Abstract Abstract Prints

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes offer a glimpse into the hidden depths of nature, with the cyanotype process lending a sense of mystery and wonder to the images, while the lush blues of cyanotypes imitate the sky and clouds perfectly. These triptychs are perfect for anyone who loves to surround themselves with the beauty of nature, and they make an excellent centerpiece for any beautifully designed space. Details: + Title: Pleasant Waters in Tulum Beach...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Lithograph, 1966 Handsigned by the artist in pencil and numbered 12/60 Publisher : Alain Mazo (Paris) Printer : Mourlot (Paris) Catalog : Prudhomme 41 65.70 cm. x 47.30 cm. 25.87 in...

"Dark Cloudy Shapes" is a blue tones stunning handmade monotype that features an intricate interplay of mid-century modern shapes, all rendered in shades of blue. These shapes are ex...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Silksreen, 1979 Handsigned by the artist in pencil and numbered 20/20 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) Triptych composed of three plates all signed and numbered T...

Screen Print on Intuit Natural 300 gsm Limited Edition out of 30 19.7 x 27.55 inches (50 x 70 cm

Untitled, 1979 Lithograph 22 1/8 x 18 1/8” Edition of 100 Unique color trial proof

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-light. Details: + Title: Art Deco Geometry...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* FenixLion is a lion who resurrected from the ashes. ...

Screen Print on Intuit Natural 300 gsm Limited Edition out of 30 19.7 x 27.55 inches (50 x 70 cm

Florence Arnold (American 1900-1994) hard-edge abstract color square screen print (c.1977) pencil signed 19/25, 16"x16". Florence Arnold began painting seriously in 1947. By the late 1950s she associated with a group of painters including Karl Benjamin, Paul Darrow...

This is an exclusive handprinted limited edition of a cyanotype. This beautiful triptych is called "Fresh California Pool patterns", which shows the semi-abstract movements of light reflecting in a California swimming pool. Details: + Title: Fresh California Pool Patterns + Edition Size: only 20 + Stamped and Certificate of Authenticity provided. + Measurements : 100x210 cm (40 x 84 in.) Each paper measures 100cm x 70cm (about 40 in. x 28 in.) each. , a standard frame size. + All cyanotype prints...

Strophoid is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors.

This is an exclusive handprinted limited edition cyanotype. This beautiful triptych is called "French Riviera Cove" and it shows the water reflection of one of the most iconic coves ...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Drawing on his extensive travels, Robert Kelly’s painted collages contain found print and material from around the world. Kelly has included antique botanical drawings...

Healing 02, 2022 by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W in. Image size 51.1 H x 37.7 W in. Edition of 11 Unframed ...

Survol is an original contemporary artwork realized in 1967 by Stanley William Hayter. Mixed colored etching. Hand signed on the lower right margin. Numbered on the lower left mar...

Archival ink giclee print on canvas, edition of 17 - artwork can be shipped in a tube or framed in a crate Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in Ne...

**ANNUAL SUPER SALE UNTIL APRIL 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Limited edition of 30 museum quality giclee prints o...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Silksreen Handsigned by the artist in pencil and annotated EA Artist proof Publisher : Galerie F 61.50 cm. x 61.00 cm. 24.21 in. x 24.02 in. (paper) 50.00 cm. x 50.50 cm. 19.69 in....

Blue composition is an original contemporary artwork realizedby Otto Hofmann in 1989. Mixed colored screen print. Hand signed on the lower right margin. Numbered on the lower left...

Lithograph Handsigned by the artist in pencil and numbered 88/100 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (paper) In this lithograph, the Basque artist composes a luminous landscape...

United Europe - France 2 is a color etching and aquatint on paper, realized in 1994 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pen...

Artist: Tim Harrier Museum Grade Archival Pigment Print. Hahnemühle Torchon Archival 285 gsm paper, 2021, signed in pencil. Numbered (there were also fifteen artist's proofs), with ...

Cut Space Series involved Bezier curves, partial ellipses, straight lines with collinear intersects. Beauty in the geometry of Clifford Singer.

Artist: Jay Rosenblum, American (1933-1989 Title: Cycle 3 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition size: 250 Size: 25 in. x 25 in. (63.5 cm x 63.5 cm)

This print is named Avion, meaning Airplane. It shows diverse, vertical colored stripes, some angular and some slightly curved. Different tones of blue dominate the foreground. Some...

"Echolocation Pink" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Pink" is a unique monotype, 22" x 20"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

Chryssa Chinatown Portfolio II, Plate Three, ca. 1978 Silkscreen on thick wove paper 40 × 30 1/2 inches (Ships rolled in a tube measuring 35 x 5 x 5) Pencil signed and numbered 36/150 on the front; bears printers stamp on the back Unframed from the Chinatown Portfolio Printed by Atelier Arco in Paris (with stamp on the back of the print) from the Chinatown Portfolio Renowned Greek-American artist Chryssa was preoccupied with the concept of Chinese letters as art forms, which she explores in her Chinatown silkscreen series. Her deliberate experimentations yield an elegant and compelling result. Chryssa Biography Chryssa Vardea...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* 100% Done by hand. **This is a limited Edition print...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: Femme Nu Assise dans l'herbe Year of Original Artwork: 1961 Edition of 1000, unnumbered, estate app...

The Greek American artist, Theodoros Stamos, was born in 1922 in New York City into a family of Greek immigrants. He was a member of The Irascibles group which consisted of the first...

Archival Pigment Print of rich abstraction by Artist Elizabeth Gilfilen. Edition of 20 Paper Size: 20 in x 24 in Frame Size: 23.5 in x 27.5 in Artwork priced unframed. Please cont...

Hand Signed. Edition of 50 pieces. Very good conditions.

When Many Becomes One is a series of new work exploring form and the relationship between the individual and collective. Paulo Wellman has employed vari...

Richard Paul Lohse Mid Century Modern Geometric Abstraction, ca. 1969 Silkscreen on velincarton 39 1/4 × 39 1/4 inches Edition 43/100 Signed and num...

Archival Pigment Print of rich abstraction by Artist Elizabeth Gilfilen. Edition of 20 Paper Size: 20 in x 24 in Frame Size: 21 in x 25 in Artwork priced unframed. Please contact t...

Healing 03, 2022 by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W in. Image size 51.1 H x 37.7 W in. Edition of 11 Unframed ...

Unique monotype, signed and numbered. Artist Robert Roach lives and works in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints are inspired b...

The Kingdom 01, by Angelica Tcherassi From the series "Making Sense" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 ...

Healing 01, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W in. Image size 51.1 H x 37.7 W in. Edition of 11 Unframed All ...

CHU TEH-CHUN 1920-2014 (ZHU DEQUN) Xiao County, China 1920 – 2014 Paris (French / Chinese) Title: Appeasement Apaisement, 1997 Technique: Original Hand Signed and Numbered Lithogr...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Survol is an original color lithograph by Bill Hayter signed and titled in pencil by the artist and numbered 104/150. Published by La Vision Nouvelle, Paris, and printed by Etablissements Guillard, Cachen, France on Arches paper. In good condition. Stanley William Hayter (27 December 1901 – 4 May 1988) was an English painter and printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez...

Artist: Lee Krasner (American, 1908-1984) Title: "Ashawagh Hall: The Springs Artists' Exhibition" Series: Ashawagh Hall Posters *Signed and numbered by Krasner in pencil lower center. It is also signed in the plate (printed signature) lower right Year: 1974 Medium: Original Lithograph, Exhibition Poster on heavy wove paper Limited edition: 1/25, (there was also an unsigned edition of approx. 500) Printer: Unknown Publisher: Ashawagh Hall, East Hampton, NY Framing: Recently framed in a contemporary dark brown wood moulding with frame space. All archival Framed size: 29.88" x 23.75" Sheet size: 28.5" x 22.63" Image size: 28" x 22.13" Condition: Colors are attenuated. Some mild water staining that has caused discoloration and general wear lower right. In otherwise good condition will full margins Extremely rare Notes: Provenance: private collection - Pompano Beach...

Original Cinquantenaire Aeronautique vintage poster. Archival linen backed and ready to frame. Printer: Bedos & Co, Paris. A- condition. (50TH ANNIVERSARY 23E SALON INTERNATIONAL D' AERONAUTICS, JUNE 12 TO 21, 1959 * LE BOURGET AIRPORT.) This mid-century modern original French poster is for an air show...

Serge Poliakoff - Colorful Abstract Composition - Lithograph Published in the deluxe art review, XXe Siecle 1961 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Serge Poliakof...

Composition is a vintage offset print realized after Odo Tinteri in the Mid-20 Century. The little artwork is in good condition except for being aged. The artwork is depicted in a ...

Gaze Into The Lake 03, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Limited edition of 30 museum quality prints on CANVAS...

Patrick Heron January 15, 1973 screenprint signed, numbered and dated an edition of 72 70 x 90 cm

Paul Jenkins International Very Special Arts Festival poster, 1994 hand signed and dated by Paul Jenkins Measures: 37 inches (vertical) x 25 inches (horizontal) Ships rolled in a tub...

Blender 03, by Angelica Tcherassi From the series "Making Sense" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x ...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* **IMPORTANT: This is Limited edition of 30 museum quali...