Markings: Nu...

ROY LICHTENSTEIN (1923-1997) This Lichtenstein 'Real Estate' print in blue is a 1969 lithograph on Arches paper. There was an edition of 100 produced (there were also approximately ...

Unsigned offset lithograph in colors on paper. £10 note Di-Faced by Banksy with a portrait of Princess Diana on the front and the motto: "I Promise to Pay the Bearer on Demand the Ultimate Price." The back features Darwin's image and the statement: "Trust No One...

Roy Lichtenstein Screenprinted Paper Plate, 2013 Silkscreen on Paper Plate Estate and foundation authorized (printed) signature on the back 0.2 inch (height) x 10.5 inches (diameter)...

Roy Lichtenstein "Go for Baroque" poster (hand signed and inscribed by Roy Lichtenstein), 1994 Color offset lithograph on wove paper (hand signed and inscribed to Lichtenstein's esta...

Banksy, Visit Historic Palestine, 2019 Lithograph Official Walled-Off Hotel Release 2017-20 (Now Sold Out) 42 x 59 cm Stamped by the artist's estate and embossed logo in the lowe...

Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, Hand signed and dated in ink on th...

Features iconic Soup Cans famously created by Andy Warhol and re-imagined here by Banksy using Tesco cans. Banksy signature printed on bottom right of print. This piece is sometimes also referred to as Tesco Cans or Banksy Tomato...

Modern Head #5 1970 Embossed graphite with Strathmore die-cut paper overlay, mounted in white lacquered aluminum frame with wooden stretcher support Signed, dated, and numbered in pe...

Artist: Roy Lichtenstein Title: Reflections on Hair Portfolio: Reflections Medium: Lithograph, screenprint, relief and metalized PVC collage with embossing on mold-made Somerset pape...

Wooden postcard Open edition Not signed or numbered, original price tag on the reverse Mint Our mission is to connect art collectors to opportunity. Whether it be figurative, abstra...

Roy Lichtenstein As I Opened Fire Triptych (Corlett App.5), 1966 Set of three (3) Color Offset Lithographs on wove paper. Museum stamped verso. Unframed Museum stamped verso., not si...

Lithograph and screenprint in colors on Rives BFK paper. Hand signed and dated by Roy Lichtenstein. Numbered 46/100 (there were also 10 artist's proofs). Published by Multiples, I...

Print with unique painted concrete base hand-painted by local artists. Housed in a custom made white box frame as intended by the artist Open Edition Not signed or numbered New, as ...

Roy Lichtenstein As I Opened Fire (Triptych), 1964 3 x individual Offset lithographs each is 62.9 × 52.7 cm
 Roy Lichtenstein, a key figure in the Pop Art m...

Offset lithograph on paper Size: 41,9 x 59cm, folded. Description: Official lithograph produced by Banksy. Plate signed lower right.

Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...

Ultra cool Banksy sticker resembling a British street sign. The number on the bottom “016/BNK/5Y” is the item number for this sticker. Banksy used number designations in a lot of his...

A very good impression of this early color offset lithograph. Signed in pencil by Lichtenstein. Printed by Colorcraft, New York. Published by Leo Castelli Gallery, New York. Catalo...

Offset lithograph printed in colours on wove paper 30 3/4 × 26 in 78.1 × 66 cm

Roy Lichtenstein The Oval Office (hand signed, dated and inscribed by Roy Lichtenstein), 1992 Offset color lithograph (hand signed and inscribed to famous estate attorney) Edition of...

Image was created by Banksy for Greenpeace to highlight deforestation issues. Features famous cartoon characters blindfolded in the midst of a destroyed forest. Very limited distribu...

Limited Edition Print (Unsigned) Edition of 350 Complete with full Pest Control COA Presented in a black frame. Rats are one of Banksy’s greatest sources of inspiration and one of ...

"Nola" Dark Orange to Light Orange Rain, AP. Screenprint on arches paper. Edition of 66 artist's proofs comprised of six different colour variants, published in 2008 by Pictures on...

Di-Faced Tenners Year: 2004 Medium: Offset lithograph in colors on wove paper, printed on both sides of the sheet Size: 45×30 cm (17 5/8 x 12 3/8 inches) Publisher: Pictures on Walls...

Roy Lichtenstein Roy Lichtenstein at Modern Art Pavilion, Seattle Art Museum Limited Edition poster, 1976 Offset lithograph Limited Edition of 1500 22 1/2 × 28 inches Unframed This ...

Artist: Roy Lichtenstein Title: Spray Can Portfolio: 1¢ Life Medium: Lithograph on white wove paper Year: 1963 Edition: 2000 Frame Size: 21 1/4" x 19 1/4" Sheet Size: 16" x 11 1/2" I...

SALE ONE WEEK ONLY "As I opened fire" is a lithograph triptych by Roy Lichtenstein whose provenance is printed on verso: Coll. Stedelijk Museum Amsterdam. Editions were copyrighted by the Stedelijk Museum Amsterdam and corrected with the original and printed in the Netherlands. Each piece measures: 25 1/8" h x 20 5/8" w. Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017. Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again. It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works. In 1960, he started teaching atRutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s. Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.” In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting. In 1996 the The National Gallery of Art in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and 2 books. The Art Institute of Chicago has several important works by Lichtenstein in its permanent collection, including Brushstroke with Spatter (1966) and Mirror No. 3 (Six Panels) (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the Museum Ludwig in Cologne has one of the most comprehensive Lichtenstein holdings with Takka Takka (1962), Nurse (1964), Compositions I (1964), besides the Frankfurt Museum fur Modern Kunst with We Rose Up slowly (1964), and Yellow and Green Brushstrokes...

Banksy, Visit Historic Palestine, 2019 Offset lithograph Official Walled Off Hotel Release 2017-20 (Now Sold Out) 42 x 59 cm (16.53 x 23.22 in) Stamped by the artist's estate and embossed logo in the lower left-hand corner and stamped on the verso side of the print Accompanied by a Gallery supplied Certificate of Authenticity Produced and sold at Banksy's iconic 'Walled Off Hotel' in 2019, the Banksy Palestine...

Image was created by Banksy for Greenpeace to highlight deforestation issues. Features famous cartoon characters blindfolded in the midst of a destroyed forest. Very limited distribu...

Vintage Poster Exhibition in Florence is a very colorful artwork realized by Roy Lichtenstein in 1982. Mixed colored offset  on paper. This beautiful print was realized on the occa...

Roy Lichtenstein Fish and Sky 1967 23 3/4 x 20 in. Artist's Proof from the rare limited edition Original serigraph on gelatin photographic print mounted on three-dimensional len...

Art Print on heavy paper

Artist: Roy Lichtenstein Title: Girl Portfolio: 1¢ Life Medium: Lithograph on white wove paper Date: 1963 Edition: 2000 Frame Size: 20 3/4" x 18 5/8" Sheet Size: 16 1/4" x 11 1/2" Im...

Roy Lichtenstein Art About Art Whitney Museum of American Art 1978 poster, 1978 Offset lithograph poster Frame included: held in the original vintage frame Provenance: from the collection of Jack Martin...

Banksy "CUT AND RUN" Technique: Offset Lithograph Paper: Thick Stock Glossy Size: 16.5 X 23.4 Materials Thick glossy paper Size 23 2/5 × 16 1/2 in 59.4 × 41.9 cm Rarity Open editi...

Ultra cool and frameable record featuring Banksy artwork on both sides of cover. One side has the iconic “Laugh now but one day we will be in charge” and...

Roy Lichtenstein The Red Horsemen, aka The Equestrians (with COA from the 1984 Olympic Committee), 1982 Limited Edition Offset Lithograph on Parsons Diploma Parchment Paper. Pencil...

Wonderful Banksy double sided print. Forgive Us Our Trespassing printed on bottom of boy praying side. Has Banksy’s signature printed on bottom right of this side on bottom left of p...

Complete Banksy vs Bristol Museum Postcard Set. Contains 12 postcards. Released in 2009 for the Banksy exhibition in Bristol. Contains many iconic images in package such as Roller Zo...

Offset lithograph (sticker) 4.72 x 5.71 in (12.0 x 14.5 cm) Created in a limited quantity (exact number in circulation is unknown). A highly sought after and now very rare piece of...

Banksy, ПТН ПНХ! (FCK PTN!)- Ukraine Stamp and Postcard, 2023 offset lithographic postcard with stamp and inkstamp from the unnumbered edition of 1,000 issued by The National Post O...

Interior with Chair from the Leo Castelli 90th Birthday Portfolio is a serigraph on paper, 27 x 20.5 inches image size, signed and dated 'rf Lichtenstein '97' lower right and numbere...

Banksy, Cut and Run Poster set, 2023 Official poster set for "Cut & Run" the artist's first show in nearly 15 years. Offered exclusively at GoMA (Gallery of Modern Art) in Glasgow, ...

Complete set with 10 cool postcards. Released for Banksy's Crude Oils show in 2005. Each card features a classical style painting that have been re-worked Banksy style. Reverse of ea...

Mirror #9 (C.114) from the Mirror Series is a screenprint and lithograph on paper, 30 x 21.18 inches, signed and dated 'rf Lichtenstein '72' lower center margin and framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.126, #114. About Lichtenstein’s Mirror Series (taken from Corlett): Mirrors were an important subject in Lichtenstein’s paintings and prints of the early 1970s. From late 1969 to 1972 he painted over forty canvases depicting this subject. The first print was in 1970, with Twin Mirrors (cat. no.102) for the Guggenheim Museum. In 1972 he also produced Mirror (cat. No. 115) at Styria Studio, in addition to this Gemini G.E.L. series of nine prints. In the mid-seventies he took up the subject in sculpture, and he returned to it in prints as recently 1990, with Mirror (cat. No 246). In addition, he has often explored the related theme of reflections, incorporating them in various paintings and in several print series: Reflections (1990; cat. Nos. 239 – 245), Interiors (1990, published 1991; cat. nos. 247 – 54), and Water Lilies (1992; cat. nos. 261 – 66). This Gemini group (catalog nos. 1-6 - 114) utilizes lithography, screenprint, line-cut, and embossing... In an interview with Lawrence Alloway, Lichtenstein noted: “You know, I am always impressed by how artificial things look – like descriptions of office furniture in newspapers. It is the most dry kind of drawing, as in the Mirrors. They really only look like mirrors if someone tells you they do. Only once you know that, they may be moved as far as possible from realism, but you want it to be taken for realism. It becomes as stylized as you can get away with, in an ordinary sense, not stylish.” As Jack Cowart has commented: “One would not actually stand in front of a Lichtenstein Mirror...

Mirror #7 (C.112) is a screenprint and lithograph on paper, 29.75 x 17.37 inches, signed and dated 'rf Lichtenstein '72' lower right and numbered 62/80 lower left. From the edition of 96 (there were also 10 AP, and 6 other various proofs). Framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.125, #112. About Lichtenstein’s Mirror...

Twin Mirrors (C.102) is a screenprint on paper created for the Guggenheim Museum in 1970, 35 x 21 inches image size, signed and dated 'rf Lichtenstein '70' lower right and numbered 94/250 lower left (from the edition of 250 plus an unknown number of artist proofs). Framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.118, #102. About Lichtenstein’s Mirror...

Artist: Roy Lichtenstein Title: Rose, Cover from 1 Cent Life (Rose) Screenprint in green over yellow linen and (1 Cent Life) Screenprint in pink over blue lettering on board of unbound book Year: 1964 Medium: Silkscreen on linen on heavy board Size Edition : 2000 Dimensions: 16.31" x 25.32" (Full cover) Dimensions of Image: 16.31 x 11.88 References : Corlett # III.3 Provenance: Private Collection, Berlin Printed by Maurice Beaudet in Paris and published by E. W. Kornfeld, of Bern, Switzerland. Edition of 2000, unsigned as issued in the regular edition of Walasse Ting's '1¢ Life' portfolio of 1964. Superb impression with good strong colors. This iconic piece was executed by Lichtenstein and printed onto stiff paperboard to serve as the front cover of 1 Cent Life, published in 1964 by Kornfeld in an edition of 2000. The image is printed to the edge of the board, with the Lichtenstein silkscreen...

Roy Lichtenstein at CSU, rarely seen exhibition catalogue, 1982 Softback exhibition catalogue with 2 very cool vellum pages with the Benday dots 11 × 8 1/2 inches This softcover cata...

This original woodcut in colours is hand signed in pencil "R. Lichtenstein" at the lower right margin. It is dated ‘80’ [1980] next to the signature. It is also numbered in pencil from the edition of 50, at the lower right margin. There were also 18 artist’s proofs aside from the standard edition. The subject was printed and published by Tyler Graphics Ltd., Bedford, New York in 1980. The paper bears the blindstamp of the printer and publisher. This is the sixth composition of six comprising the ‘American Indian Theme...

Limited edition of 5000 posters made. Banksy in a Self-portrait for the Special Issue cover. Offset Lithograph printed in multi colors on satin paper. Printed in colors on Satin Whit...

Iconic skull and paint brushes logo sticker of the Pictures on Walls (POW) print house. Red skull with slate blue background. Released circa 2004 they we...

Super cool logo sticker of the iconic Pictures on Walls (POW) print house. Black skull with with white background. This version also features heart and peace eyes. The logo on this l...

'Greenpeace: Save or Delete' decal by Banksy, 2002 8.25 x 11.75 Inches (full sheet). Commissioned from Banksy by Greenpeace, print and all associated products were recalled after thr...

Banksy We Love You...So Love Us, 2000 Mixed Media: Vinyl record held silkscreened album cover 12 1/2 × 12 1/2 × 3/10 inches This rare record album cover was designed by Banksy in 200...

BANKSY Ukraine booklet 2023 booklet with postcard, envelope and stamps from the unnumbered edition of 1500 overall 30.6 x 21.7cm unframed