Lithograph Abstract Prints

Andre Lanskoy (French / Russian 1902-1976) Untitled from the portfolio La Genese, 1966 Color lithograph on wove paper Signed 'Lanskoy' lower right Edition 11 of 30. Numbered lower ri...

A lithograph from the portfolio "Seeing Voices", a collection that also includes several poems. This abstract piece by Paul Jenkins is signed and numbered on the front of the print i...

Signed on the plate by Matisse. From the portfolio ‘Dernières Oeuvres de Matisse 1950-1954’, known as Verve Vol. IX No. 35 & 36. Printed by Mourlot in Paris. Henri Matisse oversaw ...

Composition from" Derrière le Miroir" is a lithograph print realized by Joan Mirò in 1963. Derriere Le Miroir, Céramiques Monumentales de Miró et Artigas.Printed by Ateliers de Maeg...

Derriere Le Miroir-Page 6-7 Color lithograph, 1973 Unsigned (as issued) From: Derriere Le Miroir, No. 201, January 1973 Publisher: Maeght Editeur, Paris Printer: L’Imprimerie Arte, A...

Artist: Jasha Green, American (1923 - 2006) Title: Untitled 14 Year: circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: 250, AP Size: 22 x 30 in. (55.88 x 76.2 cm)

Lithograph, 1967 Handsigned by the artist in pencil and dedicated “To Jacqueline Selz, with all my friendship!” and adorned with a pencil drawing. Edition : 100 ex. 74.50 cm. x 51.50...

Abstract Composition is an Original screen print realized by Plinio Mesciulam in 1973. Very good condition on a white cardboard. Hand-signed and numbered by the artist on the lower...

Artist: Pablo Picasso (1881-1973) Title: Le Peintre Year: 1982 Medium: Lithograph on Arches paper Size: 29.25 x 21 inches Edition: 1000, plus proofs Condition: Good Inscription: Sign...

John Hoyland For John Constable 1976 Lithograph with acrylic 70 x 96.5 cms (27 1/2 x 38 ins) JHE017 The ‘For John Constable’ series was commissioned and published by Bernard Jacobson in 1976 to celebrate the bicentenary of John Constable’s birth. It comprised individual works by nineteen artists including Peter Blake, Patrick Caulfield, Howard Hodgkin, Richard Smith, Duncan Grant, David Hockney, Michael Sandle, Ivor Abrahams, Bill Brandt, Robyn Denny, Barry Flannagan, Anthony Gross...

Sonia Delaunay Rythme-couleur, 1962 Lithograph on Fabriano wove paper 27 3/5 × 19 7/10 in l 70.2 × 50 cm Frame included - 32 1/3 x 24 4/5 l 83 x 63 cm Edition of 40 Condition: Overa...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

Seder by Tobiasse shows a group of eleven men, woman and children sitting and standing around the Seder table with an orange background. This original lithograph is in good condi...

Work of the Spanish artist SALVADOR DALI. edition of 195 copies + several E.A. ej 149/195 certificate DALÍ, Salvador (Figueras, Gerona,...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 1...

Color offset lithograph. Signed and dated in felt-tip pen and pink ink, lower right. Published by Tony Shafrazi Gallery, New York.

Lithograph on butcher paper. Signed lower middle of plate in blue pen. One of 21 signed, unnumbered lithographs, this impression is in gray/blue ink. In ...

Seahorse, 1975 Signed and numbered in pencil Color lithograph 29.5 x 21.25 inches Edition 100 of 125

Quelques Fleurs pour des Amis: Dypréau No. 9 1964 Lithograph Ed. Edition of 150 15 x 11 inches

This lithograph in colours is hand signed in pencil by the artist “Marc Chagall” at the lower right margin. It is also numbered 25 in pencil from the deluxe edition of 90, at the low...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 5 (double) Juin 1955, Cahiers d'Art publiés sous la direction de Gualtieri di San Lazzaro, 1955. Published by Société Internationale d'Art XXe siècle, Paris, under the direction of Gualtieri di San Lazzaro, éditeur, Paris; printed by Mourlot Frères, Paris, 1955. Additional notes: Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in Print Quarterly, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print. MARK TOBEY (1890-1976) was an American painter. His densely structured compositions, inspired by Asian calligraphy, resemble Abstract expressionism, although the motives for his compositions differ philosophically from most Abstract Expressionist painters. His work was widely recognized throughout the United States and Europe and came in the wake of Picasso and Braque. Along with Guy Anderson...

The Mouth of the Time is a contemporary artwork realized by Nani Tedeschi in 1971. Black and white lithograph. Hand signed and dated on the lower margin. Artist's proof

"Grusgrav", a wonderfully minimal yet expressive mid century modern abstract limited edition hand signed lithograph by Frede Christoffersen (Danish, 1919-1987). This 1962 color-field abstract features a subdued palette of earthy golden rod yellows and sage, the geometric areas of color divided into fractured shapes with organic and expressive texture. Grusgrav, the title of the piece, is Danish for gravel pit. Titled "Grusgrav", signed with the artist's initials "FC" and dated "62" lower right. Numbered "36/80" lower left. Signed "Frede Christoffersen" on verso. Official Org. U.M. Grafik warranty certificate stamp on verso. Displayed in a vintage painted wood frame. Image size: 11.5"H x 17"W. Another lithograph print of "Grusgrav" from the same edition, number 44/80, is included in the collection of the Fuglsang Art Museum (Fuglsang Kunstmuseum) on the island of Lolland in Denmark. Born in Borup, Denmark, outside out Copenhagen. Christoffersen spent a short period at the Copenhagen Arts and Crafts School before travelling to the Far East in 1940-41. The result was his 20 "Smaa sorte Tegninger" published in 1941. From 1942 to 1943, he studied at the Royal Danish Academy of Fine Arts, both at the graphic arts school and at the school of painting, under Aksel Jørgensen...

First Print: Banksy (after) "CUT AND RUN" Technique: Offset Lithograph Paper: Thick Stock Glossy Size: 16.5 X 23.4 Materials Thick glossy paper Size 23 2/...

Untitled (Plate 1) DLM Color lithograph, 1963 Unsigned and unnumbered (as usual) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Image/sheet size: 14 7/8 x 11 inches...

The title of this poetic, abstract work is written across the top of the sheet. The hand-written cursive below reads: "David Shapiro / Told me he was going to / Carve his poems in stone / "That's one way to make them lost" / I don't have to / Rene Ricard". A poet, art historian and art critic, David Shapiro was friends with Ricard, and a part of the 1980's art scene in New York. Shapiro became famous briefly during the 1968 anti-Vietnam student uprising at Columbia University, when a photograph of him smoking a cigar behind the desk of the Columbia University president was published in Life magazine, and he became the face of the student protest...

Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Josef Albers: 25 Years of Graphic Work (Midnight and Noon VII)" Year: 1968 Medium: Original Lithograph, Exhibition P...

"Miró Lithographe I - Plate VII" is a vintage lithograph realized by Joan Miró in 1972. Perfect conditions. It comes from the set of 11 lithographs realized for the catalogue "Mi...

Joan Miró M.985 from " Les Pénaltiés de l'enfer ou les Nouvelles-Hébrides" 1974 Hand signed From a signed edition of 50, numbered EA/50 Mourlot 985 10.5 x 29.5 inches (Horizontal) *...

Lithograph 38.00 cm. x 27.00 cm. 14.96 in. x 10.63 in. (image) Handsigned by the artist in pencil Ref : LCD1506

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

The Seven Days of Bardo Thodol 6 is an original lithograph and screen print realized by Michele Canzoneri in 1977. The artwork is part of a collecti...

Letter O, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

SITTING IN A LANDSCAPE is an original hand drawn limited edition lithograph by the Dutch artist Karel Appel printed using traditional hand lithography techniques on archival printma...

Midi - Plate 3 from the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 26 x 20 inches Signed, dated and numbered in ink, edition of 150 ...

Lithograph from three aluminium plates using tusche washes, printed in transparent dark green, light green, and fire red, with hand colouring in gouache (an orange to red blend, pink, green, and deep red). On buff Velin Arches mould-made paper (300 gsm) Signed with initials, numbered and dated 82 in pencil, lower centre Published by Bernard Jacobson Ltd. Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013 'London, Henri Matisse: The Goldfish Bowls and Other Prints (LOPF)', Bernard Jacobson Gallery, London, 1 - 28 May 2021 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Frances Spalding, 'Howard Hodgkin: Tate Gallery and Bernard Jacobson', Arts Review, vol. 34, no. 20, 24 September 1982, p. 484; Elizabeth...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Abstract Composition  is a contemporary artwork realied in 1974. Mixed colored lithograph. Hand signed and dated on the lower right margin. Numbered on the lower left margin. Edi...

Lithograph, 1984 Handsigned by the artist in pencil and numbered 108/125 Publisher : Graphos Verlag A.G. Printer : Silium (Paris) Catalog : Benavides 986 61.00 cm. x 78.00 cm. 24.02...

Matt Magee Constellations, 2019 Diptych lithograph 22 x 44 inches overall (22 x 22 each sheet) Edition of 30 Unframed

Paper: 25.25 x 20.5 in. / 64.1 X 52 cm. Image: 10.75 x 11.5 in / 27.3 x 29.2 cm. One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 bo...

Original lithograph, hand signed and numbered. Edition of 35 prints. Image Dimensions: 38x55 cm. Good conditions.

Marcel Gromaire (1892-1971) - The Painter. 1943, paper, lithograph, 56x46 cm

Limited edition hand signed lithograph featuring two consecutive modern portraits of faces with varying degrees of abstraction, in pink and green, by Dennis john Ashbaugh (American, b. 1946). Numbered "7/7" in the lower-left corner. Signed "Dennis John Ashbaugh" in the lower right corner. Presented in a new tan mat with foam core backing. Unframe. Image size: 4"H x 6.75"W. Some toning yellowing at mat opening. Dennis John Ashbaugh (American, b. 1946) was born in Red Oak, Iowa, and attended California State University at Fullerton, receiving his MA in 1969. Ashbaugh has spent most of his career in New York City. In 1992, he collaborated with William Gibson, a fiction writer, and with publisher Kevin Begos on a book, Agrippa, meaning 'book of the dead'. Exhibition venues include the Metropolitan Museum of Art in New York City, the P.S.1 Contemporary Art Center, the Seattle Art Museum, and the Whitney Museum of American ArtPublic collections holding his work include the Hirshhorn Museum, the Museum of Fine Arts, Houston, the Los Angeles County Museum of Art, and the New York Metropolitan. He received a Guggenheim Fellowship. Ashbaugh lives in a trim frame house in Flamingo Park...

An early and scarce impression of this color lithograph, printed in black and light beige on white wove Zerkall paper. This print has full margins and is signed and dated in pencil b...

Emilio Sanchez (1921-1999) created this color lithograph entitled “LA BANDERA DE CUBA” in 1980. This impression is signed, titled, and inscribed “Seis” [six] in pencil. The printed ...

Signed and dated in pencil lower right; Annotated: Artist's Proof in pencil lower left; printer's chop mark lower right Edition: 18 impressions and 2 ar...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Nude of Woman is an Original Lithograph realized by Salomé Vénard (sculpture 1904-1987). The artwork is in very good condition, included a white cardboard passpartout (48.5x32 cm). ...

Vintage Exhibition Pace/Columbus is an original rare Contemporary Poster realized in occasion of Alexander Calder's exhibition at Pace/Columbus Ohio in 1971. Original Lithograph and...

Lithograph, 1969 Edition : 8/200 71.00 cm. x 50.00 cm. 27.95 in. x 19.69 in. (paper) 59.00 cm. x 36.00 cm. 23.23 in. x 14.17 in. (image) Handsigned by the artist in pencil Ref : LC...

This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon ...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon ...

Jean-Paul Riopelle, 1923-2002, Canadian Autres mouches no 2, 1985 Lithograph on Japan paper 20 1/2 x 26 3/4 in Signed and numbered in pencil, edition of 75 Catalogue raisonné refer...

Alexander CALDER (after) Gouaches Totems, 1966 Lithograph poster Made for the exhibition of Alexander Calder at Maeght Gallery Printer : Arte Paris Editor : Maeght 75.6 x 53.6 cm (c...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 212, published by Aimé Maeg...

Artist: Joan Miro Title: La Foundation Marguerite et Aime Maeght Medium: Lithograph Date: 1964 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size...

Abstract Composition is an Original screen print realized by Plinio Mesciulam in 1973. Very good condition on a white cardboard. Hand-signed and numbered by the artist on the lower...