Lithograph Abstract Prints

Artist: Robert Rauschenberg Title: Technology Year: 1994 Medium: Lithograph with vegetable dye water transfer on Arches Infinity paper Edition: 50; signed, dated and numbered in penc...

Color lithograph on Arches, 1970. Signed and numbered 37/75 in pencil (there was also a deluxe edition of 25 in Roman numerals on Japon). Published by Edicions Polígrafa, Barcelona.

Artist: Alexander Calder Medium: Lithograph Title: Derriere le Miroir #173 (Plate 2) Portfolio: Derriere le Miroir #173 Year: 1968 Edition: Unnumbered Framed Size: 22" x 29 1/4" Shee...

3 lithographs on vellum (from the portfolio of ten) Edition of 2500 (reported) Not signed or numbered Artwork in mint condition. Minor imperfections on original packaging. Sold in or...

Screenprint printed in black and white on handmade oatmeal paper. Signed, dated and numbered in white pencil. Date and name lower right, Signed and numbered edition of 85 from ARTISTS PORTFOLIO, a limited edition series of five prints in support of the dance company of Bill T. Jones/Arnie Zane & Company. The other four artists who contributed were Robert Longo, Keith Haring, William Katz and Gretchen Bender. Bill Katz was born in New York, studied at The Art Students League and with Sebastiano Mineo of New York City. He was the studio assistant to Robert Indiana for more than a decade, initiating and arranging print projects for the artist, including Numbers (1968), with poems by Robert Creeley.For five years he worked and lived in the home that was once occupied by the great American sculptor Gutson Borglum. He also spearheaded the project of the cover artwork at Chanterelle with the full roster of distinguished contributing artists, photographers, musicians, and writers — Marisol, Chuck Close, Jasper Johns and Robert Mapplethorpe. Almost all the images were made specifically for the menus In addition, some of the images were made for one night special events, such as annual benefits held for the Bill T. Jones and Arnie Zane Dance Company. He also Curated for the Fisher Landau Center for Art, Painting and Sculpture, Selections from the collection, which included work by Carl Andre, Willem de Kooning, John Duff, Robert Indiana, Neil Jenney...

Frank Stella Sharpesville, from Multicolored Squares I (Axsom 79), 1972 Lithograph on J. Green mould-made paper Signed in graphite pencil, dated and numbered 31/100 (there were also ...

This is an offset lithograph card hand signed by Ellsworth Kelly on the bottom front the work depicted in the card is Red over Yellow (Rouge sur Jaune), from Suite of Twenty-Seven Li...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph poster on paper issued in 1972 for the exhibition, L'Estampe et le Suréalisme du XV au XX siècle, at Vision Nouvelle. The image on the poster was created by French artist...

Arranged alongside one another, the goat skull accompanied by the glass bottle is rendered in a geometric fashion that is reminiscent of Pablo Picasso's ot...

ARTIST: Salvador Dali TITLE: Anamorphoses Lys MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 34.62" x 23.75" YEAR: 1972 FRAMED: No CONDITION: Excell...

Framed and ready to hang print insert by Christopher Wool for W Magazine. With gatefold creases as issued.

Vibrant abstract lithograph of a cat by artist Karel Appel in 1969. Edition of 100. Signed and dated by artist in lower right corner. Marked E.A., or "épreuve d’artiste", which is th...

Bold lithograph of a vintage photo by an unknown artist (20th century). This piece is numbered "1/12" and titled "Cirdan, Tuolomne County 1934" on the bottom edge. Signed "M--- P----...

Le Point de Non-Retour, 1969 Signed and numbered in pencil Lithograph in colors on wove paper 20 x 28.25 inches Edition 60 of 100

Judy Rifka (American, b. 1945) 44/84 Lithograph on paper titled "Thou Shalt Not Bear False Witness against Thy Neighbor"; Depicting an abstract composition in blue, green, red and black tones with Hebrew script. Judaica interest. (I have seen this print described as a screenprint and as a lithograph) Hand signed in pencil and dated alongside an embossed pictorial blindstamp of a closed hand with one raised index finger. Solo Press. From The Ten Commandments Kenny Scharf; Joseph Nechvatal; Gretchen Bender; April Gornik; Robert Kushner; Nancy Spero; Vito Acconci; Jane Dickson; Judy Rifka; Richard Bosman and Lisa Liebmann. Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery in The Yard, a section of Manhattan described as "a labyrinth of small cubicles, conference rooms and small office spaces that are rented out to young entrepreneurs, professionals and hipsters". In 2019 her video Bubble Dancers New Space Ritual was selected for the International Istanbul Bienali. Alexandra Goldman Talks To Judy Rifka About Ionic Ironic: Mythos from the '80s at CORE:Club and the Inexistence of "Feminist Art" Whitehot Magazine of Contemporary Art. She was included in "50 Contemporary Women Artists", a book comprising a refined selection of current and impactful artists. The foreword is by Elizabeth Sackler of the Brooklyn Museum’s Sackler Center for Feminist Art. Additional names in the book include sculptor and carver Barbara Segal...

The Angel Drove Out The Fiery Flame is based on passages from the Book of Daniel and depicts the fiery furnace in tones of grey. When three men refuse to bow down to a statue of the ...

Lithograph on vélin d’Arches paper. Paper Size: 19.5 x 14.125 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and ...

Artist: Joan Miro Title: Plate 13 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 1...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 6 (double) J...

Peter Halley, Frank Kozik Halley/Kozik, 1997 Offset Lithograph. Hand signed by both Peter Halley and Frank Kozik on the lower front. Edition 75/100 22 1/2 × 35 inches Unframed This color lithograph was created on the occasion of the Peter Halley and Frank Kozik exhibition at Wooster Gardens from May 3 - June 14, 1997. Hand signed by both artists on the lower front and is annotated as a study proof: S/P 75/100. Frank Kozik was born in Madrid, Spain in 1962 . At the age of 14 he moved to the United States and settled in Austin, Texas. Credited with single handedly reviving the “lost” art of the concert poster, his creative career rose largely out of his enthusiasm for Austin’s growing underground punk rock scene in the mid-eighties. Starting with black and white flyers for friends’ bands posted on telephone poles, his reputation grew as an artist whose work was graphically compelling as well as culturally gripping. This exhibition was an installation featuring an eight-year survey of punk rock posters...

Yayoi Kusama Offset lithograph card, ca. 2002 Boldly signed in white marker on the front by the artist Rare collectible when hand signed by Kusama Provenance: Acquired from an intern...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Contes de Boccace, peinture...

John Hoyland was a British artist and one of the country's leading abstract painters. Hoyland was born in Sheffield, Yorkshire, and educated at Leighton Park School, before going on...

A very good impression of this color lithograph on Arches. Artist's proof, aside from the edition of 75. Signed, dated and inscribed "ea" in pencil by Appel.

Lithograph, 1961 Handsigned by the artist in pencil Publisher : Nouveau Cercle parisien du Livre (Paris) Printer : Mourlot (Paris) Catalog : Vallier 171 The work we propose is one of the four lithographs taken from the illustrated book "Descente aux Enfers" written by Marcel Jouhandeau and published by the Nouveau Cercle Parisien du Livre in 1961. The novelist retraces the itinerary of his return to his native town, Guéret, through encounters with the people he knew as a child. Anxiety intrudes as he ventures into this place, the first theater of his inspiration. Between nostalgia, melancholy and hope, the novel echoes the personal torments of the author, torn between his homosexuality and his Catholic education. If God seems to haunt him, introspection and morality obsess him: "If man does not understand hell, it is because he has not understood his own heart...". The image of a flight of birds as created by Braque might seem dissonant with Jouhandeau's text. However, for Braque the bird is not an imitation of the animal but a form that conveys a meaning, it is a sign, as he reminds us: "We must not imitate what we want to create. It is then that this bright orange bird flight...

Bold modern colours synonymous with the modern art movement make up this original Mourlot printed Henri Matisse lithograph, after a gouache on paper cut-out. The cut-out is based on ...

Pierre Soulages Lithographie sur papier Papier: 12.25 x 9.5in Cat Bnf n° 76 Signée au dos a droite, datée 70. Provenance : Collection privée Épreuve parue dans le n. 34 de la revue XXe Siècle. Mourlot, Paris, imprimeur ; XXe Siècle, Paris, éditeur. About Pierre Soulages : Pierre Soulages est né le 24 décembre 1919 à Rodez et décédé le mardi 25 octobre 2022 à l’âge de 102 ans. Il a été inhumé le vendredi 4 novembre au cimetière Montparnasse. Très jeune il est attiré par l’art roman et la préhistoire. Il commence à peindre dans cette province isolée que n’ont pas pénétré les courants artistiques contemporains. À 18 ans, il se rend à Paris pour préparer le professorat de dessin et le concours d’entrée à l’École Nationale supérieure des Beaux-Arts. Il y est admis mais convaincu de la médiocrité de l’enseignement qu’on y reçoit refuse d’y entrer et repart aussitôt pour Rodez. Pendant ce bref séjour à Paris il fréquente le musée du Louvre, il voit des expositions de Cézanne et Picasso qui sont pour lui des révélations. Mobilisé en 1940,il sera démobilisé en 1941. Paris occupé, il se rend à Montpellier et fréquente assidûment le musée Fabre. Montpellier à son tour occupé, commence pour lui une période de clandestinité pour échapper au STO pendant laquelle il ne peint plus. Ce n’est qu’en 1946 qu’il peut consacrer tout son temps à la peinture. Il s’installe alors dans la banlieue parisienne. Ses toiles où le noir domine sont abstraites et sombres. Elles sont aussitôt remarquées tant elles diffèrent de la peinture demi-figurative et très colorée de l’après-guerre. Il trouve un atelier à Paris, rue Schoelcher, près de Montparnasse. En 1948, il participe à des expositions à Paris et en Europe, notamment à « Französische abstrakte malerei » dans plusieurs musées allemands. Il est de beaucoup le plus jeune de ce petit groupe de peintres où se trouvent les premiers maîtres de l’art abstrait, Kupka, Domela, Herbin, etc. L’affiche est faite avec une de ses peintures en noir et blanc. 1949, exposition personnelle à Paris, galerie Lydia...

Richard Florsheim created this color lithograph entitled “Carnival” in 1972 in an edition of 30 pieces. Published by Associated American Artists and printed by Landfall Press, this i...

Edward Avedisian (1936-2007) Green Gold, 1969 Lithograph in color on Arches wove paper. Hand signed, dated and numbered in pencil. Edition 100 Dimensions: 22.25 inches X 30.25 inch...

John Willenbecher On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 2...

Art Expo 82 San Francisco Poster. Measures 36 x 24 inches and is unframed. The piece is in Fair Condition-discoloration/wrinkling/surface abrasion...

Lithograph, 1966 Handsigned by the artist in pencil and numbered 34/150 53.50 cm. x 74.00 cm. 21.06 in. x 29.13 in. (paper) 48.00 cm. x 69.00 cm. 18.9 in. x 27.17 in. (image) LCD5871

À la gloire de l'image et art poétique, 1976 by Zao Wou-ki Printed by Ediciones Polígrafia, Barcelona The portfolio, comprising 15 Lithographs in color, With the printed signatures and dates on each. accompanied by the title page and text in French by Roger Callois, lacking the justification, loose, as issued, contained in a paper wrapper, lacking the cloth wrapper case, with central fold as issued. image 40 x 67 cm; sheet 49.7 x 71.6 cm image 15 ³/₄ x 26 ³/₈ cm; sheet 19 ⁹/₁₆ x 28 ³/₁₆ cm Edition of 300 plus 15 Artist Proofs. Literature: Catalogue Raisonné of Zao Wou-ki's graphic works (AGERUP) plates 271-285 About the Artist: Born in 1920 in Beijing, Zao Wou-Ki attended the National School of Arts, Hangzhou for six years under the supervision of Lin Fengmian...

Jasper Johns Target with Four Faces, 1968 Offset lithograph poster for Merce Cunningham Dance Company Limited Edition of 300 (unsigned and unnumbered) 35 × 23 inches Printed by by U...

A Duet of two lithographs by Herni Matisse, both of the same motif - climbing ivy. 'Lierre en Fleur' is Signed on the plate by Matisse. Each piece is 14"x...

Lithograph realized by Lorenzo Indrimi in 1970s. Edition of 150. Hand signed and numbered. Very good condition.

Oiseau et Lotus is a color lithograph on paper, realized by the French Cubist artist, Georges Braque (1882-1963). Printed by ARTE in 1963 by order of Galerie Maeght in Paris in a ci...

Lithograph, 1953 Handsigned by the artist in pencil and numbered 27/100 Printer : Jean Pons (Paris) LCD5358

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 2 (double) Janvier 19...

This lithographic poster was printed in 1981 at the Atelier Mourlot in Paris. In the early 1970s, Air France commissioned Roger Bezombes to create original artworks capturing the s...

Set against a blank white background, the light brown horse in this print by Pablo Picasso is outfitted to pull a carriage or wagon. A lithograph from the Marina Picasso Estate Colle...

A very good impression of this scarce and early lithograph on Arches. Edition of 50. Printed at Hollander's Workshop, Inc., New York, with the blind stamp lower right. Provenance: ...

Artist: Henri Matisse (after) Title: Acanthes Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 10 1/2" Signature: No Reference...

Artist: (after) Robert Motherwell (American, 1915-1992) Title: "Art 1981 Chicago" *Issued unsigned, though signed and dated by Motherwell in the plate (printed signature) upper right Year: 1981 Medium: Original Lithograph, Exhibition Poster on Dove paper Limited edition: 2,000. (There was also a signed and numbered edition of 150 on Arches Cover paper without margins or text) Printer: Roger Campbell and Lee Funderburg of Tyler Graphics Ltd., Mount Kisco, NY Publisher: Lakeside Group, Chicago, IL Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap No. 249, page 247; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 282; "Tyler Graphics - Catalogue Raisonné, 1974-1985" - Tyler No. 410:RM29, page 246 Sheet size: 39.5" x 27.5". Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Notes: Printed in four colors: light tan, orange, deep red, and black. Poster produced for a special exhibition of various artists' work at the Chicago International Art Exposition, Chicago, IL from May 14-19, 1981. The image featured on this poster is Motherwell's 1977 collage "Untitled". This poster was the official poster for the 1981 Chicago International Art Exposition. Printer's imprint and artist's copyright lower center. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Artist: Henri Matisse (after) Title: Danseuse Creole Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Frame Size: 21 1/4" x 17" Sheet Size: 14" ...

Keith Haring Rain Dance 1985: RARE original 1980s Keith Haring illustrated poster announcement for a legendary Keith Haring UNICEF benefit party at Larry Levan’s Paradise Garage in 1985. An event organized & curated by Keith Haring; with cohosts including Jean-Michel Basquiat, Andy Warhol, Roy Lichtenstein & more. A event organized by Haring on behalf of UNICEF’s African Emergency Relief Fund. Beautifully combines Haring’s trademark kinetic figures set amidst a standout blue and black color-way. Rare. Medium: Offset lithograph in colors on smooth wove paper. 1985. Dimensions: 8.5 x 11 inches (folded open). Fair overall vintage condition. Minor wear to center fold-line; minor separation to the mid far-left edge; surface loss lower left. Otherwise well-preserved. Printed signature, ‘Keith Haring 1985’ on lower right from a scarce edition of unknown. Looks fantastic framed. More on Keith Haring Rain Dance: Curated and organized by Keith Haring, Rain Dance was a 1985 benefit for UNICEF’s African Emergency Relief Fund. Participating artists famously included: Jean-Michel Basquiat, Larry Levan, Fred Brathwaite, Christo, Francesco Clemente, George Condo, Crash, Futura 2000, Jenny Holzer, John Lennon, Roy Lichtenstein, Robert Mapplethorpe, Brice Marden, Robert Morris, Yoko Ono, Lee Quiñones, Robert Rauschenberg, Kenny Scharf, Julian Schnabel, Richard Serra, Cindy Sherman, Tseng Kwong Chi, and Andy Warhol. _ Keith Haring (American, 1958–1990), a Neo-Pop and Graffiti artist, had a short but prolific career centered on a vision to unite “high art,” urban aesthetics, and public spaces using humorous, irreverent, and poignant works. Born in Pennsylvania, Haring attended the Ivy School of Art in Pittsburgh for two years, planning to become a commercial artist. He found this path unsatisfying, and instead chose to study at the School of Visual Arts in New York, where he met fellow artists Jean Michel Basquiat and Kenny Scharf. Haring immersed himself in the culture of the city’s streets and clubs, and, in 1980, began covering the blank billboards on subway station walls with his Subway drawings in chalk. Haring’s bold public art attracted the attention of several galleries, and, by the early 1980s, he was painting Neo-Pop works and large murals full time. In an effort to make his art widely accessible, Haring opened the Pop Shop in 1986 in downtown New York, selling commercial items adorned with his signature, cartoonish imagery. Haring combined graffiti, hip-hop, and urban aesthetics, frequently depicting animals, figures, commercial icons, sexual imagery, and childlike motifs in pieces that were both playful and concerned with social issues. His work became increasingly confrontational following his 1987 diagnosis of AIDS. Haring resolved to work harder than ever in his remaining years, creating pieces with a fervent speed and devoting his art to social action in addition to his personal expression. In 1989, he established the Keith Haring Foundation, whose goal is to promote art programs and public spaces for children, and to raise awareness about AIDS. Haring died on February 16, 1990 in New York at the age of 31. In addition to hundreds of exhibitions held during his lifetime, Haring has been the subject of numerous retrospectives in New York, San Francisco, Paris, Tokyo, Los Angeles and Berlin since his death. Related Categories: Keith Haring posters. Keith Haring activist poster. Keith Haring Dancers. Street art. Graffiti. 1980s. Keith Haring Larry Levan. Keith Haring Paradise Garage...

Lithograph, 1978 Handsigned by the artist in pencil and numbered 10/100 Publisher : Jacques Putman (Paris) Printer : Clot Bramsen (Paris) This lithograph reveals the artist's proxim...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Giacometti, Alberto, et al. Giacometti: The Com...

Lithograph, signed lower right, Number: 24/75 Alechinsky was born in Schaerbeek. In 1944 he attended the l'École nationale supérieure d'Architecture et des Arts décoratifs de La Cam...

Artist: Robert Natkin, American (1930 - 2010) Title: Untitled - IV Year: circa 1977 Medium: Lithograph, Signed in Pencil Size: 31 in. x 24 in. (78.74 cm x 60.96 cm)

"Invading Knight" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and wrote the title/edition number 200/275, in the lower left corn...

Mirror #7 (C.112) is a screenprint and lithograph on paper, 29.75 x 17.37 inches, signed and dated 'rf Lichtenstein '72' lower right and numbered 62/80 lower left. From the edition of 96 (there were also 10 AP, and 6 other various proofs). Framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.125, #112. About Lichtenstein’s Mirror...

Artist: Adja Yunkers, Latvian/American (1900 - 1983) Title: Pueblo Year: 1977 Medium: Lithograph, Signed, Dated and Titled in Pencil Edition: 70, Shop Proof Size: 33.5 x 25 in. (85.0...

Artist: Henri Matisse (after) Title: Bateau Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 10 1/2 Signature: No Reference: D...

Sean Scully Shadow, 1970, 2016 (hand signed) Offset lithograph card Boldly signed in black marker by Sean Scully Published by Cheim & Read on the occasion of the exhibition "Circa '...

From the Peace Portfolio I. Color litho on Rives BFK. Signed, numbered (50/175), dated in pencil in lower right corner. Blind stamp lower right. Printed by Solomon and Company, New ...

Artist: After Joan Miro (1893-1983) Title: Sculptures et Ceramics Year: 1973 Medium: Lithograph exhibition poster on wove paper Size: 32.5 x 22 inches Condition: Excellent Notes: Pub...

Héliogravure on Papeterie de Mandeure vélin paper. Paper Size: 16.93 x 11.22 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Dalí, ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...