1970s Abstract Prints

Untitled is an original realized by Tommaso Cascella in 1972. Serigraph on paper. Signed and dated on plate on the lower margin (Tommaso Cascella 72). Edition on 50 prints. Printed b...

Artist: Larry Zox (1937-2006) Title: Two Square Composition Year: 1978 Edition: 13/20, plus proofs Medium: Silkscreen on japon paper Size: 18 3/4 x 26 inches Condition: Good Inscript...

Artist: Babe Shapiro, American (1937 - 2016) Title: Green v. 2 Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: 75 Image Size: 28 x 28 inches Size: 35 x 35...

Artist: Ellsworth Kelly Title: Black/White/Black (A. 63) Year: 1970 Medium: Lithograph on Special Arjomari paper Edition: 48/75; signed and numbered in pencil Sheet: 42 3/10 × 29 4/...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

A lithograph print by Karel Appel from 1974. An expressionist portrait of two figures in bright contrasting colors. Artist: Karel Appel, Dutch (1921 - 2006) Title: Deux Personnage ...

Antoni Clave Guerrier, 1970 Etching with Aquatint, signed and numbered in pencil Edition: 73/75 lower left Signed lower right Size: 76 x 56 cm FREE SHIPPING

This colorful abstract original lithograph was printed at the Atelier Mourlot in 1974. This print is marked "H.C." on the bottom righthand corner, indicating it is a "Hors Commence" ...

Limited edition of 99 prints, numbered and hand signed. Fair conditions.

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square, Grisaille and Patina, 1977 (no. 6) Color d'après silkscreen, mm. 207x207. (from 1962 oil on masonite). Perfect copy...

Abstract Composition is an original lithograph artwork realized by Antonio Sanfilippo in 1971. Hand-signed and dated in pencil on the lower right. Numbered on the lower right. Edit...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró I Date of creation: 1975 Medium: Lithograph Media: Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: I...

A very good impression of this color aquatint on J. B. Green paper. Signed and numbered 5/50 in pencil by Motherwell. Printed by Catherine Mousley in the artist's studio, Greenwich, ...

Artist: Joan Miro Title: Plate II Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x...

James Rosenquist Art Gallery, from the Estate of Nina Castelli and the Collection of Ileana Sonnabend (Glenn, 41), 1971 Color lithograph on Rives BFK ...

Rosenquist Exhibition Poster is an original contemporary artwork realized in 1970. Offset poster realized in occasion of the James Rosenquist ex...

Untitled is a modern artwork realized by Aldo Turchiaro. Black and white etching. Hand signed and numbered on the lower margin. Edition of IV/XXV Includes frame.

Hand signed and numbered lithograph in colors on Arches paper. Mourlot 1025. Published by Maeght Éditeur, Paris. Edition of 27/30. Artwork size 91.375 x 47.875 inches. Custom framed ...

Artist: (after) Robert Indiana (American, 1928-2018) Title: "Louisiana Museum of Modern Art (LOVE)" Year: 1972 (First edition) Medium: Original Screenprint, Exhibition Poster on heav...

Silksreen, 1970 Handsigned by the artist in pencil and numbered 63/145 70.00 cm. x 50.00 cm. 27.56 in. x 19.69 in. (paper) 44.30 cm. x 44.50 cm. 17.44 in. x 17.52 in. (image) The V...

Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #10 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 40 x 25 inches

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of XXX/XXX.

Hand signed, and han written in pencil "H.C." (hors commerce). Edition of 150 numbered in Arabic numerals on Rives with “Miro” watermark + 20 numbered in Roman numerals on Rives wit...

Artist: Loretta Dunkelman (1937 - ) Title: Little Queen from the Delphi Stadium Series from the A.I.R. Women's Portfolio Year: 1...

Artist: Nicholas Krushenick Title: Greensboro Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 34 x 26 inches

Coral 7 is an original hand drawn lithograph by the NY woman artist, Joan Melnick. Inspired by the fragile beauty of ocean reefs with their exotic aquatic a...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Myriam Bat-Yosef Surrealist abstract lithograph print in colorful abstract shapes and shades Hand signed and dated 1971. sheet measures 9.25 X 9.25 inches The envelope and the Peter Buch poster is just for provenance and is not included in this sale. Myriam Bat-Yosef, whose real name is Marion Hellerman, born on January 31, 1931 in Berlin, Germany to a Jewish family from Lithuania, she is an Israeli-Icelandic artist who paints on papers, paintings, fabrics, objects and human beings for performances. Myriam Bat-Yosef currently lives and works in Paris. In 1933, her family fleeing the Nazi Holocaust, Miriam Bat-Yosef emigrates to Palestine and settles in Jaffa. In 1936, she suffers a family tragedy, her father, militant Zionist, is called to fight, still recovering from an operation of appendicitis. The incision will become infected, antibiotics did not exist yet, and her father will die in the hospital after 9 months of suffering. Myriam and her mother leave Palestine to live in Paris for three years. French is Myriam's first school language. In 1939, still fleeing Nazism, she returned to Palestine, leaving France by the last boat from Marseille. She moved to Tel Aviv with her mother, aunt and maternal grandmother. In 1940, she began attending the Academy of Fine Arts in Tel Aviv and took her name as an artist, Bat-Yosef, which means Joseph's daughter in Hebrew, as a tribute to her father. In 1946, Myriam graduated as a kindergarten teacher but wanted to be an artist. Her mother enrolled her in an evening school to prepare a diploma of art teacher. At 19, she performs two years of military service in Israel. In 1952, with a pension of $50 a month that her mother allocated, she went to study at the Beaux-Arts in Paris. To survive, she has several activities while studying. In 1955, she had her first solo exhibition, at the Israeli Club on Wagram Avenue in Paris. Many artists, such as Yaacov Agam, Yehuda Neiman Avigdor Arikha, Raffi Kaiser, Dani Karavan and sculptors Achiam and Shlomo Selinger attended the opening . In 1956, she enrolled at the School of Fine Arts in Florence. This is where she meets the painter Errô. They share an icy studio in winter. Myriam moves to Milan with friends. She organizes a joint exhibition with Erro, one room each, at the Montenapoleone gallery. Her works are admired by the sculptor Marino Marini and the painters Renato Birolli and Enrico Prampolini. Myriam and Erro exhibit in Rome, Milan, Florence and meet many personalities: Alain Jouffroy and his wife, the painter Manina, Roberto Matta and his wife Malitte, textile artist who was one of the founders of the Pompidou Center. Back in Paris, Myriam and Erro get married, which allows Myriam to avoid being called into the Israeli army during the Suez Canal War. In 1957, Myriam and her husband went to Iceland. Myriam works in a chocolate factory. Having enough money, she starts producing art again. She exhibited in Reykjavik's first art gallery. She meets the artist Sigridur Bjornsdottir, married to the Swiss painter Dieter Roth . In 1958, Myriam and her husband leave for Israel. They exhibit in Germany, then in Israel. Back in Paris, the couple became friends with artists of the surrealist movement, such as Victor Brauner, Hans Bellmer, the sculptor Philippe Hiquily, Liliane Lijn, future wife of Takis and photographer Nathalie Waag. Erro and Myriam have a daughter on March 15, 1960, named Tura, after the painter Cosmè Tura, but also close to the Icelandic Thora or the Hebrew Torah. Bat-Yosef’s complex trajectory throughout the 20th century is linked as much to the transnational history of what was for a time called the School of Paris as it is to a certain legacy of Surrealism. Her work features the same idea of resolving antinomies that also defined the spirit of surrealism, and is enhanced with her readings of the Kabbalah and her spiritual grounding in Taoism. However, while there are reasons for her approach to be associated with the process of the ready-made, it is important to consider the immediate intrication of these works with her practice of performance, during which the body itself is also painted – a feminist response to Yves Klein’s Anthropometries (1960) and an echo of the happenings which Jean-Jacques Lebel organised at the time in Paris. In 1963, Erró told Myriam that if she wants to be a painter, she can not be his wife. Myriam chose to be a painter and the couple divorced in 1964. Since that time, Myriam Bat-Yosef has exhibited in many countries: Europe, United States, Japan, etc. Although long in the shadows, the work of Myriam Bat-Yosef has been greeted by many artists and personalities: Anaïs Nin, Nancy Huston, André Pieyre of Mandiargues, José Pierre, René de Solier , Jacques Lacarrière, Alain Bosquet, Pierre Restany, Sarane Alexandrian and Surrealist André Breton who, after a visit to her studio, confided to having been intrigued by its phantasmagorical dimension. She was included in the book Pop Art and Beyond: Gender, Race, and Class in the Global Sixties by Mona Hadler and Kalliopi Minioudaki. Extract "World Citizen, Artist of the Pop Era Sarah Wilson; Why do we know so little of Myriam Bat-Yosef, the most important female Israeli artist of the Pop era? Issues of identity and sexuality feature constantly in her work. She exhibited internationally from Reykjavik to Tokyo; she had two shows at Arturo Schwarz’s famous Dada/surrealist gallery in Milan; she participated in feminist art events in Los Angeles. Above all, in 1971, she conceived Total Art, a Pop Gesamtkunstwerk inside and outside the Israel Museum, Jerusalem. Painter, performer, and installation artist, she was also a lover, wife, and mother. Of Lithuanian-Jewish descent, she was close to the family of philosopher Emmanuel Levinas. An émigré in Paris she would repudiate a national passport, participating in Garry Davis’s short-lived “World Citizens” movement. She continues the lineage of women surrealist artists: Valentine Hugo, Leonor Fini, Dorothea Tanning, Leonora Carrington, Unica Zürn, Jane Graverol, Toyen, Alice Rahon...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 212, published by Aimé Maeg...

This one is titled "Little Animals" and depicts drawings of small animals over an abstract forest background in green, red and tan with a quali...

ETERNAL CITY JERUSALEM is a unique, rare Trial Proof from a limited edition etching by the Israeli artist Moshe Castel (1909-1991), hand printed using traditional intaglio printmaking techniques on archival Arches paper 100% acid free. ETERNAL CITY JERUSALEM presents a deep red and orange brown ochre colored stone tablet...

Paul Levy (American, b. 1944) An established designer and illustrator, Paul M. Levy was born in Brooklyn, New York, in 1944. He received his B.S. in Industrial Design from the University of Cincinnati, Ohio in 1968, returning later to do independent study there. He also did independent study at Pratt Institute, Brooklyn, New York, in 1969 and received an M.F.A. in Sculpture and Printmaking from Ohio University, Athens. From 1964 through 1971 he worked for design firms in Ohio, New York and California. From 1971 through 1973 he taught at the University of Cincinnati and Ohio University, Athens. He has exhibited in galleries, museums and art groups. In 1971 he was one of a number of artists who created enormous outdoor murals in a Cincinnati project called "Urban Walls." His graphic designs and illustrations for such firms as Container Corporation of America have appeared in publications such as Fortune, Business Week...

Artist: Karel Appel Title: Resting Cat Portfolio: 1978 Cats Medium: Lithograph in colors on Japon paper Date: 1978 Edition: XV/LXV Sheet Size: 24 3/4" x 32 1/4" Signature: Hand signe...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Dark Composition is an original artwork realized by Henry Goetz in the 1970s. Colore etching on paper. The print is hand-signed in pencil on the lower ri...

Artist: Nicholas Krushenick Title: Silver Image Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 32 x 26 inches (81.28 x 66.04 cm)

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Orion Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250 Image Size: 26 x 19 inches Size: 30 in. x 22 in. (...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 381 Year: circa 1972 Medium: Serigraph Sight size: 19.25 x 25.5 inches. Sheet size: 22.75 x 28.75 inches. Signat...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 210, 1974. Published by Aim...

Untitled - Man and Bird I Dimitri Petrov, American (1919–1986) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 250 Image Size: 22 x 29.5 inches Size: 22 x 30 in...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Force Field (Purple) Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 21 x 25 inches S...

Artist: Gilou Brillant (1935- ) Title: Untitled Year: 1975 Medium: Aquatint Etching with Carborundum, signed in pencil Size: 22 in. x 30 in. (55.88 cm x 76.2 cm) Frame Size: 29 x 3...

Turquoise Ball is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Not signed and not numbered Good co...

Hand signed and numbered. Edition of 100 prints. On headed paper.

This artwork titled "Innocence" from the suite, Pleni Luna, 1974, is an original color lithograph on watermarked Arches paper by Cuban artist Wilfredo Lam, 1902-1982. It is hand sig...

The Sibyl is an original Contemporary artwork realized in the 1972 by the Italian artist Leo Guida. Original Etching on paper. Numbered, titled and dated on the lower margin in pe...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Untitled is an original Contemporary Artwork realized by Hans Richter (Berlin, 1888 - Minusio, 1976) in 1971. Hand-signed and dated in pencil on the lower right corner: Richter 71....

Abstract Turquoise Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lowe...

Engraving Handsigned by the artist in pencil and annotated EA Artist proof 91.00 cm. x 63.00 cm. 35.83 in. x 24.8 in. (paper) 76.50 cm. x 58.50 cm. 30.12 in. x 23.03 in. (image) Th...

Peter Stroud, British (1921 - 2012) - The Clifford Suite, Year: 1973, Medium: Screenprint, signed, dated and numbered in pencil, Edition: 44/45, Image Size: 27 x 36.25 inches, Size: ...

Poster Pericoli is an original offset poster about an exhibition of Tullio Pericoli in the famous Marino gallery at Rome in Navona's Square. The picture is in very good conditions o...

" Zodiaque " is an etching realized by Max Ernst in 1971. This print is hand signed and numbered. This is an edition of 100 prints. Reference: Catalogue Spies n. 144. Originally a ...

Artist: Salvador Dali Title: The Arrival of Iseult Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 3/4"...

Héliogravure on vélin paper. Paper size: 20.5 x 26.4 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et al. Pablo Picasso,...

This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 207, 1974. Published by Aim...

Abstract composition is an original colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower le...