Prints and Multiples

TECHNICAL INFORMATION Shepard Fairey Mail Man 2000 Screenprint 24 x 18 in. Edition of 140 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine Art Condition...

TECHNICAL INFORMATION: Shepard Fairey Chinese Soldiers 2006 Screenprint 24 x 18 in. Edition of 300 Pencil signed and numbered; accompanied with COA by...

TECHNICAL INFORMATION Chinese Banner 2 2004 Screenprint 24 x 18 in. Edition of 300 Pencil signed & numbered Accompanied with COA by Gregg Shienb...

'Bias by Numbers' by Shepard Fairey, 2017 18 x 24 inches (45,7 x 61 cm) Screen print on cream, speckletone fine art paper. Limited edition of 450 (#134/450) Hand-signed and dated in ...

This screen print, “A Cracked Icon,” is a reference to one of my favorite musicians, David Bowie, and his song “Cracked Actor.” I’m fascinated by how we process fragmentation and mut...

'Arab Woman Gold' by Shepard Fairey, 2007 18 x 24 inches (45 x 61 cm) Screen Print on Fine Art Paper. Limited edition of 300 (AP) Hand-signed and dated in pencil by Shepard Fairey....

The Draped Figure, Seated Lithograph on fine japanese paper, 1893 Signed in pencil with the butterfly (see photo) Signed in the stone with the butterfly on the sofa (see photo) Numbe...

Disinformation Damage (Disinformation, Damage, Social Media, Politics, Credible Journalism, Lies) Screen print on thick white Speckletone paper Year: 2024 Size: 12x24 inches Edition:...

Overloading the Grid (David Byrne) (Talking Heads, Punk Rock, Creativity, Innovation) Screen print on thick white Speckletone paper Year: 2024 Size: 24x18 inches Edition: 550 Signed, dated and numbered by hand COA provided Ref.: 924802-2086 *Lead time may vary between 10-14 Days Tags: #TalkingHeads #PunkRock #Creativity #Innovation "I've been a fan of the Talking Heads since I was a kid, listening to songs like “Once in A Lifetime” and “Burning Down the House” on the radio. This was long before I discovered punk rock and realized the band's significant role in the nascent punk scene at CBGB’s in mid-70s NYC. Watching the film Stop Making Sense on HBO as a teenager left me intrigued by David Byrne's peculiar yet fearless performance in an absurdly oversized suit. Little did I know then that Byrne's exploration of life's awkwardness was precisely his forte! As I grew more sophisticated, I came to appreciate the Talking Heads' creative adventurousness both musically and visually. Learning that David, Tina, and Chris all attended the Rhode Island School of Design, the same art college I went to, added another layer of connection. For the “Overloading the Grid” (David Byrne) print, I collaborated with photographer Bobby Grossman...

Shepard Fairey Climate Clash (Animals, Mascots, Climate change, Strength, Collaboration, Francisco Reyes) Screen print on thick cream Speckletone paper Year: 2024 Size: 24x24 inches ...

'Muslim Woman' by Shepard Fairey, 2005 24 x 36 inches (61 x 91,4 cm) Offset Lithograph on Fine Art Paper. Limited edition of 750 (AP) Hand-signed and dated in pencil by Shepard Fair...

Disinformation Damage Set (Disinformation, Damage, Social Media, Politics, Credible Journalism) 2 x Screen prints on thick white and cream Speckletone paper Year: 2024 Size: 12x24 in...

Shepard Fairey Climate Clash (Animals, Mascots, Climate change, Strength, Collaboration, Francisco Reyes) Screen print on thick white Speckletone paper Year: 2024 Size: 24x24 inches ...

Shepard Fairey Disinformation Damage (Disinformation, Damage, Social Media, Politics, Credible Journalism, Lies) Screen print on thick cream Speckletone paper Year: 2024 Size: 12x24 ...

Shepard Fairey Climate Clash Set (Animals, Mascots, Climate change, Strength, Reyes) 2 x Screen prints on thick white and cream Speckletone paper Year: 2024 Size: 24x24 inches (each)...

'Peace Woman Kennwood' by Shepard Fairey, 2008 18 x 24 inches (45,7 x 61 cm) Screen print on cream, speckletone fine art paper. Rare Kenwood Vineyard limited edition of 200 (137 /200...

I started my sticker campaign in 1989 and I continue to value the power of a small but mighty source of disruption and expression. When I was younger and had few resources my strateg...

Shepard Fairey (American, b. 1970) Parlor Pattern, 2010 Medium: Set of 2 screenprints on paper Dimensions: each 61 × 45.7 cm (24 × 18 in) Edition of 85: each hand-signed and numbered...

Shepard Fairey Lotus Angel Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Shepard Fairey AK-47 Lotus & AR-15 Lily Set (Vietnam War, Protest, Flowers, Gun Barrels, Pacifist, Iconic, Gun Violence) Offset Lithographs on thick cream Speckletone paper Year: 202...

Shepard Fairey Lotus Angel Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Shepard Fairey AR-15 Lily Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Shepard Fairey Radical peace Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Shepard Fairey Shadowplay Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Shepard Fairey AR-15 Lily (Vietnam War, Protest, Flowers, Gun Barrels, Pacifist, Iconic, Gun Violence) Offset Lithograph on thick cream Speckletone paper Year: 2024 Size: 36x24 inche...

Shepard Fairey AK-47 Lotus (Vietnam War, Protest, Flowers, Gun Barrels, Pacifist, Iconic, Gun Violence) Offset Lithograph on thick cream Speckletone paper Year: 2024 Size: 36x24 inch...

Shepard Fairey Tear Flame (Mother Earth, Rebellious, Defiant, Guilt, When you dis your mother, you dis yourself) Screen print on thick cream White Speckletone paper Year: 2024 Size: ...

"The Wall Street Public Enemy print is a critique of the culture of greed and manipulation seen on Wall Street and in the banking system. Lack of oversight from the government that i...

Edition Details Year: 2017 Class: Art Print Status: Official Released: 10/10/17 Run: 450 Technique: Letterpress Paper: Cream cotton paper Size: 10 X 13 Markings: Signed & Numbered Embossed Paper / Silkscreen / Graffiti and Street Art...

Shepard Fairey Make art not war, 2023/24 Screenprint Handsigned in pencil by the artist Unnumbered proof Size 90 x 60 cm (c. 35,4 x 23,6 in) Excellent condition

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Shepard Fairey Lotus Angel (Hope, Compassion, Resilience) Offset Lithograph on thick cream Speckletone paper Year: 2023 Size: 36x24 inches Signed, dated by hand COA provided Ref.: 92...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin, as well as LA’s John ...

Shepard Fairey Make Art Not War Offset lithograph on paper Year: 2021-2024 Signed and dated by hand Size: 33.7 × 22.2 on 35.7 × 23.8 inches COA provided - WILL SHIP WITH UPS FULLY I...

19.5" x 16" Unframed Limited Edition Letterpress on Deckled Edge Paper of 450 Hand Signed by Shepard Fairey 2021

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

24" x 18" Unframed Screenprint in Color on Wove Paper Hand Signed by Shepard Fairey

24" x 18" Unframed Limited Edition Screen Print on Thick Cream Speckletone Paper of 300 Hand Signed by Shepard Fairey and Bob Gruen

The Ideal Power print was inspired by the need to address gender inequality regarding both wages and basic respect. I believe power should come from the quality and merit of one’s wo...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Immerse yourself in the mesmerizing world of "Unity Obey Flower," a collaborative masterpiece by Kai and Sunny, in association with the renowned Shepard Fairey of Obey. Crafted in 20...

28 1/2" x 22 1/2" Unframed Screenprint on Cream Speckletone Paper Hand Signed by Shepard Fairey

SHEPARD FAIREY Global Warning - Global Warming (Andy Warhol Edition), 2009 Silkscreen on wove paper 24 × 18 inches Pencil signed and numbered 264/450 on the front Unframed Global Warning - Global Warming - is the rare pink Andy Warhol edition, separate from the regular red edition. Limited Edition hand signed, dated and numbered silkscreen print created exclusively for the opening of Shepard Fairey's "Supply and Demand" Exhibition at the Andy Warhol Museum in Pittsburgh. This incredibly popular screenprint sold out very soon after the sale was announced by the museum. Fairey's "Global Warming", featuring a sunbathing woman covering herself with the aptly titled "Sun" newspaper, directly attacks the right-wing who deny the science of climate change, and even features his own Windmill Power poster...

24" x 18" Unframed Limited Edition Screen Print on Thick Cream Speckletone Paper of 300 Hand Signed by Shepard Fairey and Bob Gruen

Shepard Fairey Target Exceptions Offset lithograph on paper Year: 2020-2024 Signed and dated by hand Size: 33.7 × 22.2 on 35.7 × 23.8 inches COA provided *publication year might di...

Paper Size: 34 x 24 inches ( 86.36 x 60.96 cm ) Image Size: 32 x 24 inches ( 81.28 x 60.96 cm ) Framed: Yes Frame Size: H: 34 x W: 24 inches Condition: A-: Near Mint, very light sign...

Shepard Fairey Gears of Justice (Star Gear, Empowerment, Industrious, Leveling the playing field) Screen print on thick cream White Speckletone paper Year: 2024 Size: 24x18 inches Ed...

Shepard Fairey Joe Strummer – Know Your Rights Screen print on thick cream Speckletone paper Year: 2023 Size: 24x18 inches Edition: 550 Signed, dated and numbered by hand COA provide...

Shepard Fairey ICONS (Subliminal, Iconic) Screen print on thick cream White Speckletone paper Year: 2023 Size: 24x18 inches Edition: 400 Signed, dated and numbered by hand COA provid...

A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” campaign, which distributed poster...

'Universal Personhood' by Shepard Fairey, 2013 18 x 24 Inches (45,7 x 61 cm) Screen print on cream, speckle tone fine art paper Limited edition of 450 (#388/450) Hand-signed and dat...

The “Welcome Visitor” diptych is a thought-provoking exploration of the contradictions inherent in America's tourism industry and its immigration policies. Through this striking artwork, Shepard Fairey delves into the uncomfortable collision of economic opportunism and xenophobia. The piece reflects on the historical context of America as a melting pot, symbolized by the Ellis Island narrative and the hope of embracing diversity. However, it also draws attention to the contemporary climate of fear and scapegoating faced by Latino and Muslim communities. The diptych specifically highlights past events like the immigration ban and internment of Japanese individuals, including Japanese-American citizens during World War II, when unfounded fear led to prejudiced policies against them. Shepard Fairey skillfully uses this historical reference to shed light on the irrational and disproportionate fear. By contrasting the past with the present, Fairey aims to inspire contemplation and empathy, urging viewers to consider the humanity and dignity of all people as a paramount factor in shaping immigration and tourism policies. Shepard Fairey is a renowned contemporary artist and graphic designer whose work often explores political and social themes. Born on February 15, 1970, in Charleston, South Carolina, Fairey gained widespread recognition for his iconic "Hope" poster created during Barack Obama's 2008 presidential campaign. His art has since become synonymous with activism and social commentary. Fairey's unique style combines elements of street art, pop culture, and political messaging, earning him a prominent place in the world of contemporary art. In addition to his prolific career as a visual artist, Shepard Fairey co-founded the design studio Studio Number One and the art collective BLK/MRKT Inc. He has exhibited his work in galleries and museums around the globe, leaving a lasting impact on the art world and beyond. Fairey's art continues to inspire dialogue and challenge societal norms, urging viewers to question and engage with the issues he addresses. Shepard Fairey's art is influenced by various sources, including street art, punk rock aesthetics, propaganda imagery, and political movements. He credits the DIY ethos of punk culture and the rebellious spirit of street art for shaping his artistic vision. Fairey's fascination with propaganda and political art from historical movements, such as Soviet Constructivism and Chinese Cultural Revolution...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One and Robbie Conal to create a series of anti-Bush/anti-war posters for the street-art campaign: Be The Revolution. In 2005, Fairey accepted a residency at the Contemporary Museum in Honolulu, Hawaii, where he created murals and prints that reveal a dramatic combination of constructivist style with distinctly traditional Hawaiian themes and influences. Amanda Fairey gave birth to the couple’s first child, Vivienne in June 2005, she is the namesake of punk fashion legend Vivienne Westwood. Vivienne would be the model for Fairey’s “Vivi La Revolucion” print of 2008. Fairey's street-art, was featured with that of Dan Witz...

Amazing Art Deco style on this stunning Screenprint. Gorgeous in multi colors, vivid and bright. This blue version is moody and reminiscent of 1920’s artwork. Hand signed by Fairey o...

"Both a celebration of nature and a cautionary tale. Waves are beautiful and represent a powerful, hypnotic rhythmic cycle, but when energized by a storm, waves can be incredibly des...

TECHNICAL INFORMATION: Shepard Fairey Ali Canvas 2010 Screenprint 24 x 18 in. Edition of 450 Pencil signed and numbered; accompanied with COA by Gregg Shienbaum Fine Art Condition:...