Prints and Multiples

Lithograph on Rives BFK paper 61.6 x 43.18 cms (24 1/4 x 17 inches) Edition of 100

Large, attractive color linocut by Pablo Picasso from a limited edition of 50. Signed by Picasso and numbered in pencil. Printed by Arnéra, Vallaur...

PABLO PICASSO (1881-1973) Pêcheur à la ligne (A. R. 263) Terre de faïence bowl, 1955, from the edition of 100, incised 'Empreinte Originale de Picasso' and 'Madoura', partially gla...

PABLO PICASSO (1881-1973) Yan Barbu (A. R. 513) Terre de faïence pitcher, 1963, numbered 246/300, incised 'Edition Picasso' and 'Madoura', painted.

Colour screenprint on J.B. Green paper 104.1 x 71.7 cms (41 x 28 1/4 ins) Edition of 150

Robert Motherwell For Meyer Schapiro: Tallith for Meyer Schapiro 1974 Lift-ground etching and aquatint on Arches Cover paper Ed. 100, 13 AP, 1 CP, 11 HC 105.4 x 74.9 cms (41.5 x 29.5...

1991 Lithograph in colors, on white TGL handmade paper Sheet: 32 2/5 x 76 inches Edition of 40 Signed and numbered in pencil Framed

44.5 x 29.25 ins (113 x 74.3 cms) Edition of 108 Signature:Signed "R. Motherwell" in pencil lower left Inscriptions:Numbered in pencil lower left; some impressions have artist's chop mark lower left Publisher:The Juilliard School...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

Artist: Pablo Picasso Title: Head of a Bull (Plate XXXII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signe...

"L'Atelier Mourlot Title Page" is an original color lithograph by Pablo Picasso. It depicts a simplified smiling face in blue, red, yellow, and green with the text "Mourlot Workshop"...

PICASSO, PABLO (1881 – 1973) "Sculpteur au Travail; from Sable Mouvant" Bloch 1183, Baer 1152 Etching and aquatint on tissue-thin japon paper c. 1964 Bearing a watermark “LB – Louis Broder” Signed in Pencil, lower right numbered X/XX, from the edition of 20 in Roman numerals on Japanese paper (there was also the edition of 50 in Arabic numerals on Japanese paper; the edition of 10 in Roman numerals on Auvergne wove paper; and the book edition of 255). Printed by Atelier Crommelynck, Paris Plate Size: 15.187” x 10.875”, Sheet Size: 21” x 16.18”. Published by Louis Broder Picasso illustrated these etching and aquatints as homage to the fascinating poem by Pierre Reverdy. Sable Mouvant (quicksand) is set in the desert and relates to a number of psychological struggles and hallucinations. The works by Picasso elegantly depict Reverdy’s intentions and remove the viewer from reality to expose the inner turmoil of a helpless man and his surroundings. Pablo Picasso was born in Malaga, Spain on October 25, 1881. By the age of 15 he was already technically skilled in drawing and painting. Picasso’s highly original style continuously evolved throughout his long career, expanding the definition of what art could be. In addition to painting, he would explore sculpture, ceramics and other art forms, and become one of the most influential artists of the 1900s. Paintings from Picasso’s blue period (1901-1904) depict forlorn people painted in shades of blue, evoking feelings of sadness and alienation. After his move to Paris in 1904, Picasso’s rose...

Robert Motherwell Paris Suite III (Autumn) 1980 Lithograph on J.B. Green handmade paper, Edition of 60 49.2 x 56.8 cms (19 1/2 x 22 1/2 ins) RM17035 CR 26...

1991 Lithograph in colors, on white TGL handmade paper Sheet: 32 2/5 x 76 inches Edition of 40 Signed and numbered in pencil Framed, mint condition

This Picasso ceramic plate "PASE DE CAPE, Ramié 417" is made of white earthenware clay and decorated with a whimsical design. Please contact us with any ques...

PABLO PICASSO (1881-1973) Service visage noir (A. R. 42) Terre de faïence plate, painted in colors and glazed, 1948, inscribed 'G', with the Edition Pica...

Artist: Pablo Picasso Title: Monogram "J" with Landscape (Plate XI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed:...

Artist: Pablo Picasso, Spanish (1881 - 1973) Title: Exposition Vallauris Year: 1964 Medium: Linocut, signed in blue crayon and numbered in pencil Edition: 60/168 aside from 25 arti...

PABLO PICASSO (1881-1973) Service visage noir (A. R. 37) Terre de faïence plate, 1948, inscribed 'Edition Picasso', glazed and painted, from the edition of 100, with the d'Après Pi...

Artist: Pablo Picasso Title: Head of a Woman with Closed Eyes (Plate XXII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 22" x 19" Sheet...

PABLO PICASSO (1881-1973) Service visage noir (A. R. 35) Terre de faïence dish, 1948, from the edition of 100, inscribed 'Edition Picasso', glazed and painted, with the Madoura and...

Robert Motherwell Paris Suite IV (Winter) 1980 Lithograph on J.B. Green handmade paper, Edition of 60 47 x 45.7 cms (18.5 x 18 ins) RM17036 CR 267 18 1/2 ...

French Revolution Bicentennial Suite is a set of four 1988 aquatints with photoengraving and collage elements by Robert Motherwell. The iconic Suite is hand signed in graphite by Mot...

PABLO PICASSO (1881-1973) Service visage noir (A. R. 38) Terre de faïence plate, 1948, titled, from the edition of 100, inscribed 'Madoura' and 'd'aprés ...

This etching by Picasso is an edition of 50 prints, Plate 115 from "Series 156". Stamped signature as issued. No. 40 from the edition of 50. Orig...

Artist: Pablo Picasso Title: Head of Satyr (Plate XXV) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet Size: 13" x 10 3/16...

PABLO PICASSO (1881-1973) Service visage noir (A. R. 46) Terre de faïence plate, 1948, from the edition of 100, inscribed 'K' and 'Edition Picasso', glaz...

PABLO PICASSO (1881-1973) Service visage noir (A. R. 39) Terre de faïence plate, 1948, from the edition of 100, inscribed 'D', partially glazed and paint...

PABLO PICASSO (1881-1973) Service visage noir (A. R. 45) Terre de faïence plate, 1948, from the edition of 100, inscribed 'J', 'd'après Picasso', and 'Ma...

Nu II: One Plate from Estampes originales, Album A (B. 805; Ba. 956). Drypoint, on Montval. Hand signed in red crayon by the artist. Edition of 20 (from the total edition of 70 wi...

PABLO PICASSO (1881-1973) Service visage noir (A. R. 40) Terre de faïence plate, painted in colors and glazed, 1948, from the edition of 100, inscribed '...

Edition of 35 75.6 x 53.7 cms (29.76 x 21.14 ins)

Pablo Picasso - Seated Woman - Original Etching Signed and dated in the plate 1943 Edition: 200 Dimensions: 18.5 x 28 cm Platemark size : 13.2 x 24.5 Material: LaFuMa paper, watermark on the lower right Reference: Bloch 362; Baer 689Bb; Cramer 39; Elliott, Picasso on Paper, National Galleries of Scotland, 2007, illustrated p.84 Pablo Picasso Picasso is not just a man and his work. Picasso is always a legend, indeed almost a myth. In the public view he has long since been the personification of genius in modern art. Picasso is an idol, one of those rare creatures who act as crucibles in which the diverse and often chaotic phenomena of culture are focussed, who seem to body forth the artistic life of their age in one person. The same thing happens in politics, science, sport. And it happens in art. Early life Born in Malaga, Spain, in October of 1881, he was the first child born in the family. His father worked as an artist, and was also a professor at the school of fine arts; he also worked as a curator for the museum in Malaga. Pablo Picasso studied under his father for one year, then went to the Academy of Arts for one year, prior to moving to Paris. In 1901 he went to Paris, which he found as the ideal place to practice new styles, and experiment with a variety of art forms. It was during these initial visits, which he began his work in surrealism and cubism style, which he was the founder of, and created many distinct pieces which were influenced by these art forms. Updates in style During his stay in Paris, Pablo Picasso was constantly updating his style; he did work from the blue period, the rose period, African influenced style, to cubism, surrealism, and realism. Not only did he master these styles, he was a pioneer in each of these movements, and influenced the styles to follow throughout the 20th century, from the initial works he created. In addition to the styles he introduced to the art world, he also worked through the many different styles which appeared, while working in Paris. Not only did he continually improve his style, and the works he created, he is well known because of the fact that he had the ability to create in any style which was prominent during the time. Russian ballet In 1917, Pablo Picasso joined the Russian Ballet, which toured in Rome; during this time he met Olga Khoklova, who was a ballerina; the couple eventually wed in 1918, upon returning to Paris. The couple eventually separated in 1935; Olga came from nobility, and an upper class lifestyle, while Pablo Picasso led a bohemian lifestyle, which conflicted. Although the couple separated, they remained officially married, until Olga's death, in 1954. In addition to works he created of Olga, many of his later pieces also took a centralized focus on his two other love interests, Marie Theresa Walter and Dora Maar. Pablo Picasso remarried Jacqueline Roque in 1961; the couple remained married until his death 12 years later, in 1973. Work as a pacifist Pablo Picasso was a pacifist, and large scale paintings he created, showcased this cry for peace, and change during the time. A 1937 piece he created, after the German bombing of Guernica, was one such influential piece of the time. Not only did this become his most famous piece of art work, but the piece which showed the brutality of war, and death, also made him a prominent political figure of the time. To sell his work, and the message he believed in, art, politics, and eccentricity, were among his main selling points. Conflicting with social views Many things Pablo Picasso did during the 1950s, conflicted with the general public. Viciousness towards his children, exaggerated virility towards women, and joining the Communist party, were some of the many scandals which he was involved in during his lifetime. Although most of the things he did were viewed negatively by a minority of the general public, admirers of Pablo Picasso turned a blind eye, and still accepted him as a prominent figure in their society. Following the end of WWII, Pablo Picasso turned back towards his classic style of work, and he created the "Dove of Peace." Even though he became a member of the Communist party, and supported Stalin and his political views and rule, Pablo Picasso could do no wrong. In the eyes of his admirers and supporters, he was still a prominent figure, and one which they would follow, regardless of what wrongs he did. He was not only an influence because of the works he created, but he was also an influential figure in the political realm. Influence outside of art Although Pablo Picasso is mainly known for his influence to the art world, he was an extremely prominent figure during his time, and to the 20th century in general. He spread his influences to the art world, but also to many aspects of the cultural realm of life as well. He played several roles in film, where he always portrayed himself; he also followed a bohemian lifestyle, and seemed to take liberties as he chose, even during the later stages of his life. He even died in style, while hosting a dinner party in his home. Collection of work Pablo Picasso is recognized as the world's most prolific painter. His career spanned over a 78 year period, in which he created: 13,500 paintings, 100,000 prints and engravings, and 34,000 illustrations which were used in books. He also produced 300 sculptures and ceramic pieces during this expansive career. It is also estimated that over 350 pieces which he created during his career, have been stolen; this is a figure that is far higher than any other artist throughout history. Sale of his works Pablo Picasso has also sold more pieces, and his works have brought in higher profit margins, than any other artist of his time. His pieces rank among the most expensive art...

A print by Robert Motherwell. "Frontispiece from 'A la Pintura'" is an aquatint executed in blue and brown and depicts the writing A la Pintura below a small blue rectangle by Post War artist Robert Motherwell. Signed lower right, in ink, "Robert Motherwell 1972...

Rober Motherwell In White with Green Stripe 1987 Lithograph, relief print, embossing and collage 86.4 x 61 cms (34 x 24 ins)

Les Pauvres (The Poor) Created during the artist's famous "Blue Period" Etching on Van Gelder Zonen paper, 1905 From: "La Suite de Saltimbanques" (Acrobats) [...

PABLO PICASSO (1881-1973) Service visage noir (A. R. 43) Terre de faïence plate, painted in colors and glazed, 1948, from the edition of 100, inscribed 'H', 'd'après Picasso' and '...

Robert Motherwell The Stoneness of the Stone Edition 75 1974 Lithograph on light gray Twinrocker handmade paper laminated to medium gray Twinrocker handmade paper 104.1 x 76.2 cms (4...

In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and acquatint and 1 e...

Edition 37 of 50 prints, numbered and hand signed. Image dimensions: 43x58 cm. Wonderful proof on vélin in full margins, numbered lower left and signed lower right in pencil. Realize...

Pablo PICASSO Tribute to Degas : Three Nudes Original etching and aquatint Signed with the artist stamp bottom right Numbered in pencil 4/50 On vellum 36 x 45 cm (c. 14.5 x 18 inch)...

Robert Motherwell Paris Suite II (Summer) 1980 Lithograph on J.B. Green handmade paper, Edition of 60 49.2 x 41 cms (19 1/2 x 16 ins) RM17034 CR 265 Sign...

Original etching from the portfolio "Les Métamorphoses d'Ovide" realized by Pablo Picasso in 1930 and published by Skira. Edition of 145 copies. Very good conditions. Re. Bloch p....

Mousquetaire et Odalisque, méduse, plate 47 from Series 156. Bloch 1902; Baer 1908. Etching on wove paper. Stamped signature, hand numbered in pencil. Edition of 50. Published by G...

Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper 44x61 in (111.8x154.9cm) Edition of 52

Aquatint, lift-ground etching and aquatint on J.B. Green paper 89.5 x 66.7 cms (35 1/4 x 26 1/4 ins) Edition of 75

An original drypoint by Pablo Picasso, originally done in 1905 and printed in 1913. From the early series of Picasso engravings, entitled "La Suite d...

Aquatint, lift-ground etching and aquatint on Auvergne a la Main Richard de Bas handmade paper 57.8 x 63.8 cms (22.75 x 25.1 ins) Edition of 34 Signed "Motherwell" in pencil ...

Artist: Pablo Picasso Title: Sculpteur et Modele debout Year: 1933 Medium: Original etching Edition: hand signed in pencil from an edition of 250 on small margins Size: Frame: 27 x 2...

This piece is an original crayon lithograph on transfer paper created by Pablo Picasso in 1959. The zinc in this piece has been re-worked with crayon marks and this composition was u...

Lithograph and chine colle 73.9 x 56.9 cms (29.1 x 22.4 ins) Edition of 19

Lithograph, linoleum block print, and chine appliqué, Edition of 50 CR 435 Paper:Arches paper; Japanese Masa Dosa handmade paper Production Sequence:4 colors (including 1 colored pap...

CR 168 Paper:Auvergne à la Main Richard de Bas handmade paper; offset-printed Roth Händle cigarette label Signature:Signed "RM" in pencil upper right Inscriptions:Numbered in pencil ...

PABLO PICASSO (1881-1973) Femme du barbu (A. R. 193) Terre de faïence pitcher, 1953, from the edition of 500, inscribed 'Edition Picasso', partially ...

Hand Signed. Edition of 50 copies plus 15 artist's proofs. Aquatint and drypoint. Image dimensions: 32 x 46 cm Reference: Bloch 1219; Baer 1201.

An original etching created by Pablo Picasso in 1966 . It is stamp signed and numbered from the edition of 50. This piece measures 8.8 x 12.8 inches and the framed dimensions are 1...

Homme nu assis en Tailleur, Plate 121 from Series 347 (B. 1600; Ba. 1616). Etching on wove paper. Hand signed and numbered by the artist. Edition of 50. Ima...

French Revolution Bicentennial Suite III is a 1988 aquatint with photoengraving and collage elements by Robert Motherwell. French Revolution Bicenten...