Late 20th Century Abstract Prints

Artist: Stanley Hayter, British (1901 - 1988) Title: IV from the Aquarius Suite Year: 1970 Medium: Screenprint, signed and numbered in pencil Edition: 150; AP XXX Paper Size: 27 x ...

Artist: Takesada Matsutani Title: Fly Medium: Screenprint Signed: Hand Signed Edition: 13/175 Measurements: 23" x 28.5" Year: 1971 Note: This piece is sold UNFRAMED Condition:...

Jorge Machold (1940 Chemnitz - 2015 Berlin), Untitled, 1973. Color etching, 41.5 x 29.2 cm (plate size), 49.5 cm x 39.5 cm (sheet size), signed lower right in lead “J.[orge] Machold”...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this abstract painted composition, Ricard combines expressive poetry with vibrant color. A bright yellow forms the background for two rounded rectangles printed...

Artist: SICA, American (1932 - ) Title: Ruth Medium: Embossed Silkscreen on Foil Paper, Signed and numbered in pencil Edition: 19/150 Size: 24 x 19 in. (60.96 x 48.26 cm)

Artist: Jean-Marie Haessle - French/American (1939-) Title: To and Fro Year: 1980 Medium: Screen Print Sight size: 20 x 26 inches. Sheet size: 23 x 29 inches. Signature: Signed lower right Edition: 295 This one: 82/295 Condition: Very good Unframed This bold abstract geometric print is by the well-known French/American artist, Jean-Marie Haessle (1939- ). It is in very good, never-framed condition with no flaws to note. Jean Marie Haessle was born in Buhl, Haut-Rhin, France. After living for a few years in Paris, he moved to New York City in 1967 where he still works and lives in his studio on Spring Street in Soho. Over the years, he had numerous shows in the US, New York, Miami, Texas and California, France and Italy (see the resume). In the mid-80’s he worked for a period in France (Paris, Lyon, and Cannes). In the late 90’s he worked in Mexico (San Miguel de Allende) where he had a one person show in 1997 in the Museo de Art in Queretaro. He had a survey exhibition of the last 30 years of his work at the Korean University Museum, Seoul, Korea in spring 2014 and a major one person show in the Namu Modern &Contemporary gallery in Seoul in September of the same year. In September 2016 he had a sold out show at the Wada Garou gallery in Tokyo, Japan. In recent years, he had numerous shows in Korea, Seoul and Busan as well as in Japan, Tokyo, Kyoto, and Osaka. One-Person Exhibitions 2021 Mizuma, Kips Gallery New York, USA 2020 Shijimi Gallery and Wada Garou, Tokyo, Japan Mizuma, Kips Gallery New York, USA Keumsan Gallery, Seoul, Korea 2019 Mizuma, Kips & Wada Art, New York, USA 2018 Wada Garou, Tokyo, Japan Superior Gallery, Gangnam Seoul Korea 2017 Foley Gallery, New York, USA KOUDOURAN, Kyoto, Japan 2016 Wada Garou Gallery, Tokyo, Japan 2015 Soohoh Gallery, Korea Kips Gallery New York, USA 2014 Paintings 1983 – 2013, Korea University Museum, Seoul, Korea NaMu Modern & Contemporary, Seoul, Korea 2013 Wada Garou Gallery Tokyo, Japan Keumsan Gallery, Seoul, Korea 2012 Hillwood Art Museum, LIU Post, NU USA Gallery Wooduk. Seoul Korea SOOHOH Gallery, Seoul, Korea bcs Gallery, Long Island City, NY, USA 2011 Chantal Bamberger Galerie, Strasbourg, France Whitelabs Gallery, Milan, Italy Kips Gallery New York, NY USA 2010 David Richard Contemporary, Santa Fe NM, USA Gallery AKA Space, Seoul Korea Gallery One Tokyo, Japan 2009 Kips Gallery New York, NY USA La Minoterie Penze, France 2008 Galerie Claire Gastaud, Clermont-Ferrand, France Kips Gallery, New York, NY USA 2007 Kips Gallery, New York, NY USA 2000 Gallery Yvonamor Palix, Mexico DF Mexico 1997 Galerie Gastaud & Caillard, Paris France Galerie Prebet, Roanne France Galerie de la Tour, Altkirch France Ecole des Beaux Arts de Metz, Metz France Kunsthous Santa Fe, San Miguel de Allende Mexico Museo de Art, Queretaro Mexico Museo Regional de Tlaxcala, Tlaxcala Mexico 1996 Kim Foster Gallery, New York NY USA Galerie Gastaud, Clermont-Ferrand France 1995 Kim Foster Gallery, New York NY USA Galerie Gastaud & Caillard, Paris France Center Europeen d'action Artistiques Contemporaines, Strasbourg France Galerie Athisma, Lyon France 1994 Chateau du Grand Jardin, Joinville France 1993 Galerie Catherine Fletcher, Paris France 1991 Galerie Gastaud, Clermont-Ferrand France Galerie Athisma, Lyon France 1989 FCI Institut, New York NY USA Galerie Jade, Colmar France Galerie Laurentienne, Bordeaux France 1988 Galerie Lucien Durand, Paris France 1987 Galerie Lucien Durand, Paris France Guggenheim Gallery, Miami Florida USA 1986 LittleJohn-Smith Gallery, New York NY USA 1985 Reynold Kerr Gallery, New York NY USA Taylor Hudson Gallery, Boca Raton Florida USA 1981 Gabrielle Bryers Gallery, New York NY USA 1980 RR Gallery, New York NY USA 1979 National Academy of Sciences, Washington DC USA The Atlantic Gallery, Washington DC USA 1973 Westbroadway Gallery, New York NY USA 1972 Westbeth Gallery, New York NY USA 1968 Panoras Gallery, New York NY USA Selected Group Exhibitions 2021 KIAF art fair Seoul, Korea Busan Art Fair, Kips gallery, Busan, Korea Miami art fair, Miami, USA 2019 Busan Art Fair, Kips gallery, Busan, Korea Kiaf Art Fair, Mizuma, Kips & Wada Art, Seoul, Korea Osaka art fair, Wada Garou, Tokyo, Japan 2018 Mizuma, Kips & Wada Art, New York, NY USA Busan Art Fair, Kips gallery, Busan, Korea Wada Garou, Tokyo, Japan 2017 Busan Art fair, Kips Gallery, Busan, Korea 2016 Busan Art fair, Kips Gallery, Busan, Korea Art Hamptons, Kips Gallery, NY USA Busan Museum of Art, Busan, Korea “Master Works” Galerie Claire Gastaud, Clermont-Ferrand France “Diaspora in Contemporary Art” Permanent Mission of the Republic of Korea to the United Nation , NY USA Corps Accords Pôle Culturel, Drusenheim, France Salon Zurcher, Zurcher Gallery, New York, NY USA 2015 Palm Springs Art Fair, Kips Gallery, CA USA Houston Art Fair, Kips Gallery, Houston TX, USA Art Hamptons, Kips Gallery, NY USA KIAF Art Fair, Kips Gallery, Seoul, Korea Busan Art fair, Kips gallery, Busan Korea 2014 CIGEE China International Gallery Exposition, Kips Gallery, Beijing, China Palm Springs Art Fair, Kips gallery, CA USA Houston Art Fair, Kips Gallery, Houston TX, USA Art Hamptons, Kips Gallery, NY USA KIAF Art Fair, Kips Gallery, Seoul, Korea David Richard Contemporary, Santa Fe NM USA 2013 Art Hamptons, Kips gallery, NY USA Houston Art Fair, Kips gallery, Houston, TX USA KIAF Art Fair, Keumsan Gallery, Seoul, Korea 2012 Art Karlsruhe Germany, Galerie Chantal Bamberger Kips Gallery, New York, NY USA Lee C gallery, Seoul Korea 2011 KIAF Art Fair, Kips Gallery, Seoul Korea St-Art, Galerie Chantal Bamberger, Strasbourg France Houston Art Fair, DavidRichard Conremporary, TX, USA Red Dot Art Fair, Kips Gallery, New York, NY, USA Red Dot Art Fair, Miami, FL, USA Art Chicago, Kips Gallery, New York, NY, USA Wada Garou, Tokyo Japan San Francisco Art Fair, Kips Gallery NY, USA Dallas Art Fair, DavidRichard Contemporary Santa Fe, NM, USA 2010 David Richard Contemporary, Santa Fe, NM, USA Claire Gastaud Galerie, Clermont-Ferrand, France KIAF Art Fair, Kips Gallery, Seoul Korea Korean Art Fair, New York, NY Hong Kong Art Fair, Kips gallery Hamptons Art Fair, USA Kips gallery 2009 Kips Gallery, New York NY 10012 Scope Art Fair Miami, Kips Gallery NY, USA 2008 Bridge Art Fair Miami, Kips Gallery, Fl. USA 2007 Kips Gallery, New York NY, USA 2004 Mexico Arte Contemperano, Gallery Yvonamor Palix, Mexico DF 2003 Galerie Kahn, Strasbourg, France 2002 Art Chicago, Yvonamor Palix Gallery, Chicago USA St-Art, Galerie Khan, Strasbourg France Art Paris, Galerie Claire Gastaud, Paris France 2001 Art Chicago, Yvonamor Palix Gallery, Chicago USA 2000 Art Chicago, Yvonamor Palix Gallery, Chicago USA En construccion, Universidad de Guanajuato, Guanajuato, Gto Mexico Nomad Territories, DFN Gallery, New York NY USA 1999 Gallery Yvonamor Palix, Mexico DF Mexico 1998 Albright-Knox Galleries, Buffalo NY USA Galerie Gastaud, Clermont-Ferrand France 1997 Kim Foster Gallery, New York NY USA Galerie Gastaud, Clermont-Ferrand France Eric Linard Galerie, La Garde Adhemar France Museo de Arte, Queretaro Mexico 1996 Art Chicago, Kim Foster gallery, Chicago USA "Blue" Broadway Gallery, New York NY USA 1995 Galerie Cocotier, St Etienne France Centre Europeen d'Action Artistiques Contemp., Strasbourg France 1994 Kim Foster Gallery, New York NY USA Galerie Catherine Fletcher, Paris France Foster-Peet Gallery, New York NY USA 1993 Andover-White Gallery, New York NY USA Galerie Athisma, Lyon France Cavaliero/Navarra Fine Arts, New York NY USA 1992 Cavaliero/Navarra Fine Arts, New York NY USA "Contemporary Works on Paper" Gallery Standhal, New York NY USA Foster-Peet Gallery, New York NY USA 1991 Cavaliero Fine Arts, New York NY USA Salon de Montrouge, Paris France Galerie Lucien Durand, Paris France 1990 Galerie Lucien Durand, Paris France Galerie Jade Colmar, France, Chicago International Art Fair, Chicago, USA 1989 Galerie Lucien Durand, Paris France 1988 Salon de Montrouge, Paris France Galerie Lucien Durand, Paris France 1987 Art Barn Association, Washington DC USA LittleJohn-Smith Gallery, New York NY USA Galerie Jade Colmar France 1986 LittleJohn-Smith Gallery, New York USA 1985 Reynold Kerr Gallery, New York NY USA 1984 Reynold Kerr Gallery, New York NY USA 1983 Cavaliero Fine Arts, Kunstmess, Basel Switzerland Galerie Bertin, Lyon France 1982 Cavaliero Fine Arts, Kunstmess, Basel Switzerland 1981 Gabrielle Bryers Gallery, New York NY USA 1980 Gabrielle Bryers Gallery, New York NY USA 1979 Katheryn Markel Gallery, New York NY USA Haber-Theodore Gallery, New York NY USA 1977 The Aldrich Museum of Contemporary Art, Ridgefield, CT USA Contemporary Reflexions. Untitled, acrylic and pencil on wall. 1977 Robert Friedus Gallery, New York NY USA OIA, New York NY USA 1976 Fine Art Gallery, New York NY USA 1975 "Young Talent Festival" "75"Union Carbide, New York NY USA 1974 "Young Talent Festival" Pace Editions, New York NY USA "59th Annual Juried Exhibition" Hudson River Museum, Yonkers NY 1973 Springfield Art Association, Springfield CT USA Works on Paper, Triangle Church, New York NY USA "Young Artists 73" Union carbide, New York NY USA New York Contemporary Graphic Exhibition, Taiwan Museum, Taipei 1972 Palace of Fine Arts, Mexico DF Mexico Albright-Knox Gallery, Buffalo NY USA "9th Annual print Exhibition" Silvermine Guild, New Canaan, CT USA 1971 Martha Jackson Gallery, New York NY USA Cornell University, Ithaca NY USA Publications 1985 Renold Kerr Gallery, New York, NY USA Text by David Shaff 1989 Galerie Jade, Colmar France. The primary paintings of Haessle by Frederick Ted Castle. Introduction by Jean-Yves Bainier 1994 Chateau du Grand Jardin, Joinville France. In memory of the body Text by David Shapiro. Interview by Marc Vaudey. In French/English . ISBN 2-910695 -026 1994 Chateau du Grand Jardin, Joinville France. Edition of 200 exemplary 1995 Centre Europeen d’Action Artistiques Contemp., Strasbourg , France Text by Gilbert Lascault. Interview by Jean-Yves Bainier. ISBN -2-910036-12 X Hard cover. In French and English. 1995 HAESSLE 30 ans de peinture. Monograph 145 pages with 70 pages Full color reproductions. Editions Alternatives ISBN : 2 86227 095 4 Text by David Shaff, David Shapiro, Jean-Yves Bainier. Interview by Catherine Ulmer. 2008 Haessle, Selected works, M magazine, 15 pages all colors reproductions 2012 Haessle, paintings, Hillwood Art Museum, LIU Post NY. Text by Jonathan Goodman (English), Bernard Zurcher (French) 52 pages, 35, color reproductions 2014 Haessle Paintings, 1983-2013, Korea University Art Museum. Text by Jonathan Goodman (English, Korean) Robert Morgan...

Decalogue is a vintage Poster, realized by Lucio Del Pezzo in 1976. The status of preservation is very Good.

Artist: Gene Davis Title: Carousel Year: 1980 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 250 Image 13.5 x 20 inches Paper Size: 17 x 24 inches

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

Artist: James Norman, American (1927 - 2011) Title: Winter Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 40/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (...

''FMSWNL'' from the limited edition of 100. Pencil hand signed and dated. Joan Snyder, (born April 16, 1940), is an American painter from New York. She is a MacArthur Fellow, a Gu...

Dondi White NYC 1987: A rare, highly collectible Dondi White illustrated exhibition announcement published on the occasion of: 'Matter of Facts, New Drawings by Dondi White'. 56 Blee...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Abstract Composition  is a lithograph realized by Piero Sadun in the 1970s. The state of preservation of the artwork is good.

This artwork titled "Abstract II" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 11/150 in pencil by the artis...

Untitled 7 Chryssa, Greek (1933–2013) Date: circa 1975 Screenprint Size: 33 in. x 20 in. (83.82 cm x 50.8 cm)

Artist: David Diao, Chinese-American (1943-) Title: Barnett Newman Chronology of Work Year: 1992 Medium: Screenprint, signed and numbered in pencil Image: 22 x 38 inches Size: 30 x ...

Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5. Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage. By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...

"Sexual Spring-like Winter" is a large painterly work, created with layers of pink and resin by the art and film world's favorite enfant terrible, Julian Schnabel. The artist and dir...

Signed color lithograph by French artist André Masson (1896-1987). Title of work is Judith and Holofernes. Work is signed and numbered 74/150 in ...

Screen print in colors on paper. Hand signed and numbered by Ronnie Cutrone. From the edition of 150. Certificate of Authenticity included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered. Please note our gallery has more than 1 of this artwork in stock and the exact edition number you may receive may be different than pictured. About the artist: Ronnie Cutrone (American, b.1948) is a Pop artist renowned for his vibrant, satirical paintings...

Peter Plagens (b. 1941) received his B.F.A. from the University of Southern California and his M.F.A. from Syracuse University. He is well known for his abstract, formalist paintings...

Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described extreme reservations, he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill..At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of The beginning and the end of history...

Abstract black and white hand painted print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary space...

Lithograph, 1979 Handsigned by the artist in pencil and numbered 88/100 Publisher : Bram Van Velde & Jacques Putman (Paris) Printer : Pierre Badey (Paris) Catalog : Mason Putman 341 ...

Artist: George Chemeche – Iraqi/American (1934-2022) Title: Dancing Ducks in Magenta, Forest Green, Brown, Slate Gray Year: circa 1980 Medium: Screen Print Image size: 19 x 27 inches. Sheet size: 22 x 29 inches. Signature: Signed lower right Edition: 260 This one: 109/260 Condition: Very good Unframed This exceptional geometric abstract serigraph is by the noted Iraqi/American artist George Chemeche (1934-2022 ). He is a master of serigraph printing, but this print has more than technical excellence. It is a wonderful, rhythmic abstract composition. I believe Chemeche might have been a proponent of and/or influenced by the Pattern and Decoration Movement which was happening in New York in the 1970s and 1980s. The print has never been framed and is in very good condition. I will ship the print rolled in a heavyweight tube. George Chemeche was born in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. The style with which he is intimately associated, pattern painting, The most serviceable definition is that pattern is the systematic repetition of a motif or motifs used to cover a surface uniformly. The spaces between motifs are either other motifs or are an integral part of the repeat. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful. George Chemeche’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years. Please search online for more biographical information by this fine artist. Selected Biography 1934 Born in Basra, Iraq 1947 Fled Iraq with his family 1947-49 Lives and attends school in Tehran 1949 Immigrates to Israel 1956-59 Studies art in Avni Art School, Tel-Aviv 1959 Gets American-Israeli Culture Foundation grant to study art in Paris 1959-1962 Studies at Ecole Supérieure des Beaux Arts, Paris 1961- Gets two years grant from Lady Francis Fergusson, Scotland 1962 Gets one year grant from Alex de Rothschild, Paris First man show at Gallery Transposition, Paris 1965-72 Exhibits his work in numerous art galleries in Israel including one man show at Haifa Museum 1972 Travels to New York, checks in the Hotel Chelsea 1977-- First one-man show in USA at Louis K. Meisel Gallery, New York, followed by other shows around the country and Europe. 1995 Travels to Iceland to publish the Aya Series book. Text by Donald Kuspit; Art Resourses & Technologies, New York, NY 2002 Publishes, Ibejis: “The Cult of Yoruba Twins” 5 Continents Edition, Milan, Italy 2003 Curates a show at Museum of African Art, NYC Ibejis: The Doubly Blessed Twins 2005 Reads his poems at the Bowery Poetry Club, New York 2010 Lectures about Ibeji art and cult at Iowa University 2011 Lectures about Ibeji Art and cult at Neuberger Museum 2011 Publishes, The Horse Rider in African Art” ACC, UK INDIVIDUAL EXHIBITIONS 1978 Goldman Art Gallery, Haifa, Israel 1977 Louis K. Meisel Gallery, New York 1977 Alexandra Monett Gallery, Brussels 1977 Givon Art GaJIery, Tel Aviv 1974 South Houston Gallery, New York 1974 Ray Landis Gallery, East Brunswick, New Jersey 1973 Gala Gallery, Key Biscayne, Florida 1973 Art Asia Gallery...

This artwork titled "Cosmic Explosion" c.2000, is an original colors woodcut on thin rice paper paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and ins...

Welcome. XIV Olympic Winter Games, Sarajevo is a vintage poster realized by the artist Howard Hodgkin, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very good ...

This exquisite lithograph by Joan Miro (1893–1983), titled L'Oiseau s'envole (The Bird Takes Flight), from the folio Derriere le miroir, No. 193-194, originates from the 1971 edition...

David Hockney, Bridget Riley, Joe Tilson, Howard Hodgkin, Peter Blake + 99 artists Visual Aid for Band Aid - designed, and HAND SIGNED and annotated by 104 renowned artists, with off...

Judy Pfaff Squash, 1985 Woodcut on wove paper Signed, numbered 78/85, dated and titled on the front with artist's and publisher's blind stamps. 21 3/4 × 29 3/4 inches Publisher Cente...

White Finger Ball  is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Unsigned, and not numbered, this...

Serigraph in colors on paper. Hand signed lower right by Victor Vasarely. Hand numbered 194/200 lower left. Sheet Size: 32.5 x 32.5 inches. Image size: 29.5 x 29.5 inches. Frame...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Untitled - Target I Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 100 Image Size: 21.5 x 26 inches ...

Artist: Robert Motherwell (American, 1915-1992) Title: "Greenwich Arts Council" *Issued unsigned, though signed by Motherwell in the plate (printed signature) center right Year: 1976 Medium: Original Lithograph, Exhibition Poster on Strathmore paper Limited edition: 700. (There was also a signed and numbered edition of 42) Printer: Tyler Graphics, Ltd., Mount Kisco, NY Publisher: Greenwich Arts Council, Greenwich, CT Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap Appendix: No. 28, page 282; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 202 Sheet size: 37.25" x 23" Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Rare Notes: Printed in three colors: black, green, and cream. Poster produced for a special exhibition "Sculpture 76" at The Greenwich Arts Council, Greenwich, CT from June - October, 1976. The image featured on this poster is Motherwell's 1972 acrylic painting on paper "Greenwich Sculpture". Artist's copyright lower left and printer's imprint lower right. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Robert Savoie, Canadian (1939 - ) - Blue Streaks, Year: 1976, Medium: Etching on BFK Rives, signed, numbered and dated in pencil, Edition: 38/50, Image Size: 17.75 x 19 inches, Siz...

Jean-Paul Riopelle 1923-2002 Où deux ours sont chassés 1985-1989 Lithograph 18 ½ x 25 ½ in 47 x 65 cm Inscriptions Signed in pencil “Riopelle” lower right and numbered “64/75” lower...

Keith Haring 1983: A rare hand signed Keith Haring 1983 exhibition poster published on the occasion of: ‘Art of Found Objects’, Gallery Schlesinger-B...

Andrea Belag New Moon, 1990 Monotype on Wove Paper 42 × 30 inches Hand signed and dated on the front Published by Pelavin Editions, with blind stamp on the front Unique Unframed Love...

Offset lithograph in colors. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 48. All reasonable off...

Stanley Jones Title: Madron Year: 1970 Medium: Lithograph on BFK Rives Edition: 43/65 Signed in Pencil Size: 26 x 20 inches Publication: From portfolio Europaische Graphik VII, Ed. B...

RUNNING HORSE is an original hand drawn, limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Arches paper, 100% acid free. RUNNING...

Artist: Charles Hinman, American (1932 - ) Title: Dance Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 150; AP XII Image Size: 12 x 16 inches Size: 14 x 18 in...

Agnes Mills (American, 1915-2008) Guignol Intermezzo, 1982 Hand colored etching (UNIQUE) Sight: 13 3/4 x 11 1/4 in. Framed: 19 1/2 x 17 x 3/4 in. Titled lower right Inscribed "AP" bo...

Composition is an original artwork attributed to the italian contemporary artist Gregorio Botta (Naples, 1953). Lithograph on ivory paper. Good conditions. Illegible signature in ...

John Baldessari, Sonnabend Gallery New York 1981: Rare early 1980s John Baldessari exhibition announcement published on the occasion of: "Shape Derived from Subject (Snake): Used as ...

James Rosenquist (1933 - 2017) Swing Screen, 1979 Etching and aquatint (two state) Sight: 17 1/2 x 35 1/2 in. (image) Framed: 30 1/2 x 59 1/2 x 1 1/2 in. Edition 21/78 Inscribed, signed, numbered bottom James Rosenquist was born in 1933 at Grand Forks, North Dakota. His family moved to Minneapolis in 1944. In 1948, he began his studies of art at the Minneapolis Art Institute. In 1953, he continued his studies of painting at the University of Minnesota. In 1955 he had a scholarship to go to the Art Students' League, New York, where he met Robert Indiana. During this period, he painted small format abstract paintings and worked part-time as a driver. In 1957 he met Jasper Johns and Robert Rauschenberg. In 1959 he was at the same drawing class as Claes Oldenburg and was made "head painter" by the Artcraft Strauss Corporation. He married the textile designer Mary Lou Adams. During the election he produced the picture President Elect in which John F. Kennedy's face is combined in a kind of collage with sex and automobile imagery. His first one-man exhibition in the Green Gallery, in 1962, was sold out. In 1963 he worked on several sculptures, had a number of exhibitions at the Galerie Ileana Sonnabend, showed his work at the Dwan Gallery...

Artist: Larry Zox Medium: Serigraph Title: Niagara Series I Year: 1980 Edition: 75/175 Sheet Size: 26" x 35" Signed: Hand signed in pencil

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and ...

Letter From Vienna Artist signed, dated, paper sheet 30x22.5 Krystyna Smiechowska was born in 1935 Krakow -2014 Paris France. Printmaker Krystyna Smiechowska draws her inspiration f...

Miles James Rosenquist, American (1933–2017) Date: 1976 Screenprint with Air Brush, Signed and Numbered in Pencil Edition of 200 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) Printer: G...

This artwork titled "Tapestry" c.1990, is an original colors etching on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered 8/15 in penci...

Signed on plate. Limited edition of 600 copies realized in 1987. Includes a contemporary wooden frame cm. 32x45. Very good conditions.

Klaus Fußmann (*1938 Velbert), Gladiolen, 1983. Color etching, WVZ 116.5, 14.5 cm x 18.5 cm (depiction), 20 cm x 21 cm (sheet size), signed “Fuß[mann]” in pencil lower right and insc...

An original lithograph by Joan Miro, created in 1978, from the series entitled "Album 21" consisting of 21 original lithographs. Hand signed and numbered from the edition of 75 on V...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Rober Motherwell In White with Green Stripe 1987 Lithograph, relief print, embossing and collage 86.4 x 61 cms (34 x 24 ins)

A Red, from Three Aquatints, 1979 Aquatint on six copper plates printed on Rives BFK paper Paper Size: 40 3/4 x 40 3/4 inches (103.5 x 103.5 cm); Image Size: 33 x 33 inches (83.8 x 83.8 cm) Signed and titled lower left front Edition of 50, 10 AP, 3 TP Published by Parasol Press, New York Printed by Hidekatsu Takada, assisted by David Kelso, Crown Point Press, Oakland, California Robert Mangold (born October 12, 1937) is an American minimalist artist. He is also father of film director and screenwriter James Mangold. Mangold first trained at the Cleveland Institute of Art from 1956-59, and then at Yale University, New Haven, (BFA, 1961; MFA, 1963). In 1961 he married Sylvia Plimack, and they moved to New York. In the summer of 1962 Mangold was hired as guard at the Museum of Modern Art. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling architecture to them. He almost always works in extensive series, often carried through both paintings and lithograph works on paper. Mangold’s early work consisted largely of monochromatic free-standing constructions. In 1968 he began employing acrylic instead of oil painting, rolling rather than spraying it on Masonite or plywood grounds. Within the year, he moved from these more industrially oriented supports to canvas. In 1970 he began working with shaped canvases and within the year began brushing rather than spraying paint onto canvas. Mangold made his first prints in 1972 at Crown Point Press and has made prints throughout his career, working with Pace Editions and Brooke Alexander Editions. In 1965, the Jewish Museum in New York held the first major exhibition of what was called Minimal art (Minimalism) and included Robert Mangold. In 1967, he won a National Endowment for the Arts grant and in 1969, a Guggenheim Fellowship. In 1971, he had his first solo museum exhibition at the Guggenheim Museum. Major museum exhibitions of his work have since been held the Museum of Contemporary Art, San Diego (1974), the Stedelijk Museum in Amsterdam (1982), Hallen für Neue Kunst in Schaffhausen (1993), and Musée d’Orsay in Paris (2006). He has been featured in the Whitney Biennial four times, in 1979, 1983, 1985, and 2004. His work is related to Geometric Abstraction. Select Exhibitions Robert Mangold, Bruce Nauman, Richard Serra: Extended Drawing, Bonnefantenmuseum Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie Greta Meert, Carl Andre, Dan Flavin, Donald Judd, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, NY Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland Modulated Abstraction: Josef Albers, Carl Andre, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Fred Sandback, Richard Tuttle, Brooke Alexander Editions, New York, NY Drawings from the 1970’s, Mel Bochner, Robert Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, NY Systematic: Anne Appleby...

Lithograph, 1999 Handsigned by the artist in pencil and annoted EA VII/XV Printer : Clot, Bramsen & Georges 65.00 cm. x 48.00 cm. 25.59 in. x 18.9 in. (paper) 39.00 cm. x 39.00 cm. ...