Prints and Multiples

Medium: original lithograph. This is one of the Berlin Scenes executed by Rudolf Grossmann during the years before World War I and published in Germany by Bruno Cassirer from 1911-14...

2023, Digital print on fine art paper, Limited edition of 8

Not Quite Green - Minimalist Transfer Monotype in Oil on Paper Original hand painted and transfer monotype painting by California artist Heather Speck (American, 20th C). A layer of...

Jean-Michel Basquiat Skateboard Deck: Highly decorative & collectible, limited edition Jean-Michel Basquiat Skateboard Deck licensed by the Estate of Jean-Michel Basquiat in conjunct...

This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...

Skiing girls by Anne Storno [2021] This work is inspired by collage and surrealist artworks. I like combining images removed from their original narrative c...

The visible of the invisible - Red composition is an original contemporary artwork realized by Italo Bressan in 1989. Mixed colored screen print. Hand signed and dated on the lower...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper Edition: 5 of 8, 1999 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

lithograph & screenprint on paper & assemblage with Sailcloth, Mylar, Wooden lightbox, fluorescent fixture, aluminum moveable window shade system and Plexiglas Ed. 23/25

Spires is a contemporary landscape print by Phil Greenwood. The strong outline of the spires is softened by blue haze. A green river bank splits the work into three planes and allows...

Etching and aquatint, 1970 Handsigned by the artist in pencil and numbered 35/125 66.00 cm. x 50.50 cm. 25.98 in. x 19.88 in. (paper) 49.50 cm. x 39.50 cm. 19.49 in. x 15.55 in. (i...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Author: Baruj Salinas (Cuba, 1938) Title: 'Nebula incandescente', 1977 Medium: Print. Technique: Mixed media on paper Size: 22.1 x 30 in. (56 x 76 cm.) Signature: Yes SKU: SAL1257-00...

Three Flying Ducks, Painting by Gavin Dobson Three flying ducks is a limited edition print by artist Gavin Dobson. Featuring three ducks in an expressive style flying across the pi...

Allan Forsyth is an artist who explores a breadth of themes that is reflected in the range of techniques he employs: analogue and digital exposures taken by the artist exist in his w...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Puffin, Painting by Gavin Dobson Puffin, limited edition silkscreen print A four layer CYMK elegant and colourful screen print. Signed 70cm x 50cm on Fabriano paper 310 gsm with a ...

Pink on Yellow - Textured Transfer Monotype in Oil on Paper Original hand painted and transfer monotype painting by California artist Heather Speck (American, 20th C). Pink textures...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi, First Exhibition of ''Hever Omanim'' First Exhibition of ''Hever Omanim'' Steimatzky Gallery, Jerusalem 1936 Artists: Gutman, Nachum Holzman, Shimshon Mokady, Moshe Sima, Miron Rubin, Reuven Steinhardt, Jakob Ben Zvi, Zeev Ziffer, Moshe Allweil, Arieh Group Exhibition Group Exhibition Katz Art Gallery, Tel Aviv 1939 Artists: Avni, Aharon Holzman, Shimshon Gliksberg, Haim Gutman, Nachum Ovadyahu, Shmuel Shorr, Zvi Schwartz, Chaya Streichman, Yehezkel Tagger, Sionah Rubin, Reuven A Collection of Works by Artists of the Land of Israel A Collection of Works by Artists of the Land of Israel The Bezalel National Museum, Jerusalem 1940 Artists: Shemi, Menahem Rubin, Reuven Avni, Aharon Mokady, Moshe Jonas, Ludwig Steinhardt, Jakob Ticho, Anna Krakauer, Leopold Gutman, Nachum Budko, Joseph Ardon, Mordecai Sima, Miron Castel, Moshe Pann, Abel Struck, Hermann Gur Arie, Meir Ben Zvi, Zeev Litvinovsky, Pinchas Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz...

*Note – A photogram is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then expos...

Vintage 1972 Olympic Poster - Munich games Art Series by international artist Victor Vasarely printed in Germany, 39.75 x 25.25 inches in excellent cond...

Artist: John Hultberg Title: Wide Window 1 Medium: Serigraph Signed: Hand Signed Edition: From the edition of 200 Measurements: 30" x 26" Condition: Excellent. This piece has be...

Artist: John Hultberg Title: Wide Window II Medium: Serigraph Signed: Hand Signed Edition: Edition of 200 Measurements: 32.5" x 24" Note: This piece is sold UNFRAMED Condition:...

Turquoise Ball is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Not signed and not numbered Good co...

Artist: John Hultberg Title: Barricade Medium: Serigraph Signed: Hand Signed Edition: Edition of 200 Measurements: 36" x 24" Note: This piece is sold UNFRAMED Condition: Excell...

Etching and aquatint, 1970 Handsigned by the artist in pencil and numbered 13/65 Publisher : L'Œuvre Gravée (Paris) 89.50 cm. x 63.00 cm. 35.24 in. x 24.8 in. (paper) 76.00 cm. x 56...

color lithography on paper, edited in 1985 limited edition in 99 copies signed and numbered 31/99 in pencil by artist in lower right corner, paper size: 88 x 64 cm excellent conditi...

The Creek is a limited edition 3 block linocut print. The piece depicts a seascape featuring a fishing boat at dusk. Linocut Print – A relief printing technique where lino is cut, i...

Medium: original lithograph. This is one of the Berlin Scenes executed by Rudolf Grossmann during the years before World War I and published in Germany by Bruno Cassirer from 1911-14...

Medium: original lithograph. Printed in Paris in 1965 at the Mourlot Frères atelier and published by the Pierre Matisse Gallery in an edition of 1200 for the "Miro Cartones 1959-1965...

"Grid Melt" is one of the monoprints that Joyce Nagel so enjoyed creating. Being a monoprint makes this piece totally unique and unlike any of the other pi...

Lithograph, 1978 Edition : 73/100 Catalog : Mason 301 48.00 cm. x 34.00 cm. 18.9 in. x 13.39 in. (paper) 39.00 cm. x 28.00 cm. 15.35 in. x 11.02 in. (image) Handsigned by the artis...

Orange Deadpan - Monoprint EV on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C), heavily textured in hu...

Swiss Cheese Plant II by Kerry Day [2021] Swiss Cheese Plant II is a colourful Lino Print of the popular Monstera House Plant Printed by hand using the reduction print method, with...

Artist: Lamar Briggs Title: Brown, Blue & Red Horizontal Medium: Lithograph Signed: Hand Signed Edition: From the edition of 200 Measurements: 22" x 29" Note: This piece is sold UNFR...

This Limited-Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships fr...

This abstract landscape limited edition print by Tony Iadicicco features a light grey palette. It has an abstracted landscape composition, with a stark horizon line running through t...

Limited edition of 5, photography/ print, signed by the author.

Untitled (purple), 1977 Screenprint 30 3/8 × 22 3/8 in 77.2 × 56.8 cm Edition of 95 The Greek American artist, Theodoros Stamos, was born in 1922 in New York City into a family of G...

Etching and aquatint, 1973 Handsigned by the artist in pencil and annotated HC Edition : 100 + XXV Publisher : Le Cercle d'art éditeur (Paris) Printer : Morsang (Paris) Catalog : Mae...

Artist: Joan Miro Title: Cover (Derriere le Miroir #231) Portfolio: Derriere le Miroir Medium: Lithograph Year: 1978 Edition: Unnumbered Sheet Size: 15" x 22" Image Size: 15" x 22" S...

Artist: Henri Matisse (after) Title: Acanthes Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 10 1/2" Signature: No Reference...

Nedo (1926-2001) Composition 1969. Serigraph on paper, signed, dated 1969 and numbered 12/25 lower left, sheet size 48 x 66 cm. After attending the Commercial and Technical Instit...

Vincent Longo Transparent, ca. 1970 Etching on wove paper with deckled edges Signed, titled and numbered 2/25 in pencil by Vincent Longo on the front 22 × 14 inches Unframed Exquisit...

Artist: Lamar Briggs Title: Spirit Dancer Medium: Lithograph Signed: Hand Signed Edition: From the edition of 200 Measurements: 22" x 29" Note: This piec...

untitled 2023 lithograph by Richard Hunt. Published by Procuniar Workshop, this stone lithograph is signed (lower right recto) and numbered (lower l...

This abstract landscape limited edition print by Tony Iadicicco features a blue monochromatic palette. It has an abstracted landscape composition, with three stark blue horizon lines...

Zao WOU-KI Abstract composition, 1996 Original etching and aquatint Unsigned as issued On vellum 34 x 30 cm (c. 14 x 12") Excellent condition REFERENCES : Agerup #380/86 This etch...

Suffolk Beach Huts, Painting by Fiona Carver Anyone who has been to Southwold in Suffolk will recognise this gorgeous row of beach huts looking out to sea. They nestle along the edge of the grassy dunes in a typically British seaside scene. Additional information: The print is hand pulled using oil based inks on archival paper. It uses 6 lino blocks. Limited edition of 50 Image Size: 33 x 20cm Mounted size: 47.3cm x 34.5cm Size: H:34.5 cm x W:47.3 cm Fiona has been creating things since she was a tiny girl when her grandmother would encourage her to draw elaborate chalk pictures on her kitchen floor. She went on to study Design and Applied Arts at Edinburgh College of Art, graduating in 1999. Here she combined her love of drawing and painting with three-dimensional disciplines such as furniture and ceramics. She now pursues this interest in both flat and more hands on work through lino printing, enjoying the different stages of drawing, gouging lino and inking up and printing which she does with her antique cast...

Alan Shields Treasure Rute I, 1979 Relief, stamping, linocut, collage on handmade paper Titled, numbered, signed, and dated Treasure Rute I 1/11 Alan Shields 1979 on the bottom front...

This abstract limited edition print by contemporary artist Teodora Guererra features a cool blue, white, and muted green palette, with energetic strokes throughout the composition. T...

An abstract geometric screenprint by Omar Rayo from 1966. Artist: Omar Rayo, Colombian (1928 - 2010) Title: Clandestine Game Year: 1966 Medium: Screenprint, signed and numbered in ...

Will Petersen, a painter, master printer and a poet, was born in Chicago. (Amer. 1928-1994) created this limited edition Etching on Arches paper at the Lakeside Studio. The LITHOGRAPH PRINT is from a limited edition of 25 (Roman Numerals), printed in black on Arches Cover White (archival paper). with chopmarks and blindstamps. published by The Lakeside Studio (chopmark lower right). THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED BY THE ARTIST in pencil EXCELLENT condition. Will's formal art education began with classes at the Chicago Academy of Fine Arts. As a student at the city's Steinmetz High School, Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS newspaper cartoonist, the Steinmetz Star. During this time, Petersen recovered from polio. In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While there, he painted with oils for the first time. Two years later he enrolled at Michigan State University where he developed a strong interest in literature and writing and began printmaking. By 1951 he had begun to exhibit paintings and prints nationally. A year later he completed his master's degree. Petersen served in the United States Army from 1952-54, spending one year as an education specialist in Japan. This encounter with the Japanese culture affected his entire life. He became interested in calligraphy and Noh, classical Japanese Buddhist performance that combines elements of drama, music and poetry. Upon completion of his military service in Japan in 1955, Will Petersen settled in Oakland, California, where he met some of the most active poets of the Beat Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen, Mike McClure and others. Petersen was attracted to the group by their intelligence and belief in Zen Buddhism. In 1956 in his small studio in Oakland, he printed the poems of Jack Kerouac. He attended for the first time, the reading of Ginsberg's Howl at Six Gallery. His relationship with Gary Snyder had begun when both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken. Petersen returned to Japan in 1957, pursuing painting, printmaking and writing for eight years while living in Kyoto. In 1965 he accepted a faculty appointment at Ohio State University, teaching drawing, painting and printmaking. Four years later Petersen took his teaching skills to West Virginia University in Morgantown, where he concentrated on printmaking. He taught there until 1977 when he began publishing Plucked Chicken, a journal of art and poetry. In 1978 in Morgantown, Petersen and his wife, Cynthia Archer, established Plucked Chicken Press, which they later moved to Chicago and then Evanston. Petersen operated the Press until his death on April 1, 1994. From 1955-57 Petersen along with Mel Strawn founded the Bay Printmakers Society. He resumed exhibiting: International Color Lithography, Cincinnati Art Museum; Gravures Americaines d’aujourd’hui, Paris; & received an MFA on the GI Bill (with Nathan Oliveira) from the California College of Arts and Crafts where Richard Diebenkorn was on the faculty. Petersen meets Kerouac, Gary Snyder, Phil Whalen, Allen Ginsberg, McClure, and Rexroth. Petersen’s now famous “Stone Garden” essay is published in Evergreen Review. 1956 In storefront studio in Oakland, California, creates serigraphs and lithographs. Prints poems of Jack Kerouac. 1961 Back in Japan, acquires a lithography press and stones and resumes printing lithographs. Exhibits regularly with Kyoto Printmakers. 1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan. Prints for the first time Richard Hunt lithographs. 1978 Establishes Plucked Chicken Press in Morgantown, West Virginia. Resident lithographer at Lakeside Studio in Michigan. 1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by Don Crouch and Art Kleinman. 1982 Publishes Blossom, a lithograph/collage by Tom Nakashima. 1983 Series I of Plucked Chicken Press is published with work by Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl, Miller, Nakashima and Petersen. 1984 Plucked Chicken Press moves to Evanston. Series II of Plucked Chicken Press is published with works by Croydon, Ho, Archer, Torn, Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock. 1985 Series III of Plucked Chicken Press is published with works by Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt, Archer, Ho and Petersen. Prints Suite I, Northern Illinois University Collectors Series, with lithographs by Renie Adams, David Bower, David Driesbach, Carl Hayano and Ben Mahmoud...

Printed on Italian stainless steel. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City...

Warm red lithograph Red One realized by Lorenzo Indrimi in the 1970s. This is an edition of 100 prints, plus a few artist's proofs and 30 pieces in Roman numbers.

Finely Detailed Abstract W/Woman Carrying a Young Child Collotype on paper Finely detailed etching or collotype of a complicated fine line drawing o...

Sea Poppies and Linnets at Salthouse by Joanna Padfield [2022] Sea Poppies and Linnets at Salthouse is an original limited edition linocut print, printed in blue. All of my prints ...

Roberto Matta Title: DROITES LIBÉRÉES, 1971 Aquatint on Japan paper Signed and numbered in pencil, edition 13/100 43 x 32 cm Published by : Editions Georges Visat Printed by : Atelie...