1960s Abstract Prints

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró, Cata...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró, Cata...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró, Cata...

Medium: original lithograph. Printed in 1969 for the art revue XXe Siecle (issue number 33) and published in Paris by San Lazzaro. Size: 12 1/4 x 9 3/8 inches (310 x 238 mm). Not si...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

Artist: Arturo Bourasseau, Chilean/Puerto Rican (1946 - ) Title: Sinoptico Year: 1967 Medium: Silkscreen on Acrylic, signed and titled in pencil Size: 22 x 30 in. (55.88 x 76.2 cm)

Joan Miro - 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) reserved for collaborators, there was also a larger edition of 2000 From "Prints from the Mo...

Adja Yunkers: 1900-1983. Well listed artist and printmaker. He was born in Riga Latvia and emigrated to the U.S. He is in the permanent collections of the Guggenheim and Museum of Mo...

Artist: David Simpson (American, b. 1928) Title: Ovograph Year: c. 1969 Medium: Serigraph, signed and numbered in pencil Edition: 50 Image Size: 29.5 x 22 inches Size: 40 x 2...

"Femme Au Collant Rose" by Rufino Tamayo is a Figurative Abstraction lithograph limited edition measuring 30x22 in. The piece is framed beautifully with a white mat in a gold and bla...

Artist: Antoni Tapies, Spanish (1923 - 2012) Title: Le Riz Year: 1969 Medium: Etching with Aquatint with Carborundum on Chiffon de Mandeure, signed and numbered in pencil Edition...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

This dynamic work was realized by the esteemed 20th Century modern artist Mon Levinson in 1964. The work was realized in 1964, and printed in 1965 by Chiron Press in New York- the same year that Levinson was included in the seminal Op-Art exhibition "The Responsive Eye", alongside contemporary luminaries such as Bridget Riley. An identical work from this edition resides in the permanent collection of the New York MoMA. This mixed media work consists of an translucent vinyl sheet layered over a print- part etching, part lithograph. The clear vinyl sheet is embossed with a tight pattern of sinuously curved repeating black lines and is subtly raised in places- creating a subtle three dimensionality and dynamic sense of movement. The paper is inscribed with the same recurring pattern of snaking black lines, like a fine filigree, with two weighty black geometric forms that appear to crowd the composition. Smaller geometric forms reside within creating the apparition of negative space in the bone hued paper. The juxtaposition of the delicate texture and colossal feeling forms imbues the piece with a stunning dynamism and tension, helping to explain why Levinson is among the most influential and important artist to come out of the Op Art movement. His work is in the permanent collections of important institutions around the world including the Museum of Modern Art as well as the Whitney Museum of American Art in New York. Signed by the artist and marked 18/200. The work comes presented in a custom walnut and white gilt frame...

Lithograph, 1968 Handsigned by the artist in pencil and numbered 48/120 Printer : Mourlot, Paris Catalog : Sorlier 183 72.00 cm. x 51.00 cm. 28.35 in. x 20.08 in. (paper) 68.00 cm. ...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (201...

Artist: Gabor Peterdi, Hungarian (1915 - 2001) Title: Hawaii Year: 1969 Medium: Color Etching on BFK Rives paper, signed and numbered in pencil Edition: 146/200 Image Size: 10 x 7 in...

Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...

Artist: Robert Indiana, American (1928 - 2018) Title: New Glory Banner from the American Dream Portfolio Year: 1963 (1997) Medium: Serigraph Edition: 395 Image Size: 17 x 10 inches S...

Lithograph, 1961 Handsigned by the artist in pencil Catalog : Vallier 171 Mourlot 78 32.00 cm. x 25.00 cm. 12.6 in. x 9.84 in. (paper) 28.00 cm. x 21.00 cm. 11.02 in. x 8.27 in. (...

Born in 1922 in Saint-Marcellin, in Isère, André Cottavoz studied at the École des Beaux-Arts in Lyon in 1939. In 1942, Cottavoz at 20 years, he is in class 22 and must go to the Com...

From a larger portfolio named "Quelque Fleurs Pour Des Amis" (Some Flower for Friends), this simple print by Spanish Surrealist artist Joan Miro was de...

A very good impression of this color lithograph. Signed and numbered 38/50 in pencil by Chagall. Catalogue reference: Mourlot 541

Artist: Alexander Calder Medium: Lithograph Title: Derriere le Miroir #201 Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed ...

Milton Glaser Sony Tape, Full Color Sound poster 1980: Vintage original 1980s Milton Glaser poster designed by Glaser for the world-recognized brand Sony. A classic Milton Glaser advertising design featuring the profile of a 19th-century music listener silhouetted against music liner paper. Offset lithographic poster in colors. 30 x 45 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Vintage original print. Milton Glaser printed signature upper left; from an edition of unknown. Literature: Milton Glaser Posters, Glaser, pg. 251. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), the work...

Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Size: 13.3 × 10.7 on 14.8 × 10.9 inches Reverse Side: Continued text about "Peintures Pour De...

Joan MIRO The Surrealist Dream, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFERENCE ...

Artist: Alexander Calder Medium: Lithograph Title: Red and Blue Spheres Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed Size: 21 1...

This screenprint was created by Welsh artist Gordon House (1932-2004). House was a designer and painter whose hard-edged abstract works reflected the dramatic tensions of his graphic...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Untitled Year: 1968 Medium: Silkscreen on Japon paper, signed and numbered in pencil Edition: 10 Image Size: 17 x 17 inches S...

Neutral-toned abstract contemporary collage print on paper by Conrad Marca-Relli. The piece depicts two abstract shapes--the one on the left with a newspaper print. Edition 12 out of...

Shelly (Sheldon) Fink (American, 1925-2002), "Tommy's Tree House" Artist Proof, Figurative/ Landscape Lithograph signed on Paper, 17 x 14, Late 20th Century, 1964 Color: Black and White Sheldon Fink was born in 1925 in Brooklyn, NY. He attended the High School of Music and Art in Manhattan, and won Tiffany Foundation grants in 1957 and 1963. Shelly's work has appeared at the Albany Art Institute, the Berkshire Art...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Lithograph, 1964 Handsigned by the artist in pencil and numbered 16/100 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (paper) 65.00 cm. x 48.00 cm. 25.59 in. x 18.9 in. (image) LCD5064

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Nature Prays Without Words IV Year: 1967 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 68/150 Image: 28.75 x ...

Lithograph on vélin paper. Paper Size: 11.181 x 14.173 inches. Inscription: Signed in the plate and unnumbered, as issued. From the folio, Hans Hartung: Peintres d'aujourd'hui, 1962....

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (201...

Artist: Ernest Tino Trova, American (1927 - 2009) Title: Falling man going abstract Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: ...

"Composition" is an abstract lithograph in purple, red, and yellow by Paul Jenkins. 10" x 7 1/2" art 20 1/2" x 18" framed Paul Jenkins was a monumental figure of American Abstract...

Artist: Gabor Peterdi, Hungarian (1915 - 2001) Title: Maui Year: 1969 Medium: Color Etching on BFK Rives paper, signed and numbered in pencil Edition: 146/200 Image Size: 10 x 7 inch...

"Mi Gato" is an original collagraph by Joseph Rozman. The artist signed, dated, and titled the artwork below the image. This artwork is the artist's proof. This artwork features an a...

Artist: Gabor Peterdi, Hungarian (1915 - 2001) Title: The Reef Year: 1969 Medium: Color Etching, signed and numbered in pencil Edition: HC 10 Image Size: 17.5 x 24 inches Size: 23.5 ...

Lithograph, 1969 Handsigned by the artist in pencil and numbered 137/150 Publisher : Alain Mazo, Paris Printer : Mourlot, Paris Catalog : Prudhomme & Moestrup p.134 68.20 cm. x 82.80...

Joan MIRO The Surrealist Boat, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFERENCE :...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

'Winter Silhouettes,' a small and delicate print, is an original offset lithograph by the Milwaukee artist Schomer Lichtner. The composition displays registers of foliage, emerging from the white of the paper as though emerging from the snow-covered ground. The artwork is thus plays with the materials of printmaking; the paper is both the support and the primary indication of the season. The subtle texture of the tooth of the paper also adds life to the image, giving the snow a wind-swept, creature trodden surface. The free forms of the grasses and leaves resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. 3.75 x 2.75 inches, image 5.5 x 4.5 inches, paper 10 x 8 inches frame Signed and dated in the stone, lower right Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a cherry wood moulding Overall excellent condition; some toning to edges of paper; some minor abrasions to frame Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows and elegant ballerina dancers. Lichtner also painted all sorts of combinations of beautiful women, flowers and country landscapes. James Auer, former Milwaukee Journal Sentinel art critic, said that his art eventually "exploded into expressionistic design elements with bold, flat areas of color and high energy that anticipated Pop Art." Auer went on to describe Lichtner’s work as full of "wit, vigor and virtuosity." As early as 1930, Lichtner’s work was shown at the prestigious Carnegie International Exhibition in New York and at museums throughout the Midwest. As a student, he was a protégé of another icon of 20th century American art, Gustave Moeller. Lichtner and his wife, Ruth Grotenrath (1912-1988), are celebrated as Milwaukee’s first couple of painting and are regarded as major Wisconsin artists. Lichtner’s impressive production, perseverance, longevity, and positive approach to his life and art made him and his work distinctive and much loved by his many admirers. His work is currently represented in collections at the Milwaukee Art Museum, the John Michael Kohler Art Center, the West Bend Museum, and in the collections of many individuals. Books on the lives and art work of both Lichtner and Grotenrath are in progress and it is anticipated that they will be published next year. Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

M. Peter Piening was born on March 14, 1908 in Grabow, Germany. He began his education at a private school in Italy, studied at the Jesuit school of Kloster Ettal in Bavaria, and attended the German Stettin Gymnasium, where he graduated in 1926. Between 1926 and 1928 Piening studied design at the Bauhaus in Dessau, Germany. There he was taught by multiple famous twentieth-century artists, including Joseph Albers, Paul Klee and Mies van der Rohe. After receiving his master’s degree from the Bauhaus in 1929, Piening enrolled at the University of Berlin and obtained his PhD in philosophy in 1931. Piening spent his early career free-lancing as an illustrator and artist for various publishing companies, eventually settling in Paris to work for Condé-Nast’s French publication of Vogue. In 1934 he moved to the United States to work in Condé-Nast’s New York City office. For the next two decades, Piening worked for many important advertising agencies and magazine publishers, including the N. W. Ayer and J. Walker Thompson agencies and Life and Fortune magazines. As art director for Life in the 1930s and for Fortune in the 1940s, Piening completely redesigned the layout of each magazine. He also redesigned the layouts for thirty-four other major American magazines, including Town & Country and Cosmopolitan. Through his design work, Piening had a great impact on the American public, although the millions who encountered his work most likely never knew his name. Between 1934 and 1964, Piening designed over sixty logos and trademarks for internationally-known products and companies. His most widely-recognized logo may have been the three interlocking rings of Ballantine beer. Piening’s other trademark designs include the Lincoln Zephyr...

Artist: Gabor Peterdi, Hungarian (1915 - 2001) Title: Mauna Loa II Year: 1969 Medium: Color Etching on BFK Rives paper, signed and numbered in pencil Edition...

A very good impression of this color lithograph on Rives BFK. Signed and numbered 30/40 in pencil. Printed by Mourlot, Paris. Published by Galerie Karl Flinker, Paris. From the same-...

Yayoi Kusama Driving Image Show: An impossibly rare 1960s Kusama exhibition poster/brochure, published on the occasion of: Yayoi Kusama at Galleria del Naviglio Milan: Jan. 26-Feb. ...

Artist: Joan Miro Title: Plate 2 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 15...

André LANSKOY (1902-1976) Composition Lithographic poster Editor: Mourlot Dimensions: 58.5 x 47.5 cm André Lanskoy was one of the great painters o...

John Willenbecher On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 2...

City 14. 1964, monotype, 47x62 cm Soikans Nikolay, pseudonym Niklo de Martell (till 1953.) 1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist. He was born at ...