Small Animal Prints

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...

Katie Edwards -Created in 2014 for a competition on the theme of Joy, which the concept of escaping on a carousel horse conveyed perfectly. This illustration was the winner of the 20...

Fishing Nets is an original etching realized by Camille Berg in 1904. Good condition. Hand-signed, dated and numbered by the artist with pencil.

Hydra is an original etching artwork by Marcel Chirnoaga (Romanian, 1930–2008) one of the most important artists of fantasy painting and mythology subjects in the XX century. The ar...

Lemur is an original etching realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the author. Artist proof. Leo G...

Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only...

Surreal Fish is an original artwork realized by Marthe Delacroix (French, 1898–1970) in the mid-20th century. Hand-signed, limited edition etching, numbered 20/90. Excellent conditi...

Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare ...

Lemur is an original etching realized by Leo Guida in 1970s. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the author. Artist proof. Leo ...

Ardetta Pusilla (Minute Bittern) is a hand colored lithograph  by John Gould and Henry C. Richter. From the Birds of Australia 1849-1883...

Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the contemporary edition...

Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...

Roman Countryside and shepherds is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of only 2...

The Herding in Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the p...

Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare ...

Since the age of 10, Jill Greenberg has staged photographs and created characters using the media of drawing, painting, sculpture, film, and photography. She is known worldwide for her uniquely human animal portraits which intentionally anthropomorphize her subjects, as well as her infamous series “End...

Bird is an original etching realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the author. Artist proof. Leo Gu...

This spectacular chromolithograph by the English illustrator and painter Charles Green (1842-1909) shows the clown and his performing troupe of talented dogs in a circus tent with a...

Lemur is an original etching realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the author. Artist proof. Leo G...

The Lonely is an original etching and aquatint realized by Leo Guida in 1972. Good condition. Mounted on a white cardboard passpartout (50x35). Artist proof. Dated and signed by ...

Hand signed. Edition of 75 prints. Published by Crommelynck, Paris, in 1970. Bibliography: G. Guastalla, G. Guastalla, Marino Marini. Catalogo ragionato dell'Opera grafica (Incision...

Hummingbird 1963 is an original contemporary artwork realized by Marino Marini. Color etching and aquatint Edition of 100 copies. On the back oh the artwork there is an inscription...

Face and Houses is an original black and white etching on carboard realized by Macci. In very good conditions. The artwork represents a face and houses composition through delicate...

The Cat is an original etching on paper realized by Gian Paolo Berto. Good conditions. Hand-signed and numbered, 33/40. Image Dimensions: 34.5 x 34.5 cm The artwork represents a c...

Bird is an original woodcut realized by an artist of the early 20th Century. The artwork is in very good conditions and mounted on a white cardboard passpartout (49x34). Artist’s i...

The Fortune-Teller and Various Animals is an original Contemporary artwork realized in 1972 by the italian artist Leo Guida. Original Etching on paper. Unique work. I State. Hand-s...

The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. Image Dimensions: 5 x 7 / 8 x 10 c...

Fernando Aceves Humana (Mexico, 1969) 'Se volvió a salir el perro' (The dog came out again), 2007 woodcut on paper 17.6 x 23.1 in. (44.5 x 58.5 cm.) Edition of 10 ID: ACE-103 Unframed

Image dimensions: 20.5 x 27 cm. The Rest is a black and white etching realized by Nazareno Gattamelata in the second half of XX century. Hand signed by the artist on the lower righ...

Archival pigment print (Edition of 50) Signed and numbered, verso 20 x 16 inches, sheet From the series, "Shelter Dogs" This photograph is offered by ClampArt, located in New York ...

Storks And Flamingos is an impressive original black and white xylograph on paper realized by Anonymous artist in the XX Century. Including white cardboard passepartout, cm 49 x 69...

Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo...

Artist: John Gould (English, 1804-1881) Title: "Grus Cinerea (Common Crane)" (Vol. 4, Plate 19) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 750 Printer: Walter or Walter & Cohn, London, UK Publisher: Taylor and Francis, John Gould, London, UK Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78 Sheet size: 14.75" x 21.57" Image size: 12.75" x 20.13" Condition: Has been professionally stored away for decades. In excellent condition with strong colors Notes: Provenance: private collection - Aspen, CO. Lithography and hand-coloring by German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were John Gould and English artist Henry Constantine Richter (1821-1902). "The Birds of Great Britain" is recognized as Gould's greatest work. Gold gilded edges as issued. The common crane, also known as the Eurasian crane, is a bird of the family Gruidae, the cranes. A medium-sized species, it is the only crane commonly found in Europe besides the demoiselle crane and the Siberian crane that only are regular in the far eastern part of the continent. Biography: John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".

Peter Paone, American (1936 - ) - Cow, Year: circa 1963, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 25, Image Size: 17 x 20 inch...

After Harnett by Kimberly Witham Print, Animal, Still-Life, Bird, Gothic, Dark Colors, Textured

Il barrocciaio is a superb etching, drypoint and burin on an ivory-colored laid paper, realized in 1939 by the Italian artist Arturo Checchi (1886-1971)...

Hand signed. Edition of 75 prints. Published by Crommelynck, Paris, in 1970. Bibliography: G. Guastalla, G. Guastalla, Marino Marini. Catalogo ragionato dell'Opera grafica (Incisi...

This plate is unique both because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it. The price quo...

The Parrot is an original xilograph on paper realized by an anonymous artist in the XX century. Including a white cardboard passepartout: 69 x 49 cm. Monogram of the artist (AP) on ...

Three dogs have fun on a deserted beach. This 6 colour silkscreen is made on a heavyweight 300 gram handmade paper from St Cuthbert's Mill in Somerset. The print is created by printi...

Ausgedient (“Obsolete”) is an original artwork realized by Ferdinand Andri in 1917. Lithograph in black over yellow plate on paper. Published in 1917 as part of a Jahresmappe (Annual...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

Archival pigment print (Edition of 50) Signed and numbered, verso 20 x 16 inches, sheet From the series, "Shelter Dogs" This photograph is offered by ClampArt, located in New York ...

As the Hunter’s Moon rises, the darkness of the night recedes and the landscape is illuminated. Taking advantage of this bright nocturnal light, crepuscular creatures make the most o...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

Donald Sultan (American, b. 1951) "Fish (From Fruit and Flowers Portfolio)" 1990 Screenprint in colors on Arches 88 paper Pencil initialed, titled, and dated left of image Edition 61...

The Paint Horse: Van Gogh is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 160/275 (there were also 100 Roman an...

Candy Ass is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered XCVIII/C (there were also 275 Arabic and 20 AP). Framed...

The New Normal By Harry Bunce [2020] The New Normal is a limited edition print by Harry Bunce. This satirical work depicts a rabbit cautiously aware of the new normal everyone is fa...

Tim Southall White Horses Limited Edition Etching Print Edition of 75 Image Size: H 20cm x W 30cm Mount Size: H 37cm x W 46cm Signed Sold Unframed Tim Southall ‘White Horses’...

Artist: John Gould (English, 1804-1881) Title: "Chrysocolaptes Xanthocephalus (Yellow-faced flameback)" (Vol. 6, Plate 37) Portfolio: The Birds of Asia Year: 1850-1883 Medium: Origin...

Archival pigment print (Edition of 50) Signed and numbered, verso 20 x 16 inches, sheet From the series, "Shelter Dogs" This photograph is offered by ClampArt, located in New York ...

A striking monotype depicting the head of a faun in monochrome. Signed in graphite. Presented in a gilt frame. On paper.

limited_edition linocut Edition number 1-5 Image size: H:20cm cm x W:30cm cm Complete Size of Unframed Work: H:37cm cm x W:46cm cm x D:3mmcm Sold Unframed Please note that insi...

Officially Licensed THE CURE, 2022 Paris tour poster. 18 X 24 Inches.

Since the age of 10, Jill Greenberg has staged photographs and created characters using the media of drawing, painting, sculpture, film, and photography. She is known worldwide for her uniquely human animal portraits which intentionally anthropomorphize her subjects, as well as her infamous series “End...

"Vachere au Bord de L'Eau" is an original etching and aquatint by Camille Pissarro, the 8th state. It can be found in the catalogue raisonne Delteil #93. It features a woman sitting ...

Paul Kleinschmidt, (1883–1949) "Man & Two Horses" Lithograph 1916 Frame: 21" X 17" Image: 13.5" X 10.5" Rare Artist's Proof Provenance: bears labels from ACA Galleries and Richard ...

Since the age of 10, Jill Greenberg has staged photographs and created characters using the media of drawing, painting, sculpture, film, and photography. She is known worldwide for her uniquely human animal portraits which intentionally anthropomorphize her subjects, as well as her infamous series “End...

Original engraving with later hand-coloring from "Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historia...