Lithograph Abstract Prints

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph, 1967 Not signed Catalog : [Maeght 461 p. 135] 35.50 cm. x 50.00 cm. 13.98 in. x 19.69 in. (paper) 33.50 cm. x 48.00 cm. 13.19 in. x 18.9 in. (image) “Le Lézard aux ...

Peter Halley New Works, The Butler Institute of American Art (Hand Signed), 1999 Offset lithograph poster (signed by Peter Halley) 38 × 21 1/2 inches Boldly signed in black marker by...

An original lithograph by Joan Miro, created in 1978, from the series entitled "Album 21" consisting of 21 original lithographs. Hand signed and numbered from the edition of 75 on V...

Arthur Secunda Long Distance Ocean - 1980 Print - Serigraph   40'' x 23'' inches Edition: signed and numbered in pencil 215/250 Secunda's exploration into printmaking has very ofte...

Rainbow shades shine in this abstract, color field print. Vibrant red, yellow, orange, purple, and green lines take on the organic quality of handmade paper, resulting in this subtle...

Lithograph, 1969 Edition : 8/200 71.00 cm. x 50.00 cm. 27.95 in. x 19.69 in. (paper) 59.00 cm. x 36.00 cm. 23.23 in. x 14.17 in. (image) Handsigned by the artist in pencil Ref : LC...

A frenzy of lines and color, this pair of Dieter Roth lithographs could have been produced in 2022. The contemporary popularity of semi-abstract imagery featuring color gradients, za...

Lithograph on vélin des papeteries d'Arches paper. Paper Size: 16.93 x 12.99 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Kahnweiler, Daniel...

Otmar Alt, abstract art print, hand signed and numbered. Dimensions with frame. Includes certificate of authenticity.

Lithograph on vélin paper. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Calder. Published and printed by Musée National d'A...

A very good impression of this color aquatint, etching and lithograph. With the artist's signature ink stamp and numbered 26/65 in pencil. With the artist's estate ink stamp and sign...

Lithograph, stencil on vélin d’Arches paper. Paper Size: 11.75 x 15.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...

Joan MIRO Garden Under the Moonlight, 1973 Original lithograph (Mourlot workshop) Printed signature in the plate On wove paper 33 x 24 cm (c. 13 x 10 in) REFERENCE : Catalog raison...

L'Eunuque Impérial is a contemporary artwork realized by Joan Mirò in 1975. Mixed colored lithograph hand signed and numbered in pencil. Edition of 13/50. Ref. Cramer 1023.

Letter D , from the Alphabet series, is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

John Baldessari The Sprinters, 1982 Limited Edition Offset Lithograph on Parson's Diploma paper Signed in graphite pencil on the front. Accompanied by letter of authenticity from the publisher 36 x 24 inches Unframed Provenance: Acquired as part of the complete SIGNED 1984 Olympic Lithographic Print Portfolio Exhibition History: Olympic Museum in Lausanne, Switzerland, 2017 (different edition) Accompanied by a letter of authenticity from the publisher on Olympic Committee letterhead. This is one of 750 hand signed lithographic posters, published in 1982 to celebrate the 1984 Los Angeles Olympics...

Libra from Signs of the Zodiac by Salvador Dali is from a series of 12 limited edition lithographs. This original hand signed lithograph is Libra, the seventh astrological sign ...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...

Antoni Tàpies (1923-2012) "Grand Central," circa 1982 Etching and aquatint in colors on wove paper Edition: 91/99 Signed and numbered in pencil in the lower margin: Tapies Plate: 19....

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 221, 1976. Published by Aimé Mae...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, an...

Champ de Tournesols is an original hand drawn lithograph by the French artist Georges Lambert printed in Paris France during the 1970's using traditional hand lithography techniques ...

This is an exclusive handprinted limited edition cyanotype. This beautiful triptych is called "French Riviera Cove" and it shows the water reflection of one of the most iconic coves ...

Christopher Wool The Show is Over Poster (Hand Signed by Christopher Wool), 2013- Offset lithograph poster Hand signed and dated 2017 on lower front. This work was uniquely signed i...

Color lithograph, Edition 30 In 2010, Ray made his first lithographs at Shark’s Ink., Pyzinerol and Pyzinerol II. Ambitious prints with 18 colors from 15...

Color lithograph on Arches 300-gram paper, 1971. Signed by the artist in pencil, lower right. A printer's proof, aside from the numbered edition of 69. Inscribed "PP2" (for printe...

Medium: original lithograph. Executed for XXe Siecle (issue No. 25), printed in Paris by Mourlot and published in 1965 by San Lazzaro. Sheet size 12 1/4 x 9 1/2 inches (310 x 240 mm)...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published by The Collector's Guild Ltd., New York in association with Th...

Alexander Calder (American, 1898-1976) Signed: Calder (Lower, Right) “Four Great Pyramids”, 1970 Lithograph in Colors on Arches Paper Sheet Size: 30” x 43” Numbered: Hand signed and ...

Sun Curtain by Richard Smith, 1971 Additional information: Medium: lithograph on two sheets 64 x 92 cm 25 1/4 x 36 1/4 in signed and dated in the plate Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 22) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

Joan Miro, Spanish (1893 - 1983) - Ubu aux Baleares (M.786), Year: 1971, Medium: Lithograph, signed in pencil, Edition: 120, Size: 21 x 25 in. (53.34 x 63.5 cm), Frame Size: 2...

MacDonald of the Isles and Slate (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a she...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 6 (double) J...

Joan Miro - L'Issue Dérobée - Original Aquatint 1974 Dimensions: 36 x 54 cm Edition: 220 Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 1974 (C. books 187) Biography Joa...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 65, 1954. Published by Aimé Maeg...

This framed Picasso print, is an offset lithographic book plate from a captivating book, entitled Toros y Toreros (Bulls and Bullfighters), which ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

Signed and numbered in pencil Color lithograph on wove paper Condition: In Excellent condition

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 156, 1966. Published by Aimé Mae...

A very good impression of this color lithograph on TGL handmade paper. Initialed and numbered 6/40 in pencil. Printed and published by Tyler Graphics, Ltd., Mount Kisco, with the bli...

Renowned artists and designers April Greiman and Jayme Odgers 1984 Olympic Games Print (Hand Signed by both April Greiman and Jayme Odgers), 1982 Offset Lithograph Poster - art in sports - Signed in graphite pencil on the front. Accompanied by a letter of authenticity from the publisher Also accompanied by Certificate of Guarantee issued by Alpha 137 Gallery 36 x 24 inches Unframed Accompanied by a letter of authenticity from the publisher on Olympic letterhead. This is one of 750 hand signed lithographic posters (though fewer than 200 said to be extant), published in 1982 to celebrate the 1984 Los Angeles Olympics . April Greiman is an American designer widely recognized as one of the first designers to embrace computer technology as a design tool. Greiman is also credited, along with early collaborator, the late artist Jayme Odgers, with helping to import the European New Wave design style to the US during the late 70s and early 80s." The Olympic Committee commissioned 15 nationally known artists, including April Greiman and Jayme Odgers to create unique designs to promote the event. The complete list of artists is: Sam Francis, David Hockney, Richard Diebenkorn, Carlos Almaraz, Robert Rauschenberg, Jennifer Bartlett, Jonathon Borofsky, Roy LIchtenstein, April Gornik, Raymond Saunders, Martin Puryear, John Baldessari, Lynda Benglis, Billy Al Bengston and Garry Winogrand. This was Greiman and Odger's contribution to the portfolio. In 2017, the Olympic Museum in Lausanne Switzerland...

This original lithograph in colours is hand signed in pencil by the artist "Miró" at the lower right corner. It is also hand numbered in pencil from the edition of 125, at the lower ...

'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...

Marino Marini (Italian, 1901-1980) "Chevaux et Cavaliers" Artist proof pencil signed circa 1970 Fantastic 1970 lithograph by noted Italian artist Marino Marini. This is a rare Art...

'Arabian - Arabe - Arabisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' Ornement Pol...

Alexander Calder McGovern for McGovernment (Signed by BOTH Alexander Calder and George McGovern), 1972 Lithograph on wove paper with deckled edges. Hand signed and Numbered by Calder, and inscribed and signed by George McGovern. Publisher's blind stamp. Pencil signed and numbered 184/200 Published by Styria Studio, New York (with blind stamp) Bibliography: George McGovern & the Democratic Insurgents: The Best Campaign and Political Posters of the Last Fifty Years (University of Nebraska Press), Hal Elliot Wert Frame included Framed in a mus...

Wifredo Lam Wifredo Lam Pastels: vintage Galerie Lelong poster, 1988 Offset lithograph Plate signed on the front 26 1/2 × 19 1/2 inches Unframed, unnumbered Offset lithograph poster...

Jean Marie Haessle, French-American (1939-) Serigraph silkscreen Hand signed in pencil and numbered Elana's Dream (red background) 1980 Jean Marie Haessle was born in 1939 in Alsa...

Lithograph on vélin d’Arches paper. Paper Size: 12 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Matisse, Henri, et al. Henri Matisse...

Artist: Joan Miro Title: Joan Miro (Plate 3) Portfolio: Joan Miro Medium: Original lithograph Year: 1956 Edition: Unnumbered Framed Size: 16 1/4" x 22 1/4" Sheet Size: 9" x 15" Signa...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Poliakoff, Alexis, and Gérard Schneider. Se...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe II Catalogue Raisonne. Nicely framed. Lithographs II ...

Jasper Johns Graphics and Drawings at the Louisiana Museum, Leo Castelli Collection (Hand Signed by Jasper Johns), 1992 Offset lithograph (Hand Signed and dated by Jasper Johns) Signed and dated 7 March 1997 in black ink on the front (see close up photo) Jasper Johns ink signature and date are on the outer yellow circle - see close up photo Extremely rare collectible...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with bifold, as issued. Notes: From volume, Derrière le miroir, N° 125-126, 1961. Publishe...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...