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Size: Small
Tàpies, Composition (Galfetti 83-86), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 168, 1967. Published by Aim...
Category

1960s Post-War Still-life Prints

Materials

Lithograph

Damien Hirst Wrapping Paper 2006 (set of 2)
Located in NEW YORK, NY
Damien Hirst, Wrapping Paper set of 2 double-sided sheets. 2006. Published by Agnes B and Edited by Hans-Ulrich Obrist. A rare and sought-after vintage Damien Hirst collectors set t...
Category

Early 2000s Pop Art Prints and Multiples

Materials

Paper, Offset

The Monumental Tablet
Located in Fairlawn, OH
The Monumental Tablet Etching, engraving, drypoint and burnishing, c. 1748 Series: Grotteschi (Grotesques, 4 plates) Original, unwashed condition. Excellent. Second edition first is...
Category

1740s Old Masters Prints and Multiples

Materials

Etching

Polus Antarcticus - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Polus Antarcticus is a top rare ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, v...
Category

1650s Modern Figurative Prints

Materials

Etching

Original 1950s poster by French artist Paul Colin La Nuit de Mai à Bobino
Located in PARIS, FR
This original 1950s poster by legendary French graphic artist Paul Colin announces “La Nuit de Mai à Bobino”—a festive gala evening held on Thursday, May 25th, at the iconic Parisian...
Category

1950s Prints and Multiples

Materials

Lithograph, Paper, Linen

"Whatever Gets You Through The Night" Limited Edition Drawing
Located in Laguna Beach, CA
Rare Limited Edition Serigraph of John Lennon's "Whatever Gets You Through The Night" originally drawn in 1974, this limited edition was released by Bag One Arts (The Lennon Estate...
Category

1970s Contemporary More Prints

Materials

Screen

Bur Reed & Water Hemlock: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Orobanche, Cicuta Maxima, Sparganium (Bur Reed, Water Hemlock, Broomrape) ", depicting a flowering Bur Reed, Water Hemlock, Broomrape plants from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There us spotting and some discoloration, most prominently in the upper and lower margins. There is irregularity and some loss along the right paper edge. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 21.5" high and 17.25" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

Early 18th Century Academic Still-life Prints

Materials

Engraving

Klimt, Die Freundinnen, Gustav Klimt, Eine Nachlese (after)
Located in Auburn Hills, MI
Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 11.65 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued....
Category

1930s Symbolist Figurative Prints

Materials

Lithograph

Jean Rene Bazaine 'Composition V' 1968- Lithograph Vintage
Located in Brooklyn, NY
This double-page lithograph from Derrière le Miroir (DLM) No. 170, created by the acclaimed French artist René Bazaine, features abstract forms and vibrant colors, characteristic of ...
Category

1960s Contemporary Prints and Multiples

Materials

Lithograph

Frederick Douglas, by Jos Sances
Located in Palm Springs, CA
Portrait of Frederick Douglas. A former slave, he became one of the most famous abolitionist and an leader in the movement for African-American civil rights in the 19th century. Me...
Category

2010s Contemporary Portrait Prints

Materials

Screen

Shepard Fairey "Chaos Mandala 2" Fine Art Screenprint Contemporary Street Art
Located in Draper, UT
Chaos Mandala 2 is a new colorway of my original screenprint Chaos Mandala. This print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been ...
Category

2010s Contemporary More Prints

Materials

Screen

Purgatory: Canto 25 from The Divine Comedy
Located in Washington, DC
Artist: Salvador Dali Medium: Woodblock engraving Title: Purgatory Canto 25 Portfolio: The Divine Comedy: Purgatory Year: 1963 Edition: 4765 Framed Size: 19 1/8" x 16 5/8" Sheet Size...
Category

1960s Surrealist Figurative Prints

Materials

Engraving

Valley Farm, American Realist Lithograph by Mel Hunter
Located in Long Island City, NY
Mel Hunter, American (1927 - 2004) - Valley Farm, Year: 1976, Medium: Lithograph, signed in pencil, Size: 15 x 20 in. (38.1 x 50.8 cm)
Category

1970s American Realist Landscape Prints

Materials

Lithograph

Inferno: Canto 28 from The Divine Comedy
Located in Washington, DC
Artist: Salvador Dali Title: Inferno: Canto 28 Portfolio: The Divine Comedy: Inferno Medium: Woodblock engraving Year: 1963 Edition: 4765 Framed Size: 19 1/4" x 16 3/4" Sheet Size: 1...
Category

1960s Surrealist Figurative Prints

Materials

Engraving

Joan Miro 'Illustrated Poems-"Parler Seul" VI' 2004
Located in Brooklyn, NY
Miró's "Parler Seul VI" is part of the "Parler Seul" series, which combines visual art with poetic elements, creating a dialogue between text and imagery. This lithograph captures th...
Category

Early 2000s Abstract Prints and Multiples

Materials

Lithograph

Julian Trevelyan: St Catharine's College, Cambridge University lithograph
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-1988) St Catharine's ...
Category

20th Century Prints and Multiples

Materials

Lithograph

original lithograph
Located in Henderson, NV
Medium: original lithograph. Printed in 1970 for the art revue Derriere le Miroir (issue No. 188) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 560 mm). There is a ce...
Category

1970s Pop Art Figurative Prints

Materials

Lithograph

“Untitled” (from the Lezard aux Plumes d’Or series)
Located in Southampton, NY
Colored lithograph on archival paper by Joan Miro. Part of the “Lizard with the Golden Feathers series. Signed in pencil “Miro” lower right. “H.C.” lower left. (See details below) ...
Category

1970s Modern Abstract Prints

Materials

Archival Paper, Lithograph

Helen Frankenthaler, Air Frame (Harrison 6) her first silkscreen Signed AP 1965
Located in New York, NY
Helen Frankenthaler Air Frame, from the New York Ten portfolio (Harrison 6), 1965 Color silkscreen on Arches double-weight watercolor paper Signed and annotated AP in graphite on the front; this is an Artist's Proof, aside from the regular edition of 200 “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler Pencil signed AP, one of 25 proofs aside from the regular edition of 200 Catalogue Raisonne: Harrison 6, Berggruen 7, Clark 6 Printed by Chiron Press, New York. Published by Tanglewood Press, New York. This work has been newly framed in a museum quality wood frame under UV plexiglass. The original label from the famed John Berggruen Gallery in California has been affixed to the back to preserve provenance. Other examples of this coveted 1965 work can be found in major institutional and museum collections worldwide. Measurements: Framed 29 inches vertical by 24 inches (horizontal) by 1.5 inches Artwork: 22 inches vertical x 17 inches horizontal This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Screen

"Nature morte aux Poissons" lithograph
Located in Henderson, NV
Medium: lithograph (after the 1939 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...
Category

1970s Fauvist Prints and Multiples

Materials

Lithograph

Composition, Poems of Léopold Sédar Senghor, Lois Mailou Jones
Located in Auburn Hills, MI
Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CCC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...
Category

1990s Expressionist Figurative Prints

Materials

Screen

S.Juan de Puerto Rico - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
S.Juan de Puerto Rico is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volum...
Category

1650s Modern Figurative Prints

Materials

Etching

Maurice Dufrene, Study, 3 Lithographs, 1906
Located in Saint Amans des cots, FR
Set of three lithographs enhanced with gouache by Maurice Dufrène. Three original plans of "Interieur Moderne d'une Famille Française" by Maurice Dufrene in 1906. These three plans ...
Category

Early 1900s Art Nouveau Interior Prints

Materials

Lithograph

Henry Brown 'Daniel Webster' 1965- Poster
Located in Brooklyn, NY
Paper Size: 20 x 16 inches ( 50.8 x 40.64 cm ) Image Size: 13.25 x 9.75 inches ( 33.655 x 24.765 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...
Category

1960s Prints and Multiples

Materials

Offset

Giacometti, Composition, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miro...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Scaffold
Located in London, GB
UV pigment print on 410gsm Somerset Tub Sized Radiant White paper with 3 silkscreen layers and matte silkscreen varnish 60 × 50 cm Edition of 100 hand-signed and numbered by the arti...
Category

2010s Contemporary Abstract Prints

Materials

Pigment, Screen

Renoir, Femme Nue Couchee
Located in Boston, MA
Artist: Renoir, Auguste Title: Femme Nue Couchee Date: 1906 Medium: Softground Etching Unframed Dimensions: 5.5" x 7.8" Framed Dimensions: 18.25" x 20.75" Signature: Unsigned ...
Category

Early 1900s Impressionist Prints and Multiples

Materials

Etching

Torso
Located in London, GB
Claudio Bravo, (Chilean 1936-2011), Torso, 1978, Screenprint on paper, signed and dated (lower right) and numbered '28/50' (lower left), 18cm x 30cm (image size), 34cm x 46cm (sheet ...
Category

1970s Post-War Nude Prints

Materials

Screen, Paper

Early 20th Century Signed Etching By Armin Carl Hansen -- Valley Farm
Located in Soquel, CA
Signed 1926 Armin Carl Hansen Etching and Drypoint of Central Coast California Valley Farm Wonderful etching and drypoint of Valley Farm signed and titled by Armin Carl Hansen (Amer...
Category

1920s American Impressionist Landscape Prints

Materials

Laid Paper, Etching

18th Century Catesby Hand-colored Bird & Plant Engraving "The Crested Titmous"
Located in Alamo, CA
A hand-colored copperplate engraving of a bird and plants by Mark Catesby (1683-1749) entitled "The Crested Titmous" from "The Natural History of Carolina, Georgia, Florida and the Bahama Islands", published in 1731. It depicts a small Crested Titmous bird, facing left, perched on the stem of a plant with clusters of mauve colored star-like flowers. This original Catesby hand-colored engraving, on laid paper with a large central Fleur-de-Lys watermark, is presented in a cream color French mat. The mat measures 20" x 15.5" and the sheet measures 18.75" x 14.75". Mark Catesby was born in England to a prosperous family, but he traveled to America, first to visit his sister and her husband in 1712. From 1712 to 1719 he explored America observing its birds and plants, taking notes, creating drawings and collecting specimens. He returned to England with this material and created more detailed drawings. His next visit to America 1722-1726 allowed for more detailed research. Upon his return to England he created his monumental and beautiful work "The Natural History of Carolina, Florida, and Bahama Islands", which was published in London in two folio volumes of 11 parts each consisting of 20 plates...
Category

Mid-18th Century Naturalistic Animal Prints

Materials

Engraving

Three Figures
Located in Belgrade, MT
This lithograph is part of my private collection. It is limited in edition ,artist signed lower right and is in very good condition. Walter Becker was a German artist. Another impres...
Category

Mid-20th Century Abstract Expressionist Abstract Prints

Materials

Lithograph

Archipelagus Septentrionalis - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Archipelagus Septentrionalis is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas...
Category

1650s Modern Figurative Prints

Materials

Etching

Antique Map - Mare Pacificum - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Mare Pacificum is an antique map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercolorang. Good conditions with slight foxing...
Category

1650s Modern Figurative Prints

Materials

Etching

Message Intime
Located in OPOLE, PL
Wassily Kandinsky (1866-1944) - Intime Mitteilung (Message intime) Etching and aquatint in color from 1925. The editon of 52/300. Dimensions of work: 57 x 45 cm. Monnogramed and ...
Category

1950s Symbolist More Prints

Materials

Watercolor, Etching

Jean in my heart
Located in Brooklyn, NY
This is a reproduction titled Jean in My Heart by Nikki de Saint Phalle, part of her Nana Sculpture series. The piece features a vibrant and styl...
Category

Late 20th Century Pop Art Portrait Prints

Materials

Offset

Jean in my heart
Jean in my heart
$304 Sale Price
20% Off
Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho
Located in New York, NY
Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho Signed and numbered 10/150 in pencil, lower margin. Etching, 13.5” x 9.75”. Framed 21.25” x 17.25”. Pulled in 1975. Belle of 14th Street After two successful television shows on CBS, Barbra's manager, Marty Erlichman told the press, “We don't intend to go to the well once too often. The next special will have other performers. However, Barbra will never become just another hostess for just another musical variety show. Whatever we decide to do in the future shows, she will dominate in a unique fashion.” Barbra’s third television special for CBS and her sponsor, Monsanto, was titled The Belle of 14th Street . In February 1966, shortly after finishing up Color Me Barbra , Streisand and husband Elliott Gould took a second honeymoon in Paris. The trip was financed by her television corporate sponsor, Chemstrand. Barbra told the press, “I’m here to purchase the wardrobe for my next TV special. Cost is no object because my sponsor is picking up the tab.” At that point the theme of her third TV show would be fashion, and Paris offered many couture choices. Barbra was seen at a Dior fashion show wearing not the designer’s clothes, but a jaguar suit and hat she had designed herself. In all, it is said Barbra chose nine Dior outfits at a cost of $150,000. However, Barbra Streisand's third television special for CBS was postponed. In March 1966, Barbra flew to London to appear at the Prince of Wales Theatre in Funny Girl . Shortly after beginning her run in London, Barbra announced her pregnancy. Not only did that cause her concert tour to be abbreviated, but Barbra’s television special was postponed as well. Barbra told the BBC in July 1966: “I also can’t do my third television show, which I was supposed to do here [London].” Returning to the States, Barbra performed four concert dates, and then retired to enjoy the rest of her pregnancy and give birth to her son, Jason, in December 1966. CBS and Chemstrand wanted a new special by the end of 1967, therefore production on the show picked up momentum in March 1967. (Barbra was due in Hollywood in May to begin shooting the Funny Girl film.) The format and theme of the television show had changed, too. Instead of centering on fashion, Barbra’s next special would be situated in a 1900’s Vaudeville theater. “We were all determined that the show not be just a variety format,” director Joe Layton said. “We wanted something different. So we hit upon the idea of restaging a vaudeville performance. All the acts, songs, skits and specialties had to be derivative of the period between 1895-1912.” Barbra’s creative collaborators did meticulous research on Vaudeville — “We even called George Burns in Hollywood and Jack Pearl,” said Barbra’s manager, Marty Erlichman. Entitled The Belle of 14th Street , the new special would allow Barbra to play several different characters but not have to shoulder the burden of carrying another one-woman show—this time Streisand would be accompanied by guest stars: Broadway actor Jason Robards; Vaudeville veteran John Bubbles; and Lee Allen...
Category

1970s Performance Figurative Prints

Materials

Lithograph

Antoni Tapies 'Untitled 210-18' 1974- Vintage Lithograph
Located in Brooklyn, NY
Untitled 210-18 by Antoni Tàpies is a double-page lithograph featured in Derrière le Miroir (DLM) No. 210, specifically on pages 18 and 19. This lithograph, like many in the DLM seri...
Category

1970s Prints and Multiples

Materials

Lithograph

"Thirsty: the appearance of a town geisha in the Ansei era" - Woodblock on Paper
Located in Soquel, CA
"Thirsty: the appearance of a town geisha in the Ansei era" - Woodblock on Paper From the series "Thirty-two Aspects of Customs and Manners" (Fuzoku sanjuniso) Lively woodblock of a...
Category

1880s Edo Figurative Prints

Materials

Paper, Ink, Woodcut

Art nouveau style poster by Lewis Baumer
Located in PARIS, FR
Beautiful art nouveau style poster by Lewis Baumer illustrating the seasons of Spring and Summer Lewis Christopher Edward Baumer is best known as an Engl...
Category

Early 1900s Art Nouveau Prints and Multiples

Materials

Lithograph, Paper

The Muse - Vintage Offset Print after Giorgio Morandi - 1973
Located in Roma, IT
The Muse is an original offset print, reproducing the original watercolor by Giorgio Morandi. Signature by the artist is perfectly reproduced on plate. From the volume "L'Opera gra...
Category

1970s Figurative Prints

Materials

Offset

At the Theatre - Lithograph after H. de Toulouse-Lautrec - 20th Century
Located in Roma, IT
At theatre is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. The artwork is a reproduction of the original artwork realiz...
Category

Mid-20th Century Modern Portrait Prints

Materials

Lithograph, Paper

Pleasure Pier, Clacton-on-Sea - British Seascape Color Photograph
Located in Cambridge, GB
Pleasure Pier, waterscape photograph from Richard Heeps' On-Sea series. Capturing the funfair silhouette at dawn, this pier out to sea could almost be anywhere. This artwork is a li...
Category

2010s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Neil Welliver at O'Farrel Gallery, 1988 offset lithograph poster landscape
Located in New York, NY
Neil Welliver at O'Farrel Gallery poster, 1998 Offset lithograph 24 × 18 inches Unframed This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986. Publisher O'Farrell Gallery, Brunswick, Maine Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery About Neil Welliver: Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning. Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships. By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005. Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others. - Courtesy of Alexandre Gallery
Category

1990s Realist Landscape Prints

Materials

Lithograph, Offset

Andy Warhol Bodley Gallery announcement 1957 (1950s Andy Warhol)
Located in NEW YORK, NY
Andy Warhol Bodley Gallery 1957: A rare, 1950s gallery announcement offset illustrated by Andy Warhol on the occasion of: Andy Warhol Golden Pictures: December 2 - December 24, 1957: The Bodley Gallery 223 East 60th St., New York, NY. A scarce, historical Andy Warhol Pre-Pop illustration; highly collectible. Medium: Double-sided offset lithograph in colors, on wove paper, with full margins, before folding. Dimensions: 12 3/4 x 19 1/2 in. (32.4 x 49.5 cm) Good overall vintage condition. Minor signs of aging & handling. Well-preserved. Unsigned from an edition of unknown. Warhol Foundation annotations in pencil on one side. Provenance: The Andy Warhol Foundation for the Visual Arts, New York. Susan Sheehan Gallery, New York. Private Collection, New York. Literature: Kornbluth: Pre-Pop Warhol, no. 66, pp. 164-165. Further background: Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre. Several of Andy Warhol's earliest exhibitions in New York were at the Bodley during the 1950s, starting with two in 1956. _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories 1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...
Category

1950s Pop Art Figurative Prints

Materials

Paper, Lithograph

Washeteria Looking In, London - Vintage interior photograph
Located in Cambridge, GB
Washeteria - Looking In, vintage interior photograph from Richard Heeps series, A Short History of London. "I discovered this launderette while London was in lockdown during the pand...
Category

2010s Contemporary Color Photography

Materials

C Print, Photographic Paper, Color, Silver Gelatin

GDP Rat
Located in Manchester, GB
Banksy, GDP Rat, 2019 Screenprint on 50 gsm paper 38.5 x 50.5 cm (15 1/5 x 19 9/10 in) (Unframed) Very good condition, the paper has naturally occurring waves from the screen print...
Category

2010s Contemporary Prints and Multiples

Materials

Paper, Screen

William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting Dionysiac Group with satyrs and maenad from an Attic Attic bell-krater. Technique : Copper-line engraving with original hand-colourin...
Category

Early 1800s Other Art Style Figurative Prints

Materials

Engraving

original lithograph
Located in Henderson, NV
Medium: original lithograph. Executed by Hans Erni in 1970 for the "Dames des Décans" deluxe book portfolio. There were 324 copies of the book issued, but this impression was apart f...
Category

1970s Prints and Multiples

Materials

Lithograph

original woodcut
Located in Henderson, NV
Medium: original woodcut. Printed in 1950 for the art revue Derriere le Miroir (issue number 33) and published in Paris by Maeght. Size: 15 x 21 3/4 inches (377 x 553 mm). There is a...
Category

1950s Prints and Multiples

Materials

Woodcut

Tripartite Composition - Original Etching by Cesare Peverelli - 1973
Located in Roma, IT
Image dimensions: 23.5 x 17.5 cm Tripartite composition is an original black and white aquatint, chalcography and etching on paper, realized by the Italian artist Cesare Peverelli (...
Category

1970s Contemporary Abstract Prints

Materials

Etching

Twisted Meat Artist
Located in Hollywood, FL
Artist: Ralph Steadman Title: Twisted Meat Artist Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 15 x 22 Inches Edition: of 250 Year: 2006 Notes: ...
Category

Early 2000s Surrealist More Prints

Materials

Screen

The Umbrellas (Blue) (FRAMED - BLACK OR WHITE - YOU CHOOSE - FREE US SHIPPING)
Located in Kansas City, MO
Christo The Umbrellas (Blue) (FRAMED - either black or white frame - you choose) Lithoserigraph Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches Framed: 20.5 x 20.5 x 2.5 inches Pr...
Category

1990s Modern Landscape Prints

Materials

Lithograph, Screen

The Umbrellas (Yellow) (FRAMED - BLACK OR WHITE - YOU CHOOSE - FREE US SHIPPING)
Located in Kansas City, MO
Christo The Umbrellas (Yellow) (FRAMED - either black or white frame - you choose) Lithoserigraph Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches Framed: 20.5 x 20.5 x 2.5 inches ...
Category

1990s Modern Landscape Prints

Materials

Lithograph, Screen

At the Circus with Dancing Odalisque, 1968 (347 Series, B.1696)
Located in Greenwich, CT
"At the Circus with Dancing Odalisque" is an etching from Picasso's 347 Series, image size 6.5 x 8.75 inches, signed 'Picasso' lower right and annotated lower left and framed in a Sp...
Category

20th Century Modern Prints and Multiples

Materials

Paper, Etching

La Peintre Et Son Modele (B 98), Lithograph by Pablo Picasso
Located in Long Island City, NY
Pablo Picasso, Spanish (1881 - 1973) - La Peintre Et Son Modele (B 98), Year: 1930, Medium: Lithograph on Johannot, Image Size: 9 x 11.5 inches, Size: 12.75 x 19.75 in. (32.39 x 50....
Category

1930s Cubist Prints and Multiples

Materials

Lithograph

Deux Bleus Sur Noir (Two Blues on Black) /// James Coignard French Abstract Art
Located in Saint Augustine, FL
Artist: James Coignard (French, 1925-2008) Title: "Deux Bleus Sur Noir (Two Blues on Black)" *Signed by Coignard in pencil lower right Year: 2006 Medium: Original Hand-Embellished Ca...
Category

Early 2000s Contemporary Abstract Prints

Materials

Engraving, Handmade Paper

Kurt Meyer-Eberhardt (1895-1977) - Framed Etching, Study of a Foal
Located in Corsham, GB
A hyper-realistic etching of a foal's head by the well-listed German artist Kurt Meyer-Eberhardt (1895-1977). This particular print is a restrike produced from the artist's original ...
Category

Early 20th Century Animal Prints

Materials

Etching

Hotel du Nord (Little Durer) 5 Color Silkscreen w/ varnish and stencil Signed AP
Located in New York, NY
Joseph Cornell Hotel du Nord (Little Durer), 1972 Silkscreen in five colors with varnish and stencil additions printed on Buff Arches Paper Pencil signed and annotated Artists Proof ...
Category

1970s Surrealist Abstract Prints

Materials

Varnish, Mixed Media, Screen, Stencil

Les Bleus de Barcelone
Located in OPOLE, PL
Pablo Picasso (1881-1973) - Les Bleus de Barcelone Portfolio of 12 pochoirs from 1963. The edition: 163/500. Dimensions of work: 54 x 41.5 cm Publisher: Au Vent d'Arles, Paris. ...
Category

1960s Modern More Prints

Materials

Stencil

Walking Blindly, For My People, Elizabeth Catlett
Located in Auburn Hills, MI
Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...
Category

1990s Expressionist Figurative Prints

Materials

Lithograph

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