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Frame Included
South Sea 4
Located in New York, NY
ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...
Category

2010s Abstract Prints

Materials

Photographic Paper

South Sea 6
Located in New York, NY
ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...
Category

2010s Abstract Prints

Materials

Photographic Paper

Start
Located in Bristol, GB
Silkscreen printed in colours Edition of 200 47.5 x 49 cm (18.7 x 19.3 in) Signed, numbered and dated on the front Condition on request Published by the artist The seller can only p...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Screen

Susan Sheehan Gallery (Ellsworth Kelly Posters 1951-2001) Poster (Signed) Color
Located in Saint Augustine, FL
Artist: Ellsworth Kelly (American, 1923-2015) Title: "Susan Sheehan Gallery (Ellsworth Kelly Posters 1951-2001)" *Signed by Kelly in pencil lowe...
Category

Early 2000s Abstract Geometric Abstract Prints

Materials

Lithograph

Vintage Poster Exhibition Galerie Maeght-Lithograph/Offset after J. Mirò-1970s
Located in Roma, IT
Vintage Poster Exhibition Galerie Maeght is a vintage Lithograph and Offset poster realized after Joan Mirò (1893-1983) in the 1970s. Good conditions. Joan Miró i Ferrà (20 April 1...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph, Offset

Seeing Voices 2, Abstract Lithograph by Paul Jenkins
Located in Long Island City, NY
A lithograph from the portfolio "Seeing Voices", a collection that also includes several poems. This abstract piece by Paul Jenkins is signed and numbered on the front of the print i...
Category

1960s Abstract Prints

Materials

Lithograph

Joseph Kosuth, L’Essence de la rhétorique est dans l’allégorie IV - Signed Print
Located in Hamburg, DE
Joseph Kosuth ( American, b. 1945) L’Essence de la rhétorique est dans l’allégorie IV, 1998 Medium: Set of three heliogravure and aquatints, on BFK Rives rag paper Dimensions: each 4...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Aquatint, Photogravure

Abstract Composition - Original lithograph poster - Maeght 1956
Located in Paris, IDF
Pierre TAL-COAT Abstract Composition Original vintage lithograph poster On paper 62 x 48 cm (c. 25 x 19 in) Edited for the artist exhibition at Maeght Gallery in 1956 Excellent co...
Category

1950s Abstract Abstract Prints

Materials

Lithograph

Chillida, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Woodcut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 174, 1968. Published by Aimé Maeght, Éditeur, Paris; print...
Category

1960s Modern Abstract Prints

Materials

Woodcut

Germat - Etching by Karl Fred Dahmen
Located in Roma, IT
Germat is an original color etching realized by the German artist Karl Fred Dahmen in 1974. Hand-signed, titled, dated and numbered on the lower margin. Edition 94 of 100 prints. ...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Etching

Femme Debout, Cubist Lithograph after Pablo Picasso
Located in Long Island City, NY
Comprised solely of mostly rigid, straight lines, this print by Pablo Picasso is a fine example of his mastery of perspective through the use of line. Set in a living room, the woman...
Category

Late 20th Century Cubist Abstract Prints

Materials

Lithograph

Alberto Castro Leñero, ¨Untitled II¨, 2019, Woodcut, 31.5x63 in
Located in Miami, FL
"Alberto Castro Leñero (Mexico, 1951) 'Untitled II', 2019 woodcut, silkscreen on paper Velin Arches 300 g. 31.5 x 63 in. (80 x 160 cm.) Edition o...
Category

2010s Contemporary Prints and Multiples

Materials

Paper, Woodcut

Léger, La partie de campagne, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 121-122, 1960. Published by...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Untitled - Original Etching by Piero Dorazio - 1980
Located in Roma, IT
Hand signed, dated and numbered by artist with pencil. Edition of 25 prints in Roman Numerals. Publisher : Romero, Roma Image Dimensions : 30 x 49.2 cm
Category

1980s Abstract Abstract Prints

Materials

Etching

Cherokee IV (Limited Edition Print)
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE UNTIL JANUARY 31ST ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* Limited edition of 30 museum quality Giclee prints on C...
Category

21st Century and Contemporary Abstract Geometric Abstract Prints

Materials

Giclée

Moore, Composition, San Lazzaro et ses Amis, XXe Siècle (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, XXe San Lazzaro et ses Amis, San Lazzaro et ses amis, hommage au fondat...
Category

1970s Modern Abstract Prints

Materials

Lithograph

The Pursuit
Located in London, GB
8 Colour Screenprint on Somerset Satin White 410gsm Paper 78 x 61 cm hand-signed and numbered by the Artist Eelus is a contemporary British artist known for his striking use of colo...
Category

2010s Contemporary Figurative Prints

Materials

Paper, Screen

Composition Black wing
Located in Paris, FR
Lithograph Handsigned by the artist in pencil and numbered 3/50 66.50 cm. x 52.00 cm. 26.18 in. x 20.47 in. (paper) 64.00 cm. x 50.00 cm. 25.2 in. x 19.69 in. (image) After the “Bl...
Category

1960s Abstract Abstract Prints

Materials

Lithograph

Elton John: Home Run-Dodger Stadium 1975, Celebrity Prints, Elton John Art
Located in Deddington, GB
This limited edition is an exciting new collaborative project between Sir Elton John, world-renowned photographer Terry O’Neill, and innovative artist David Studwell. In the lead-up ...
Category

2010s Pop Art Landscape Paintings

Materials

Paper, Screen

OEX - Vintage Offset Print After Antoni Tàpies - 1982
Located in Roma, IT
OEX is a vintage offset print after Antoni Tàpies, printed on hand made paper. It is one of the prints belonging to a deluxe edition of 1982 limited to 2.000 specimens, reproducing T...
Category

1980s Modern Abstract Prints

Materials

Offset

Cover for Derriere Le Miroir - Original Lithograph by Antoni Tapies - 1968
Located in Roma, IT
Cover for Derrière Le Miroir is an original lithograph realized by Antoni Tapies for the Art Magazine Derrière le Miroir no. 175, in 1968. Printed by Ateliers de Maeght, Paris, 19...
Category

1960s Abstract Abstract Prints

Materials

Paper, Lithograph

Nature Prays Without Words IV, Abstract Lithograph by Hoi Lebadang
Located in Long Island City, NY
Artist: Lebadang, Vietnamese (1922 - 2015) Title: Nature Prays Without Words IV Year: 1967 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 68/150 Image: 28.75 x ...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

Alberto Castro Leñero, ¨Untitled IV¨, 2019, Woodcut, 63x31.5 in
Located in Miami, FL
"Alberto Castro Leñero (Mexico, 1951) 'Sin título IV', 2019 woodcut, silkscreen on paper Velin Arches 300 g. 63 x 31.5 in. (160 x 80 cm.) Edition...
Category

2010s Contemporary Prints and Multiples

Materials

Paper, Woodcut

German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...
Category

20th Century Abstract Prints

Materials

Etching

"Under the Mountain" - Modern Abstract Lithograph
Located in Soquel, CA
"Under the Mountain" - Modern Abstract Lithograph Bold abstract lithograph by Fran Ciscus (American, 20th Century). Signed "Fran Ciscus". The colors in this piece have a slight irid...
Category

1980s Abstract Abstract Prints

Materials

Paper, Lithograph

Turquoise Puff
Located in New York, NY
ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...
Category

2010s Abstract Prints

Materials

Photographic Paper

Georg Baselitz, Base - Original Lithograph, Signed Print, Neo-Expressionism
Located in Hamburg, DE
Georg Baselitz (German, born 1938) Base, 1993 Medium: Lithograph on paper Dimensions: 50 x 34 cm Edition of 15: Hand-signed, numbered and dated
Category

20th Century Abstract Abstract Prints

Materials

Lithograph

Black Sun
Located in Surfside, FL
Silkscreen on paper. with some sort of experimental poured stuff on it. there is some loss to the margin but the image is strong. edition 2/6. During the 1930s, Lawrence Edward Kupferman was employed by the WPA Works Progress Administration, making a series of etchings and dry points, mostly of the facades of houses. His style changed completely in the 1940s, becoming first political and expressionist, and later abstract expressionist. He served as chairman of the department of painting at the Massachusetts College of Arts.He studied at the Boston Museum School with Philip Leslie Hale and H. Alden Ripley (1929-1931); Massachusetts School of Art with Ernest L. Majors and Otis Philbrick (1931-1935). Kupferman took motifs from tangible and sensed realities. His atmospheres symbolize cosmic space. Existence is spiritualized as a connected covenant with all of creation. Veil-like, mysterious lines move like vapors over washes of opaque translucent colors that blend, erupt or fade into seas of time-like space and souls become one with an ever-moving, deepening milieu. He admitted, "My figures journey to greet an eternal fellowship with nature’s every particle. . . . "Around 1941, I started to pour paint onto canvases in Provincetown. Jackson Pollock came into my studio to observe how I let paint take on a liquid life or path of its own. Those ethereal poured paintings may have stimulated Pollock's more frantic splashed-on techniques” Kupferman said thoughtfully.Some critics gave him credit for having been one of the pioneering fathers of the poured painting technique. As early as 1943, the Museum of Modern Art, the Whitney Museum of American Art and various publications acknowledged him as a humanistic innovator whose work bluntly exposes humans to themselves. Kupferman, Jack Levine (b. 1915), Hyman Bloom (b. 1913) and David Aronson (b. 1923) founded the "The Boston Urban Jewish School," whose roots ran deep into traditional Hebraic scholarship."Throughout my career," Kupferman admitted, "Boston was a mental and physical prison in which genuineness and spontaneity in art was absent. I summered in Provincetown for artistic sanity. Mark Rothko, Hans Hofmann, Adolph Gottlieb, William Baziotes, Leo Manzu, Byron Brown and I hung out together in an invigorating atmosphere of rediscovery. We started our own renaissance! Together with Robert Motherwell, Richard Pousette-Dart, Weldon Kees...
Category

20th Century Modern Abstract Prints

Materials

Paper

The Triptych
By Guy de Rougemont
Located in Paris, FR
Silksreen, 1979 Handsigned by the artist in pencil and numbered 20/20 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) Triptych composed of three plates all signed and numbered T...
Category

1970s Abstract Abstract Prints

Materials

Silk

Deux Enfants Claude et Paloma
Located in Long Island City, NY
Set against a deep purple background, the work featuring the red figure of Pablo Picasso's daughter, Paloma, and the blue figure of his son, Claude, sitting together while Claude ske...
Category

Late 20th Century Cubist Abstract Prints

Materials

Lithograph

Joe Tilson British Pop Art Screenprint, Color Lithograph 4 Seasons 4 Elements
Located in Surfside, FL
Silkscreen screenprint or Lithograph Hand signed and numbered. An esoteric, mystical, Kabbala inspired print with Hebrew as well as other languages. Joseph Charles Tilson RA (born 2...
Category

1970s Pop Art Abstract Prints

Materials

Screen, Lithograph

Georges Braque, Papier collé (Maeght N°1049), L'édition de tête (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacre aux Pap...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Double Personage
Located in Fairlawn, OH
Double Personage Color lithograph, 1975 (?) Unsigned (as issued) Edition: Large Edition Limited, (estimated to be approximately 2000) Published in: XXe Siecle, No. 52, Juin 1979 Published: G. di San Lazzaro Printer: Mourlot Imprimeur, Paris, France Reference: Lam-Tonneau-Ryckelynck L7513 Condition: Excellent, fresh colors Traces of glue residue along margin edge where it was bound in the book Image/sheet size: 12 1/4 x 9 1/4 inches Wilfredo Lam (1902-1982) Biography Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry. The luxuriant nature of Sagua la Grande had a strong impact on Lam from early childhood. One night in 1907, he was startled by the strange shadows cast on the wall of his bedroom of a bat in flight. He often recounted the incident as his first magnificent awakening to another dimension to existence. In 1916, Lam and part of his family settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academia de San Alejandro, where he remained a student until 1923. This period, with exhibitions at the Salón de Bellas artes, was determinant in his choice to become a painter. In 1923, the municipality of Sagua la Grande awarded him a grant to study in Europe and by the autumn of that year, at the age of twenty-one, he left the country for Spain. His time in Spain―initially intended as a short stay on his way to Paris―lasted 14 years. In Madrid, he was exposed to the ideas and movements of modern art. He spent long hours at the Archeological Museum and the Prado. He studied the great masters of Spanish painting, Velázquez and Goya, but felt particularly drawn to the works of Bosch and Bruegel the Elder. In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. The terrible suffering he endured led to numerous paintings of mother and child. Lam found solace in the company of his Spanish friends and made contact with several political organizations. In 1936, with the help of his friend Faustino Cordón, he joined the Republican forces in their fight against Franco. He designed anti-Fascist posters and took part in the struggle by working in a munitions factory. The violence of the struggle inspired his painting La Guerra Civil. In 1938, Lam left Spain for Paris. Shortly before leaving, he met Helena Holzer, who would become his wife in 1944. His meeting Picasso in his studio on the Rue des Grands Augustins proved decisive. Picasso introduced his new “cousin” to his painter, poet and art critic friends, Braque, Matisse, Miró, Léger, Eluard, Leiris, Tzara, Kahnweiler, Zervos. Lam also met Pierre Loeb, the owner of the Galerie Pierre in Paris, which hosted Lam’s first solo exhibition in 1939. Shortly before the Germans arrived, Lam left Paris for Bordeaux and then Marseille, where many of his friends, for the most part surrealists, had gathered around André Breton in the Villa Air Bel: Pierre Mabille, René Char, Max Ernst, Victor Brauner, Oscar Domínguez, André Masson, Benjamin Péret. In the Villa Air Bel, a meeting place for creativity and experimentation, Lam worked and produced, most notably, a series of ink drawings that set the tone for what would become his signature style of hybrid figures, a vocabulary he would develop more fully during his years in Cuba from 1941 to 1947. In January and February 1941, Lam illustrated Breton’s poem Fata Morgana which was censored by the Vichy government. On March 25, Lam and Helena Holzer embarked on the “Capitaine Paul Lemerle” headed for Martinique, in the company of some 300 other artists and intellectuals―André Breton and Claude Lévi-Strauss among them. Upon arrival, the passengers were interred at Trois Îles. It was during this forced passage in Martinique and before leaving for Cuba that Lam and Aimé Césaire met for the first time to become life-long friends. Newly settled in his native land after almost twenty years, Lam delved deeper into his artistic investigations, finding nourishment for his ideas in the surroundings of his childhood and youth. His sister Eloisa, whom he was closest to, explained to him in much detail the workings of Afro-Cuban rituals and he began attending ritual ceremonies with some of his friends. This contact with Afro-Cuban culture brought new impetus to his art. He painted over one hundred canvases, most notably La Jungla, making the year 1942 his most productive of this period. Over the next few years, a number of exhibitions followed in the United States, at the Institute of Modern Art of Boston, at the MoMA of New York, at the Galerie Pierre Matisse, where La Jungla was presented and created a scandal. In 1946, Lam and Helena travel to Haiti and attend voodoo ceremonies in the company of Pierre Mabille and André Breton. Talking about his experience in Haiti, Lam said, “It is often assumed that my work took its final form in Haiti, but my stay there, like the trips I made to Venezuela, Colombia or to the Brazilian Mato Grosso only broadened its scope. I could have been a good painter from the School of Paris, but I felt like a snail out of its shell. What really broadened my painting is the presence of African poetry.” Picasso_Lam_Vallauris_1954_vignette Wifredo Lam et Pablo Picasso, Vallauris, 1954 Lam then went on to New York where he renewed contact with Marcel Duchamp and made new acquaintances: Jeanne Reynal, James Johnson Sweeney, Arshile Gorky, John Cage, Roger Wilcox, Mercedes Matter, Ian Hugo, Jesse Fernández, John Cage, Sonia Sekula and Yves Tanguy. By the end of the 1940s, Lam divided his time between Europe, Havana and New York, where they stayed with Pierre and Teeny Matisse...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Indian Leaves
Located in London, GB
Indian Leaves Lithograph print on Japanese Gampi Torinoko paper Limited edition of 500 (Roman) and 500 (Arabic) 23 x 76.3 cm Stamp-signed and accompanied by a certificate of authenti...
Category

2010s Contemporary Abstract Prints

Materials

Lithograph

Phrases - Sombre - Etching by Achille Perilli - 1999
Located in Roma, IT
Phrases - Sombre is a Contemporary artwork realized by the Italian Contemporary artist Achille Perilli  (1927 -2021) and by the French philosopher Philippe Lacoue-Labarthe (1940-2007...
Category

1990s Abstract Abstract Prints

Materials

Etching

Villon, En colère, Douze Contemporains (after)
Located in Auburn Hills, MI
Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...
Category

1950s Modern Abstract Prints

Materials

Lithograph, Stencil

Domo
Located in Toronto, ON
Image Size: 13.5" x 13.5" Unframed Limited Edition Print of 250 Hand Signed by Victor Vasarely Slight Discolouration in S.W.
Category

21st Century and Contemporary Abstract Prints

Materials

Giclée

Greeting card - Galerie Michel (Paris)
Located in Paris, FR
Engraving, 1996 Handsigned by the artist in pencil 23.50 cm. x 16.50 cm. 9.25 in. x 6.5 in. (paper) 16.70 cm. x 13.00 cm. 6.57 in. x 5.12 in. (image) This small etching is chara...
Category

1990s Abstract Abstract Prints

Materials

Engraving

Untitled (Martha Jackson Gallery Poster)
Located in Fairlawn, OH
Untitled (Martha Jackson Gallery Poster) Lithograph, 1960 Signed and dated in red crayon by the artist Edition 90 (63/90) 1st state before letters for the poster created for the Martha Jackson Gallery, Ting Exhibition, April 23-May 31, 1960 Printed on wove paper with a ”JAPAN' watermark Edition: 90 Provenance: Martha Jackson Gallery, New York Anderson Gallery David K. Anderson Collection (label) Walasse Ting (Chinese: 丁雄泉, 13 October 1929 – May 17, 2010)[1] was a Chinese-American visual artist and poet. His colorful paintings have attracted critical admiration and a popular following. Common subjects include nude women and cats, birds and other animals. He was born on 13 October 1929 in Shanghai, left China in 1946 and lived for a while in Hong Kong, then settled in Paris in 1952.[2] There, he associated with artists such as Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group CoBrA. Ting started his career as an artist in Paris in the 1950s, where he became friends with artists such as Sam Francis and Pierre Alechinsky. His early works were influenced by the CoBrA group, a European art movement known for its use of expressive, childlike imagery. In the 1960s, Ting moved to New York City and became associated with the Pop Art movement. Ting is perhaps best known for his series of paintings featuring women, which he called "Cat Women...
Category

1960s Abstract Abstract Prints

Materials

Lithograph

Raymond Pettibon Black Flag 1981 (Raymond Pettibon punk art)
Located in NEW YORK, NY
Raymond Pettibon Black Flag, 1981: Rare early Raymond Pettibon Black Flag Punk Flyer - illustrated by Pettibon on the occasion of: Black Flag, Stains, Youth Gone Mad, Caustic Cause,...
Category

1980s Pop Art Prints and Multiples

Materials

Paper, Offset

Taos Artist Gene Kloss Original Drypoint, Christmas Eve, Taos Pueblo
Located in Phoenix, AZ
Drypoint etching by famous Taos Artist Gene Kloss (1903-1996). Edition of 75. Titled: Christmas Eve - Taos Pueblo. Image measures: 12" H x 15" W. Unframed. Archivally matted. Created...
Category

Mid-20th Century Abstract Prints

Materials

Paper

Trees (Trees in Circle)
Located in Fairlawn, OH
Trees (Trees in Circle) Etching & drypoint with monotype inking, 1953-1955 Signed in pencil An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category

1950s Abstract Landscape Prints

Materials

Drypoint, Etching, Monotype

Miró, Composition (Mourlot 872-881; Cramer 164), El tapís de Tarragona (after)
Located in Auburn Hills, MI
Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Stars
Located in Paris, FR
Lithograph, 1959 Handsigned by the artist in pencil and numbered 75/300 Catalog : Vallier p.294 Maeght n°1029 45.50 cm. x 55.00 cm. 17.91 in. x 21.65 in. (paper) 32.00 cm. x 38.00 c...
Category

1950s Abstract Abstract Prints

Materials

Lithograph

Lipstick, Signed and Numbered Pop Art Screenprint on Arches
Located in Long Island City, NY
Lipstick Unknown Artist Date: 1965 Screenprint on Arches, signed, numbered, dated and dedicated in pencil Edition of 4/30 Image Size: 17 x 12 inches Size: 22.25 x 15 in. (56.52 x 38....
Category

1960s Pop Art Abstract Prints

Materials

Screen

Shalom Pax Paix, The Tel Aviv Peace silkscreen on Rives BFK paper signed/N 35/50
Located in New York, NY
Robert Indiana Pax, Paix, Shalom (The Peace Print), 2004 Silkscreen in 4 colors on rives BFK paper Hand signed, dated, titled and numbered 35/50 in pencil by Robert Indiana on the f...
Category

Early 2000s Pop Art Abstract Prints

Materials

Screen

Fine Teal Mesh and Rods Collograph
Located in Soquel, CA
Gorgeous teal mesh and rods collagraph by Patricia A. Pearce (American, b. 1948). Unsigned. Purchased as part of larger collection. No frame. Image size: 23.75"H x 35.75"W Patricia ...
Category

1980s Contemporary Abstract Prints

Materials

Paper, Ink, Lithograph

'Rhythm of Lines, ' by David Mladjovic, Abstract, Screen Print
Located in Oklahoma City, OK
This 27.5" x 39" screen print by artist David Mladjovic depicts an abstract design of striking lines and shapes in a palette of mauve, black, blue, and purple. Mladjovic credits scre...
Category

2010s Abstract Abstract Prints

Materials

Screen, Paper

I dreamt I was in Arizona
Located in Paris, FR
Lithograph, 1978 Handsigned by the artist in pencil and numbered 55/125 Publisher : Niki de Saint Phalle Printer : Clot, Bramsen et Georges (Paris) Catalog : [Ulm 16, p. 37] 50.00 cm...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Agam Silkscreen Mod Judaica Lithograph Hand Signed Israeli Kinetic Op Art Print
Located in Surfside, FL
Yaacov Agam Israeli (b. 1928) Hommage aux Prix Nobel (1974) Serigraph signed lower right, numbered 85/100 sheet: 22 x 29 3/4 inches frame dimensions: 28 x 35 1/2 x 1 inches, wood fra...
Category

1990s Op Art Abstract Prints

Materials

Screen, Lithograph

Damien Hirst, Loyalty (The Virtues, H9-7) - Pop Art, Abstract Art, Signed Print
Located in Hamburg, DE
Damien Hirst (British, b. 1965) H9-7 Loyalty, 2021 Medium: Diasec-mounted Giclée print on aluminium composite panel Dimensions: 120 x 96 cm Edition of 1067: Hand-signed and numbered ...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Giclée

Joan Miro, L'oeuvre Graphique, rare original 1970s offset lithograph poster
Located in New York, NY
Joan Miró Miro, L'oeuvre Graphique, 1974 Offset lithograph poster Unsigned Unnumbered 28 1/5 × 21 1/2 inches Unframed Published by the Musee d'Art Moderne de la Ville de Paris
Category

1970s Surrealist Abstract Prints

Materials

Lithograph, Offset

Art Gallery from the Estate of Nina Castelli and Ileana Sonnabend Lithograph S/N
Located in New York, NY
James Rosenquist Art Gallery, from the Estate of Nina Castelli and the Collection of Ileana Sonnabend (Glenn, 41), 1971 Color lithograph on Rives BFK ...
Category

1970s Pop Art Abstract Prints

Materials

Lithograph

Takashi Murakami, Gargantua on Your Palm - Limited Edition Plate, Pop Art
Located in Hamburg, DE
Takashi Murakami (Japanese, b. 1962) Gargantua on Your Palm, 2022 Medium: Porcelain plate (fine bone china) Dimensions: 10 1/2 in diameter 26.7 cm diameter Edition of 250: Printed s...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Porcelain

David Salle Photogravure Heliogravure "Lucky" Pictures Generation Signed Print
Located in Surfside, FL
DAVID SALLE (American, 1952- ) Lucky 1992 Photoengraving heliogravure on Lana paper Edition Julie Sylvester, New York Hand signed and dated in pencil lower right, numbered lower left...
Category

1990s Contemporary Abstract Prints

Materials

Photogravure

Fragment by Mark Tobey brown and tan earth calligraphy abstract daubed paint
Located in New York, NY
An expressive, moody abstract composition in tan and brown, with Mark Tobey’s soft, calligraphy-inspired mark-making reminiscent of earth, loam, or even flowing water. Mark Tobey, F...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Kalithea - Lithograph by Piero Dorazio - 1977
Located in Roma, IT
Kalithea is an original print realized by Piero Dorazio in 1977. Mixed color lithograph on paper. Hand-signed in pencil on the lower right. Numbered on the lower left. Edition of 1...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Untitled (2004)
Located in Hong Kong, HK
Chiyu Uemae Untitled 2004.05.05 Screenprint on wove paper Signed, dated, and numbered by the artist Edition: 14/23 Image size: 21.5 x 15.5 cm Sheet size: 36.3 x 25.8 cm Description:...
Category

Early 2000s Abstract Abstract Prints

Materials

Paper, Screen

ORBITS - Large Hoeckner lithograph
Located in Santa Monica, CA
CARL HOECKNER (1883 – 1972) ORBITS, c. 1935 Lithograph, edition unknown but small. Image 11 3/3 \4 x 18 3/8 inches, sheet 12 3/8 x 19. In good condition aside from small margins an...
Category

1930s Surrealist Figurative Prints

Materials

Lithograph

Fiedler, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 129, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1960s Modern Still-life Prints

Materials

Lithograph

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