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Prints and Multiples For Sale
Style: Photorealist
Style: Vienna Secession
The Drunkard in Spring —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Der Trunkene im Frühling' (The Drunkard in Spring) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 3/8 x 9 1/8 inches; sheet size 19 5/8 x 13 5/8 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category

1920s Vienna Secession Prints and Multiples

Materials

Etching, Drypoint, Aquatint

Summer Flowers Bouquet on Black Background, Limited Edition Still Life, Giclee
Located in Barcelona, ES
This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light...
Category

2010s Photorealist Prints and Multiples

Materials

Emulsion, Photographic Paper, C Print, Giclée

Land Fall, by John Gibson (screen print of stacked colorful spheres)
Located in New York, NY
This print has a deep blue background and brightly colored red and orange billiards balls. John Gibson has been painting delicate still-life arrangements of balls since the 1990s. T...
Category

Early 2000s Photorealist Prints and Multiples

Materials

Screen

Reclining nude, Gustav Klimt Handzeichnungen (Sketch) collotype lithograph, 1922
Located in Chicago, IL
Original 1922 collotype lithograph of a reclining nude figure, created from Gustav Kilmt’s handzeichnungen (sketch). Published by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity. Century Guild has curated collections of Gustav Klimt’s printed...
Category

1920s Vienna Secession Prints and Multiples

Materials

Paper, Lithograph

Flora Odyssey N°3
Located in Deddington, GB
Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that...
Category

2010s Photorealist Prints and Multiples

Materials

Archival Pigment

Female semi-nude on bedding, Gustav Klimt Handzeichnungen (Sketch), 1922
Located in Chicago, IL
Original collotype lithograph of Gustav Kilmt’s Female semi-nude on bedding, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity. Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity. Century Guild has curated collections of Gustav Klimt’s printed...
Category

1920s Vienna Secession Prints and Multiples

Materials

Paper, Lithograph

Western Lullabys N°4, Statement Floral Art, Dramatic Realist Still Life Art
Located in Deddington, GB
Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that...
Category

2010s Photorealist Prints and Multiples

Materials

Metal

1983 Variety Photo Plays Signed Limited Edition Lithograph in colors
Located in Rochester Hills, MI
Davis Cone 1983 Variety Photo Plays Signed in pencil and marked 3/7 PP (Printers Proof) Lithograph in colors Paper Size 34½ x 26 inches Image Size 32½ x 23¼ inches Eleanor Ettinger G...
Category

1980s Photorealist Prints and Multiples

Materials

Lithograph

Houses at Unterach on the Attersee, Gustav Klimt An Aftermath collotype, 1931
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Houses at Unterach on the Attersee, oil on canvas, c. 1916. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500. In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Original Vintage Secession Poster celebrating the emperor's jubilee
Located in Zurich, CH
Original Vintage Poster by the Austrian artist Ferdinand Ludwig Graf, a member of the Hagenbund. This Viennese artist association moved as soon a...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

La Terrazza
Located in Fairlawn, OH
La Terrazza Lithograph, 1987 Signed, titled and numbered in pencil (see photos) Published by Kandfall Press, Chicago (their stamp verso) Landfall drystamp recto lower left Edition 125 (92/125) Provenance: Stanley Yulish, Cleveland, Ohio Reference: Szoke 23 Condition: Excellent, never matted ir framed Image size: 19 3/4 x 15 1/2" Sheet Size: 27" x 22" "Jeanette Pasin Sloan's paintings, drawings, and prints display technical feats of virtuosity. The artist uses a photo-realistic style to depict reflective objects set against patterned backgrounds. However, she subverts both genre and style, infusing the traditional genre of still life painting with highly abstract tendencies. Closely-cropped, and set in carefully manipulated compositions, the subject matter of Pasin Sloan's work takes second stage to its formal intensity. Pasin Sloan was born in Chicago in 1946. She graduated from Marymount College, Tarrytown, New York, and received an MFA in graphic arts from the University of Chicago...
Category

1980s Photorealist Prints and Multiples

Materials

Lithograph

Rooftop Sunbather, Nude Screenprint by Hilo Chen
Located in Long Island City, NY
A topless woman basking in the sun on an NYC rooftop. In the distance behind her, the twin towers are visible. Artist: Hilo Chen Title: Rooftop Sunbather from the City Scapes Portfo...
Category

1980s Photorealist Prints and Multiples

Materials

Screen

Maija, Lingerie Lithograph by John Kacere
Located in Long Island City, NY
Artist: John Kacere, American (1920 - 1999) Title: Maija I Year: 1977 Medium: Lithograph, signed and numbered in pencil Edition: 200, 50 AP's Image Size: 15 x 20 inches Size: 22 in. ...
Category

1970s Photorealist Prints and Multiples

Materials

Lithograph

Painted Blind by Josephine Cardin Contemporary Fashion photography
Located in DE
Artist: Josephine Cardin Medium: Photography Limited edition of 30. Cardin uses a mix between photography and painting to develop her contemporary figurative art, inspired by musi...
Category

21st Century and Contemporary Photorealist Prints and Multiples

Materials

Photographic Paper, Pigment

Martin Wong Supreme set of 2 skateboard decks (Martin Wong Supreme)
Located in NEW YORK, NY
Martin Wong Supreme Skateboard Decks, 2019 (set of 2):
 – 'Big Heat', 1986.
 – 'Iglesia Pentecostal', 1986. Set of 2 limited edition Martin Wong skateboard p...
Category

21st Century and Contemporary Photorealist Prints and Multiples

Materials

Wood, Screen

Jill I, Photorealist Lithography by John Kacere
Located in Long Island City, NY
Artist: John Kacere, American (1920 - 1999) Title: Jill I Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, 10 HC, 45 AP Image Size: 25.5 x 19 inches Size: 2...
Category

1970s Photorealist Prints and Multiples

Materials

Lithograph

Tick Tock Diner, Photorealist Silkscreen by John Baeder
Located in Long Island City, NY
Artist: John Baeder, American (1938 - ) Title: Tick Tock Diner Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250 Size: 22 x 30 in. (...
Category

1980s Photorealist Prints and Multiples

Materials

Screen

E. Strache, Handzeichnungen folio, "Nursing Mother with Child" Collotype plate
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...
Category

1920s Vienna Secession Prints and Multiples

Materials

Paper

Minneapolis at Dusk
Located in Fairlawn, OH
Minneapolis at Dusk Etching & aquatint printed in colors, 1993 Signed, titled and numbered in pencil Edition: 65 (19/65) Condition: Excellent This image depicts the Wells Fargo Center designed by Cesar Pelli Richard Haas (American, b.1936) is a practitioner of the trompe l'oeil artistic style, a technique that uses realistic images in a way that tricks the eye into perceiving the painting in three dimensions. Haas has painted hundreds of murals that incorporate trompe l'oeil methods in the depiction of the architectural features of the building. He was born in Spring Greene but grew up in Milwaukee, WI. He graduated in 1959 from the University of Wisconsin-Milwaukee with a Bachelor in Art. Instructors for his courses included Joseph Friebert (American, 1908–2002) and Robert Von Neuman (German, 1888–1976). Haas returned to his birthplace to work as a helper for his stonemason uncle, and he had an opportunity to view the work of the architect Frank Lloyd Wright (American, 1867–1959). He spent several years as an assistant professor at the University of Michigan before he moved to New York City in 1968. Haas spent 10 years teaching at Vermont's Bennington College, splitting his time between the school and New York. Haas worked for many years as an Abstract painter who used traditional canvas media. He later developed an interest in drawing and etching the details of late 19th century and early 20th century New York City buildings. The artist’s first outdoor mural, a commission to paint the cast iron façade at the corner of Prince Street and Greene Street, was completed in 1975. His other notable murals include Fort Worth, Texas' Homage to Chisholm Trail...
Category

1990s Photorealist Prints and Multiples

Materials

Etching

Euphemia No 2, Allan Forsyth, Limited Edition Butterfly Print, Affordable Art
Located in Deddington, GB
Euphemia No 2 is a limited edition still life study of a butterfly by Allan Forsyth. Allan Forsyth is available at Wychwood Art online and in our gallery. Allan is an artist who expl...
Category

21st Century and Contemporary Photorealist Prints and Multiples

Materials

Archival Ink, Photographic Paper

Coloured Print of Photorealist Painting of Gleneagles Golf Course in Scotland
Located in Preston, GB
Coloured Print of Photorealist Painting of Gleneagles Golf Course in Scotland by 20th Century Scottish Artist, Graeme Baxter, entitled 'The Gleneagles Hotel, Monarch's Course'. Art measures 14 x 10 inches Frame measures 19 x 15 inches Coloured Print on High Quality Paper Signed on the Front Glazed & Mounted Good Condition Frame (commensurate with age) Graeme Baxter is the official artist to some of the world's most important golf tournaments, such as The Ryder Cup...
Category

1990s Photorealist Prints and Multiples

Materials

Paper, Watercolor, Color, Giclée

Berkshire Diner - 1980
Located in Rochester Hills, MI
John Baeder Berkshire Diner - 1980 Print - Serigraph on Somerset paper Paper Size - 30'' x 22'' in. Edition: Signed in pencil and marked from the edition of 250 John Baeder's calcula...
Category

1980s Photorealist Prints and Multiples

Materials

Screen

Seated woman with shawl, Gustav Klimt Handzeichnungen (Sketch), 1922
Located in Chicago, IL
Original collotype lithograph of Gustav Kilmt’s Seated woman with shawl, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity. Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity. Century Guild has curated collections of Gustav Klimt’s printed...
Category

1920s Vienna Secession Prints and Multiples

Materials

Lithograph, Paper

Young Man Rising up out of the Sea
Located in New Orleans, LA
A signed Certificate of Authority will be included with all photographs. A nude young man is seen rising from the sea after his swim. This impression is printed on Hahnemuhle archi...
Category

2010s Photorealist Prints and Multiples

Materials

Digital, Photographic Paper

Woman in hat and stockings, Gustav Klimt Handzeichnungen (Sketch), 1922
Located in Chicago, IL
Original 1922 collotype lithograph of a well-dressed woman in a hat and stockings, created from Gustav Kilmt’s handzeichnungen (sketch). Published by Thyrsos Verlag, Leipzig and Vien...
Category

1920s Vienna Secession Prints and Multiples

Materials

Paper, Lithograph

WAITING IN THE WINGS Signed Lithograph, Ballet Dancers on Stairs Pink Blue Tutus
Located in Union City, NJ
WAITING IN THE WINGS is an original hand drawn lithograph by the photorealist American painter Douglas Hofmann printed using hand lithography techniques on archival Arches paper, 100...
Category

1990s Photorealist Prints and Multiples

Materials

Lithograph

Fruit Trees by Gustav Klimt, Das Werk lifetime landscape collotype, 1908-1912
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Impressionist Fruit Trees landscape, painted in 1901. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300. Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Max Eisler Eine Nachlese folio “Sunflowers” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #3, Sonnenblumen; multi-color collotype after 1908 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Farmhouse in Buchberg by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Farmhouse in Buchberg (Upper Austrian Farmhouse), painted in 1911. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300. Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Yosemite Blue Mountain, Cyanotype on Watercolor Paper, Landscape in Indigo
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. This cyanotype shows one of the mountains in beautiful Yosemite National park in California. Details: + Title: Yosemite Blue Mountain + Year: 2021 + Edition Size: 100 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...
Category

2010s Photorealist Prints and Multiples

Materials

Emulsion, Photogram, Watercolor, Photographic Paper, C Print, Etching, M...

Switzerland (Valais, Church of Rarogne) Photographic Travel Poster Mountains
By Philipp Giegel
Located in London, GB
To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find th...
Category

1960s Photorealist Prints and Multiples

Materials

Lithograph

Portrait of Charlotte Pulitzer, Gustav Klimt An Aftermath collotype, 1931
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Portrait of Charlotte Pulitzer, oil on canvas, 1915. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500. In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #19, Bildnis einer alten Dame; sepia-toned monochrome collotype after the 1917 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category

1930s Vienna Secession Prints and Multiples

Materials

Archival Paper

Woman in scarf, Gustav Klimt Handzeichnungen (Sketch), Thyrsos Verlag, 1922
Located in Chicago, IL
Original collotype lithograph of a well-dressed woman wearing a scarf around her face, leaving only her eyes exposed. This work was pubished from Gustav Kilmt’s handzeichnungen (sket...
Category

1920s Vienna Secession Prints and Multiples

Materials

Paper, Lithograph

The Solitary One in Autumn—after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Der Einsame im Herbst' (The Solitary One in Autumn) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 3/8 to 4 1/8 inches), in good condition. Image size 12 3/8 x 8 7/8 inches; sheet size 19 5/8 x 13 3/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category

1920s Vienna Secession Prints and Multiples

Materials

Etching, Drypoint, Aquatint

Trompe l'oeil, Les Falaises du Trocadéro, 2021 -JR, 18 mai 2021, 19h58,
Located in Zug, CH
JR Trompe l'oeil, Les Falaises du Trocadéro, 18 mai 2021, 19h58, Paris, France, 2021 2021 Giclée Print Laminated with G-gloss, Mounted on 3mm Dibond 64 × 96 cm (25.2 × 37.8 in) In mi...
Category

2010s Photorealist Prints and Multiples

Materials

Lithograph

Jerusalem's People in Public. Art Portfolio
Located in Surfside, FL
Jerusalem's People in Public A folio of photographic images printed on art paper. This Portfolio is hand signed by the artist. Lawrence Salzmann "This portfolio has been especially prepared to salute the 30th anniversary of the State of Israel" Consolidated-Drake Press, Philadelphia, 1978, first edition A portfolio of 7 black-and-white photographs with printed titles, each separate sheet measuring 12 1/2" x 9 1/2", enclosed in a folder: High quality printing press. Subjects include: Samuel the Prophet Quarter; Me'a She'arim Street; Yafo Road photo; Allenby Square; Suleiman Road. Laurence Salzmann is a native of Philadelphia who has worked as a photographer/ filmmaker since the early 1960's. His projects document the lives of little known groups in America and abroad. He looks at the lives of people ranging from occupants of single room occupancy hotels in New York City to transhumant shepherds in Transylvania, residents of a Mexican village, and Philadelphia Mummers. His photographic study of a nearly extinct Jewish community in Romania was published as The Last Jews of Radauti by Dial/Doubleday in 1983, with text by Ayse Gürsan-Salzmann. His most recent work in Cuba is soon to be published in book form by Blue Flower Press...
Category

1970s Photorealist Prints and Multiples

Materials

Photographic Paper

St. Stephen's Cathedral in Vienna - Hand Colored Cityscape Lithograph
Located in Soquel, CA
Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...
Category

1920s Photorealist Prints and Multiples

Materials

Paper, Watercolor, Lithograph

Trompe l'oeil, Death Valley, Billboard, March 4, 2017, 5:41 pm, California, USA
Located in Zug, CH
JR Trompe l'oeil, Death Valley, Billboard, March 4, 2017, 5:41 pm, California, USA, 2021 14 colors lithograph printed on Marinoni machine on White paper BFK Rives - 270 grammes Editi...
Category

2010s Photorealist Prints and Multiples

Materials

Lithograph

Woman in dress, Gustav Klimt Handzeichnungen (Sketch), Thyrsos Verlag, 1922
Located in Chicago, IL
Original collotype lithograph of Gustav Kilmt’s Woman in dress, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, i...
Category

1920s Vienna Secession Prints and Multiples

Materials

Paper, Lithograph

E. Strache, Handzeichnungen folio, "Artist's Sister-in-Law" Collotype plate
Located in Chicago, IL
After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...
Category

1920s Vienna Secession Prints and Multiples

Materials

Paper

Of Youth —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Von der Jugend' (Of Youth) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 1/4 x 9 1/16 inches; sheet size 19 3/4 x 13 5/8 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category

1920s Vienna Secession Prints and Multiples

Materials

Etching, Drypoint, Aquatint

The Chronicles of New York City, Domino Park, USA - Contemporary, 21st Century
Located in Zug, CH
JR, The Chronicles of New York City, Domino Park, USA, 2020 Contemporary, 21st Century, Lithograph, Limited Edition 20 colors lithograph on white paper BFK Rives - 300 grams Edition of 180 70 x 100 cm Signed on the bottom right corner (stamp and lead), numbered on the bottom left corner Accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher The piece is offered unframed. Edition number might vary from what is shown in the images. JR JR is a photographer and artist whose identity is unconfirmed. After he found a camera in the Paris subway...
Category

2010s Photorealist Prints and Multiples

Materials

Lithograph

Esperanza, Screenprint by Audrey Flack
Located in Long Island City, NY
Esperanza by Audrey Flack, American (1931) Date: Circa 1972 Screenprint, signed and numbered in pencil Edition of 150 Size: 34 in. x 24 in. (86.36 cm x 60.96 cm) Published by Shorewood
Category

1970s Photorealist Prints and Multiples

Materials

Screen

Italian Garden Landscape, Gustav Klimt An Aftermath collotype, 1931
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Italian Garden Landscape, oil on canvas, 1913. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500. In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Farm Garden Sunflowers by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Farm Garden With Sunflowers, painted in 1913. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300. Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Max Eisler Eine Nachlese folio “Portrait of Baroness Bachofen-Echt” collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler #22, Bildnis Baronin Bachofen-Echt; multi-color collotype after 1914-1916 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category

1930s Vienna Secession Prints and Multiples

Materials

Archival Paper

Alexandre Ponomarev, Maya, i'ile perdue, Silkscreen, Print, Art, Limited Edition
Located in Zug, CH
Alexandre Ponomarev Maya-L'île Perdue, 2007 Silkscreen Print Edition of 200 56,5 x 75,6 cm (22.2 x 29.7 in), unframed In mint condition Signed, titled, dated and numbered Accompanied...
Category

21st Century and Contemporary Photorealist Prints and Multiples

Materials

Screen

Malcesine on Lake Garda by Gustav Klimt, Das Werk landscape collotype, 1908-1912
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Malcesine on Lake Garda, painted in 1913. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300. Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

O'Connor's Diner, Photorealist Silkscreen by John Baeder
Located in Long Island City, NY
Artist: John Baeder, American (1938 - ) Title: O’Connor’s Diner Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250 Size: 22 x 30 in. (55.88 x 76.2 cm)
Category

1980s Photorealist Prints and Multiples

Materials

Screen

Max Eisler Eine Nachlese folio "Section of Jurisprudence" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #11, Aus den Bilde “Die Jurisprudenz”; brown-toned monochrome collotype after the 1900-07 painting in oil on canvas. The original was destroyed by fire in May 1945. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Looking out the Window
Located in New Orleans, LA
A signed Certificate of Authority will be included with all photographs. A young man looks out of his window with plant This impression is printed on Hahnemuhle archival paper. Hah...
Category

2010s Photorealist Prints and Multiples

Materials

Photographic Paper, Digital

Schloss Kammer Lake Attersee II by Gustav Klimt, Das Werk collotype, 1908-1912
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Schloss Kammer on Lake Attersee II (Das Werk Gustav Klimts), originally painted in 1909. Publishe...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Portrait of Lady in Red and Black by Gustav Klimt, Das Werk collotype, 1908-1912
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Portrait of Lady in Red and Black. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300. Collotype on chine colle paper laid down on heavy deckled-edge cream-wove paper. Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Trompe l'oeil, Les Falaises du Trocadéro, 2021 -JR, 18 mai 2021, 19h58, Print
Located in Zug, CH
JR Trompe l'oeil, Les Falaises du Trocadéro, 18 mai 2021, 19h58, Paris, France, 2021 2021 Giclée Print Laminated with G-gloss, Mounted on 3mm Dibond 64 × 96 cm (25.2 × 37.8 in) In mi...
Category

2010s Photorealist Prints and Multiples

Materials

Digital, Giclée

Reclining nude, Gustav Klimt Handzeichnungen (Sketch), Thyrsos Verlag, 1922
Located in Chicago, IL
Original collotype lithograph of a reclining nude drawing from Gustav Kilmt’s handzeichnungen (sketch) in 1922 by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwo...
Category

1920s Vienna Secession Prints and Multiples

Materials

Paper, Lithograph

Of Beauty —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Von der Schönheit' (Of Beauty) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 3/8 x 9 inches; sheet size 19 5/8 x 13 5/8 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category

1920s Vienna Secession Prints and Multiples

Materials

Etching, Drypoint, Aquatint

La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021
Located in Zug, CH
JR La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021 100 x 70 cm (39.3 x 27.5 in.), unframed 14 colors lithograph printed on Marinoni machine White paper BFK Rives - 300 grammes Edition of 180 Signed by JR on the bottom right corner (stamp and lead) Accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher The piece is offered unframed. Edition number might vary from what is shown in the images. Palazzo Strozzi becomes the spectacular stage for a symbolic yet painful wound suffered by all cultural institutions both in Italy and abroad: museums, libraries, cinemas and theatres forced either to restrict audience access or to shut down altogether. Looking « inside » Palazzo Strozzi also has the makings of an act of voyeurism designed to reveal that which cannot be seen: the depiction of a reality that goes beyond what one can customarily behold. JR JR is a photographer and artist whose identity is unconfirmed. After he found a camera in the Paris subway...
Category

2010s Photorealist Prints and Multiples

Materials

Lithograph

Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

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